Sibilance In Macbeth

“Macbeth” and “Macbeth retold” by Mark Brozel, share many comparisons yet have many vital differences.

In the play ‘Macbeth’ by William Shakespeare, light and dark imagery is used throughout the story in order to show the difference and symbolism between good and evil. Light represents innocence, truth and purity while darkness is used to represent cruelty, guilt and corruption. Towards the end of the play, Shakespeare correlates the ideas of both lightness and darkness to portray life and death. Ultimately, they represent good and evil. Shakespeare uses these two themes to drive the plot and story forward in order to create conflict, twists and symbolism.

William Shakespeare's Macbeth is an ominous tale that illustrates the danger in violating the Great Chain of Being, the hierarchy of things in God's ordered universe. The Chain ranked all of creation and human society as well. It ranked kings above nobles and nobles above the poor. When Macbeth murdered King Duncan and assumed the throne, the Chain was violated and chaos resulted. The atmosphere of the play symbolized this resulting turmoil. Specifically, light and darkness were used to exemplify the unnatural chaos and ominous tone of the work. The role of light and the role of darkness relates to the chaos resulting from the violation of the Great Chain of Being.

With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the

“Ambition is like love, impatient both of delays and rivals.” – Buddha. Buddha was a wise man and knew that someone who is ambitious can get very impatient when it comes to delaying their plan and having rivals that share the same goals. Ambition is often the result of one good thing happening which leads to one pursuing their dreams more and more. Although ambition can be a good thing, it can also be bad. Twisting people 's judgment on reality and making them perform actions they wouldn 't normally do. Such is the case in Macbeth where ambition causes Macbeth to go through with a murderous plot to become king that involves his wife plotting the murder and going insane. In the play Macbeth, Shakespeare expresses the theme of ambition by

Shakespeare’s play ‘Macbeth’ is about the leading male protagonist succumbing to his ambition and need for power. Though Macbeth is liable for his own actions, he is not solely responsible for the events that eventually result in his downfall. Macbeth is corrupted by his wife, Lady Macbeth, as well as the three weird sisters. Macbeth’s contribution towards his downfall is his strong ambitious nature. Lady Macbeth is the person who induces Macbeth to assassinate King Duncan. The three weird sisters (witches) play with Macbeth’s ambitious nature and sense of security. Macbeth’s downfall is due to himself and two external factors.

Shakespeare’s Act IV of Macbeth is a short act, yet he manages to introduce suspense, a vivid turning point, and key character developments. Every line of this act is significant, adding another layer to the plot in some way, for example, the doctor’s one verse introduces King Edward’s ability to heal “wretched souls” (IV.III.161) in contrast to MacBeth. The succinctness of Shakespeare’s introduction to the foil of Macbeth and Edward’s kingship, the true evil that has gained control of Macbeth’s mind, and the foreshadowing that occurs, are what make this act critically stellar.

In Shakespeare’s play Macbeth, the main character’s goal is to become the king. Macbeth seeks to gain as much power as he possibly can and this ultimately leads to his demise. He hears the prophecy of the witches and becomes so obsessed with fulfilling the prophecy because it states that he will eventually become king. Having this information, Macbeth goes out of his way to force the prophecy to come true. He becomes so power hungry that he tries to force fate leaving him with an undeniable guilt for his actions, the loss of love from the people who once loved him, and a harsh death in the end.

Shakespeare foregrounds that Macbeth was aware of and resposible for his actions, through conscience and free will, to illustrate that he was not a victim of supernatural forces. By doing this he is challeging the assumptions of the Elizabethan Era that supernatural forces and "supernatural soliciting" predetermine one's destiny. The hallucinations and ghostly apparitions are foreground not to illustrate supernatural interference, but to foreground Macbeth’s guilty conscience. Macbeth struggles with his conscience, this humanises him and invites the audience to relate to him. Even before Macbeth had committed murder, his conscience was causing him to have qualms. One example of this is in Act One Scene 7, before the regicide of Duncan. “We will proceed no further in this business. (Duncan) hath honoured me of late, and I have bought golden opinions from all sorts of people, which would be worn in their newest gloss, not cast aside so soon.” Macbeth was disinclined to murder “gracious Duncan” as he believed him to be a “good king” (4:III 163), however he still made the decision to commit regicide. This foregrounds the internal struggle Macbeth endured with his conscience that makes him a tragic hero. Supernatural elements exist to

