Sinners In The Hands Of An Angry God Analysis

“Sinners in the Hands of an Angry God” is a sermon written by Jonathan Edwards (1703-1758), a theologian and philosopher in the British Colonies of America. He was raised as a puritan in Connecticut and grew up to be one of America’s most influential protestant revivalists of that time. He delivered many sermons, the most well-known being “Sinners in the Hands of an Angry God.” Edwards gave this sermon on July 8, 1741 in Northampton, Massachusetts. The main purpose of this sermon was to convey to the audience the reality of hell, the need to change their wicked lives, and, ultimately, that they should fear the wrath of God. Edwards does this to motivate the audience to live their lives as perfectly as they can in order to not anger God and to avoid Hell.

In the sermon, “Sinners in the Hands of an Angry God”, Edwards displays controversial viewpoints and ideas concerning heaven and hell. As Edwards speaks to the congregation he warns them of the misery and suffering they will face if they do not repent of certain sins. He also describes God as angry which probably struck fear into the hearts on many. To illustrate his own point that hell is unenviable without repentance Jonathan Edwards creates the idea of an angry God using intense similes, a harsh tone, and strong emotional appeal in “Sinners in the hand of an Angry God”.

Jonathan Edwards, a famous preacher in pre-colonial times, composed a sermon that was driven to alert and inject neo Puritanical fear into an eighteenth century congregation. This Bible based and serious audience sought after religious instruction and enlightenment. Through the sermon "Sinners in the Hands of an Angry God," Edwards offers a very harsh interpretation to humankind. Edwards utilizes various rhetorical techniques to evoke an emotional response in his audience and to persuade the members of his congregation that their wicked actions will awaken a very ruthless and merciless God.

Jonathan Edwards's sermon, "Sinners in the Hands of an Angry God" is moving and powerful. His effectiveness as an eighteenth century New England religious leader is rooted in his expansive knowledge of the Bible and human nature, as well as a genuine desire to "awaken" and save as many souls as possible. This sermon, delivered in 1741, exhibits Edwards's skillful use of these tools to persuade his congregation to join him in his Christian beliefs.

On July 8th 1741, Jonathan Edwards preached the sermon “Sinners in the Hands of an Angry God” in Enfield, Connecticut. Edwards states to his listeners that God does not lack in power, and that people have yet not fallen to destruction because his mercy. God is so forgiving that he gives his people an opportunity to repent and change their ways before it was too late. Edwards urges that the possibility of damnation is immanent. Also that it urgently requires the considerations of the sinner before time runs out. He does not only preach about the ways that make God so omnipotent, but the ways that he is more superior to us. In his sermon, Edwards uses strong, powerful, and influential words to clearly point out his message that we must amend

Within the eighteenth century, Christians were going through the Great Awakening, a wave of religious enthusiasm that swept through the colonies in an effort to make an impact on the religion within the areas. In the sermon written by Jonathon Edwards, “Sinners in the Hands of an Angry God,” he is trying to persuade nonbelievers into joining his religion in a way unused by many. To show nonbelievers the two altering sides of God based on what people believe and “they may imagine him to be so” (3), Jonathon Edwards’ sermon “Sinners in the Hands of an Angry God” utilizes threatening tone, conveying repetition, and augmenting similes to express the fury and hopefulness of God.

“I’m a devil worshiper” is the very first line as Fetty Wap begins rapping in his song, “679.” In a way, this statement is very similar to Jonathan Edwards writings because both speakers had very unconventional views for their respective times. In today's world, Fetty Wap’s satanic beliefs aren’t generally accepted by other people; this is similar to Edwards views because he opposed the stereotypical loving image of God by warning others of his potential destruction and power. In, “Sinners of the Hands of an Angry God,” Jonathan Edwards makes it clearly known that he portrays God as dangerous and unafraid to take violent action through the use of imagery in nature by water, wind and insects.

Jonathan Edwards, “Sinners in the Hands of an Angry God”, uses fear in order to make the people, or the congregation, fear god and to manipulate and control them at all cost.

