Go back to where you came from Essay

The development of acceptance is a process laid upon several significant factors and by belonging, one may gain confidence and feel tolerated. Likewise, being alienated and ostracised can have a negative influence on how one may act, and thus social outcasts are made to feel inferior because of the harmful manner in which they are treated. These concepts of inclusion and discrimination are explored through the contemporary memoir of Anh Do, which focuses on a refugee’s journey from Vietnam to Australia. The Happiest Refugee methodically displays an array of perspectives surrounding belonging, and presents factors of both family and community allegiance.

In Anh Do’s heartwarming and inspiring memoir The Happiest Refugee, the author elicits the prosperous adventure of a migrant family that come across various personal and memorable experiences. The central theme of a migrant family is established through their successful journey to Australia. Anh Do portrays this theme through the life lessons he learns from his parents, furthermore he is given a variety of opportunities where he could earn money and contribute to the family’s income. His academic endeavors at school is depicted through his lucrative career as a comedian and an university student.

According to the UNHCR, three million refugees make this journey annually. The next stage of Najaf’s development in identity is when he makes the dangerous but successful journey to Australia and is transferred to the Woomera Detention Camp, in South Australia. His identity is developed, shaped and changed due to the different

The Happiest Refugee written in 2011, is an award winning autobiography portraying ones will to survive amongst extreme hardships. Above all, the story displays resilience and optimism at their finest, despite the setbacks and adversities faced by Anh and his family. Readers as a result are invited to empathise with the hardships confronted by refugees, in turn enlightening them to be grateful for the many pleasures

One of the main reasons Anh Do wrote this memoir was to humanise and break the dominant stereotypes of refugees. Many people in Australia call refugees “illegal immigrants”. This is not the case because seeking asylum is not illegal. He humanises refugees by talking about himself, a refugee. It helps to show people that not all asylum seekers are Muslim or terrorists. Many of these people can be friendly, and in his case, famous. He tries to show that all asylum seekers as good by not mentioning anything about the bad ones, including the mafia. Do plants the idea in the readers head that all refugees are good and should not be judged so quickly.

A refugee is defined as a person who has been forced to leave their country in order to escape war or persecution. Since the communist victory in Vietnam in 1975, Australia has become a desirable location for hundreds of thousands of refugees as a result of the pleasant lifestyle and an abundance of employment opportunities. The experiences of Indochinese refugees in the 1970’s and present day refugees contain both similar and contrasting elements. Refugees no longer flee from countries such as Vietnam, Cambodia and Laos instead they arrive to Australia from war-ravaged nations in the Middle East such as Iraq and Syria. Nevertheless, these countries are all victims of war and people continue to seek refuge as a consequence of conflict and fear

Millions of people around the world have no choice but to flee their homeland to escape war, genocide, torture and persecution (Amnesty international, 2014). In the story ‘The Happiest Refugee’ written by Anh Do the famous Australian comedian talks about his family’s life as a refugee and the struggles they faced beginning their life in Australia. The components that will be looked at include: The effects of poverty on his family, the struggle of being a refugee and how family stick together.

Discovery is a paradoxical process which allows individuals to explore concealed and indefinite ideas, enabling a broader understanding of their world and its surroundings. This dichotomous process often occurs at the intersection of exploration and introspection, catalysing a social awakening that enlightens and positions individuals to consider new conceptions. The Logie Award-winning television show “Go Back to Where You Came From” directed by Ivan O’Mahony documents an intimidating refugee journey that was undertaken by six uniquely-characterised individuals representing the myriad perspectives of Australians, consequently challenging the antipathy and intolerance that has become the major characteristic of the wider refugee debate. Resonating with the historical Moreover, Shaun Tan’s post-colonialist picture book “The Rabbits” explores the devastating and demoralizing consequences of the discovery, depicting the obliteration of spiritual, emotional and cultural bonds underpinned by the hegemony imposed by British imperialism.

The documentary, “Go Back to Where You Came From” plunges six Australians participants into the intense fear and desperate situations that forces them to confront their attitudes towards the refugee seeking experience. In such a powerful social experiment, using the “Survivor” and “Big Brother” modes of reality television, powerful emotions erupt. The documentary mixes “real life” with constructed situations to produce emotional breaking points around an audience’s attitudes, especially in the heartfelt interactions with refugee families thus privileging immigrants. An audience experience the “borderline” minds’ of the participants and the unstable world of refugees for themselves. They get caught up in the turbulent emotions and crises that are inflicted by the documentary through the clever use of evidence, rhetorical questions, inclusive language and sensationalism. The author rebuts the prevailing misrepresentation of immigrants as freeloaders by providing living testimonies of so called once, “boat people” now living in Australia who are not only grateful but are willing to relinquish all they have for Australia’s sake because of the act of benevolence Australia has showed to them and their families. This is evident in the following quotes of Andrew, “They came here to be more effective in the society…. Amar without a doubt is the kind of refugee we want” and in Amar’s quotes, “If they want to go fight, to protect Australia, I will go……Australia gives us a lot, so easy

This essay is about the universal refugee experience and the hardships that they have to go through on their journey. Ha from Inside Out and Back Again and other refugees from the article “Children of War” all struggle with the unsettling feeling of being inside out because they no longer own the things that mean the most to them. Ha and the other refugees all encounter similar curiosities of overcoming the finding of that back again peaceful consciousness in the “new world” that they are living in .

After reading the article, “Shattered Lives” by Kristin Lewis, Dania faces living as a refugee outside her country.The challenges that she faced are when they were in World

Discovery is a rigid path which is gruelling and confronting but with self-reflection can prove to mature the onlooker. In the text ‘Go back where you came from’ captures the true intense meaning of discovery through personal morality insights , truth and self- reflection. The documentary series challenges preconceived ideas about boat people and refugees illegally travelling to Australia. By taking 6 individual with drastically different perspectives about the epidemic. The composer contradicts media developed conceptions and politics to directly inform Australians of the true

To make myself feel good I started saying it's fine if I didn't go to America it's not a good place to go. Everyone told me already that America is not a good place to go thank God I didn't go to America. I kept on thinking bad stuff about America so that I don't have to think about the good and great things that America does. Believe me this didn't help at all but this contributed to make it even worst.

My People and Santa address the political issue of the treatment towards asylum seekers and refugees

In this paper we analyse two Australian television programs, Marking Time (2003) and Molly & Mobarak (2004), foregrounding the ways in which ethnic Hazara refugees from Afghanistan have been (re)presented. We argue that by minimising cultural and religious differences both Marking Time and Molly & Mobarak construct and represent Hazara Afghan refugees as like a “certain us”, that is, as members of Australian core culture who are