Nguyen 1 Diana Nguyen Tanaka Honors Humanities 01 October 2013 Macbeth & Antigone: Make Me a Man? Feminism is a method of analyzing women’s positions in society by examining the gender role and how/why some behaviors are stereotyped towards a certain gender. A concept of feminism, patriarchy is a male centered and controlled society and is arranged to make women feel inferior to men in every occupation whether it be religion, family, politics, economics, legal or art. Women are then seen lacking in male organ,which is representative of male power and male character traits; they wind up being referred to as objects because of their nonmasculinity and lose their respect as human beings because they are women lacking male …show more content…
. Lady Macbeth wants to acquire males traits because males are seen as ruthless while females are seen as forgiving, so Lady Macbeth asks for masculinity allowing for her to be “cruel” and merciless. Only then can Lady Macbeth commit ruthless acts to gain control of the throne without being weighed down by her femininity. In Sophocles’s Antigone, Antigone announces, “ I am on my way,/ I will raise a mound for him, for my dear brother”(Sophocles 95). Her loyalty, is seen when she breaks the law and buries her brother, who has been deemed a traitor. Although Antigone is merely a woman, who according to gender roles should be submissive and timid, she takes on male traits like willfulness, bravery, and maintaining her own opinions and actions about burying her brother not only against others’ disapproval but also against the King’s law. Antigone is very loyal and family oriented and takes on a male trait so she can bury her brother at peace, while Lady Macbeth shows male traits, simply because she wants to kill Duncan, the king. In this case both Lady Macbeth and Antigone succeeded in doing what they originally sought to do when they acquired masculine traits; Duncan is murdered and Polyneices is buried. The attainment of masculine characteristics of cleverness and manipulativeness, and
In the modern 21sr century, the roles and behaviors expected of individuals remains analogous despite gender. This ideology stems from the preceding movement in equality, which preaches that differences of sex appear insignificant. Despite this notion, there remains distinct differences in the physical and psychological makeups of both men and women. In most cultures, certain duties remain associated with specific genders. With this in mind, Shakespeare’s Macbeth heightens the supernatural evil possessing Lady Macbeth as she condones murder for her own selfish ambition, while in Shakespeare’s time women were regarded as peaceful and full of feminine sympathies. This anachronism with the reality of Shakespeare’s day, illustrates the immense sense of wickedness and abnormality emphasizing her character’s influence on her husband and the plot of the play. In contrast, Macbeth appears to some extent a more acceptable evil due to a greater compliance with the gender standards and moral transition during the Shakespearean era. Shakespeare utilizes numerous literary intentions in order to express these diverse levels of evil to provide an element of depth behind the mental reactions and deteriorations of the characters until their final decease into the complete darkness of death.
In Medieval times women were viewed as innocent beings who must be controlled by the men in their family; however, in Shakespeare’s Macbeth a woman is the mastermind behind the start of several horrendous deeds. Lady Macbeth was a woman with determination. When it was prophesized that Macbeth would be king, Lady Macbeth wished that her husband would immediately be at her side so she “may pour [her] spirits in [his] ear” (1. 5. 25). Lady Macbeth wanted nothing less that Macbeth to be king. In order for Macbeth to ascend to the throne, it needed to be emptied of King Duncan. Macbeth was an ambitious man but he was not evil, he would not commit murder to gain the throne; therefore, Lady Macbeth took it upon herself to see her husband crowned king. By making Lady Macbeth the mastermind behind a murder, Shakespeare disputed the typical role of women which labeled them as innocent and harmless beings.
Antigone essay prompt 1 Rough draft When is it okay to break the law?, the story Antigone by Sophocles is about a girl who struggle over a king`s law to bury her dead brother to please god . King creon stated that the penalty for whom buries polyneices(dead brother) he or she will be “stoning to death in the public square” (PG 190). Ismene sister of Antigone refuses to help, due to her fear of creon law she states that by saying “But you think of the danger”(PG 191). Antigone responds was that she believes that god satisfaction is more important and creon crime is holy “The laws of the Gods mean nothing to you” (PG 192). Subsequently Antigone made her choice to leave and go to bury her dead brother and is ready to suck in the consequences “I'm not afraid of the danger, if it means death”(PG193).
