Frida Kahlo Essay

Salvador Dali was an artist who was almost more notorious for his colorful personality as for his artistic talents. He took an apolitical outlook on world politics, but often dabbled in anti-establishment movements. This essay explores the life of Salvador Dali, the historical and political time he lived in, and how these influenced his work.

Frida Kahlo was a very talented Mexican artist that revolutionized art at a very young age. Her work is still idolized and celebrated today and is studied by many artists, institutes of higher education, museums, and fans. Kahlo was born in the town of Coyoacan, Mexico on July the sixth in the year of 1907 (Kettenmann 3). She made around 143 paintings, and out of those 143 paintings, 55 were self-portraits that included symbolism of her physical and emotion pain. Furthermore, in her portraits she used symbolism to express her wounds and sexuality. She use to say: “I never painted dreams. I painted my own reality” (Fuentes 41). Her paintings style include of vibrant colors and was heavily influenced

At a very early age she was starting to show signs of all the troubles that her life was going to bring onto her. “In 1913 at age 6, Frida was struck with Polio which made it difficult for her to use her right leg properly and it was left damaged” (Griffiths, 2014). This accident was one of the reasons why Frida began wearing long colorful skirts because she used them as a cover up for her deformed leg. “In the year of 1925, the year that Frida had just turned 18, she was injured in a near fatal street accident in which a bus collided with a tram” (Rogers, 2009), this accident caused her to break her pelvic bone and spinal column. It was cause of this accident that the doctors that were looking after her at the time of the accident were starting to question if she was going to be able to survive. This accident caused her to continue having back surgeries throughout her lifetime. This accident was also the reason why she started painting. Frida Kahlo once stated “I don't paint dreams or nightmares, I paint my own reality.” This quote acknowledges how bizarre a lot of paintings that Frida Kahlo made were but to Frida Kahlo it was all reality, her life as well as accidents were real bizarre. “In the year of 1926 Frida Kahlo spends time at the hospital recovering from all her injuries at the time while at the Hospital she learns that she

Throughout her career, Frida had shown many different themes of her life through her paintings. It seems clear, through analyzation of her paintings, that Frida lived something of a double life. Frida paints herself in distinctly different ways at times, sometimes she is a beautiful woman with strength like iron, and sometimes she is a frail damsel who has been broken already and will be broken again. Contrasting paintings include Self Portrait with Monkeys (Kahlo, 1) and Self-Portrait with Thorn Necklace, Diego and I (Kahlo, 1) and The Love Embrace of the Universe, the Earth (Mexico), Me, Diego, and Mr. Xolotl (Kahlo, 1). All of these paintings show that not only is there a contrast in her personality, in fact, Frida’s is actually two different people, as she paints it.

Frida Kahlo was one of the most fascinating visual artists of the nineteenth century. Her art and life were filled with pain that was both emotional and physical which she expressed through her paintings. Frida was her art. Frida did not conform to most cultural norms or gender roles in her life time, she was a free spirit trapped in an invalid body. While she did not assume very much acclaim during her lifetime she did manage to be very well traveled even though she was born and died in the same home. She eventually developed a cult-like following in the nineteen-eighties and nineties. She has become a poster girl for modern feminism and a political force of her own time, through all of her physical pain and heartache she was able to

There are three main aspects of this painting, each representing a different aspect of society. The first and lower part of the painting shows the working class, gathered in desperate and impoverished lines. This shows the lack of compassion available in the American economy.

Sobek, M. (2006). Border aesthetics: The politics of Mexican immigration in film and art. Western Humanities Review, 60, 60-71. doi:10.1016/j.chb.2009.04.011

They say, “pictures are worth a thousand words” and I believe when it comes to my chosen artist, Frida Kahlo, her portraits could not be a better example of that saying. All of the 200 paintings done by Frida Kahlo say more about her life and what she experienced than any article I have ever read about her. From her health issues and violent bus accident to her tumultuous marriage with her husband, Diego Rivera is all an influence in her paintings.

