The Magic Toyshop Research Paper

Within ‘A Doll’s House’ Nora Helmer has a strong appetite for knowledge. This is particularly evident in her voracious longing for independence: “But it was great fun, though, sitting there working and earning money. It was almost like being a man”. This knowledge of “being a man”, and what that entails, would be unknown to many women during the Victorian era due to the fiercely patriarchal society that was perpetuated. The desire for knowledge and its inaccessible nature is particularly evident in the lack of further education for women. In fact, in the United Kingdom the first widespread report of female further education was the Edinburgh Seven in 1869. Whilst that instance of knowledge was not destructive, in the case of Nora and ‘A Doll’s House’ her appetite for knowledge is ultimately catastrophic for the Victorian female ideal due to the secrecy she creates around it: “My husband must never know of this”. As a result of this concealment and Nora’s appetite for knowledge, the Victorian ideal unravels and ultimately becomes destructive. Likewise, in Rossetti’s ‘Goblin Market’ an appetite for knowledge is ultimately destructive for the characters within the poem. After tasting the “fruit” of the “Goblin Men” and becoming knowledgeable of the taste and effects of it Laura “knew not was it night or day”. This confusion of time and geographical

Children’s literature is the precedent for the development of all children. Children’s literature varies from poetry to children’s picture books. Every aspect of children’s literature gives an ability to grow a child mentally and develop their ideas and imagination. In early literature, children were romanized to be perfect and well behaved. Author Maurice Sendak counters the idea of a perfect child in his book “Where The Wild Things Are”. Sendak uses his picture book to illustrate a child’s ability to have feelings of anger, resentment, and frustration. The interviewer, Patrick F. Roughen of Red Feather Journal states that“Where the Wild Things Are (1963) contains some of the earliest attempts in children’s literature to represent the intrapsychic challenges of the lives of children. Anger, frustration, and the complexities of parent-child relationships can be found throughout its pages”. “Where the Wild Things Are” reinforces the idea that children are capable of emotions that one would imagine are only depicted in the adult world.

The purpose of this memo is to document and evaluate the business risks faced by Toy Central Corporation (TCC), as well as audit risks, accounting issues identified, and management assertions affected.

Use the sales forecaster’s predication to describe a normal probability distribution that can be used to approximate the demand distribution. Sketch the distribution and show its mean and standard deviation.

Pretty Woman displays our fascination of “fetishism” of the commodity-form on multiple levels. We have the relatively straightforward case of prostitution, for instance, where sex and the woman's

She has also kept to the structure of a typical fairy tale. She has done this to continue the allegory between the fairy tale and real life by the inclusion of characters

Organizational Hierarchy Structure- Toys R Us was a decentralized organization, which had a leadership type setting from country to country. This type of structure was difficult because all the leaders from different countries were not communicating effectively. The company knew they had to make some changes to the system, if they wanted to be successful. Therefore, after careful consideration, the company decided to move to a more centralized structure. This change was needed to strengthen their business with regards to their compatibility amongst countries and creating a more efficient workplace in the United States and abroad. In the company’s business in Europe, instead of their being different leaders across the continent, there will

Throughout history, notions of beauty have been integral to social life and culture, and are often reflected in period texts. An example of this is Jane Austen’s Regency era novel Emma (1815), and its 1995 film appropriation Clueless, written and directed by Amy Heckerling. These texts use the beauty ideals of their respective periods to showcase the negative effects of superficiality and the importance of ‘inner’ beauty. This becomes evident through exploration of the beauty ideals of both eras and how representations of these ideals have been appropriated from Emma to Clueless through characterisation.

This highlights the shift in values from marriage and chastity to sex before marriage and experimentations amongst adolescents. Cher changes the tone of her voice when she welcomes Christian into her “classic” house highlighting the value of image above truth. Cher’s failed attempts to seduce Christian and lose her virginity, with Christian covering her “cold” legs with a pillow when she tries to run her foot up and down his leg display how she was wrong which leads to her self-reflection later on. Her superficiality is reinforced through “I don’t get it, did my hair get flat?” with image more valued than

In analyzing ratios, we recognized an improvement in both return on equity and return on asset ratios if we adopt the level monthly production.

This binary relationship manifests itself in Levy’s work in another way, as well. Toward the very end of the book Levy claims she has no complaint against women who do gain genuine sexual pleasure from “their vaginas waxed, their breasts enlarged” (Levy, 198). On one hand, Levy recognizes that sexuality is personal and that everyone’s own experiences and preferences are unique. Yet at the same time, by drawing the line between “authentic” and “fake”, she must impersonally interpret these experiences in order to classify them as “problematic”. This desire to judge yet not judge women’s sexual nature represents an underlying tension within the book that threatens to unravel her arguments.

Her Kawii shaped viridian eyes, Cupid's bow lips, triangular cheekbones, upturned nose, perky alert tits and firm tight buttocks; skin so white, almost seemed prosthetic: no pimple or mole blemished this lactescent flesh: her jet black hair darker than a raven's feather; her anus, quaint and clean like the fossilisation of a daisy: ultimately, all these amenities did not provide her with the perfection of angelic beauty, but more the imperfection in sex appeal, as she stretched languorously, naked on black velvet covers, bored out of her silly little skull and yet, comfortable in salacious surroundings. Her alias, Amber Summers, experienced porn mannequin at 21 years of age, winner of a Golden Clit award, demonstrated zealous panache when performing, which in contrast to her current state, fetch quite the dualism.

At the beginning, the author addresses the issue that children do not play with the toy to imply the cavity and innocence in their childhood. However, with the development of the story as well as the time, children grow up and become adults. They do not care about the fantasies, mysteries and stories about toys because Gaiman indicate that they are trapped in the dullness of life and losing the innocence. This structure brings out a contrast of people. Death and age have already taken over their lives and the memories of childhood. Life is used to be colourful, joyful and imaginative, but it becomes a boring, depressed and vacuous one. This reflects how the time shaped their mind and force them to forget the happiness they used to have,

Angela Carter, an English writer, is best known for her feminist rewriting of classical fairy tales. In her stories she prominently uses themes, such as, virginity, the pornographic image, violence and sex, and many others. Degrading someone to the status of a mere object, in other words objectification, is a theme Angela Carter shows in many of her fairy tales, specifically the objectification of women. According to Carter, the objectification and subjugation of women is part of a “latent context” of fairy tales that she expressed simply by virtue of being a woman. Both “The Tiger’s Bride” and “The Courtship of Mr. Lyon” are fairy tales intertextually linked with “Beauty and the Beast” and show the reader Carters’ views on femininity. Not

The novel is set during the Victorian era and explores the social norms, beliefs and values of popular Victorian society. The setting alternates between the east European Transylvania which represents the world as it was before the scientific and Industrial Revolution, and Victorian London where the effects of science and technological progress are evident in the social and intellectual zeitgeist of the period.