‘If each era posits its own view of reality, what is ours?’ – Stephanie Rosenthal
Sydney’s 20th Biennale is entitled The future is already here- it’s just not evenly distributed, where it explores the ideas about technology, virtual reality, science fiction and the ways in which individuals and communities are living in an increasingly digital and technological world. This theme was inspired by an American-Canadian science fiction writer. The artistic director, Stephanie Rosenthal investigates the relationship we have with technology and the power it holds to transport us to another world allowing new concepts and opportunities to arise however it also removes us from our environment and physical bodies.
The aims of the Biennale of Sydney is to allow inventive and creative experimentation to be explored and to challenge the norms of predictable artmaking practices. The Biennale advocates a real cultural experience through combining the many different artworks created by many different artists instigating a global conversation about art. The Biennale occurs every two years in Sydney and brings such a cultural experience to the Sydney.
The 20th Biennale of Sydney is presented in seven main venues around Sydney and each location is known as an ‘embassy’, where they display different ideas however are connected. Having the exhibition spread over these venues is beneficial giving the audience variety in choice and a different experience depending on the venue. The
Art galleries are essential to the art world, however, is not the only source for audiences to view art. To begin with, art and artwork is defined as the application of human skill, creativity and imagination. Taking this into consideration, individuals need to examine the nature and purpose of art galleries as a facility to collaborate, organize and display a collection of artworks. As art however, is any expression of human creativity, its presence is not bound to art galleries and is evidently present in the world around us be it in photographs, the internet or even in graffiti.
In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.
Margaret Lazzari (Author),. "Exploring Art: A Global, Thematic Approach 5th Edition." Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 29 June
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
"Exploring Art: A Global, Thematic Approach, 5th Edition. "Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 11 July
Imagine a world where you are not allowed to be yourself. Imagine a world where morality was abolished and science dominated all aspect of life. Imagine being told what to do with your body, your sexuality. Imagine a world where you are so heavily controlled, even your thoughts are not your own. Imagine not being able to recognize your own emotions that lie inside you. Imagine being taught to rely on prescriptions drugs to cope with not being able to express what you feel inside. Imagine being so heavily controlled, you are oblivious to the veil over your eyes. Aldous Huxley portrays a fantastic peak into our future by conveying
Although they deem their utopia a skillful, occupationally concurrent society, citizens still lack vital abilities and identification that truly represents their interests so long as the past is not in fruition. “I don’t know what you mean when you say ‘the whole world’ or ‘generations before him.’ I thought there was only us. I thought there was only now.” (78) Jonas’s thought here reflects the limited understanding of
The Future - Powered by Fiction: A Tomorrow Project Anthology - The Tomorrow Project. (2014, December 17). Retrieved January 17, 2016, from http://tomorrow-projects.com/2014/12/future-powered-fiction-tomorrow-project-anthology/
As curator I wish to recommend the inclusion of artworks by Danie Mellor and Cia Guo-Qiang for the upcoming exhibition “Utopian Australia – the Lucky Country?”.
A journey to New Worlds originates The exhibition is magnificent and two pieces that I enjoyed were Our Lady of Mount Carmel with Bishop Saints, and Our Lady of Pomata, a coquera. It is extremely quite as people stop in different areas to look around at so much art. I personally
Parr is the most recognised artist with the series of exhibitions held at numerous biennales in Sydney, displayed with survey and retrospectives in state-owned galleries such as the NGA and the Museum of Contemporary Art in Sydney. Thanks to the overexposure to Parr’s works, I assume that many Australians are certainly able to recall a vivid image of his artworks. For me, I clearly remember the great shocking moment when I first encountered his massive installation displayed at the
Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).
Throughout this semester our literary material dealt with themes of technology, modernization, the imponderable bloom, human nature, and truth to name a few of the most overarching. Each text has woven an impression of the possible near future for humanity if the patterns we are creating continue at an exponential rate. Patterns such as consumerism, neglecting unpleasurable emotions, using drugs, and controlling the environment for our short term benefits will write an unsavory and inevitable future. Science Fiction often reflects on society by exaggerating their negative characteristics and advancements to seem far-out, but often it is ironic how close many aspects of the fiction are a direct reflection of the present condition. Even now, the possibilities of utopias and dystopias forming are not so out of reach. The ability of our culture to control an entire population with a self-satisfied culture of vices outfitted with technology is less and less science fiction as the years pass.
What a blessing I had today to experience in my own eyes wonderful sights and scenes. Many of you already know that I 'm famous for the mystical experiences I’ve had with Jesus and God in the past. Perhaps you’ve read my book? The Book of Margery Kempe? Yes, I Margery Kemp, got the opportunity to visit the Metropolitan Museum of Art in New York City. There 's over thousands of beautiful artwork, one visit won 't suffice. I was captivated by everything I saw, but I was especially drawn into the magnificent gallery number 305.
The promise of VR is always been enormous. Put on the devices and go nowhere, and be transported anywhere. It’s the same escapism peddled by the drugs, alcohol, sex and art- throw off the shackles of the mundane through a metaphysical transportation to an