Essay on Similarities between Creon and ANtigone

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin

Antigone is the daughter of Oedipus, the king that married his own mother, Locaste and unwittingly killed his father, Laios. When he learned what he had done, he blinded himself and left Thebes, voluntarily went into self-style exile and died over there. Antigone and Ismene are siblings, the only surviving children of Oedipus. The other two brothers Polyneices and Eteocles quarreled and killed each other in a battle when Polyneices returned to assault Thebes, then Creon, Antigone uncle became the king of Thebes being the only heir in line to the throne. Creon ordered Polyneices be left to rot unburied on the battle field as a traitor but Antigone could not see reason to let her brothers body rot unburied. Antigone

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Many people try to warn him and beg him to reconsider. First, Haemon tries to appeal to his father’s sense of reason when he says, “The gods have given men the gift of reason, greatest of all things that we call our own…do not feel your word, and yours alone, must be correct” (line 625). Creon, because of his pride, becomes furious with his young son for trying to teach him wisdom, and says, “One thing is certain: You are going to pay for taunting and insulting me” (line 709). Next, Tiresias comes to warn him that he “stands upon the brink of ruin” (line 918). But Creon refuses to heed his warning and accuses Tiresias of profiteering. Finally, after Tiresias’s doomful prophecy, the Chorus tries to change the King’s mind. At first Creon resists the advisement of the chorus by stating “To yield is bitter. But to resist and bring a curse on my pride is no less bitter” (line

Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.

While most of society define heroism as a person who saves lives, people with heroism show bravery and opposition to society or its laws. In Sophocles’ Greek tragedy Antigone, King Creon defies his society’s laws for his own self pride while in Voltaire’s novel Candide, a young boy breaks his uncle’s rule to fulfill his desires. Both characters challenge their society’s laws and take a stand against the flawed principles; however, should people consider Creon and Candide as heroes? Individuals do not have an obligation to challenge laws due to the fact that it leads to multiple deaths and the suffering of themselves or of others.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

Anti-Woman Antigone, being a woman, is thought of as less than a man when she commits the crime of burying Polyneices. Antigone’s gender shapes the harshness of punishment of her misdeeds from Creon and the other royals. Creon, astounded at the fact that Antigone went against his wishes and the law, wanted to punish her with a death sentence. Antigone is sentenced to death to show the townspeople that Creon makes no exceptions for crimes committed in the city. Although Creon may think so, the townspeople did not think Antigone was guilty of crimes against Thebes, or the king.

Unfortunately, Creon does not always make the correct decision because of personality traits that he possesses. When Creon sentences Antigone to death, he is wrong. This decision is based on Creon’s downfalls. He has hamartia and he judges wrong, and he also suffers from hubris. He is excessively prideful and believes that his choice is the only correct one. Creon also has an inaccurate view of his place in relation to the Gods. He believes he is in a position to know what They want and know what They feel is best. No mortal truly knows what the Gods want, but Creon believes he does because he cannot imagine that what he believes is wrong, even to the Gods. Antigone’s death is a bad decision that Creon makes based on his beliefs that the Gods view Polyneices as a traitor and would not want him honored in death.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his