How A Wild Tongue By Gloria Anzaldua

Anzaldúa wrote about the conflicting views that Chicanos face involving their own self-identity growing up in societies that tell them they do not belong. Chicanos are people that were born in the United States but have parents that were born in Mexico. They face constant criticism for the way they speak, by both American and Mexican people. Often times Chicanos are told that they’re cultural traitors and that they’re speaking the oppressors’ language and ruining the Spanish language when they are heard speaking English by Latinos (Anzaldúa, 17). They are made to feel as if they need to choose a sole identity to represent and anything other than that is going to be looked down on. Chicanos have felt as if they didn’t belong anywhere, so they created an identity to fit in and belong to “Chicano Spanish sprang out of the Chicanos’ need to identify ourselves as a distinct people” (Anzaldúa, 17). A feeling of

According to Americans, her language is considered a bastard language and that it is illegitimate. This is something that she takes to heart because her language is so important to her and it is so close to her and her family. Anzaldua shows this in the narration and structure of her writing. Her reading is bilingual instead of just in English. She will write a whole sentence in English but change one or two words in the sentence to Spanish. An example is when she says, “Often with mexicanas y latinos we’ll speak English as a neutral language” (64). Here is just a small example of how she includes her Spanish language in her English text. There are many different times when Anzaldua does this in her reading. This is something that may confuse an English reader with no Spanish experience. Often times when I came across words in Spanish I got confused and almost embarrassed because I had no clue what she was trying to say. I think this is a great way to show readers how she felt as a Chicano trying to learn a whole new language. Anzaldua’s strategy of narration and structure of the text really catches a reader’s eye. She also italicizes any Spanish words that she includes in her text. This is just another way of showing the audience how important her language is to her. Another strategy she uses in her writing is how she splits up her story. She has many

In “How to Tame a Wild Tongue” by Gloria Anzaldua, she speaks from personal experiences she grows up with while living as a Chicana in the United States. Throughout her life she was subjected to being oppressed because of her native language. From a very young age she felt as if she was not allowed to express and acknowledge herself while speaking Spanish. Anzaldua believes that “If you want to really hurt me, talk bad about my language. Ethnic identity is twin skin to linguistic identity – I am my language”. What I get from this quote is if a person is really looking forward to tearing me down, speak poorly of my roots or culture since that is a part of my identity. Since both are all I know, it would be extremely offensive. In “How to

In her passage, Anzaldua claims that language is an identity. She stresses the importance of how people who speak Chicano Spanish are viewed as inferior due to it not being a real language. Anzaldua reveals that “repeated attacks on [their] native tongue diminish[es] [their] sense of self” (532). Being criticized by the language one speaks causes a low self-esteem and a misconstruction of identity. It can lead a person to stop or hide the usage of their language thus suppressing one’s self. She highlights the discrimination of Chicanos, so people are aware of it therefore encouraging tolerance and social justice. Anzaldua argues that “until [she is] free to write bilingually and to switch codes without having to always translate. . .[her] tongue will be illegitimate” (533). This shows how truly she

Language is much more than a method of communication. Permeated within it are traditions, customs, and legacies of one’s culture. The identity of an entire population is in the distinct vocalizations of their native language. Unfortunately, as a wave of immigrants enters the United States at young ages, many face language barriers that pose significant challenges. Language barriers affect a multitude of immigrant populations to different degrees. This, in turn, causes many of them to abandon not only their native tongue but a piece of their ethnic identity, as well. In Maxine Hong Kingston’s personal narrative,“The Language of Silence,” she describes the difficulties she experienced throughout her childhood with a language barrier as a

Standard and working class English from school, media and job situations (Anzaldúa 472). Anzaldúa compares and contrasts the languages that her culture speaks and where they originate and how she learned them. Pachuco is a rebellion language; it consists of slang words from both English and Spanish. It becomes hard for Anzaldúa to fully take pride in her, not until she takes pride of her language. She has to fully accept her identity of Chicano Texas Spanish, and all the other languages she speaks. The Chicana language she associates herself in combines all the languages others speak; the Chicano language is really a mutilation of Spanish.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

modules gives many examples how strong cultural pasts lead to identity problems in a new society. Also, the module shows us that many Mexicans were not happy with the stereotype formed about their identity. In Between the Lines, we see how Mexicans in America suffer through harsh discrimination, while trying to stay close to their relatives and culture. The letters talk about how Whites did not have concerns with family values or cultural beliefs. Whites based many of their values off succeeding in the economy. Whites in general had no regard for Mexicans as people.

