The Sound and the Fury Essay

At the beginning of the short story, Faulkner does not elude too much to the coming events in the story. Perhaps our first clue of things to come, comes from this text on page 90

As it seems, this literary piece might be very complex to get a conclusion from. Personally, I think Faulkner wants his readers to debate about this. While I was reading “Barn Burning”, I noticed that the author does not give specific resolutions to the problems he

William Faulkner elected to write “Barn Burning” from his young character Sarty’s perspective because his sense of morality and decency would present a more plausible conflict in this story. Abner Snopes inability to feel the level of remorse needed to generate a truly moral predicament in this story, sheds light on Sarty’s efforts to overcome the constant “pull of blood”(277) that forces him to remain loyal to his father. As a result, this reveals the hidden contempt and fear Sarty has developed over the years because of Abner’s behavior. Sarty’s struggle to maintain an understanding of morality while clinging to the fading idolization of a father he fears, sets the tone

William Faulkner uses imagery to represent Miss Grierson’s confrontation to change by vividly describing her appearance. With the description given of Emily, readers might conclude that it symbolizes her inability to change. He describes

    Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis.  This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters.  Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information

The theme of William Faulkner's Barn Burning is Colonel Sartoris Snope's desire to break away from the oppressive conditions of his family life. He is pulled between his family and his morality. In this essay, I will discuss Sarty's struggle between the two sides of his conflict and the point at which it becomes resolved.

This renders the tone more one of reminiscence and, if Faulkner's narrator is not as grandiloquent as Poe's, he nonetheless paints vivid pictures, as in his description of Emily later in life: “She looked bloated, like a body long submerged in water, and of that pallid hue” (Faulkner 3). What may be most interesting in the differences of narrator tone, however, is how each underscores the thrust of the story. Poe's extreme voice works to build up to a disturbing conclusion of murder; the exaggeration of Montresor's tone conforms to the trajectory of the story. With Faulkner, understatement is the key. His story ends as dramatically, if not more so, than Poe's, and the effect of the revealed necrophilia is amplified by how moderately the narrator conveys the tale.

Faulkner proves us that it is impossible to sruggle with one's own heart . The moment when Sarty decided to choose morality over the blood pool and warned the de Spain's revealed his true character. Though this meant the death of his

Loyalty is a powerful force. Oftentimes it blindsides us and causes us to support things we would not normally. Even do things that we despise. William Faulkner’s Barn Burning illustrates just such a case. Presenting a young boy’s progression from a loyal child, to an independent man as a conflict of loyalty and morals. This boy, Sarty, battles his own forming morals versus his father’s decisions, which leads to his development from child to adult. Faulkner writes his characters progression in five stages: blind loyalty, repressed disagreements, open questioning, and attempted reasoning with his father, before finally taking action to contradict his father.

Faulkner continues his southern gothic writing style when the story goes back to an earlier time in Miss Emily’s life. Faulkner

Change is an integral and endemic aspect of social structures by which societies develop, progress, climax, fall, and end. With change invariably comes a loss of conventional and previously necessary values. To witness firsthand the loss of values can be a shocking experience to the traditionalist. The character of Quentin in William Faulkner’s The Sound and the Fury is one such character.

In conclusion, William Faulkner’s stories deal with a plethora of human problems, while at the same time they focus on social conflicts and misunderstanding. In, “That Evening Sun” this can all be clearly seen, as he focuses on one of the most urgent problems of that

There are several ways in which William Faulkner's short story "Barn Burning" is indicative of literary modernism. It depicts a relevant historical period and is part of the frontiersman literary tradition (Gleeson-White, 2009, p. 389). The author utilizes a number of purely literary approaches that were innovative for the time period in which the tale was originally published (in 1932), such as employing a young child as a narrator complete with misspelled words and broken, puerile thoughts. However, the most eminent way in which this story embraces the tradition of literary modernism is in the author's rendition of dynamic social conventions that were in a state of flux at the time of the writing. Specifically, his treatment of race is the inverse of how race is generally portrayed in American literature prior to the early part of the 20th century. An analysis of this integral component of "Barn Burning" reveals that Faulkner's unconventional rendering of African American characters in a desirable social status particularly as compared to that of the Snopes clan is crucial to this tale's inclusion as part of the tradition of literary modernism.

William Faulkner, in Barn Burning, has a tendency to include long and never-ending sentences to entrap the readers in their ambiguity. This writing style emits a contemplative tone, which mirrors the ambiguity and indefinite line found between loyalty to one’s family loyalty to one's morals. As Sartoris is running away from the white man, Major de Spain, he notices that “the galloping mare was almost upon him before he heard her, and even then he held his course, as if the very urgency of his wild grief and need must in a moment more find him wings...he heard the shot and an instant later, two shots, pausing now without knowing he had ceased to run, crying, ‘Pap! Pap!’, ...looking backward over his shoulder at the glare as he got up, running

Edith Wharton’s Atrophy is a centred around protagonist Nora Frenway, who is faced with several difficulties on her journey to see her ill, clandestine lover Christopher at Westover. The story is written in third person narration, where it was first published in 1927. The Sound and the Fury (1929) by William Faulkner is a novel told in four sections about the affairs regarding the Compson family. In this novel the first three sections focus on the consciousness of each of the brothers in the novel; Benjy, Quentin and Jason. The fourth section is told in third person narration highlighting the experiences of the family servant Dilsey. In each section of this novel each person has some fragment of their own version of the truth, while Caddy, the sister and daughter of the Compson family is a central female figure in the novel. Thus, in both texts there are issues that arise such as race relations and gender inequality, due to this, there is always an effect on relationships and events in the novel. During the time these texts were written there were issues regarding women and equality, and the society was governed by patriarchal thought and influence. Women were seen as lesser to men and they had to attend to household duties and obey the societal rules. Other issues such as class and status were also factors in regard to how women were expected to behave. Both authors effectively capture gender differently showing how the effect of gender ideologies impacted relationships and