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Hester Prynne Analysis

Decent Essays

Hester Prynne from Nathaniel Hawthorne’s The Scarlet Letter is a character who garners praise and criticism alike, but literary critic D.H. Lawrence, in particular, denounces Hawthorne’s portrayal of this character in his critique, “On the Scarlet Letter.” Contrasting with Hawthorne’s positive take on Hester as a heroine, Lawrence contends that she is a character of sin and is deserving of condemnation. In his essay, “On The Scarlet Letter,” Lawrence critiques the way Hester Prynne is depicted through terse syntax, scriptural allusions, and satirical tone. The choppy, abrupt way in which Lawrence arranges his sentences and their wording serves as direct jabs at Hawthorne’s delivery and displays his clear opposition towards Hester’s characterization. Lawrence intentionally sets his sentences up in a way that is brusque to communicate pithy criticism. He accentuates certain words and phrases by using gruff, one-word statements to negatively label her, as seen when he brands Hester as an “adulteress. Alpha. Abel, Adam. A” (Lawrence). These compendious, single-worded remarks are blunt attacks at Hester’s character. Hawthorne’s depiction of Hester is challenged with these direct jabs and labels, and Lawrence is able to articulate his evaluation of the character through this sharp, emphatic syntax. Further denouncing Hawthorne’s characterization of Hester, Lawrence describes Hester’s sinful nature as “the human spirit, fixed in a lie, adhering to a lie, giving itself perpetually [to] the lie” (Lawrence). Again, through choppy syntax, Lawrence is able to stress certain parts of his statement, highlighting the depravity of Hester Prynne, and thus contradicts Hawthorne’s rather positive depiction of the same character. His use of terse syntax allows him to deliver his ideas in the form of quick, sharp jabs, in turn helping him directly and explicitly point out what he feels is a misrepresentation of Hester Prynne.
Lawrence further reinforces his stance by incorporating scriptural allusions, which provide a basis for analyzing Hester Prynne in regards to other contexts. He mocks Hester through allusions, juxtaposing her with outside references to legitimize his criticism. Alluding to Virgin Mary, he calls Hester the

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