In the short “Sula” by Toni Morrison, we watch two young girls grow up in a small town, the Bottom, and become unlikely friends. These girls, Sula and Nel, are as different as night and day, yet they are inseparable when they were young. They were only separated when Nel gets married to Jude, and Sula leaves the Bottom for ten years. These girls choose different lives, and each life has different connotations attached. Nel grew up with a mother, Helene, who was neat and clean, strict and proper. That was the way Helene grew up, and that was how she was going to raise her child. Nel grew up “Under Helene’s hand”(18) and “became obedient and polite. Any enthusiasms that little Nel showed were calmed by the mother”(18). Helene did not want Nel to know about Rochelle, Nel’s grandmother, because of Rochelle’s “wild” life. Rochelle was a whore in New Orleans, and being from a good christian family that life was frowned upon by the great-grandmother, and Helene, who grew up with the great-grandmother. Nel’s background clearly shows that she …show more content…
When Nel asks Sula why she did it, Sula reiterates that her and Nel were good friends, and goes on to ask, “If we were such good friends, how come you couldn’t get over it?”(144) That is a tough question about morals and the lives each woman chose. Sula’s question reveals to us that these two girls, women, who used to be such good friends have different ways of thinking, and possibly couldn't be friends anymore because of the decisions that Sula made. Nel cannot forgive and forget, because Jude was taken from her by her best friend. Nel feels hurt and betrayed by Sula, and it is clear Sula doesn’t understand where Nel is coming from. Sula was taught that sex was pleasant and frequent, but nothing of
Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.
Sula by Toni Morrison highlights the themes and expectations that we have been discussing throughout the course. This story illustrates the community expectations for women. A strong basis for a thesis statement for the book Sula could be betrayal. Betrayal in the novel Sula is the central theme that changes the course of life for all characters involved. One example of betrayal happens when Sula sleeps with Nel’s husband. Another basis for a thesis statement could be a mother’s love. In Sula, Morrison revitalizes a theme that is explored in much of her writing: the nature and limits of a mother’s love. When you consider the character of Eva, she is an example of what a mother’s love is and the lengths a mother
She too sleeps with only the husbands of other women. Sula has never witnessed a healthy relationship between a man and a woman. This is regarded by the community as terrible. Sula uses the men she sleeps with for pleasure, taking no consideration as to how the men feel. She refuses to have such patriarchal relationships as Hannah did. Hannah may indeed have received pleasure from the men she slept with but she remained the submissive participant in her relations. "Hannah rubbed no edges, made no demands, made the man feel as though he were complete and wonderful just as he was- he didn’t need fixing..." (p 2012). Sula, on the other hand, has a need to feel in control right down to the mechanics of her affairs. "And there was the utmost irony and outrage in lying under someone, in a position of surrender, feeling her own abiding strength and limitless power." (p2048). She not only took sex from men as pleasure, but sought out to claim power over them. "Sula was trying them out and discarding them without any excuse the men could swallow." (p2044). This made the women upset and furthered their hatred for Sula. Sula had power by sleeping with these very same men who held power over submissive wives. The town regards all of Sula’s actions as evil. They called her a "roach" and a "bitch", but above that spread a nasty rumor that she slept with white men. "There was nothing lower she could do, nothing filthier." (p2043). Though it is mentioned in
Two young girls, coalescing on a grass-laden field while lying on their stomachs, dig a hole in unspoken harmony. A picture of youth and innocence, this scene depicts an innocuous moment which the two girls share as a result of their juvenescence--or does it? In Toni Morrison 's Sula, this scene, among others, appears at first to be both irrelevant to the novel’s underlying theme and out of place with regard to the rest of the plot. Yet, when analyzed further, the literary devices that Morrison uses in these scenes bring readers to a vastly different conclusion. These scenes serve as windows into the mind of Morrison and even into the larger themes present in the text. So, perhaps two girls sharing a seemingly casual experience is not as
The book Sula by Toni Morrison is regarded as one of Morrison’s best work because of the content and structure of the book. Shadrack is an important character in the novel although his appearance in the plot is fairly brief. His significance in the novel stems from the fact that he represents one of the recurring themes of the novel, which is the need for order. Since the need to order and focus experience is an important theme, the character Shadrack illustrates the terror of chaos through his self-proclaimed day “National Suicide Day” in his small town, which portrays the importance of fear, chaos, and death in the book Sula by Toni Morrison.
In Toni Morrison’s Sula, gender heteronormative relationships are demonstrated in a very punishable manner. The two main characters Sula Peace, and Nel Right share a very strong, well connected friendship. The two of them are a mirror reflection of each other, with the same desires. Heteronormative institutions in the book do not seem to be stable for the most part. Hannah Peace, the single mother Sula, lives a disordered life in her household while Helene Wright belongs to a conservative and peaceful life, but her husband is never around. With the two daughters of both families being part of each other’s lives, they create a friendship that shows the privilege for female-female bonds over male-male bonds.