Jonathan Edwards, a preacher during the American Enlightenment period, was mostly known for his sermon, Sinners in the Hands of an Angry God. The Enlightenment, an eighteenth-century movement distinguished by the belief in the power of human reason and by advancements in political, religious, and educational doctrine. Sinners in the Hands of an Angry God was written as a response to the Puritans losing their faith because of the new scientific theories and emphasis on human reason that contradicted the word of God. Jonathan Edwards wrote the sermon to persuade the Puritans that lost faith, by threatening and warning them of the wrath of God. He used this tactic to convince the perplexed Puritans that continuing to sin would guarantee their condemnation to hell.

Jonathan Edwards’ memorable sermon, “Sinners in the Hands of an Angry God”, was first delivered in 1741 in Enfield, Connecticut during the peak of New England’s first Great Awakening. When he delivered this sermon with horrid descriptions of hell, the congregation listened. It left a dramatic effect on the listeners leaving them weeping, and some even considering suicide! Jonathan Edwards conveyed his message to turn their lives back to religion and repent to their god by his use of tone, emotional appeal, and imagery.

Pathos is referred to as the literature’s emotional appeal to the audience’s senses or imagination. Edwards uses imagery to paint a horrifying picture of eternal damnation for unsaved souls. His use of detailed words describing the horrors and nuisance awaiting sinners has a significant effect on his audience. Hell may or may not be a real place and all of the suffering and pain described is a lie, Edwards' way of delivering his message is so effective that it puts fear into his listeners so that they believe and follow his suggested method of recovery. Moreover, he uses imagery to give his audience a mental picture of God holding sinners above the fiery pits of Hell. After filling their minds with fear, he uses this image to show them that there is a light at the end of the

Jonathan in his sermon, Sinners in the Hands of an Angry God (July 8, 1741), claims that the unconverted are hanging from the hands of God, and can be dropped off to the eternity of hell, his sermon is used to make the sinners be afraid and understand how the power of God is saving them, but it is only for his pleasure, unless if they return to Christianity. Edwards strengths his argument by using metaphors and imagery of a wrathful God to make the unconverted people afraid of being sinners and encourage them to have a relationship with Christ to be fully saved from falling to an eternity in the flames of hell. Edwards purpose is to start his sermon with such powerful use of visualization to provide fear to the sinners and give them a

7a. In the sermon, “from Sinners In The Hands of an Angry God”, by Jonathan Edwards, there is passion within the text that he believes strongly about the multiple tenets of Puritanism, one of the Puritan philosophical beliefs can be seen as Backsliding. As explained, it would not really matter if compared a person who strayed from the path or a person who has “reformed life in many things, and may had religious affections, and may keep up a form of religion in [their] families, and closets, it is nothing but [God’s] mere pleasure that [kept] them from being swallowed up in everlasting destruction” (Edward 108). Even though an prestigious church member respects and have an all love towards God, there is no confirmation that one can be truly safe from His wrath. Edward’s sermon brought on, and is repeated of, that people should be aware of their situation in the eyes of God, with metaphors, and a literal sense, the dangers a person could face, and only to be saved through an Irresistable Grace, a slight opening in which one could be saved from their damnation, by denying the call of their true nature. The warning of Backsliding inside the sermon comes from the his own belief that no one is perfectly safe from God, for there is the chance backing away from their beliefs, tempted to disobey, or fall out of place, because in the eyes of Jonathan Edwards, it is but everlasting wrath to everyone.

Jonathan Edwards author of Sinners in the Hands of an Angry God uses literary elements such as pathos, ethos, or logos to create fear in his audience to help them understand the situation he is trying to explain to them. For example, “ The Arrow is made ready”, this is aimed towards all of those who have sinned, or have not yet accepted christ, telling them the will punish them if they do not accept him and repent soon. This is meant to scare the Audience into accepting christ because no one wants an arrow unexpectedly piercing into their chests at any time of the day or night.

In Johnathan Edward's, "Sinners in the Hands of an Angry God," Edwards has a particular style of writing that conveys an underlying purpose when delivering the sermon. Throughout the sermon, he uses multiple writing techniques and tools to engage the listener more, and to assure the listeners believe and trust him. Edwards purpose of writing and delivering the sermon, is to warn his people and to whomever else wants to agree, that they all must show their remorse of their sins to God before it is too late. Every sentence in the sermon, is based around scarring the people even more and more. Edwards accomplishes this by using certain diction and structure, a certain tone, and persuasive figurative language.