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Irony, Arrogance, and Oedipus

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"Listen to me. You mock my blindness, do you?/ But I say that you, with both your eyes, are blind" (I, 195-196). With these memorable words, the sightless prophet Teiresias all but paints the entire tragic story of Sophocles' Oedipus the King, one of the most prominent pieces of Greek literary heritage. Greeks knew and loved the story of Oedipus from childhood, just as children today cherish the story of Cinderella. In his version of the beloved tale, Sophocles concentrates his attention on the events directly leading to Oedipus' destruction, portraying Oedipus as a helpless pawn of fate. The most prominent literary device is dramatic irony, primarily of the spoken word, through which--especially in the Prologue--Sophocles captures …show more content…

Oedipus here demonstrates the overbearing, impetuous personality that brought about the entire situation in the first place. The irony, of course, is that he says far more than he realizes. He uses the word sick in two different senses: physical illness and emotional distress. In his blindness, he does not see what is apparent to the audience (especially one reading an English translation): He is "sick" in yet a third way, for in his twofold crime of coming "to his father's bed, wet with his father's blood" (I, 242), as Teiresias expresses it later, he has committed vile perversion. Oedipus' condition is far more serious than he can possibly imagine. As Oedipus speaks with the people, his brother-in-law Creon, whom he had sent to inquire of the Oracle at Delphi, returns with a message from the gods. With characteristic rashness, Oedipus has only seconds before vowed to fulfill whatever "act or pledge of mine may save the city" (Prologue 74, emphasis added). Having allowed the adulation of the people to go to his head, he cannot shake the vision of hero-protector; he still arrogantly regards himself as the sole hope of the city: ". . . I should do ill/To scant whatever duty God reveals," he proclaims (Prologue 79). At this point, his delusions are masked by his concern for the people; yet they foreshadow the ugly hubris he will manifest plainly in Scenes I and II as he basely accuses

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