Loss Of Innocence

“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to

The voice in this poem is one of pure happiness and innocence. In this state of joy, the infant is unaware of the world in which he lives and that awaits him. In these opening lines, we see Blake revealing the everyday modeling and structure that categorizes the world, but is absent in the simplicity and purity of childhood. The child has no name because joy needs no other name. Labeling and classification are products of organization and arrangement that the world uses to assimilate innocence into experience. Blake demonstrates that it is through this transition, that the virtue of child’s play is destroyed. Blake utilizes specific emotions such as “happy,” “joy,” “sweet,” “pretty,” “sing,” and “smile” to describe this uncorrupted state of being. There is no danger, darkness, or struggle for the infant. Instead, he exists in a care free state, free of guilt, temptation, and darkness. The birth of a child is celebrated by Blake and it stirs in us powerful emotions of peace, love, and hope.

     Blake also uses startling irony in this poem. This irony shocks the reader into realization of how terrible life is for these small boys. Some of the verbal irony Blake uses lies in the first stanza. The poetic voice claims that “[his] father sold [him] while yet [his] tongue/ Could scarcely cry ‘ ‘weep! ‘weep! ‘weep! ‘weep!’'; (554). These words have a double meaning. They can mean that the speaker was not yet over mourning for his mother, or they can mean that he was so young that he was not yet able to sound out the s sound properly. In this case, he would stand on the corner and, instead of repeating the word sweep in an attempt at getting someone to hire him, he would repeat the word “‘weep!’'; (554). Another, more startling irony is that these young children hoped and lived for death because only in the after life could they become children. Blake emphasizes this with the

In the poem, the father gets up early to mend the fire place and even polished the children’s shoes. In lines three through five the boy states “then with cracked hands that ached/ from labor in the week day weather made/ banked fires blaze. No one ever thanked him”. (Lines 3-5) From this statement, the boy is saying that his father does all the work, but never gets any credit. Also, the boy implies that the house scares him or what he means is his father. Back in that time when this was written, fathers did not know how to show their love. So, by taking care of the house, polishing the children’s shoes and working, is what he thought as showing love. The boy did not understand his father’s ways, yet as he got older he finally

Edgar Lee Masters used vivid imagery and figurative language to help explain the feelings of a woman named Lucinda Matlock. She had a hard life by never complained. Lucinda gave birth to twelve children and eight of them passed before she turned sixty. One of Edgar’s examples of striking language is when he explained how Lucinda shouted to the wooded hills, and sung to the green valleys. (Line 15)

The idea of innocence loss is prominent in the last three stanzas because this is the part of the story where the child begins to understand the world. In order to make this transition, Thomas uses rhetorical situations such as tone and symbolism to convey the shift. In the fourth stanza, Thomas uses the child’s sleeping as a symbolism for the dark coming, meaning the idea of maturity and aging is hinted. This initiation equates the beginning of the world of maturity, and the end of youth. It also involves the loss of innocence, freedom, and purity. The loss of innocence also infers that the child’s unification with nature is no more, since the setting is referred to the Garden of Eden, the child’s ability to create and fantasize is no longer possible. Despite the clear transition where the child is starting to understand the implications of the world outside of his own, he continues to ignore its heavy presence. In the fifth stanza, the child continues to enjoy the paradise of youth, with the author describing his attitude as he “[runs his] heedless ways.” The author describes the child’s reluctant actions by using a rhetorical situation called register. Register helps the language of this poem to give it authenticity, and meaning to the themes. Thomas displays some of his Welch register in the poem, giving the poem a more genuine feel. In stanza five, Thomas uses a phrase “sky

In William Blake’s “The Chimney Sweeper” from Songs of Innocence, Blake depicts a child who was sold into the work force by his widower father. The child is so young, in fact, he cannot correctly pronounce ‘sweep’, instead crying “weep weep weep…” (3). The child, the perceived speaker of the piece, describes to the audience a fellow chimney sweeper named Tom Dacre. Tom has a

The poem is sectioned into six quatrains, which follow the following pattern: reality, reality, dream, dream, dream, and reality. Through use of this poetic device, the poet presents the impression to the reader that it is inevitable that reality must always be returned to, and that the children will have no escape from their labour. Though the dream may present the impression that it is a welcome escape, it only serves to further emphasise the cruel conditions of the child’s life. ‘The Chimney Sweeper’ falls into the category of a lyrical poem, which presents it to the reader as a song of sorts, almost akin to a nursery rhyme. Traditionally, nursery rhymes are sung to young children, emphasising the narrator’s naive tone. The irony in this must also be noted, as the child ought to be protected by his parents singing to him as he falls asleep; he should not be partaking in the dangerous occupation he has been forced

This poem dramatizes the conflict between a child who desires a verbalization of love and a father who expresses love through actions rather than words. The first stanza informs the reader that the action of the poem occurred in the past, and the speaker reflects upon it. The speaker describes the house as being “blueblack cold” during the wintertime (2), which not only allows the setting to be determined but also allows an inference to be made about the emotional companionship (or lack thereof) within the house. The father used to awake earlier than the rest of the family in order to start a fire to keep his family as comfortable as possible, though “no one ever thanked him” (5). This line introduces the regret of the reader pertaining to the treatment of the father.

In the last stanza, the narrator witnesses the young "Harlot" (prostitute) cursing and reprimanding "Blasts" the infant's cries and "tears" at what could be the result of being fatherless. The soldiers' deaths leaving mothers widowed, turning the joyful occasion of marriage (also personified) into a depressing event “the Marriage hearse”. This stanza has a very different rhyme structure to the previous ones. It is half octameter and heptameter, making it slightly off beat. Lines thirteen and sixteen are slower (octameter), while lines thirteen and sixteen (heptameter) have a rapid, excited tone.

can be when they are sent away from their families to work at a very

     William Blake’s “The Chimney Sweeper” was mainly about the possibilities of both hope and faith. Although the poem’s connotation is that of a very dark and depressed nature, the religious imagery Blake uses indicates that the sweeps will have a brighter future in eternity.

“The Chimney Sweeper” is a poem written by William Blake (1757 –1827). His main aim is to expose the social defects in his age and the vices which afflict his society and to confront his readers with the dreadful suffering of the working paupers. According to Blake, the chimney-sweeping life is not a life at all; the labourer children have lost their childhood, their freedom, and their innocence. He criticizes the victimisation of children and the injustice of this oppressive labour. He shows how Tom; the chimney sweeper and other children suffer from long hard labour in addition to physical and psychological abuse. Blake insists that these children are living in abject and inhumane conditions of deprivation, misery and humiliation

"The Chimney Sweeper" is a quintessential Blake poem as it embodies his belief in looking towards the future for hope and comfort. Additionally, the poem is a perfect example of a child's movement from innocence to

The speaker in Innocence is a chimney sweeper, but the poem doe snot focus on him–it focuses on “little Tom Dacre” and his dream (Innocence, 5). Before it was shaved off, Tom had white hair “that curled like a lamb’s back” (Innocence, 6). The color white and lambs are symbolic of innocence and purity; even though his hair is shaved away, the goodness is still right below the surface. The subject of Experience is in stark contrast to Tom Dacre. The speaker of the poem is someone who is talking to the child, and they do not describe the chimney sweeper like a person. Instead, he is called “a little black thing” sitting in the snow (Experience, 1). Snow may be white like Tom Dacre’s hair, but it is also stark and inhospitable: it serves to make the soot-covered child stand out. Like Tom, this child was prepared to become a chimney sweeper; his parents dressed him in “the clothes of death” and taught him “to sing the notes of woe” (Experience, 7-8).