In the novel Me And You by Niccolò Ammaniti, Lorenzo, the fourteen years old boy is unable to care for people except his parents. From Lorenzo 's point of view, he camouflages among his peers to get through his life. Even though he claims that he is superior and unique than the others, deep down it is a lie that he tells himself to protect his self-esteem from the fact that he can not make friends as an outcast. After spending time with the unexpected visitor, who is his half-sister Olivia, Lorenzo experiences sympathy and love for the others for the first time. Lorenzo transformed from a boy who runs away from his problems to a teenager who is able to take care for the others and brave enough to step out for his own life all due to his time together with Olivia. On the whole, Lorenzo is trapped by his narcissistic personality disorder that he can not understand his needs for friends and community until his half sister taught him how to love and be loved outside of his circle over an accidental encounter in the basement.
Lorenzo disguises himself to get by in school and at home that he uses the excuse of being too special and different to disguises his misfit in the community. At the start of the book, the author uses personification to describe the psychological activities of Lorenzo. "I was like a sardine in a school of sardines. I camouflaged myself like a stick insect on dry branches" (31). Under the cover of imitating others, it is actually a cry of help due to the
Looking for Alibrandi by Melina Marchetta is about a 17 year old young girl called Josephine “Josie” Alibrandi who is in her final year of school at a wealthy Catholic school. Josie is Italian and Illegitimate, throughout the novel she finds faces some challenges such as finding out most of her family secrets and her father coming back into her life. Looking for Alibrandi deals with many themes such as family and relationships, secret and lies and emancipation. These themes are expressed through the use of literary techniques such as first person narration, dialogue and characterisation.
Discomforts of adolescence is a major theme in this novel. Frankie is at a very awkward age, and she is struggling with her youth. Her feelings are described as sad, depressed, and lost. McCullers showed the difficulty in growing up as an out-cast. “Frankie had become an un-joined person who hung around in doorways, and she was afraid” (McCullers 3). Frankie feels disconnected
Lola is twenty-year-old female who is has a bit of difficulty identifying her place in life. She describes her family as a loving doting father she feels warmly for. She sees her Mother as a cool personality but describes her as pretty, and she only acknowledges her sister in passing. She states that as children they moved around a lot and that she was a lonely child. This trend of being lonely continued as she grew up and she finds friendships hard to start and even harder to maintain. There was not a feeling of family togetherness and they did not have many gatherings out outings.
Art is a particular form of social consciousness and of human activities, an important way for people to perceive, discover and improve life: according to the laws of beauty. It is the creation of tangible or intangible products containing great values of thought-aesthetics, cultural character, and emotions. In this sense, there are numerous types of art. Painting is one of the oldest forms of art on earth. From prehistoric times, artists not only used it to communicate, but they also used painting to entertain the viewers. Painting can be transformed, eliminating the tedium, fatigue, and stress in daily tasks to bring the joy. Fun in life or silence for the soul. In other words, painting is a language that communicates an artist 's ideas
“Saving Sourdi” by May-Lee Chai, discusses a classic plot of the metamorphosis from childhood to adulthood. In her story, the two main characters Sourdi and Nea develop in stark contrast to one another. Nea, the younger sister, has difficulty growing up and maturing as her own life, as well as her sister’s life, progresses. Her naivety, aggression, and anxiety influence her decisions throughout the story in a negative way. Chai’s character is easily believable and relatable, everyone has had a point in their lives where they didn’t want to grow up, handled a situation poorly, or realized that their relationship with someone has changed
“Saving Sourdi” by May-Lee Chai, discusses a classic plot of the metamorphosis from childhood to adulthood. In her story, the two main characters Sourdi and Nea develop in stark contrast to one another. Nea, the younger sister, has difficulty growing up and maturing as her own life, as well as her sister’s life, progresses. Her naivety, aggression, and anxiety influence her decisions throughout the story in a negative way. Chai’s character is easily believable and relatable, everyone has had a point in their lives where they didn’t want to grow up, handled a situation poorly, or realized that their relationship with someone has changed
A “Bildungsroman” is defined as a piece of literature that focuses on the mental, moral, and psychological growth of a protagonist in transition from childhood to adulthood. Ideologies adopted into a Bildungsroman are ones that shows the coming of age like the shortcoming of loved ones, meet with challenges that the adult world presents to the younger generation, and having mentors or guides who teach the ways of life through valuable lessons. In Rudolfo Anaya’s coming of age novel, “Bless Me, Ultima”, the Bildungsroman concepts and ideas about maturity from childhood blossom as the novel's protagonist, Antonio Marez, lives his Hispanic, Catholic life at the age of eight, through countless experiences that molds his coming of age. Elements that substantially influences Antonio's coming of age includes confrontations with death, disappointment in realizing soul crushing realities, and encounters with emotions and despair that would be met in the adult world. Antonio, through, these structural elements, shapes his shift from a child to a man by emphasizing why certain events occur in his life.
