The Lottery, by Shirley Jackson and A Good Man Is Hard To Find, by Flannery O'Connors

As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and

Foreshadowing plays a key role in both of Jackson’s short stories. In “The Lottery” the children played together in the courtyard, but in a manner that could raise suspicion to a vigilant reader; “...made a great pile of stones in one corner of the square,” (Jackson 1). This is an example of foreshadowing because not only is this an odd “game” for children, they also stack them into a pile in a specific place within the square. In a manner of speaking, Jackson displays a perfect example of foreshadowing by alluding to the rocks at the beginning of the story, and then revealing their use at the end. Then in “The Possibility of Evil” the epigraph lets the reader know that Miss Strangeworth doesn't lead as normal of a life as they'd assume; “Little do the townsfolk suspect, though, that the dignified old woman leads another, secret life…” (Jackson 1). This is an example of foreshadowing, because Jackson reveals right

The leading lady in “A Good Man Is Hard to Find” is the bossy grandmother of a traditional, southern family. It is the grandmother’s “final encounter with the Misfit that changes her relations to the world” (Link, "Means, Meaning, and Mediated Space in ‘A Good Man Is Hard to Find’"). Before her unexpected meeting with the Misfit, the grandmother feels above everyone else. She feels like she can talk

Flannery O' Connor, a native of Georgia was one of the most prolific writers of the twentieth century. As a strict Catholic, O' Connor often displayed a sense of spiritual corruption within the characters in most of her stories. One of O' Connor's famous stories, "A Good Man Is Hard to Find," reveals the image of spiritual deficiency inherent in the characters which foreshadowed a bloody end.

In Flannery O’Connor’s, “A Good Man is Hard to Find,” and Shirley Jackson's, “The Lottery,” both short stories deal with man’s inhumanity in different situations, and ending with a similar consequence.

When an author writes a story, he or she will generally use different writing techniques to create the piece. These techniques have the ability to turn a story into something truly unique, as they allow the story to unfold in it’s own way. In the short story “A Good Man is Hard to Find”, author Flannery O’Connor used the techniques of symbolism and foreshadowing throughout the entire piece to create a deeply captivating story, as so many of the details mentioned in the beginning of the story are glimpses of the end.

The short story “A Good Man is Hard to Find,” by Flannery O’Connor, is bombarded with symbolism. In short stories symbolism is the literary element that helps the reader depict the picture and actions in their own minds. Whether it be from characters’ names or the designs on the characters’ shirts, every detail in this story has a purpose.

In both “The Rocking Horse Winner” by D.H. Lawrence and “The Lottery” by Shirley Jackson, the authors take critical aim at two staples of mainstream values, materialism and tradition respectively. Both authors approach these themes through several different literary devices such as personification and symbolism; however, it is the authors' use of characterization that most develop their themes. We'll be taking a look at the parallel passages in the stories that advance their themes particularly when those passages involve both of the authors' subtle character descriptions, and why this method of character development is so powerful in conveying the authors' messages.

In "A Good Man is Hard to Find" the Grandmother is a main character that symbolizes a savior. O' Connor

Flannery O’Connor shows her readers a realistic look at their own mortality in “A Good Man is Hard to Find.” The story is about a family of five, a father, mother, grandmother, and two children, starting out on a vacation to Florida from Georgia. The family, on their way to a routine vacation, takes a detour that will change their lives forever. Through the use of literary elements like symbolism and characterization, O’Connor creates a theme of good vs. evil, which can be felt throughout the story by tapping into the audience’s emotions.

     In the short story, 'A Good Man is Hard to Find', the main character is the grandmother. Flannery O'Connor, the author, lets the reader find out who the grandmother is by her conversations and reactions to the other characters in the story. The grandmother is the most important character in the story because she has a main role in the stories principal action. This little old lady is the protagonist in this piece. We learn more about her from her direct conversation with the son, Bailey, her grandchildren, June Star and John Wesley, and the Misfit killer. Through these conversations, we know that she is a lady raised from a traditional background. In the story, her attitude changes

Flannery O’Connor’s short stories “A good man is hard to find” and “Revelation” share many similarities. While “A good man is hard to find” is about a family that goes on a vacation that ultimately results in all of their deaths. “Revelation” is about a woman who is very judgmental and looks down on people. In the end both characters have revelations that contrast with who they are and how they portray themselves to the world.

As Bandy mentions, the grandmother and the misfit are often intertwined in many critics’ reviews of A Good Man is Hard to Find (1). One of the most obvious ironies they share is that you perceive one as being the opposite of the other for the wrong reasons. With the grandmother, as stated before, one may assume her to be a good person, while she is in fact the opposite. While the Misfit would most likely be associated as a murderer and a horrible monster, he in fact is a decent human being. Wynne emphasizes the humor in the grandmother’s attempt to save herself by calling the Misfit one of her children (1). As if she is good and therefore he, being of the same good blood, must also be good. In these aspects I completely agree with these writer’s interpretations of the grandmother and the

James E. Faust once said, “In this life, we have to make many choices. Some are very important choices. Some are not. Many of our choices are between good and evil. The choices we make, however, determine to a large extent our happiness or our unhappiness, because we have to live with the consequences of our choices.” In “A Good Man is Hard to Find”, Flannery O’Connor discussed the difference between good and evil within the characters of the short story. The Misfit has his henchmen kill the family, and the grandmother ultimately only thinks of herself and not the rest of her family. In “A Good Man is Hard to Find”, Flannery O'Connor shows the readers multiple meaning of symbolism throughout the characters relations to faith, places, and outlook on their surroundings.

Flannery O’Connor’s short story, A Good Man Is Hard to Find, shares many similarities with one of the most critically acclaimed and praised cinematic works of our time: Pulp Fiction. Some of these similarities can easily be seen on the surface if you are familiar with the two opuses; however, if one sits down, digs deep, and analyze each piece, they can definitely discover one thing in particular. Both A Good Man Is Hard to Find and Pulp Fiction present the beauty of divine grace through the usage of dark and violent themes.