Essay on John Donne

On the surface, John Donne’s poem “The Flea” dramatizes the conflict between two people on the issue of premarital sex, however, under the surface, the poem uses religious imagery to seduce the woman into having sex. The speaker in this poem is a man, who is strategically trying to convince a woman to have premarital sex with him through the conceit based on a flea, however, the coy lady has thus far yielded to his lustful desires. The speaker’s argument has the form of logic, which contradicts to its outrageous content.

“La Haine”, a 93 minute film regarding about three adolescents(Vincent Cassel, Hubert Kounde, and Said Taghmaoui) who struggle to cope in a poverty-stricken environment in which hatred and violence are part of everyday life. Even the title “La Haine” which is a French word, translated to 'The Hatred' suggests what the film is about. Based on a true event, “La Haine” is inspired by a real event where a young man was murdered while being questioned at a Parisian Police station. In exploring racism in the Paris suburbs, this film has a direct contrast with more typical French films, such as Amelie(2001) which presents a far more romantic and idyllic vision of French life. The beginning of La 'Haine' shows the beating of a

Donne conveys how religion is a central idea through the use of many religious references throughout the holy sonnets. In ‘Death Be Not Proud’, Donne makes a religious reference to Jesus, ‘Die not, poore death, nor yet canst thou kill mee’, expressing how religion was an underlying theme when handling many issues. When the two texts are studied in alliance, it allows the responder to draw a better understanding of the themes presented in ‘W;t’. This theme, science VS religion, has been emphasised due to the contrasts between Vivian and Donne and their context.

John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.

The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The

In John Downe’s letter to his wife, he strategically establishes and develops ethos as well as pathos to convince her to join him in the United States with their children.

Written during the 17th century, John Donne utilizes an unconventional genre in his poem, demeaning and objectifying the female sex. A common motif in poems of the Renaissance, Donne uses a flea as a metaphorical comparison to sexual intercourse and the eternal bind between man and woman. Illustrated throughout the poem, Donne

A text is essentially a product of its context, as its prevailing values are inherently derived by the author from society. However, the emergence of post-modern theories allows for audience interpretation, thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly, this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references, corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships, and death and resurrection: central themes of Donne’s Holy Sonnets

Duke Ellington's pre-eminence in jazz is not only because of the very high aesthetic standard of his output and not simply due to his remarkable abilities as a pianist, composer and bandleader, but also to the fact that he has extended the boundaries of jazz more than any other musician, without abandoning the true essence of the music. Perhaps no other American musician left such a massive and challenging legacy in composition and performance.

The Harlem Renaissance was an era full of life, excitement, and activity. The world in all aspects was in gradual recovery from the depression. The world of music was

Edward Kennedy "Duke" Ellington was an American composer, pianist, and bandleader of a jazz orchestra. Duke’s career spanned over half a century during which he composed thousands of songs, and was a member in numerous bands. Duke Ellington was one of if not the greatest musician during the Harlem Renaissance.

During the 1590s he focused a lot of his time on books, traveling, and love interests. It is believed that this is around the time that he wrote most of his famous love poems. During this time he travelled to Spain and Italy where he began to study law. He studied at Thavies Inn in 1592 and Lincoln Inn from 1592 to 1594. Donne had a brother named Henry who was convicted of Catholic Sympathies in 1593 and died in prison. When he was 25 he began to work as a secretary for Sir Thomas Egerton, who was the Lord Keeper of the Great Seal of England. He worked for Egerton for several years and over time they became close friends. It was also around this time the Donne betrayed his Catholic religion and converted to Anglicanism. In the December of 1601 he married Anne More, who was 16 years old at the time. Anne was the daughter of George More and the niece of Sir Thomas Egerton. These two men supported their marriage greatly and went to extreme lengths

Donne transformed the love poetry he wrote in his early days, beginning in 1617 with the death of his wife Anne More, to religious poetry with a strong sense of awareness of death and its import. This poetic development from classical poetry to more personal poetry reflects the events that marked his own life, and can be traced throughout his poetry. This kind of personal and thereby

Jack London, an American author known for his thrilling adventure stories, showed the world that even an exciting story that takes place in exotic settings can include all the intricacies of great literature. This is seen in many of his stories with the implementation of symbolism, many times a recurring theme in his work. Also, London used many ideas of the day such as Darwinism and Spencerism in his writings in order to better portray his views. However, perhaps one of the most telling signs that London wrote good literature was through London's mastery of a rising literary movement known as naturalism.

In this essay I will mainly focus on two poems written by John Donne, The Rising Sun and Death be not proud. These poems were written during the Elizabethan era, which was an era mainly characterized by love and colonialism, on separate terms of course. These principles often influenced poets who lived during this period. Their poetry acts as testimonies of their underlying thoughts and desires. Furthermore, metaphysical poets deliver a more divine and profound perspective to their poetry. Within their conceits, they manage to engage and delight themselves in deeper movements. This essay will further discuss how John Donne used death and the sun to his disposal. I will also critically analyse the two poems as well grasp on external aspects