In Frida, a Biography of Frida Kahlo by Hayden Herrera, Frida Kahlo is a famous Mexican artist who didn’t find fame until near the end of her life. Herrera even says “The artist, dressed in her favorite Mexican costume, was carried on a hospital stretcher to her four-post bed, which had been installed in the gallery that afternoon”(33). The quote it self shows how much Frida valued her art that she would go see it in a gallery even on near death. She implemented her views into her horrific and dramatic art. Herrera the goes on to say “What passed through Frida Kahlo’s head and into her art was some of the most original and dramatic imagery of the twentieth century”(34).

Frida Kahlo is by far one of my favorite artists to ever exist. I love the fact that she’s a simple woman from Mexico who became a powerful and well known painter. Her art work is very different to all other paintings I’ve seen so far; they’re so vibrant in color and just overflow with emotion. I first heard about Frida Kahlo when I was about 12 years old and I saw the film based on her life and that really caught my attention and stuck with me. I never really expected to see her artwork and learn about this particular artist but I’m glad I did because it really makes the film clear to me and gives me a form of understanding when it comes to her paintings.

In a country with such a diverse cultural history as Mexico, how can an artist work without political affinities? Investigating muralist José Clemente Orozco’s career, one sees from critic and self-written testimonies that Orozco purported to paint murals with neither “enthusiasm, nor...despair” to eschew categorization so that the public could “see” them and not “hear” about them from guides. Simply, Orozco implied that he valued impartiality instead of zealous didacticism in his works. However, I argue that Orozco’s murals often featured religious, economic, and racial motifs, and while Orozco may have sought to avoid emotion in his art, he did respect certain Christian and native spiritual figures and satirize capitalist characters to critique

Frida from one side to the other at the level of the pelvis (104). Frida Kahlo was left with a broken spinal column, a broken collarbone, several broken ribs, a broken pelvis, and eleven fractures in her right leg. In addition her right foot was dislocated and crushed, and her shoulder was out of joint. For a month, Frida was forced to stay flat on her back, encased in a plaster cast and enclosed in a boxlike structure. The steel handrail from the tram had literally gone through her body at the level of the abdomen; entering on the left side, it had gone out through the vagina. Due to this accident, Frida underwent thirty different operations and three miscarriages. It was during this time that Frida Kahlo discovered her talent for painting and drawing, also during this challenging time for her she produced "The Broken Spine". Having to depend on everyone but herself, Kahlo portrays herself as weak and helpless. She depicts her self-portrait with metal rods supporting her broken spine. Although Frida's recovery was miraculous, she did have relapses of tremendous pain and fatigue all throughout her life, which cause her to be hospitalized for long periods of time, bedridden at times (106). She underwent tremendous stress

Kahlo can be described as one of the world’s best-known artist, she was born in Coyoacan, Mexico on July 6, 1907, and died on July 13, 1954. Being raised by her father Wilhelm and her mother, Matilde both incorporated their Mexican culture into Kahlo’s upbringing as a child. When finding her identity over the years as an adult her Mexican culture and traditional values played an important part in her work as a painter. Frida’s success all began when she enrolled and was accepted into Mexico City’s “prestigious National Preparatory School

Frida Kahlo is a world-renowned Mexican painter known for her shocking self-portaits filled with painful imagery. Her artwork was seen by many as surrealist and socialist, but she refused the labels put on herself. Until today, her works have been able to exude the same playful and wild feel as before (Fisher n.p). Her legacy as a painter has attracted prominent people like Madonna who has confessed her admiration for the painter. Not only that but fashion designers are frequently inspired by her iconic Tijuana dresses while her paintings have been priced at more than three million dollars (Bauer 115).

Frida Kahlo’s “The Two Fridas” is a manifestation of heartbreak, inner human pain, rejection of colonialism, and emotional journey. An oil on canvas made in 1939 in the midst of Frida Kahlo’s divorce from Diego Rivera, this painting embodied Frida Kahlo’s progression at this time in her life, dealing with what she is and what she wishes to be; as well as setting out how she wishes to do it. An ode to melancholy and overcoming adversity, “The Two Fridas” is a universal, eternal reminder of human capability.