Joy Luck Club Essay

Given that women have led successful businesses, raised families, and created positive changes all over the world, it is shocking how in many countries women are still being oppressed because of their gender. Amy Tan was aware of such male dominating cultures when she wrote her book, The Joy Luck Club. Within her novel, stories of Chinese mothers and their Chinese-American daughters reveal the cruelties towards women in the Chinese culture. One of her characters, An-Mei Hsu, speaks out on her experiences as a woman living in China. Through her rhetorical devices, she reveals her main idea that women living the Chinese way are stuck in a cycle of pain

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships.  The mothers came to America from China hoping to give their daughters better lives than what they had.  In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture).  They were not expected to have their own will and to make their own way through life.  These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3).  To

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

The filmmakers really amplified the idea that everyone can become happier. They filmed people from many different cultures around the world, to show that there are no barriers for being happy. Rather than starting the film with an interview from an average American, Happy began with an Indian rickshaw driver sharing his daily lifestyle. Although it may have seemed like a hard, tiring, and anticlimactic lifestyle to the audience, he was happy. The narrator reports, “Research shows that he was as happy as the average American.” This may seem unrealistic for the audience at first, considering the audience is still discovering this principle that happiness is diverse for other individuals. Especially for an audience member who finds that a majority of their happiness is related with money, this moment in the film may have not been easy for them to comprehend. This part of the film really amplifies the main claim from the director that happiness is mainly influenced by our ecology. The Indian rickshaw driver found most of his happiness when he came home, and interacted with his son. The idea of ecology has a lot to with the social interaction between individuals of the same species, in this case, it was the interaction between the rickshaw driver and his son. Not only did the interaction with his son brighten his mood, but his interaction with his neighbors also brought him to be happy.

To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where

People travel through life with what seems like a single goal: to be happy. This may seem like a selfish way to live, however this lone objective is the motivation behind nearly all actions. Even seemingly selfless deeds make people feel better about themselves. That warm feeling experienced while doing charitable acts can be described as happiness. But what is authentic happiness? There is an endless possibility of answers to this question, and man seems to be always searching for the solution. Although one may reach his or her goals, there is always still something one strives for in order to be happy. In the book Stumbling on Happiness, Harvard psychologist Daniel Gilbert takes the reader through

The Joy Luck Club revolves around the idea of family; specifically focusing on mother-daughter relationships. Each mother-daughter pair faces their own struggles such as overly high expectations, miscommunication, and the passing on of undesirable traits. In the first story of this novel Suyuan Woo, the mother of Jing-mei Woo, wants her daughter to become a piano prodigy. She ends up putting such high expectations on Jing-mei that she refuses to practice correctly and become good. Since her mother set such high expectations for her daughter, her daughter begins to resent her. These expectations caused Jing-mei to feel as if she was never good enough for her mother and as a result, their relationship is weakened. Different from Suyuan and Jing-mei are Lindo and Waverly. All of Waverly’s life she feels as if her mother is always against her and is constantly pointing out the negatives in everything. She blames her mother for the failure of her first marriage because she pointed out everything wrong with her husband. Waverly says,

The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.

Happiness: a Human Disease -- An Examination of the Allegorical Theme of Existentialism in the Happy Man

From the film The Joy Luck Club, Chinese girls were supposed to act obedient and respectful to their parents and elders. This included the girls having to abide by each and every Chinese tradition that their parents instilled in them. Girls were also expected to be quiet and considerate to their parents and elders. They were only supposed to speak when spoken to at all times. Acting out against anything their parents enforced upon them was completely unacceptable.

Throughout The Joy Luck Club Amy Tan inserts various conflicts betweens mothers and daughters. Most of these relationships, already very fragile, become distanced through heritage, history and expectations. These differences cause reoccurring clashes between two specific mother-daughter bonds. The first relationship exists between Waverly Jong and her mother, Lindo. Lindo tries to instill Chinese qualities in her daughter while Waverly refuses to recognize her heritage and concentrates on American culture. The second bond is that of Jing-Mei Woo and her mother, Suyuan. In the beginning of the book Jing-Mei speaks of confusion in her recently deceased mother's actions. The language and cultural barrier presented between Jing-Mei and Suyuan

I started to question about happiness in America after I saw a pattern in high school that students are often confused or stressed. I started out with the question, “why is it hard to be happy when being happy shouldn’t be that hard?” To answer these questions, I found Sophie Chan’s 2011 study, “Hong Kong Chinese community leaders’ perspectives on family health, happiness and harmony: a qualitative study.” This study would help answer questions on my audience’s curiosity about other countries happiness compared to the United States. Then I started to think that there were also other issues that friction with happiness in America and

The state of wellbeing as it is experienced by the individual is thought to be a defining component of the human experience and inherent to the very notion of what it means to be a person. However, the concept of wellbeing and the definitions of happiness and wellbeing are not constant across the spectrum of human cultures; individuals’ experiences of emotions and happiness are as as varied and diverse as the cultures which they exist in. A person’s experience of happiness is defined by the culture’s language and driven by expectations that are both artificially created and rooted in cultural tradition. In his essay “The Mega Marketing of depression in Japan”, Ethan Watters explores the relationship between cultural expectations and the experience of happiness via the marketing campaign undertaken by pharmaceutical behemoths which succeeded in radically altering the Japanese definition of depression to agree with the Western model. Through Watter’s study, a better understanding of how language and values can rewrite the cultural narrative of wellbeing can be obtained.