Stillness is the Sleep of Swords “She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston, 25). This statement expresses the sixteen-year old’s journey to find herself during a time when many African American woman struggled to find their role in society. Born in Notasulga, Alabama, in 1891, author Zora Neale Hurston moved to Florida at the age of ten to the first incorporated all-black town in the country. Hurston also lived in Harlem, New York as it was undergoing a cultural renaissance known as the Harlem Renaissance. It was a time when political and social leaders were demanding equality for African Americans. Their Eyes Were Watching God was written in 1937 when few writers took …show more content…
So this was marriage (Hurston 11)! There is a sexuality connection between her admiration with the pear tree as well as an idealized view of nature. The tree is a source of inspiration to find love as well as demonstrates the three stages of her life to “demonstrate her growth from innocence to experience to organized innocence.” A search for love is the major theme throughout the novel. The tree represents the stages of love and growth throughout Janie’s life. “Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches” (Hurston 13). During the quest for love, Janie finds that love comes in different forms with different people. In the end, she ends up finding the love for …show more content…
Hurricanes carry powerful energy and suggests a powerful shift in Janie’s life. It is destructive but may also signify the sweeping away of something in life and will bring change. This is precisely what took place as Janie and Tea Cake run from the storm. As the Indians and animals relocated east to safety, they both decide to stay despite the warnings. “Dis time tuhmorrer you gointuh wish you follow crow” (156) foreshadows the impending disaster. The storm brings with it a dog with rabies who bites Tea Cake. After a month without treatment, Tea Cake dies. With the demise of Tea Cake, Janie feels her life is ending as well. “Well, she thought, that big old dawg with the hatred in his eyes had killed her after all” (178). The theme that ties in with the hurricane is mortality. It proves to be a sharp contrast from the pear tree which brings the promise of life and love. The final symbol represented are eyes. It is assimilated in the text in a few ways. Not only is it in the title, but is also represented in the eye of the storm and the way Janie is judged by others. women stared and men noticed her. As they bunkered down during the storm, “six eyes were questioning God” (159). What would be their fate? When would the storm pass? Due to her light skin color and straight hair, Janie perpetually draws attention from both men and
Their Eyes Were Watching God by Zora Neale Hurston in 1937 was written during the time of the Harlem Renaissance, also known as the New Negro Movement. The New Negro Movement came about as a rejection of the racial segregation between blacks and whites. The black women felt this effect of racism more acutely than the black man. For centuries, Black women have been called the “mule of the world” and had been giving the status of inferior to white and the black man. Their Eyes Were Watching God encloses many elements of both racism and sexism. It is a story set in central and southern Florida. It follows the novels protagonist Janie in her search for self-awareness as she goes through three marriages. Elizabeth A. Meese has argued that one of
The mood of the speaker changes to guilt as the speaker and her mother realize they would "crawl" with "shame" and leave an "emptiness" in their father's heart and yard. The author negatively connotes "crawl," "shame," and "emptiness" to invoke a more serious and shameful tone. The beginning of the conveyed a more matter-of-fact and pragmatic tone, but changes into a more sentimental one by the end to convey family is more important than the money. The symbol of the tree represents the family, and connects it to their father's hard work and dedication to the family. If they were to cut it down, it would be symbolic of their betrayal. Imagery of the tree is used to describe the freedom and beauty of the tree as it "swings through another year of sun and leaping winds, of leaves and bounding fruit." The tree represents their family bond and how strong it is even through the "whip-crack of the mortgage."
The diction in the excerpt is an essential component to the dramatization of the plot’s central incident. Jewett uses rich language to intensify the simple nature of the main character Sylvia’s journey up a “great pine-tree.” For example, in describing the tree, the narrator uses personification as he mentions the “huge tree asleep yet in the paling moonlight.” The use of personification harkens back to those universal moments in childhood in which everything alive had human feelings, and creates an emotional attachment between the reader and the tree. Jewett also uses other figurative language, like similes, to relate the grandeur of the tree to the audience. She writes, “It [the tree] was like a great main-mast to the voyaging earth…” In comparing the tree to the great mast of a ship, the author invokes feelings of awe at its size.
The seasons in the poem also can be seen as symbols of time passing in her life. Saying that in the height of her life she was much in love and knew what love was she says this all with four words “summer sang in me.” And as her life is in decline her lovers left her, this can be told by using “winter” as a symbol because it is the season of death and decline from life and the birds left the tree in winter. The “birds” can be seen as a literal symbol of the lovers that have left her or flown away or it can have the deeper meaning that in the last stages of our life all of our memories leave us tittering to our selves.
The pear tree is her inspiration and her first true desire. She longs to bud and blossom, like the tree, and cannot wait to discover herself and all the wonders of the world.
