According to leading psychologist Abraham Maslow and his Hierarchy Of Needs model, human beings have a variety of needs that must be met before they progress. The need to be included and belong to a group is second only to the need for safety and food and water. If this need is not satisfied, the chronic anxiousness developed from wanting to be included could cripple success in correctly choosing between the decisions and judgements of daily life. This anxiousness is prevalent in literature and is expressed as fear of not belonging and become a social outcast. This fear of not being accepted into a population causes conformity, behavior that adheres only to accepted standards, which ultimately inhibits social progress.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, the main character , Janie, is forced to conform with the accepted standards of society and marry a man who has amassed wealth and land. Janie is told by her elders that she must get married. Her grandmother, who takes care of Janie, has found a suitor that would be “appropriate” for Janie. Although Janie wants to marry somebody that she loves, she is forced into the mold that was accepted by her society as what would be a good marriage. Because she had been raised up to never break away from the social norms of her town, she is taught to believe that “... she would love Logan after they were married. She could see no way for it to come about, but Nanny and the old folks had said it, so it must
Contemporary novels have imposed upon the love tribulations of women, throughout the exploration of genre and the romantic quest. Zora Neale Hurston’s Their eyes were watching God (1978) and Virginia Woolf’s Mrs Dalloway (2000) interplay on the various tribulations of women, throughout the conventions of the romantic quest and the search for identity. The protagonists of both texts are women and experience tribulations of their own, however, unique from the conventional romantic novels of their predecessors. Such tribulations include the submission of women and the male desire for dominance when they explore the romantic quest and furthermore, the inner struggles of women. Both texts display graphic imagery of the women’s inner experiences through confronting and engaging literary techniques, which enhance the audiences’ reading experience. Hurston’s reconstructions of the genre are demonstrated through a Southern context, which is the exploration of womanhood and innocence. Whilst Woolf’s interpretation of the romantic quest is shown through modernity and an intimate connection with the persona Clarissa Dalloway, within a patriarchal society.
Companionship is a fundamental necessity for human beings to function. People thrive off of social interactions and without companionship, loneliness and alienation would prevail. Everyone wants the same things in life which are love, social acceptance and companionship, in the hope that once these things are obtained one will feel complete. In the novels Their Eyes Were Watching God by Zora Neale Hurston and Of Mice and Men by John Steinbeck, readers witness the characters struggle to find their identity while also trying to meet the need for partnership. In the novel Their Eyes Were Watching God, readers see the main character Janie, grow as a women while showing that marriage does not always mean love and that until
Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,
Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.
In the late nineteenth century, the New Woman time period emerged after World War I. Women began to cast away the domestic stereotypes and they became “independent [women] who [sought] achievement and self-fulfillment beyond the realm of marriage and family” (Miller 1). Straying away from the typical image of women staying and maintaining the home, women started attending universities, receiving professional jobs, and becoming involved in politics (1). The transition of women from the domestic sphere to the public sphere is a notion Zora Neale Hurston uses in Their Eyes Were Watching God. Hurston’s use of dominant characters in society reveals her theme that experiences and relationships are the roots of finding independence and identity despite the obscurity caused by sexism.
In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).
“I’m a woman…Phenomenal woman, that’s me.” This quote from Maya Angelou’s poem “Phenomenal Woman” characterizes the common theme between the novel, Their Eyes Were Watching God, by Zora Neale Hurston, the speech, “Ain’t I a Woman”, by Sojourner Truth, and “Phenomenal Woman”. The common theme between these three different pieces is the idea of a strong, independent woman, which ties into feminism and the concept of being equal to men. Even though these three pieces are each diverse genres, they are all conveying the same general theme in their own way. Throughout any of these texts, it is evident that the authors are pushing the idea that a female is not inferior to any man just because they have a different body structure or a different gender.
