Poetry Analysis Robert Frost Essay

Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design". The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer. By examining the events of the poem in the first stanza and the speaker's annotative second stanza, we

Most people know the poem “Fire and Ice” by Robert Frost. It is pretty famous. But do most people know the meaning of this unique poem? What does Robert Frost mean when he writes “if the world had to perish twice?” Although it is short, “Fire and Ice” is a puzzling poem filled with words that hold a meaning that we have to unlock.

Frost’s poem has a great sense of irony towards the end, “I shall be telling this with a sigh / somewhere ages and ages hence” (16-17). The irony is that while he’s making his choice he is already anticipating how he will tell the story in the future, almost adding a sense of drama

In Robert Frost’s poem “To the Thawing Wind,” in the literal sense, he is asking the Southwest wind to come, melt the snow and bring spring, but symbolically he is tired of the winter and wants warm weather. He wants to burst out of his cabin and have a good time, not thinking about poetry. The poet has been confined in his winter cabin and is wanting the wind and rain to melt the snow, so it will change his winter isolation. He has been longing for the “thawing wind” because that is when spring is coming. He is anticipating spring to come because it will bring him inspiration and the freedom needed to be able to do new things and enjoy everything good that comes with this season.

Robert Frost wrote this poem in 1923. Frost in referencing creation from the perspective of a Christian. The poem is about creation and how creations evolves over time. Frost is an American poet from New England. He was very concerned with the current political climate. This piece is a collection from 20th century poetry.

Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.

The poem seems to be an internal questioning by Poe and the questions are also addressed to the public. He is challenging the readers to question science and what they think of science and the apparent truths that it reveals.

In Robert Frost’s “Design,” written in 1922, the narrator laments the juxtaposition of life and death that he bears witness to when he sees a spider on a heal-all flower carrying the dead moth it has killed. He uses a modified Italian or Petrarchan sonnet, punctuation, repetition of rhyme and diction, repetition of anomaly, and repetition of the same rhyme in both the octave and the sestet, to convey that death is a question that cannot be answered and that the only solution, the only answer, is to continue to ponder over it. While it is a question that cannot be answered, it must be questioned anyway. He uses symbols he has drawn from in earlier works, as well as his experience playing with the form of the Petrarchan sonnet in the past, to help shed light on the importance of this.

Walt Whitman’s “A Noiseless Patient Spider” varies greatly from Robert Frost’s “Design”. Whitman stresses the importance of the title by repeating it in the first line of the poem. The title suggests the work and patience required of a spider to create their web, making each line connect to the next. The spider’s web is like one’s home, one’s foundation, and one’s intricate connection to life. In the first line of the poem Walt Whitman uses a form of figurative language to describe the spider. The form of figurative language Whitman uses is personification. He gives the spider the human characteristic of being patient to suggest that this story is not only about a spider. The second to third line reads, “I mark’d where on a little promontory it stood isolated, Mark’d how to explore the vacant vast surrounding…” The words isolated, vacant and vast describe the space around the spider. The author wants

In the poem the predominant is on of flattery and deception. It tells a story of a cunning spider enticing a little fly with his tricky words to fall into his trap. Similar how human beings are often influenced by the words of flattery of others. The spider tries deceiving the fly by luring her into the parlor by showing her pretty things, offering her a comfortable bed and good things to eat. When the spider fails at tempting the fly with those, the spider then uses his strongest weapon, fake flattery. This is how he eventually traps the fly at the end. Although the fly repeatedly states that he does not intend to enter because he has heard tales of victims who were subjected to his evilness and cruelty. The spider continues to give false praises, he is confident he will sway her and gives her compliments on her appearance. He offers her a chance to see her own beauty by giving her a looking glass so that she can appreciate her own beauty. He starts to convince the fly and her vanity ultimately does her in. The poet is warning people not to pay attention to false flattery and enticements and learn from the fly’s

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.

“The Road Not Taken” and “Nothing Gold Can Stay” are just two of many very famous poems, written by none other than Robert Frost. Robert Frost is a poet that is well known for his poetic contributions to nature, as well as his award winning poems. His poetic ability and knowledge make him an extraordinary author. His past; including schooling, family, and the era in which he wrote influenced nearly all of his poems in some way. This very famous poet contributed to the modernism era, had a family and an interesting life story, and a unique poetic style as well.

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

The poem "Design" explores whether the events in nature are simply random occurrences or part of a larger plan by God, and if there's a force that dominates and controls our very existence. On that point both Jere K Huzzard and Everett Carter aggress on. They differ in their interpretations of the poem's ending and what they think Frost wanted to convey with his vague ending. Both agree that the last line of the poem was written in an undefined way with purpose on Frost's side. But each critic poses his own ideas regarding what is the meaning of that line. While Carter examines the whole poem in order to answer this question, Huzzard chose to focus only on the last two lines.

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.