Love and Bloodshed
The ancient Greeks somehow linked together two aspects of life that seem to be exact opposites. Love and war, as Aphrodite was the mistress of ares, the god of war. In the play “Antigone” one of a trilogy, Antigone wishes for nothing more than to bury her deceased brother: However, that is the one thing her uncle, Creon, wants the least. There is a clearly defined relationship between love and war in Antigone, and it is a rather toxic relationship. In the play, the reader observes multiple views on a spectrum. On one end is Law (war, or result from the war between the two brothers), on the other is love. Creon obviously believes in the beginning that it is every man for himself, Antigone believes that family comes before the law, and Ismene struggles between the two.
On the law side of the spectrum is where we discover Creon. Creon was the uncle of the children of Oedipus, but when Oedipus’ sons killed each other in battle, Creon became the king. A question is imposed, did Creon want both of his own nephews to die so he would be able to assume the throne and take power? This would be viewed as morally incorrect by most and convinces the readers more than he puts law over family. The reader also observe this when he forbids a burial of Polynices, Creon states “Polyneices I say, is to have no burial: no man is to touch him or to say the least prayer for him; He shall lie on the plain, unburied; and the birds and the scavenging dogs can do
The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the
In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.
Antigone is a Greek tragedy written by Sophocles. Tragedy is defined as an event causing great suffering, destruction, and distress. The story begins with a death and ends with a death, and Sophocles does an excellent job employing many different types of ways to include fear and pity and this brings the tragedy alive. Especially with the fear of death when is abundantly rampant throughout the entire play. Although, written around 442 BC, it is just as well applied now as it was then.
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon
Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are
Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be
The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them
Family is very important and is shown through many ways in society. That family will often be more important than the authority or law. Within the play Antigone, Sophocles shows many situations where the characters are forced to choose between law or family. Throughout Antigone, Sophocles proves his strong devotion to family, even more. Sophocles shows this through the actions of Antigone, Creon and Haimon and the choices that they make throughout the play.
Power is like a virus, once it gets to one’s head, they’re corrupt. In Sophocles’ Antigone, both of Antigone’s brothers killed each other at war for the throne of Thebes. Creon, the new king, only honors and buries one, Eteocles. Creon bans anyone from burying the other brother, Polyneices but Antigone decides that she will in order to honor her brother. Creon gives two speeches, one about how he’s going to rule and how he forbids anyone from burying Polyneices, and another about bribery and how money corrupts people. He says that money is the reason someone has betrayed him by burying Polyneices. In Antigone, Sophocles uses the characterization of Creon to reveal the negative effects in the development of power.
Universal themes that are outside of time and space, but are rather applicable to human nature itself, are a key element in Greek tragedy. Antigone has a clearly defined theme of family versus state. In Sophocles's tragedy, he depicts the conflict of Antigone wanting to save her family from dishonor against Creon's obsession with law and civil order. Antigone is portrayed as a headstrong and close-minded woman who is determined on following the rituals Greek gods expect upon death by burying her brother, Polynices. Her sister, Ismene, warns her multiple times to pay her loyalty to the state, especially since they are women and cannot strive against men. However, Antigone wishes to create and live by her own rules. She buries her brother without feeling she owes any obligation to the law. On the contrary, Creon is shown as a very prideful man who eventually brings his own destruction upon himself. He believes his word is the law for he was appointed by the city.
Theme is a central idea or message in a work of literature. Theme connects with all events of a story, however, it is not the moral of the story like many may think. Theme is interpreted by the reader. In other words, the theme is just almost every aspect of a story. For example, theme needs characters, protagonist, antagonist, conflict, and speaker to analyze what theme is in a story. The equation for theme is character + conflict and resolution = theme. The story of Antigone for example has many themes. Antigone is the story of a young girl, who's purpose is to honor her brother Polyneices in a burial. Both of her brothers killed each other, however Eteocles, her other brother, fought for the city and got an honorable burial, while Polynieces,
Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king
Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.