Anzaldua persuades her audience of Chicanos by her examples of her credibility. She is told many times that she needs to be able to speak Spanish without an accent. This affected her when she was younger a lot. She was not able to speak Spanish at school without her teacher telling her “If you want to be American, speak American! If you don’t like it, go back to Mexico where you belong.” She also had to fight with her mother about this because she wanted Anzaldua to not have the accent. She would tell her “I want you to speak English. Pa’ hallar buen trabajo tienes que saber hablar el ingles bien. Que vale toda tu educacion si todavia hablas ingles con un accent.” This translated to “To find good work you must know how to speak English well. That is worth all your education if you still speak English with an accent.” Anzaldua explains how she was mortified of this because she spoke English like a Mexican. She explains that she had to take two classes in order to get rid of her accents. She went on to become a teacher in 1971 and she was teaching High School English to Chicano

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

Anzaldua describes how she experienced the feeling of being deviant towards society and not belonging to the community she lives in, “The queer are the mirror reflecting the heterosexual tribe’s fear: being different, being other than and therefore lesser, therefore sub-human, in-human, non-human” (Anzaldua, 1987). Acknowledging that someone is different from you in their thoughts, opinions, behavior, and appearance is not as easy as it may seem when these qualities matter to you. But acknowledging that being different is not better or worse—it is simply not the same—is what many people fail to do, often without even realizing how intolerant they are. The author herself, however, shows that she is in every way broadminded about her beliefs, her opinions, and even the language she speaks—the book is written equally in English and Spanish. The author naturally switches from one language to the other, showing not simply that she is bilingual, but that she is a human being above all other qualities, and it is the content, the meaning behind words that matters, not the form or language in which they are written.

The passage How to Tame a Wild Tongue by Gloria Anzaldua exposes the difficulties that many ethnicities of immigrants are exposed to, when they recently migrate to the United States. Gloria Anzaldua stands up for the minorities who are underrepresented, as well as talks of her own personal experiences. Anzaldua does not let linguistic terrorism be a negative influence, resulting in her own language being robbed from her, and pridefully speaks the language, regardless of the situation that she is presented with.

Anzaldua discusses the obstacles that come with being a Mexican American woman, explaining the cultural tyranny in Mexican American communities, like those portrayed in Chayo’s letter. Anzaldua writes, “Culture is made by those in power- men. Males make the rules and laws; women transmit them” (1018). Deviating from the norms of society by neither being a wife or a mother leads to the degradation and isolation of women since they are expected to act a certain way. Although Mexican American women are constantly being persecuted by their community, Anzaldua argues that women have the strength to make a culture of their own based on how they choose to identify. Mexican American women should not be compelled to reject their Mexican heritage or to feel limited to its beliefs considering they are also a part of the American culture. Chayo symbolizes the importance of breaking away from a patriarchal society when she recreates the meaning of her own Mexican American culture that correlates with her lifestyle.

Anzaldua takes great pride in her language, “So if you want to really hurt me, talk badly about my language. Ethnic diversity is twin skin to linguistic identity – I am my language” (p89). She states that her language is a part of herself so when you insult Chicano it’s like a strike to the heart of Anzaldua. Anzaldua goes on to explains that although Chicanos all over the US speak different dialects of Chicano Spanish, they are still all Chicanos. Just because the language varies a little does not diminish its authenticity. People who speak a variation on a language should not be ashamed because they speak a little differently. “There is the quiet of the Indian about us. We know how to survive. When other races have given up their tongue we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture. but more we count the blows, we count the days the weeks the years the centuries the aeons until the white laws and commerce and customs will rot in the deserts they’ve created” (p93). She strongly urges Los Chicanos to not give up their culture and endure. She believes that the will of their culture will outlast any obstacle they encounter and demands that they not give in to the temptation to conform.

Throughout The Mother Tongue, Bill Bryson construes the origins and the history of English and the language's countless quirks.