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Postmodernism In Karen Eiffel's Stranger Than Fiction And Film

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The term “postmodernism” was first used by the philosopher Jean-Francois Lyotard in 1979. This term refers to the rejection of modernist ideas. However, if you have not had the chance to watch and films from the modern era, then it could prove difficult to tell whether or not original films are considered to be modernist or postmodernist. The films Stranger than Fiction and the short film Play are both postmodern films because they share the elements of hyper-reality, ambiguity, and metafiction. When viewing any postmodern cinema, it can be difficult to determine which is actual reality. In both films, it is questionable which reality is in fact real. In Stranger than Fiction, one possible reality is that Harold is a product of the book that is written by the famous author Karen Eiffel. It begins one day when he starts hearing her narrate various details of his life. Such as, when Harold was counting the number of strokes while brushing his teeth. He would look up and try to find out where the voice was coming from. “...alright, who just said that Harold counted brush strokes?” (Harold, Stranger than Fiction) Later he found himself screaming in public at the bus stop after Karen had narrated his imminent death “…Why? Why my death?” (Harold. Stranger than Fiction) Was she the author of his life, or was he just hearing voices in his head? Perhaps he had a nervous breakdown or had developed schizophrenia? It is also difficult to tell what the actual reality in Play. It appeared

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