“The Miller’s Tale” and “The Reeve’s Tale,” two of the many stories in Geoffrey Chaucer’s The Canterbury Tales, portray many similarities on the views of love, marriage, and immorality. Both “The Miller’s Tale” and “The Reeve’s Tale” portray what love truly means to the Miller and the Reeve. Chaucer’s two tales also exemplify the unfaithfulness of the wives to their vows of marriage. Additionally, the stories share corresponding similarities in the many instances of dishonesty and immoral features of the male characters. Throughout The Canterbury Tales, Chaucer illustrates to the reader the true characteristics of the Miller and the Reeve by using the aspect of morality to show their related views on love and women.
Love, to both the Miller and the Reeve, is frequently associated with beauty, lust, and sexual intercourse. Their vision of love is consistent in both stories; indicating that they care mostly about the women’s physical appearances. This can be easily seen in the stories by the way that the women are described and portrayed. Neither of Chaucer’s story tellers offer much insight into the women’s intelligence or mental characteristics. In “The Miller’s Tale,” the Miller writes, “Fair was this yonge wyf, and therwithal as any wesele hir body gent and small” (line 3233), and likewise in “The Reeve’s Tale” when the Reeve notes, “With buttokes brode and brestes rounde and hye” (line 3975). The understandings of love to both the Miller and the Reeve resemble each other in how it is just something that is pleasing to the eyes and the body. Both of the wives in “The Miller’s Tale” and “The Reeve’s Tale” are quick to commit unholy sex acts with men who are not their husbands. For example, in “The Miller’s Tale,” upon John, the carpenter, falling asleep, Nicholas and Alison decide to betray the reeve and have sexual relations with one another. “And thus lyth Alison and Nicholas in bisinesse of mirthe and of solas” (line 3653). Similarly, in “The Reeve’s Tale,” the miller’s wife becomes guilty of fornication once the miller has fallen asleep. “Withinne a whyl this John the clerk up leep, and on this gode wyf he leyth on sore. So mery a fit ne hadde she nat ful yore; he priketh herde and depe as he were
In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.
Throughout the Canterbury Tales, various characters are introduced and tell a tale, each of which tells a different story. All of the tales are unique and address different issues. “The Miller’s Tale” is the second of the many stories and varies from all of the rest. As seen from the “General Prologue,” Chaucer clearly depicts the Miller as a crude, slobbish man who will say anything. This reputation is held true as the Miller drunkenly tells a story full of adultery and bickering. Despite the scandalous nature of “The Miller’s Tale,” the story also displays some of Chaucer’s prominent beliefs. As “The Miller’s Prologue” and “The Miller’s Tale” are told, it becomes evident that Chaucer is challenging the common roles and behaviors of women, and he is also questioning the effectiveness of social class.
cheats Alan and John out of a fair amount of grain, and the scene where
Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.
Such an intense reaction to the Miller’s tale—in which someone of the Reeve’s vocation is bested by a younger, more virile man—seems based upon the Reeve’s sudden need to defend his manhood against another man’s slander. By telling a story in which a carpenter is bested by another man sexually, the Miller has wounded the pride of the Reeve, who now must display a story in which a miller is dominated by another man to defend his masculinity. As Angela Jane Weisl explains in “‘Quiting’ Eve:Violence Against Women in the Canterbury Tales”, the need to reclaim his ego informs the Reeve’s desire to “become[] powerful and thus, violent, masculine” through his warning to the Miller that he might endure corporeal harm (123). By having the Reeve devise to reassert dominance over the Pilgrim Miller in such violent ways before the tale has even begun, Chaucer prefaces the clerk to share the same anxiety over requiting the tale’s miller through sexual
What is Pornography? When asked some people might say, “I can not define it, but I know it when I see it.” The word “Pornography” comes from the Greek for writing about prostitutes. Many people concluded that the Miller’s tale was merely a pornographic story that surrounded four people. This also depended on one’s view of pornography. The Miller’s tale was told by the Miller who was not stable at the time. The Miller’s tale focused on two men, Nicholas and Absolon whose goal is to establish a relationship with Alisoun, the attractive adolescent wife of an older carpenter named John. Alisoun on one hand used old-fashioned romantic strategies such as dressing up in lavish clothes and singing. Nicholas on the other hand tricked John
Adapting to someone’s piece of art like this is like taking a craft, and altering it or to build off it to produce a new piece of art. Sometimes adaptation mimics the original piece. Other times the resemblance is so slight that it can be considered completely stray from the plot and theme.
Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.
In Chaucer’s “Prologue to the Miller’s Tale”, the Miller’s physically disgusting appearance closely matches his grotesque morality of heart. The prologue opens at the closing of the Knight’s tale, as the Host asks the Monk to rival the tale with a noble story of his own. However, the Miller barges in and doesn’t hesitate to belligerently interrupt the conversation by claiming that he has a noble story of his own to share. Despite attempts to silence the Miller, he proceeds to tell his tale, exhibiting a lack of compassion, respect and self-awareness. His inebriation only fuels the fire, as he continues to illustrate recklessness and disrespect by proclaiming, “I am drunk…If I can’t get my words out, put the blame / On Southwark ale,” (Chaucer 28-30). He takes no responsibility for his actions in blaming his hostile state of mind on the alcohol. Following the Knight’s noble tale, the Miller completely shifts the tone by introducing a story about adultery. Not only is the story inappropriate in its nature, but it also directly insults the Reeve, who is a carpenter by trade. “It is a sin and a great foolishness to injure any man by defamation,” (Chaucer 36-37) yet the Miller “refused to hold his tongue for any man,” (Chaucer 59) and fails to consider his hurtful words. The speaker of the poem warns the reader that the story is bawdy and offensive, which is a testament to the Miller’s vulgar nature. Ultimately, the “Prologue to the Miller’s Tale” introduces the Miller as a
The author Geoffrey Chaucer wrote the book “The Canterbury Tale” and also added several stories. I chose to write about. “The Knight’s Tale” and “The Miller’s Tale”, because both of them are so equally different, but have some similarities for example, in “The Knight’s Tale” talks about the knight’s and how they are so respected and honorable man’s. “The Miller’s Tale” is about a love triangle that involves one woman and three men and how the miller is not a respected man and doesn’t keep his promises.
Early British writing like The Canterbury’s Tale section of “The Merchant’s Tale” written by Geoffrey Chaucer, the father of English poetry, reflect on social values. Much of the tale speaks about a marriage that over flows of vices. Societies vision of how marriages should work, display the vices of holy matrimony. The corruptness of societies views on marriage lead to a loveless marriage. Chaucer reflects on how much societies views influenced marriages in the 1300’s; he shows this by using conflicts in marriage of man verses himself, women versus herself, and man versus women.
The Canterbury Tales begin with The Knight’s Tale; which chronicles the tragic love triangle of Palamon, Arcite and Emilye. The following tale, which is told by the Miller, is also a love triangle, and is in many ways similar to the Knight’s tale. However, the Miller’s tale sharply contrasts the Knight’s, almost parodying it. The Knight’s tale is a tragic of nobility, heritage and focuses heavily on mythology and astrology, whereas The Miller’s tale is a comedy, focusing on the common-man and his less civilized, and bawdy lifestyle. The two stories mirror one another in many ways, but are presented from completely different sides of the spectrum. When the two tales are looked at closely, it doesn’t seem to be a coincidence that they occur
love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.
Geoffrey Chaucer’s romantic poem “The Knight’s Tale” chronicles the adventures of two ancient Greek knights and their quest to win the affection of Emily, a beautiful noblewoman. Bound to uphold the chivalric code of loyalty and honor of the time, Palamon and Arcite discover themselves at odds with their noble ideals as they battle one another in pursuit of love. Unable to reconcile the knight’s oath of honor with their obsessive and selfish desires, the actions of Chaucer’s main characters fail to uphold the basic principles of chivalry.
The woman was fair skinned and her body was slim. She wore a stripped silken