Women In Streetcar Named Desire

In the 1950s a male and a female did not share equal responsibility or power in a relationship. As seen in A Streetcar Named Desire the male portrays a role of power and success whereas the female is seen almost as an accessory to the male. The male partner would go to work every morning and the female would stay home, cooking, cleaning, and making sure everything was acceptable for her husband’s return that night. When a male and a female were married in the 1950s the male partner became entitled to all of a female’s possessions, however, she was not granted the same power. This relationship has changed drastically in today’s society. It is no longer common to see this large power gap between the male and female figures in a relationship,

Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has

Throughout history empowerment and marginalization has primarily been based on gender. In the play A Streetcar Named Desire, this idea of empowerment is strongly flaunted. Tennessee Williams’ characters, primarily Stanley, Blanche, Mitch, and Stella, conform the expected roles of men and women at the time. Although World War Two temporarily allowed women a place in the work force, they were dismissed from such empowerment when the war came to a close. Characters in A Streetcar Named Desire are accurate representations of the social historical context of that time. The power struggle between Stanley and Blanche conveys dominant ideas about gender such as the primitive nature, aggression, and

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

Older literary works such as book or plays have always been used as a way for feminist literary critics to understand and examine gender roles portrayed in these books and how much significance is given to the females and to what extent they are shown as victims of patriarchy at the time the book was written. “A Streetcar Named Desire” by Tennessee Williams is a great work for this use of literary analysis. Throughout the book Tennessee uses his play to display the different stereotypical relationships that existed in the era, he critiqued this stereotype and other gender based formalities that were present and or originated in the 1940s.

In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.

The role of women in the 1950 was seen to be repressive and constrictive in many ways. Society placed high importance and many expectations for these women on behavior at home as well as in public. Women were supposed to fulfil certain roles, such as a caring mother, a diligent homemaker, and an obedient wife. The perfect mother was supposed to stay home and nurture so society would accept them. In fact, even if a woman wanted to voice an opinion, her lack of education would not allow it . The play A Streetcar Named Desire is set during the late 1940’s and early 1950’s period where it describes the decline of a fading Southern belle named Blanche DuBois. The women in this play are represented to be dependent and submissive in nature and in addition they are also seen to be manipulative. However, Williams has also portrayed these women to be independent and taking control of the situation. This can be seen through the use of the main characters

From the very title of the novel and beginning poem Levi implores us to consider the essence of what it is to be human, presenting to us the thought-provoking question, if this is a man? Levi this way allows us to engage on an emotional level with the events of the holocaust and examine our own consciences, and as he details in his preface ‘furnish documentation for a quite study of certain aspects of the human mind’, and accuses society of subconscious reasoning that ‘every stranger is an enemy’. In explicit stripping the prisoners depicted in the text of their humanity, making this uncomfortably apparent to us as we are consistently encourage to draw comparisons, or rather contrast, with our own lives and hence are perhaps

The representation of gender roles is among the most prominent recurring subjects in theatre, literature and expressive art as we know it. Gender, and what it means to human beings, is a subject that is as difficult to precisely define as death, race, and the concept of existence. Anne Beall, Ph.D. graduate in Social Psychology at Yale University, details in her book The Psychology of Gender that “Gender is socially defined masculinity and femininity. Social psychology studies how gender is defined, created, and maintained through social influence, especially in the course of social interaction” (Beall; 10). The nature of gender roles is ultimately dictated by temporal, societal, biological and even geographical dimensions that are out of our control and though it is a given that gender as a concept has kept as relevant as it is ancient, there has only been under a hundred years of significant progress or general awareness on the matter. The subject matter of important art in any given time period is a reflection of that society’s most urgent struggles and the topic of gender has remained a constant across human history. The physical and emotional features of characters in art and literature are manifestations of the creator’s perception on subjects such race and gender. The message that a creator seeks to deliver on a topic, determines how they will convey the thoughts,

Within the usage of the intensified dialogue, the characters and the stage directions these attitudes are brought to life. While exploring both the male and female stereotypes we get a close look at society during this time and how people would be treated when challenging these stereotypes. By illustrating these beliefs and concerns that lie within each gender and society, Tennessee Williams effectively allows the readers to critically think if these expectations are accurate and still pursue in society today. It is clear that gender roles have played a major role in several societies and decades, but these strict expectations continue to put intense levels of burden on individuals, relationships and society

Gender roles and expectations have a lot of impacts on our society and it needs to be changed in order to create a better civilisation. Although our society has ameliorated tremendously in the past years, there are still some discriminatory actions among genders that are affecting someone 's life negatively. Any remaining differential between genders need to be changed for a better moral standard of living.

In Tennessee Williams play “A Streetcar Named Desire” madness continues to get progressively worse in the lives of the main characters Stanly, Stella, and Blanche. Because of low self esteem and her delusional thought process Blanche is most affected by the madness. Blanche’s delusional life style leads her to compulsively lie, live a promiscuous life style, and alcoholism. Blanche tries constantly to deal with her own madness, but her delusional mental state is constantly effect by the people around her. Although she causes most of the problems in her life some of her madness is justifiable. By the end of the play Blanche can no longer fight off the madness and is sent to an insane asylum. Even though most of the madness that occurs

Moreover, the relationship between Eunice and Steve demonstrate the domestic aspect of sexism. In the play there is a scene where Eunice and Steve are having a heated argument and things are being thrown, people are being threatened. Steve then ends said argument saying “what do you want in the papers?” leaving Eunice speechless, thus upholding the sexist idea that men hold all the power. This also depicts what happened behind closed doors back then. That is what society between men and women was like back then. Tennessee Williams drew this parallel between the relationship between Stella and Stanley with Eunice and Steve making it so that domestic abuse whether physical or verbal, did exist in everyone’s life.

Especially the American south was an epitome for patriarchal society (90). Women were meant to be inferior to men and had to fit into the “good girl” picture, otherwise they were close to shunned by society. The play “A Streetcar Named Desire”, written by Tennessee Williams in 1947, depicts such a patriarchal society. The main conflict is between the protagonists Blanche DuBois and her brother in law Stanley Kowalski, which ends with Blanche being admitted into what seems to be a mental facility. I will argue that the patriarchy, which is especially represented by Stanley Kowalski, is the cause for the mental destruction of Blanche. In order to do so I will first elaborate what is actually meant by the term patriarchy. Then I will try to explain how Stanley Kowalski can be seen as an epitome for a patriarchal man and how he fits into the attributes attached to such. In the second chapter I will try to define the role a woman had in the patriarchal society of the 1950s and to whether Blanche DuBois fits into it or not. Last but not least I will attempt to connect the dots and show how Stanley, as the representation, and the patriarchy itself lead to Blanche’s mental

The setting of the play which takes place in the early twentieth century has established the theme that women have been looking down by men. ‘Trifles’ that is used as the title of the play has further foreshadowed the theme of the play in which discrimination of women will happen in the play. During the investigation of Mr Wright’s death, the men that involved in finding out the murderer have despised