The “Tragedy of Macbeth” by William Shakespeare tells a tale of deceit, murder, and ambition, beginning with a cutthroat rise to power, followed by calamitous downfall. At the start of the play, Macbeth is a brave and loyal captain in King Duncan’s army, but after three witches prophesize that he himself will become the king of Scotland, and that those born of a friend, Banquo, will be king after him, Macbeth is overtaken by ambition and gluttony. Instigated by his wife and his own lust for power, he murders Duncan, assumes the throne, and subsequently sends mercenaries to kill Banquo’s sons. While awaiting battle, Macbeth addresses the death of his wife in Act V, scene 5. Throughout the

In life, there are two types of people: those who do the right thing and those who don’t. In the play Macbeth, by Shakespeare, the main character Macbeth is given a prophecy by three witches that says he will become king; however, there is no descending line of kings of his own blood. With the knowledge of the Witches’ prophecy, Macbeth’s ambition, and manipulation from his wife, Lady Macbeth, Macbeth is quickly dragged into a never-ending, bloody murder rampage to obtain the crown and get rid of those who stand in the way of obtaining it as well. Macbeth constantly battles with his moral dilemmas; however, he easily falls victim to influences that go against his morals. Influences on major characters emphasize how easily one’s decision making can be negatively affected, resulting in one going against his or her morals/integrity.

According to the classical view, tragedy should arouse feelings of pity and fear in the audience. Does Macbeth do this?

It is human nature to be intrigued by all things mystical and dangerous. We fear the unknown but seek it nonetheless out of greed. Most of Shakespeare’s works hold an element of the supernatural and the play Macbeth is no exception. In this play we see a contemporary morality that warns of the dangers of trafficking with instruments of darkness; the witches in the play prophesize of Macbeths future as king, and Macbeth blinded by his hunger for power fails to recognize that the witches prophecies are luring him to evil . In act 1 scène 3 we see the effect that the excitement of the prophecies has had on his imagination as he begins to contemplate murdering the king. As Macbeth gets closer to

“The service and the loyalty I owe, in owing it, pays itself.” Here Macbeth demonstrates reverence and devotion to the King, showing his faithfulness and commitment to all of the Kings actions. However, at the end of Scene 4 Macbeth contradicts himself through a small speech he makes aside from the main drama, “Stars, hide your fires, let not light see my black and deep desires, the eye wink at the hand.” The use of light imagery represents Macbeth’s fear of exposing his internal wicked desires, and through the word “stars” we can depict that this is his true character, a fire he is trying to conceal and hide from others. Macbeth’s hypocrisy is a flaw accentuated by Shakespeare, and shows Macbeths changing from good to evil, due to the actions of the witches and their supernatural capabilities. Additionally, the rhyming couplets present in this short phrase create an inclination reminiscent of the witches, emphasising Macbeth’s connection with them, proving how the witches have lured Macbeth into their trap.

Shakespeare uses lightness and darkness in Macbeth to represent contrast between good versus evil. Society tends to picture daytime as joyous and safe, while perceiving night as scary and dangerous. The contrast is pivotal in the play. For example, Shakespeare includes lightness and darkness, or more specifically day and night, after Macbeth murders King Duncan. Macbeth’s cousin Ross notices that “by th’ clock 'tis day, and yet the dark night strangles the travelling lamp”. Observing the conditions, he wonders “is’t night’s predominance or the day’s shame that darkness does the face of earth entomb when living light should kiss it?” (Act 2, Scene 4 7-12). While it is daytime, darkness fills the sky. In Shakespeare’s