In 1937, upon the first publication of Their Eyes Were Watching God, the most influential black writer of his time, Richard Wright, stated that the novel "carries no theme, no message, [and] no thought." Wright's powerful critique epitomized a nation's attitude toward Zora Neale Hurston's second novel. African-American critics read a book that they felt satisfied the "white man's" stereotype of African-American culture and the humor which Caucasians saw in that prejudice. However, those critics and most of America overlooked the wonderful use of imagery, symbolism, and thematic application of one African-American female's journey into womanhood and
In 1937, Zora Neale Hurston spent seven weeks in Haiti writing what would become her most well-known and acknowledged piece of work. Their Eyes Were Watching God was born on September 18th, 1937, in New York. The novel told a hopeful tale of a woman finding a secure sense of independence and identity in the 1920s. Janie Mae Crawford is the protagonist of the novel. She knows family only in the form of her grandmother, who she refers to as Nanny. Each relationship that Janie is involved in blooms and withers away like the pear tree that symbolizes Janie's life.
In Their Eyes Were Watching God, by Zora Neale Hurston, the reader is given a particular glimpse into Janie's life with reference to the men she has known. Janie's three men are all very different, yet they were all Janie's husband at one point in her life. Although they all behaved differently, in lifestyle as well as their relationship with Janie, they all shared certain similarities.
Love is something that everyone hopes to find at some point in their life. On the journey to find true love, we may find that love can come in many different forms. Few people ever find the kind of passionate love that seems to exist mostly in fairytales. The main character in Zora Neale Hurston’s Their Eyes Were Watching God, Janie, spends most of her life in search of that same genuine, unpretentious fairytale love; a love that she compares to the marriage between bees and the blossoms on pear trees. On her journey to find that kind of love, Janie discovers that there is more than one way to love someone.
In the novel Their Eyes Were Watching God, by Zora Neale Hurston a young girl named Janie begins her life unknown to herself. She searches for the horizon as it illustrates the distance one must travel in order to distinguish between illusion and reality, dream and truth, role and self? (Hemenway 75). She is unaware of life?s two most precious gifts: love and the truth. Janie is raised by her suppressive grandmother who diminishes her view of life. Janie?s quest for true identity emerges from her paths in life and ultimatly ends when her mind is freed from mistaken reality.
In order for an individual to effectively rebel against an established society, he or she must maintain some degree of power. If leaders or majority groups intend to revolt against an aspect of society, they simply speak or act against their issue. A member of marginalized group does not have the liberty of rebelling so directly, as he or she would be immediately isolated. In addition, taking a stand through an unappreciated aspect of one’s status in society would be futile. Therefore, an individual must find his or her value to society and utilize it as their method for rebellion. This is exemplified in both Their Eyes Were Watching God by Zora Neale Hurston and The Scarlet Letter by Nathaniel Hawthorne, as women rebel against society without using their voices. The main characters, Janie and Hester, defy gender roles through external appearances, maintaining silence, and accepting sexuality. Both Hawthorne and Hurston reveal society’s value of women’s external persona through female characters’ nonverbal rebellion.
Throughout history, the aspiration to accomplish one’s dreams and gain self-fulfillment has been and continues to be prevalent. Consequently, one’s reactions to the obstacles propelled at them may define how they will move forward in search of achieving their goals. Reaching one’s full potential is certainly not an easy conquest. Zora Neale Hurston, an especially noteworthy African American author, uses her astounding piece of literature, Their Eyes Were Watching God, to illuminate the path to discovering what is truly valuable in life. She uses the character, Janie Woods, who endures some of the greatest hardship imagined to elucidate the ways in which hindrance, although discouraging, only makes one stronger. Accordingly, Hurston argues
In the society and world we live in we all want to be accepted and feel like we belong. Zora Neale Hurston goes through trials and tribulations as being a twenty-century African American such as slavery and feeling like she belongs. Imagine every time you think you are finally happy with whom you are and it turns out that wasn’t the case. In Their Eyes Were Watching God Janie embarks on journey in search for her own identity where each of her three husbands plays an important role in her discovery of who she is.