Two Frida Kahlo

There is ongoing speculation that Frida Kahlo would have never came to be as well known if it wasn’t for the marriage to another Famous Mexican painter Diego Rivera. Although both had different styles of painting, Frida Kahlo was being rediscovered by many particular women because a lot of herself inflicting paintings connected to a big audience of feminists. After living under the shadow of her husband she was becoming even more famous than Diego Rivera. Frida Kahlo experienced a lot of adversity throughout her entire life. Many of the events she experienced reflected all of her art work. In order to understand who Frida Kahlo was, it is important to understand first, about her accidents , second, her relationship with Diego, Lastly, her Art

At one point or another, we all have been exposed to unconventional woman in art who has been more recognizable by her signature unibrow and flower headdresses. This woman is known as Frida Kahlo, a well known Mexican American surrealist artist who went through many struggles in dealings with a challenging upbringing in a time of revolution and a lifetime of pain. But with a challenge, there is also strength. Kahlo possessed many strengths that allowed her to prevail against these factors that went against her and become an icon in art.

In the painting of “The Two Fridas” you automatically notice two women sitting down in a bench, holding hands with hearts connected with each other. The background looks as if she was outside since it looks like clouds and the floor is light brown. The first Kahlo has her hair up, has light makeup on, (she is whiter than than second woman, her mustache is shaved, and she put some lipstick.), the dress is white and has two different designs on top (her chest is more vintage while the arms are layer of laces). The middle portion of her dress has blood stains dripping downwards. Then at the very bottom there seems to be flowers like roses and little birds, and the heart she has seems to be damaged with white and black inside. The second Kahlo also has her hair up, now she doesn’t seem to have any type of makeup (she is a bit tanner than the first woman and she actually has mustache) she has a more natural look, the dress she is wearing has color to it, the top of the dress is blue with some yellow around the neck, arms, and in the lower stomach area then on the bottom of the dress it is brown but the very bottom is simple with no flowers, it is white with frills, and the heart she has looks more of a realistic. For the first Kahlo the blood vessels are going around her arm, up her shoulder, and around her neck going towards the second Frida heart. Once the blood vessels reaches

Frida Kahlo, she never intended to become a painter. Kahlo was aspired to become a doctor as a young woman, but after a horrible accident at the age of 18, it left her mentally, as well as physically scared for life. This event had totally changed her life forever. The theme in almost all of Frida’s painting was her own life. Her paintings were based on events took place during her lifetime. As we can see in many of Frida’s paintings, especially in her self-portraits, it expresses her own personal emotions along with feelings about an event that happened in her life, such as her physical condition, her lack of ability to conceive children of her own, her ideology of life and nature, and most important of all, it was her unstable relationship with her husband Diego. Somewhere between the movement of surrealism, realism and symbolism in the art of Frida Kahlo, she was able to bring out tenderness, femininity, reality, cruelty and suffering within her paintings.

To have to change and adapt to new lifestyles is a very difficult task which is why many immigrants would favor their own cultures. This can be shown in Frida Kahlo’s Self Portrait Along the Boarder Line Between Mexico and the United States. In this painting, it shows the United States as dark and vacant of life while Mexico is filled with flowers and sunlight. Within the painting is Frida Kahlo holding a Mexican flag representing her loyalty to her native country. The painting also shows Frida standing on the border of Mexico and America.

Frida came to Diego one day and asked him to see her painting and upon him noticing her talent he would stay close to her. Frida never having anyone support or be there for her fell madly in love with Diego Rivera, a known painter for his work during the Mexican mural movement. Despite her parents disapproval the two would get married and live together for a long time. Frida before finding out about his secrete affaires, would paint portraits such as " Diego on my Mind" which when analyzing one can see how obsess she had become for her lover Diego. In this particular portrait Frida is wearing the traditional Tehuana costume that Diego greatly admired and loved, while wearing leaves as a crown and Diego's head of her forehead. She wore the Tehuana costume to entice Diego closer to her and when paying close attention one can see that the roots of the leaves make a sort of spider-web in which one can only assume she will catch and hold her lover in. There is no doubt that Frida was obsess with Diego and nothing would take him out of her mind, not even when he was known as a

Born the 6th of July in the year of 1907, Magdalena Carmen Frieda Kahlo was raised in a world with emerged with the cultures of German and Mexican. It was with the cultural influence of her heritage and altruistic qualities and values adapted from her parents, that at a very young age had an impact on Frida Kahlo, and a perpetuate influence on her future work and lifestyle. Her father, Guillermo Kahlo born in Pforzheim, Germany, was noted to have inspired her natural admiration and talent in the art of painting as he himself was a renowned professional photographer at the time. From Guillermo Kahlo, Frida singlehandedly learned and implemented her distinguished techniques in her paintings such as the “bizarre imagery along with her linear style [that] was reminiscent of Surrealism” and could compare to the painting style of “Salvador Dali” (Beaver). Kahlo’s relationship with her mother, Matilde Calderon however, impacted her work and lifestyle in a complete distinctive manner in comparison to that of her father’s influence. Despite the aid, care, and creative attention her father granted her, Maltilde withdrew herself from Frida as her caretaker, as she