One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.
One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.
The Painting Martha and Mary Magdalene is one of the many masterpieces in the DIA’s collection in Detroit. Although there is much more to understanding a work of art then just looking at it. In order to understand a piece, you have to understand the Artist, the time period, and the symbols in that painting that may have very different meaning today.
After Deronda becomes more acquainted with his mother, he begins asking questions about his family. In this passage, Deronda wants to know about his Mother’s father. He is informed that his grandfather was a good man, but lacked respect for women. His mother explains that he was not able to have the influence over her that he wished because she was just like him. An interesting line in this passage is when Deronda’s mother says “Like the old Foscari before he pardons.” Referencing the back of the book and a quick online search, this line is a reference to an opera by famous Italian composer Giuseppe Verdi called I Due Foscari (1844) which is based on an even older play from 1821 called The Two Foscari. Based on a true story, this play revolves
Individuals are generally perceived to be productions of their upbringings and socialization. Latin author, Gabriel García Márquez and Algerian writer Albert Camus, introduce how their characters conflict with socialization as a result of their cultivation in Love in the Time of Cholera and The Stranger respectively. In Márquez’s novel, the key female role is assigned to Fermina Daza, a middle class Latina in the 1800s-1900s, expected to hold prestige and marry wealthy by her father and societal pressures. In The Stranger, Meursault, the protagonist, develops a niche for logic rather than influence which provides the Christian based society with a reason to have a heinous perception of him when he fails to express emotion at his mother’s
La Bohème is an opera in four acts, composed by Giacomo Puccini, which was based on Henri Murger’s “Scènes de la vie de bohème”. The first world performance of the opera occurred sometime in early February 1896, at the Teatro Regio. It was conducted by Arturo Toscanini U.S. premiere took place the year after (1897) in the city of L.A. Since then, the popularity La Bohème has only proliferated. Toscanini conducted a performance of La Bohème on radio, fifty years after the original debut of the opera, the NBC Symphony Orchestra. The legendary opera was eventually put on records and CD’s. To this date, the recording holds the title of being the only recording of a Puccini opera to be released by its original
After World War II Italy was in shambles, and the rural nation struggled to close the developmental gap between itself and other European nations. It was during this time, in 1948, that Luchino Visconti filmed La Terra Trema, or The Earth Trembles, on the island of Sicily. It was a critically acclaimed adaptation of I Malavoglia, or The House by the Medlar Tree, written by Giovanni Verga in 1881. Life on the island as depicted by Verga had barely changed in the approximate 70 years between the two works, and Visconti filmed in a true neorealist style, recruiting nonprofessional Sicilians to act out their own lives in their own native tongue. While Visconti’s political messages change the meaning of the story, he succeeds in capturing the never-ending struggle of the oppressed working class, and the futility of disjointed revolt.
Italo Calvino (2004) describes his perspective from a distance in “Hermit in Paris”; from places he has lived all throughout his life, the places where he has been a tourist, and a visitor. Calvino has personal relationships with places and has a personal opinion where he believes Europe is emerging into one single city (Calvino, 2004, p. 2). He is tolerant of other people’s opinions and continues to portray his own feelings rather than following others discretions. Most cities are known through media and books and that’s how people who have not experienced these cities see the town. You need to escape spaces mentally and physically by connecting or disconnecting yourself from a place that does not create happiness.