The pear tree experience, along with her Grandmother’s words to her, help Janie determine her expectations for her future relationships. The pear tree experience establishes the feeling she seeks for the rest of her life, as she wants just as intimate of a relationship as the bee and the flower. Janie’s grandmother’s initial goals for Janie are inscribed in Janie’s original ideals, even though she denies it. Her grandmother’s original intent by marrying her off to Logan, besides for her safety, was to find her a way out of the working life, and into one where she would be allowed to relax, and escape the life of toil that both Leafy and Nanny suffered through. While Janie
Topic 2: Compare/contrast Janie in Hurston 's Their Eyes Were Watching God & Edna in Chopin 's The Awakening in terms of conformity within a male-dominated society. (four page minimum)
In the beginning, the pear tree symbolizes Janie’s yearning to find within herself the sort of harmony and simplicity that nature embodies. However, that
Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.
In both Zora Neale Hurston’s short story “Sweat” and novel Their Eyes Were Watching God, the focus is on women who want better lives but face difficult struggles before gaining them. The difficulties involving men which Janie and Delia incur result from or are exacerbated by the intersection of their class, race, and gender, which restrict each woman for a large part of her life from gaining her independence.
Trees and plants represent life in the novel which ties into the overarching theme of the dehumanization that comes from slavery. Many of the characters in Beloved have been subjected to awful events causing them to feel as if they were worse than animals. Because of this, many characters look to the beauty of nature and trees in particular, to help them heal from their time in slavery. For example, Baby Suggs decided to preach in a place called The Clearing, which is surrounded by tall trees. "In the Clearing, Sethe found Baby's old preaching rock and remembered the smell of leaves simmering in the sun, thunderous feet and the shouts that ripped pods off the limbs of chestnuts. With Baby Suggs' heart in charge, the people let go." (Morrison 94) Another example of trees bringing healing to the characters in the novel is the arrival of Beloved. “A fully dressed woman walked out of the water. She barely gained the dry bank of the stream before she sat down and leaned against a mulberry tree.”(Morrison 60) This tree represents a chance at a new life for Beloved and also offers Sethe a chance to heal. Ever since killing her child, Sethe has been haunted over her decision and she is finally able to confront her past with the appearance of
Many people believe that this mimics Whitman's life. Living in a life of social separation much of the time, he still managed to succeed not only with his writing, but also in life itself. However, in line five Whitman goes on to say that he wonders how the tree could grow such joyous leaves while being alone. He himself says that he could not survive if put in the same situation. Whitman did however lead a joyous and happy life in many peoples opinion, even though he did not enjoy the social life many other had during his lifetime. His own opinion of himself not being lonely may be frayed in order to spare the image he proposes to the public in his writings. The next few lines are interesting because of the way they could possible spell out Whitman's life. In the poem, he breaks of a twig, wraps some moss around it, and takes it to he room and places it in plain view. This may parallel his life by way of his memory. The twig may represent pieces of his memory that were enjoyable to him. He then takes the twig and places it in his room signifying that he wants to be able to constantly see those fond memories. Again Whitman replies by saying he did not do this to remind him of his friends, but in reality he may have just said this to help keep a good report with his readers about his lifestyle.
Golding uses the fire that the boys build to represent hope in his book. Dickinson similarly uses the lamp in her poem to represent hope. In both cases the lights goes out in the end which represents the disappearance of hope and good in people. Dickinson uses a tree as a symbol for the fight that the bravest people put up against evil. Because they won’t allow themselves to adjust to the darkness and become a part of it they can’t see and consequently run into things. Golding uses a similar symbol to represent the fight that the boys put up in the book. The storm in the book moves in slowly and then all at once. This represents the fact that even though some of the boys are trying to fight the darkness it is slowly but surely gaining on them before eventually taking
As she is developing, she is tantalized by the societal norms he represents. She is ready to give up the backwoods (a symbol of herself) for all he (a symbol of society) has to offer. Convinced of that, she sets off to find the secret of the elusive white heron and in order to find the heron, she had to climb to what was literally the top of the world for her, the top of the pine tree. The world from the top was different than the city and it was different from the woods at ground level. From the top her perspective about the world changed, it was vast and awesome, and she understood her place in it more than before. She understood it to mean more than to sacrifice her own self for the gifts this man had to offer that were tantalizing but incapitable with her personality and true self.
Mr. Nilson admires the small tree and the song the blackbird singing. But he cannot still find the right words to describe his experience since it is too outside the norm of his life. Therefore, his mind cannot take pleasure in it wholly. Just as he is having this difficulty, his neighbor Mr. Tandram comes out. Mr. Tandram is also a businessman experiencing the same worrying symptoms as Nilson's. Although Mr. Tandram is Nilson's next-door neighbor, they have never known each other. The men are absolutely fascinated by the tree's natural beauty. The tree explains that there are more things in life than work and money. It seems as if they are leaving their tedious and complicated business lives for a short time when Mr. Nilson and Mr. Tandram stops for a few moments with the aim of recognizing how the Japanese Quince is a natural