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C.D. Warner, et al., comp.
The Library of the World’s Best Literature. An Anthology in Thirty Volumes. 1917.

The Kinship of the Arts

By Johann Jakob Bodmer (1698–1783)

From ‘Rubens’

WHEN I consider the close relationship of the arts that are represented by the pen, brush, and chisel, I am inclined to think that the manes of these excellent painters and sculptors whose names our contributors have assumed would probably not be displeased with the liberty we have taken. Provided these departed spirits still feel a passionate interest in our worldly affairs, they might wish to instruct these painting writers to follow nature as closely and skillfully with their pens as they themselves had done with delicate brush or chisel. Nature is indeed the one universal teacher of all artists. Painter, sculptor, author, not one can succeed unless he hold counsel with her. The writer who does not respect her is a falsifier, and the painter or sculptor who departs from her is a dabbler. The highest place in art belongs to the writer, for his field comprehends most. With one stroke of the pen he will describe more than a painter can represent in a succession of pictures. On the other hand, the painter appeals more to the imagination, and leaves a stronger impression than description can possibly awaken.