More than 60 years have passed since the death of Frida Kahlo, a Surrealist Mexican painter. Frida Kahlo’s many talents were overshadowed by her husband’s fame during the course of her life. Yet, it wasn’t until her death and the early 1970’s where Frida’s artistic effort started to surpass that of her political and creative husband. Her biography is both depressive and particularly interesting. Many of her private moments and experiences are shared in her greatest pieces of art. Some of those valuable masterpieces contain her cherished possessions, in addition to them being the things that established her popularity and appreciation among distinct genders, cultures and ages around the world. Knowing this, it was in my interest to devote some quality time and effort to this woman whose life immediately captivated my attention and inspired me to understand and endure life as a woman.

Frida Kahlo, who was an amazing self-portrait artist, was born during the Mexican revolution. She used her Mexican heritage to paint herself always keeping a tight grasp on her national identity. In order to understand Kahlo and her paintings the historical and political factors that she lived in must be taken in to consideration. Frida’s works of art reflect her life experiences, physical and emotional pain that she felt throughout her lifetime. Frida also utilizes her personal life, health and sometimes even social affairs to relate to her Mexican culture and politics. Kahlo’s paintings are very powerful and relevant to Mexican nationalism and her political views in the social, cultural, and political aspects of Mexico.

The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.” Frida Kahlo was a Mexican artist who has achieved great international popularity and is still admired as a feminist icon. Frida began this painting in August of 1940, the year she and Diego divorced, but didn’t finish it until 1943. “Her paintings tell stories – intimate, engaging, terrifying, and tragic ones.” This painting expresses Frida’s desire to possess Diego Rivera, who continues to betray her with his affairs with other woman.

Mexican artist Frida Kahlo’s fame only grew larger after her death, bringing her art as well as her personal life into museums, books, and also movies. Through her life Kahlo dealt with various illness, tumultuous relationships, and was even involved in some political movements. Consequently, her art was influenced by all the experiences as seen and felt through her own eyes and flesh.

Frida Kahlo is a celebrated Mexican artist that came from a multi-racial background. Her heritage and other pivotal moments in he life would later be portrayed in many of the fifty-five self-portraits she would paint during her life. Kahlo began painting while in bed recovering from a bus accident that not only left her in a body cast for three months, but with never ending pain throughout her life. Kahlo would begin to pursue the selling and exhibition of artwork. This lead Frida to seek out painter Diego Rivera, hoping that in him she could find a mentor and guide into the art world. They married in 1929 and so began a tumultuous marriage full of infidelities and heartache. Much that happened during their marriage would become subject matter for her painting later deemed part of Surrealism. “Though not an official member of Surrealism, Kahlo's bizarre imagery along with her linear style was reminiscent of Surrealist” paintings, she is often said to be a surrealist painter, through she did not identify with the movement herself. (theartstory.org) After a live of loss, martial owes, and pain, Frida died in 1954, at the age of forty-seven, leaving behind a legacy of painting that spoke volumes concerning her emotion and state of

Frida Kahlo's influence still lingers around the world. Even with Frida dead for almost two decades, she is still celebrated and thought of as an idol. Frida Kahlo was an artist in many different ways. Besides Frida's incredible talent to paint surrealist thoughts and emotions on canvas, she also was and artist in her mind and body. Frida's attire of traditional Mexican clothing, which consisted of long, colorful dresses and exotic jewelry, and her thick connection eyebrows, became her trademark. To the public, Frida Kahlo appeared to be full of spirit and joy. She walked through life happily, with a smile glued to her face. However, her feelings of anguish, anger, unhappiness of her painful miscarriages, and

Frida Kahlo is a world-renowned Mexican painter known for her shocking self-portaits filled with painful imagery. Her artwork was seen by many as surrealist and socialist, but she refused the labels put on herself. Until today, her works have been able to exude the same playful and wild feel as before (Fisher n.p). Her legacy as a painter has attracted prominent people like Madonna who has confessed her admiration for the painter. Not only that but fashion designers are frequently inspired by her iconic Tijuana dresses while her paintings have been priced at more than three million dollars (Bauer 115).

Since Frida spent most of her time in hospital beds, she used that time to create paintings that documented the major events in her life. In 1937, Kahlo created My Nurse and I, in this painting, a nurse with a mask covering her face has in arms a baby with an adult face of Frida. The backstory of this painting is that Frida’s mother due to complications couldn’t breastfeed her. Her family hired a nurse to breastfeed her. This eventually affected their relationship because she never felt a bond with her mother. There are no connections between her and the wet nurse, you can tell the distance between them, there is no love in this painting. It implies Frida’s feelings of loss and separation form her own mother. In 1940, Frida painted Self Portrait with Thorn