The character of Antigone in Sophocles’ play, Antigone, is one of the most controversial tragic characters in classic literature. The war in her city has torn her family apart, caused the death of both her brothers, and created a reason for her to fight against the King, her uncle. Her uncle, Creon, makes a ruling that her brother, Polynices, is not to be buried because he is a traitor, but according to her religion, her brother’s soul will not go to the afterlife until he is buried. In defense of her brother, she buries his body illegally and is subsequently sentenced to death. With her complex patterns of thought, bold actions, and the end she encounters, the character of Antigone causes debate among critics as to
Lady Macbeth’s desire for power prompts her interest in controlling Macbeth’s actions. This theme of the relationship between gender and power is key to Lady Macbeth’s character: her husband implies that she is a masculine soul inhabiting a female body, which seems to link masculinity to ambition and violence. Although women were often expected during Shakespeare’s time to be modest, humble, and obedient, Lady Macbeth is actually one of the most explicitly and relentlessly ambitious of all the characters Shakespeare created. She is a woman who defies the stereotypes of her culture, which assumed that most women were or should be unambitious. At one point, she wishes that she were not a woman so that she could kill Duncan herself. A character
According to gender theory, society assigns certain roles for men and women. In Shakespeare’s Macbeth, these gender roles play an important part in violence. Both Lady Macbeth and Macbeth appeal to the role of “manhood” as violent and aggressive in order to accomplish the murders of King Duncan and Banquo. Women are portrayed as initiators of crimes and are viewed as devious.So, throughout the play, gender roles provide a means for murders and viciousness.
Antigone is a women with a lot of pride and extremely progressive character considering the day and age the play was written. The play immediately shows that Antigone is shown as a strong independent female character unwilling to bend to even the highest authority figure in the play, Creon. For start her plan is set “But I will bury him; and if I must die, I say that this” (Act 1, Line 55) shows that she is resolute in her actions, even if it must mean death. The dialogue that she has with her sister Ismene makes Antigone Courage and stature even more pronounced by the difference in attitude Ismene has. Ismene is timid and afraid of what would happen to defy Creon decree while Antigone answers to a higher powers which in this case is the gods.
First off, Lady Macbeth is a character very much rooted in ambition. The authors use of masculinity versus femininity furthermore portrays the extent to which Lady Macbeth will go to ensure the success of her plan to kill the King. Her hunger for masculinity is first clearly portrayed through her use of the phrase “come, you spirits that tend on mortal thoughts, unsex me here.” This quote exemplifies her willingness to give up her femininity in exchange for masculine cruelty, which would ensure her success in carrying out the murder of King Duncan. Through this quote, Lady Macbeth directly opposes the Elizabethan expectation of women to be feeble, nurturers of life. Lady Macbeth did not believe that her husband had the means to become a strong
Lady Macbeth is one of the most complex characters of all time. Before King Duncan is murdered, she is extremely ambitious; she craves power and is willing to sacrifice anything for it. In pursuit of her goals, she is traitorous, brutal, and audacious. For example, when she receives a letter from Macbeth declaring that it has been predicted that he will become the next King, Lady Macbeth begins to devise a plan of action to make this prediction come true. A part of her agenda is to murder King Duncan; although she is aware of the negative consequences of this action, she wholeheartedly
Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.
In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the
It is interesting to note the importance of gender in the personifications of evil in Macbeth. Lady Macbeth is as obsessed with her gender as her evil. When she implores evil to "unsex" her, to take her "woman's breasts for gall" she reveals the sense of powerlessness and weakness she feels. Being a woman makes her dependant on her husband for her social
Although not as evil looking as the witches, Lady Macbeth can also be perceived as one. In the same way that the witches sabotage the order of religion and that of society so does Lady Macbeth. She does this by trying to overwhelm her husband and have more power than he does. She also performs several deeds that imply that she is evil and like that of a witch. This includes her challenging her husband’s manhood through attempting to appear and act more aggressive and masculine than he is. This desire for masculinity is expressed when she says: “Come, you spirits. That tend on moral thought, unsex me here, And fill me from the crown to the tow top-full Of direst cruelty” (Shakespeare, 1996), casting
Lady Macbeth wants the spirits to “unsex [her] here” not because she wants to be transformed into a man, but rather she desires the same male characteristics as her husband which are associated with violence. Alfar claims, “If she does indeed transgress her gender to become more manly, therefore, it is because she must do so to reflect—as conduct manuals demand—the bloody desire of her husband (181).
Lady Macbeth’s burning ambition to be queen drives her to the point of insanity. She stops at nothing to gain power and uses Macbeth as the enforcer for her plans. This power is clearly illustrated as her husband follows her command to kill the king of Scotland, she constantly taunts Macbeth bringing him even further under her control. She is quite the opposite of how we generally assume feminine characters to act, and even begs the gods to remove her femininity at one point, “...Come, you spirits that tend on mortal thoughts, unsex me here...Come to my woman’s breasts, and take my milk for gall, you murd’ring ministers...” (Shakespeare 12). As Lady Macbeth expresses her desire to become unsexed, we see the link that clearly exists between masculinity and murder. She believes that since she is a woman she cannot be capable of committing such evil deeds, and her reference to her breasts which is generally linked to the idea of nurture, is called upon in reference to her desire to do quite the opposite. Lady Macbeth presents a very strong character throughout the play, and through her actions a very clear picture of a manipulative wife is painted. Though Macbeth is the one to carry out many of the deviant plans, Lady Macbeth’s role is clearly portrayed as the evil mastermind behind the murders.