Essay about Film Noir and Billy Wilder’s Sunset Boulevard

L.A Confidential (Curtis Hanson, 1997) is a neo-noir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways. It is based on the book by James Ellroy and after a very well adapted screenplay, won nine academy awards. It starred actors with big names like Russell Crowe, Guy Pearce and Danny Devito, which made it a very high earning film.

Throughout the play, Thornton Wilder seems to suggest that everyday events make up a special and beautiful life. The author includes multiple different scenes to represent the simplicity of life. As the Stage Manager describes the death of Joe Crowell, the bright student headed to be engineer, he implies the idea that one should acknowledge the small yet great things in life before it’s too late. The author also includes the death of Emily which questions how much humans understand of life. This event lets readers take in the beautiful moments in their lives and recognize the small things that make them happy.

The 1946 film The Killers is a renowned film noir based off of Ernest Hemingway’s short story of the same title, focusing on the detailed backstory and investigation for the motive of the murder of Pete Lund/Ole Anderson, commonly known and referred to as “The Swede.” A film noir is a term made originally to describe American mystery and thriller movies produced in the time period from 1944-1954, primarily marked by moods of menace, pessimism, and fatalism. Although the film does not focus on the war itself at all, it still puts forth interesting new ways in how gender relations can be stereotypical as well as divergent proceeding the Second World War.

Sunset Boulevard and Double Indemnity, are just two out of the many incredible films directed by renowned director Billy Wilder. The two films which were released six years apart, (Double Indemnity- 1944, and Sunset Boulevard- 1950) are uniquely similar, in that both films share many of the same aspects, idea’s, and similar in narration, as one another. Both of these extravagantly, directed films are indeed classics. The films, both tell an intriguing story of spiritual loneliness of a female character, and how they use their power, money, and provocativeness, to “lure” the male character. We see the life of a once innocent (male) character, who is being hurtled towards his own self destruction, the character is “supposedly” unaware, of his own self harm through his seemingly ‘good/beneficial’ decisions that he makes.

Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.

Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.

Arnold took advantage of Connie’s vulnerability. For once, Connie was compared to June without being second best. He praised her beauty with compliments for example calling her “a pretty girl ‘’ (292) something her mother had never done and he told Connie that she was “the one’’ (297). Unlike her father, Arnold admitted he took “a special interest ‘’ (292) in her. He took the time to investigate all about her (292). Arnold gave Connie compliments, promises of affection, and attention, things she was not used to. Arnold reminds Connie that her family never showed interest in her, he reminded her that they knew anything about her, and reassured her that she was better than them. (300). Connie then made the absurd decision to get in the car with a man who proved to me dangerous and a possible psychopath.

The movie Sunset Boulevard written by Billy Wilder highlights the screenwriter’s potential of making a reflexive film more than focusing on the style and aesthetics. The movie revolves around the life of a fallen silent movie star, Norma Desmond, and her fame delusions. With the introduction of the sound in the film industry, she is brushed off and forgotten not only by her associates but also by her dear fans. This lifestyle change caused her to be drawn into the world of superstardom and luxury that she developed for herself in mind. Her universe involved her mansion full of photos framed of her memories and herself in her past. She identifies very strong with her condition that once it is

Alexander Mackendrick’s, The Sweet Smell of Success (1957), is a ninety-six-minute film noir, that incorporates many techniques in cinematography to depict the dark and mysterious genre of film noir itself. This paper will go over the summary of the film, the concept of film noir, followed by a formal and social context of the film, that is the techniques in cinematography used to portray the essential theme of darkness or distrust in the genre of film noir – more specifically, the roles that women play in this particular film. Thus, Mackendrick’s The Sweet Smell of Success (1957) is a classic genre of film noir that uses extensive low-key lighting to portray a certain darkness in the world of film noir, and the darkness in each of the

Films have been around for a very long time starting from the silent era leading to the classical phase up until today, and with time comes change and adapt to what’s current and popular. However, one thing that has stayed constant are the upcoming of film genre. One of the primary ways to identify and differentiate films are by their genres and styles. This lays out the foundation of the film using many factors like iconography, language, conflicts, lighting and story plot. One of the most iconic styles in the cinematic world would have to be the typical gangster films. Two of the most recognizable gangster films of their time were the Public Enemy (1931), along with the film Scarface (1983). Although these two films were shot in completely different eras of the U.S. we see both encounter the same stages in life despite the time change. This goes to show that these two films strongly symbolizes and demonstrates just what the gangster genre is all about in terms of social context, themes, conflict and iconography.

Many people from different countries across the world have been coming to United States, including Austrian director Billy Wilder. He directed many film with different genres including Film Noir. Film Noir translates to “Dark Film,” the name was given by the French after watching Hollywood crime thrillers that began to show after World War II. These films typically had dark lighting style closely related to those in German Expressionist films. However, Film Noir borrows its form from influences of major Hollywood popular genres, using themes that were related to social context and civilian life in the United States. Two films that demonstrate how Film Noir was influenced by Hollywood and the social context in America include Sunset Boulevard (1950) and Ace in the Hole (1951) both directed and written by Billy Wilder.

Film Noir was a result of it's time - The war had just ended and It was time where prohibition had influenced an abundance in crime and corruption. Film noir serves to highlight the darkest aspects of human beings. ‘Society is making the machinery of it's own destruction.

Billy Wilder’s film, Sunset Boulevard, was released in the 1950’s as it continues to be a popular film that catches people’s attention. The film still captures the heart and mind of audiences that watch it today with its very dramatic characters and scenes. This film demonstrates a variety of themes and concepts through the choices of cinematography. Sunset Boulevard shows the dark side of celebrities and the flaws or downfall of becoming famous. Some main components of the cinematography in this film include the placement of lighting, the portrayal of specific scenes and their symbolism, the music choices, camera angles, and the camera position. This film is black and white but still contains many dark scenes that really capture the audience’s attention and give a suspenseful and depressing vibe.

The two films I analyzed are Double Indemnity (Wilder, 1944) and Reservoir Dogs (Tarantino, 1992) they follow the film noir tradition, which, according to Blaser (2008) is a style more directors moved to employing after the world war. Averagely, film noir explores the many aspects of being human such as the greed, lust, love, truth, and lies. The two films move away from the tradition of the previous films that insisted on the family as central to humanity with women and men having different roles in society. While the first movie, as the name suggests, is about an insurance policy and the two leading characters manipulate others to their benefit, the second is about a group of thieves who ambush one another. A typical film noir follows and encounters the same traits could lead regarding, as Blaser terms it in A Short Description of film noir, “thematic content” (Blaser, 2008). The directors of both films use lighting and shadows to manipulate the mood of the films and the black and white, low lit scenes which compliment the dialogues between characters. Wilder’s Double Indemnity tells a tale of murder, love, and betrayal while Reservoir Dogs is about crooks who get caught up in a diamond heist that fails to run smoothly due to deception. Both films showed the underbellies of society by human actions led by greed and lust, they often make the perpetrators forget what could happen when things go wrong hence some of the characters in both films end up facing the consequences for their involvement.

New York City that is depicted in Taxi Driver seems to be too real to be true. It is a place where violence runs rampant, drugs are cheap, and sex is easy. This world may be all too familiar to many that live in major metropolitan areas. But, in the film there is something interesting, and vibrant about the streets that Travis Bickle drives alone, despite the amount of danger and turmoil that overshadows everything in the nights of the city. In the film “Taxi Driver” director Martin Scorsese and writer Paul Schrader find and express a trial that many people face, the search for belonging and acceptance.