The relationship first starts to take a turn for the worst when Sula accidentally kills a local boy named Chicken Little, by throwing him into the river. The town never finds out who is responsible for his death, mostly due to the girls silence. Though Nel played no roll in Chicken Little?s death, she stands by Sula and tells no one about what she saw that day at the river. At his funeral, ?[the two] held hands and knew that only the held hands and knew that only the coffin would lie in the earth, the bubbly laughter and the press of fingers in the palm would stay aboveground forever? (Morrison 66). Nel?s silence in support of Sula is the first instance when Sula takes advantage of Nel, relying on her in order to survive.
In her book Sula, Toni Morrison creates a parallel between good and evil through her use of symbolism and syntax. Coinciding with her abundance of symbolism, she often times uses birds to allow her readers to know when evil is present within her novel. Usually associated with happiness and rebirth, Morrison instead chooses to details birds as portents of death or wickedness within the Bottom. This parallel between the freedom and joy of a bird and the haunting imminence of death ultimately diminishes the severity of each calamity.
During this time of their separation, the strength of their friendship appears evident. They both long to still be friends, to talk again. However, Nel sees this event as a true betrayal of friendship from Sula, while Sula sees what happened as casual and not a big deal.
Toni Morrison's novel, Sula, places women chiefly at the forefront, examining the matriarchies of the Bottom, and the relationship the novel’s female protagonists. Despite Morrison’s focus on women, men play just as important of a role within the text, as their various actions greatly impact the central females within the novel. All of the men who live in the Bottom impact the women of the novel in similar ways due to their struggles with their masculinity. Morrison’s text characterizes manhood and masculinity as a cycle commencing with men’s fleeting desire to elevate their status, either through marriage or employment, and ending the cycle with their tendency to abandon these desires once they are achieved or deemed out of reach.
This behavior is seen when Nel attempts to recreate the relationship that she and Sula share with someone else, instead of maintaining her relationship with Sula. Now instead of Nel and Sula joined to make one person, Nel and Jude "together would make one Jude." (Page 83) Another of Nel’s negative qualities was how dependent she was on what other thought of her. The only reason Nel ended her relationship with Sula was because she felt she needed to be "needed by someone who saw her singly." (Page 84). Initially this statement appears to state that Nel wishes to become more of an individual, when in actuality it is only further proof that she is completely dependent on what others think of her.Nel’s want to be an individual while still
Organisms in nature rely on one another for their well being. However, sometimes those organisms become greedy and decide to take in the relationship, instead of sharing with their symbiotic partner. Through this action, it takes on parasitic characteristics. In Toni Morrison's work, Sula, Sula Peace and Nel Wright demonstrate how a symbiotic relationship goes awry. When one partner betrays the other, by taking instead of giving, the other partner suffers. Nel and Sula's relationship suffers because Sula unfortunately takes actions that lead to partaking in a parasitic relationship where she begins to wither away. Nel refuses the parasitic lifestyle and
Because of the sexual confidence Hannah Peace has, Sula must disguise her difference, just like her grandmother Eva had too. Eva’s drastic measures were repeated by Sula an act of survival and denial of powerlessness and vulnerability. Nel and Sula are regularly picked on by the same group of boys, causing Sula to take matter into her own hands. At one point, Sula takes out a knife and cuts off part of her finger saying, “ ‘If I can do that to myself, what you suppose I’ll do to you?’ ” (54-55). This severe act if Sula’s moment of self-recognition of her connection to her grandmother Eva. Here, Sula realizes that she has to fight against her own vulnerability, and establish her identity, hereby following her grandmother Eva’s example. Though this moment shows Sula’s inner strength, it can never disguise her enough of being different from the rest of her community. Just as Eva and Hannah, Sula continues the unpreventable, mature line of breaking past the typical gender roles of the time. Eva’s overly independent attitude and removal from caring and mothering a daughter correctly, leaves her daughters with unlearned, societal caretaking skills. This results in Sula’s highly inappropriate and unnecessary act of clumsy caretaking within her relationship with Nel. Yet, it is understandable because Sula has never been taught normal and conventional means for problem solving. The denial of motherly love from
While society's view of evil is really based on the disapproval of anything that would break down way society works, Sula's view of evil is based on a different goal and she acts according to a different set of standards. In other words, "Sula was distinctly different" (118). Sula "had been looking all along for a friend" (122) and that is the goal she is really trying to reach. In sleeping with many men, she is sort of looking for a release for her "misery and...deep sorrow" (122). She is trying to find a friend who she can
The maternal bond between mother and kin is valued and important in all cultures. Mothers and children are linked together and joined: physically, by womb and breast; and emotionally, by a sense of self and possession. Once that bond is established, a mother will do anything for her child. In the novel Beloved, the author, Toni Morrison, describes a woman, Sethe, who's bond is so strong she goes to great lengths to keep her children safe and protected from the evil that she knows. She gave them the gift of life, then, adding to that, the joy of freedom. Determined to shield them from the hell of slavery, she took drastic measures to keep them from that life. But, in doing so, the