This was the first communication that had come from her aunt in Rachel's lifetime.
"I think your aunt has forgiven me at last," her father said as he passed the letter across the table.
Rachel looked first at the signature. It seemed strange to see her own name there. It was as if her individuality, her very identity, was impugned by the fact that there should be two Rachel Deanes. Moreover there was a likeness between her aunt's autograph and her own, a characteristic turn in the looping of the letters, a hint of the same decisiveness and precision. If Rachel had been educated fifty years earlier, she might have written her name in just that manner.
"You're very like her in some ways," her father said, as she still stared at the signature.
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He said the same things so often, and in so precisely the same tone, that she had formed a habit of automatically rejecting the truth of certain of his statements. He had always appeared to her as senile. He had been over fifty when she was born, and ever since she could remember she had doubted the correctness of his information. She was, she had often told herself, "a born sceptic; an ultra-modern." She had a certain veneration for the more distant past, but none for her father's period. She had long since condemned alike the ethic and the aesthetic of the nineteenth century as represented by her father's opinions; so that, even now, when his familiar comment coincided so queerly with her own thought, she instinctively disbelieved him. Yet, as always, she was gentle in her answer. She condescended from the heights of her youth and vigour to pity him. "I should think you must almost have forgotten what Aunt Rachel was like, dear," she said. "How many years is it since you've seen her?"
"More than forty," her father said, ruminating profoundly. "We disagreed, we invariably disagreed. Rachel always prided herself on being so modern. She read Darwin and things like that. Altogether beyond me, I admit. Still, it seems to me that the old truths have endured, and will, in spite of all--in spite of all."
Rachel straightened her shoulders and lifted her head; there was disdain
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Sometimes she had wondered if the personality of this remarkable relative had not been a figment of her father's imagination, long pondered, and reconstructed out of half-forgotten material. But this letter of hers that now lay on the breakfast table was admirable in character. There was something of condescension and intolerance expressed in the very restraint of its tone. She had written a kindly letter, but the kindliness had an air of pity. It was all consistent enough with what her father had told her.
Mr. Deane came out of his reminiscences with a sigh.
"Yes, yes; she wants to see you, my dear," he said. "I think you had better accept this invitation to stay with her. She is rich, almost wealthy; and I, as you know, have practically nothing to leave you—practically nothing. If she took a fancy to you..."
He sighed again, and Rachel knew that for the hundredth time he was regretting his own past weakness. He had been so foolish in money matters, frittering away his once considerable capital in aimless speculations.
"I'll certainly go, if you can spare me for a whole fortnight," Rachel said. "I'm all curiosity to see this remarkable aunt. By the way, how old is
Price puts the sweater on her desk. In the text it states that “‘That's not, I didn't, you're not... not mine,’ I finally say in a little voice that was maybe me when I was four”.This demonstrates her weakness and lack of self confident because she is unwilling to express that the sweater isn’t hers and that shows how shy and passive Rachel is. Another thing that Rachel says in this story that demonstrates her weakness is the fact that continuously she states “not mine” yet this was not being spoken out loud. A line from the texts shows the reader her
The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.
This inner defiance gives evidence to Rachel’s determination and individuality. The sweater now represents a sort of barrier and if she submits herself to it, she fears the world of ages and maturity.
Rachel took her arm away from his but still walked close to him. Then he had cried out "Rachel! Do you not love me? Is not my love for you as sacred as anything in all of life itself?" Rachel was quiet. They passed a street lamp. Her face was pale and beautiful. He had made a movement to grab her arm and she had moved a little farther from him. "No," she had replied. He then said "Some time--when I am more worthy?" he had asked in low voice, but she did not hear him, she did not even say goodnight and went into her house.
Florence Pennington sat silently as teardrops gathered in the corners of her eyes, she began collecting her thoughts as she prepared to write the letter she has been fearing for so long. She knew the day would come that she would have to write Ellie Sue a letter to explain the history of her life and how she has become the woman she is today, because of her declining health she knew she would not be able to share this with her in person. She wanted her to know their history and how she ached to be united with her again. Florence, an appreciative woman with matured brown crinkly skin, rough hands that insinuate the hardships she endured working the fields picking cotton, and sorrowful eyes that reflect fatigue. She has suffered immense changes
The author's word choice that she uses helps characterize Rachel very well. For examples, in lines 47-49, the author explained how Mrs.Price tagged the red sweater to Rachel. "Maybe because I'm skinny, maybe she doesn't like me, that stupid Sylvia
Rachel is a survivor of the Holocaust. She has lost all her family except for grandfather and her younger brother, Yacov. In the concentration camps, the Nazi took advantage of her in the most horrifying way. They beat and branded her. After the war, she was released and smuggled into Palestine. She had hoped to reunited with her grandfather but instead she was put in a home with many other families. The Jews, her own people, shunned her and would go near her. They called her horrible things like tradior and Nazi. They bullied her until she thought she was worthless, unloved, and ugly inside and out. Rachel closed herself off from others. It was through her friends, family, and faith that she finally started to heal. This process was not easy.
This chapter shows the reader what Roger, the father of Rachel, was like when she was in the Hospital. In this chapter, Brick, whose name is Jamie, whose name is James, meets the father of the girl who fell from the roof. He meets him when he is looking for the room in which the girl is being kept in the hospital. When Brick meets the girl's father, at first he is wearing his full military uniform. At first, Brick sees him as a respectful military man, but as the days go by, the man, just like his attire, starts to deteriorate.
Joan seemed to accept this answer. “And how long have you lived here in Camelot?” she asked.
Although Allie was happy that she would see her cousin and her grandparents while in Charleston,
The story is told through the perspective of Rachel, and the way she tells her story portrays a lot about her character. When the teacher told Rachel if the red sweater was her, she responded with “That’s not, I don’t, you’re not...Not mine.” (paragraph 10). This reveal that Rachel is a shy girl who probably doesn’t speak that often unless provoke. It also shows that Rachel can’t seem to finish what she’s saying. Another thing to take note of is how Rachel tells her story. She tells her story with simple vocabulary, and the way she describe her story makes it seem like it was actually written by a child of that
Rachel’s understanding of age reflects her age to grow up. From her point of view, the older you get, the wiser you are. This is why she doesn’t try to keep arguing with Mrs. Price when accused of being the owner of the red sweater. “Today I wish I was one hundred and two instead of eleven because if I was one hundred and two I’d have known what to say when Mrs. Price put the red sweater on my desk.” Rachel feels that if she was older than Mrs. Price then she would've been able to deny that the red sweater was hers. Being able to shut in her emotions, however, shows off her maturity. All the while she was having a heavy internal conflict, she didn’t let it show on the outside.
“Una, you and Jac came at the perfect time,” said Audra, clinging to her and Faye. “How long are you staying?”
“Oh,” Grant muttered, mostly to himself, “well that’s good, I guess. Thanks, Auntie.” Grant shuffled over to the dining room to help finish setting the table with the other women. He didn’t look back.
“He’s doing a lot better, Aunt Sue. He actually seems to like his new job at the accounting firm and he’s made a few friends in the city.”