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Signs Preceeding The World

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Throughout Signs Preceeding the End of the World, Herrera uses the verb “to verse” to describe physical crossings. But, there is a theme of psychological crossings throughout the novella. During Makina’s journey to deliver a note to her brother, she experiences a mental journey in which she moves from a sense of certainty to uncertainty. Her home is a place of familiarity and assurance, but the trip to The United States is anything except assuring. Makina verses throughout the novella on her journey, but the novella itself is a transgressive work through the culture of the border town. From the very first page of the novella, Herrera makes it known that the border town is a place of corruption and lawlessness. The sinkhole is a result of the …show more content…

Either way, whether the rancher got them or the police did, the outcome could not be good. When the police trucks came to a holt, the cops started shooting behind the cover of their doors. Chucho told Makina to run. “Makina wasn’t used to having people say Run away” (49). Because of this, “Makina moved toward him because even though she knew he was talking to her she thought he was asking for help” (49). In her home town, they shot back at whoever was shooting at them. The culture of the border town was not to run, it was to fight back. This explains a great deal as to why Makina is such an independent and strong young woman. She puts men in her place even though “She was growing up quickly, and in a man’s world” (26). She nearly made the boy on the bus cry by yanking his finger and bending it to “an inch from the top of his wrist. The adventurer fell to his knees in pain, jammed into the tight space between his seat and the one in front, and opened his mouth to scream, but before the order reached his brain Makina had already insisted, finger to lips, shhhh, eh; she let him get used to the idea that a woman had jacked him up and then whispered, leaning in close, I don’t like being pawed by fucking strangers, if you can believe it” (31). Makina can certainly hold her own which is why the concept of running away is foreign to

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