Figurative Language In Julius Caesar

Humanity has become the most dominant species on Earth due to our high intelligence and communication skills but our communication can also be used to easily manipulate and convince. This manipulation is shown when, Mark Antony delivered a deeply passionate and articulate speech at Caesar’s funeral, altering the political dynamics of the Rome in William Shakespeare’s play Julius Caesar. Antony uses his words to influence the Roman people. He effectively uses rhetorical devices to prove his point and gain the support of the citizens. Antony also uses the rhetorical device of Pathos to invoke emotion in the crowd and Ethos to use Brutus’ and the conspirator’s reputation against them.

In Antony’s funeral speech was most effective due to his use of pathos, logos, and ethos. During Antony’s speech, he effectively uses pathos. By using pathos, he is gradually empathizing with all of Rome about Caesar’s death. For example, “ My heart is in the coffin there with Caesar, and I must pause till it come back to me”(3.2. 108-110).

"Friends, Romans, and Countrymen lend me your ears"(49). In the play Julius Caesar written by William Shakespeare, Mark Antony is given an opportunity to speak at Caesar's funeral. In his speech, Antony addresses the death of Caesar and draws attention to the foul play at hand. Not only that, but he also discusses the legacy that Caesar left behind. In doing so, Marc Antony uses verbal irony to being to light the conspirator's betrayal toward not only Caesar, but to the people of Rome.

In Shakespeare's tragedy Julius Caesar, Portia uses repetition, rhetorical questions, and parallelism in order to persuade Brutus to tell his secret. Portia uses repetition to get Brutus’ attention and to show him how much she wants to know the secret. Pleading, Portia urges, “I should not need, if you were gentle Brutus. / Within the bond of marriage, tell me, Brutus” (2.1.301,302). By using repetition she gets Brutus’ attention so he knows she is talking to him. If Portia did not repeat his name, Brutus would not be as inclined to listen to her. With Portia stating his name more than once he is focused on her and knows that what she is saying is vital. In this part of Portia’s speech she uses pathos. She persuades Brutus by bringing up their

In the play The Tragedy of Julius Caesar, an honorable man, Brutus, is planning to overthrow the soon to be king, Julius Caesar. Brutus is persuaded by Cassius that Caesar is a liar, too ambitious, weak, and not fit to be Rome’s king. Brutus soon believed Cassius, and they and the conspirators made a plan to kill Caesar. After Caesar’s death, Brutus planned to justify his actions of killing Caesar at his funeral in his speech to the people. After Brutus’s speech, the citizens of Rome were all in agreement that Brutus did the right thing for Rome. Brutus then decides to allow Caesar’s best friend, Antony, to speak in honor of Caesar. Antony speaks, and he convinces the citizens that Brutus’s actions were unjust and turned the people against Brutus.

In Julius Caesar, one of William Shakespeare’s more well-known plays, Marc Antony finds himself persuading a crowd who believe Caesar’s death was for the benefit of the Roman people. Antony had implored “Friends, Romans, Countrymen, lend me your ears” in an attempt to sway the crowd to give credence to his belief that Caesar’s death is a tragedy to the Roman folk and create a mutual bond between him and the crowd. This bond created by Antony is one of the very few times his speech dips into the realm of ethical appeals. The crowd of Romans had been originally convinced by the three main conspirators, mainly by Brutus, that Caesar’s death was to the benefit of all the Romans by portraying Caesar as a tyrant. Robert P. Yagelski had stated in chapter 8 of his book “rhetoric is the art of identifying the available means of persuasion. Antony had found which avenue to take and predominantly used pathos to manipulate the simple-minded folk to seek revenge and give the same sentence to the conspirators and Caesar had received.

Many people know that Julius Caesar was betrayed and killed by many people who he had thought to be his friends. Some less common knowledge is that he did still have friends and others who stayed loyal to him. One man named Mark Antony was the most loyal of them all, even after Caesar’s death. When he found out Caesar had been killed, he began plotting to get on the traitor’s good sides and make it seem as if he had joined them so that he could convince the citizens to fight against them with him. He deceived the traitors and convinced them to let him speak at Caesar’s funeral, and in this speech he turned the citizens against them using very powerful rhetorical skills. After he had drove the traitors from the city, he took control of the city and led them to victory in a war against the conspirator’s armies. These are three telling examples that prove Antony’s skill and potential as a leader.

What would you do if your friend was stabbed but you couldn’t tell? This was the exact situation Marcus Antony faced when his friend Julius Caesar was stabbed by many men called the conspirators. Antony has to give a speech to the Roman people at Caesar’s funeral where he talks about the great things Caesar has done for Rome and its people. He can not talk wrongfully of the conspirators or he will end up like Caesar so he has to effectively use his language to persuade the crowd into believing that the conspirators wrongfully killed Caesar without telling them that the conspirators wrongfully killed Caesar. In act three of Julius Caesar Antony uses so many rhetorical appeals in order to persuade the crowd such as, ethos to give an appeal to Caesar and Brutus, logos to get the Roman people to want to hear more of what he is not telling, and pathos to make the crowd feel sorry for Caesar and join Anthony’s side.

In the first example of Antony’s speech using Pathos to turn the crowd was when he showed Caesar’s body. But to add onto that Antony cries over the body. This is when lots of the crowds started to become hostile to the conspirators. Because not only did he show the body he “shows where each

Brutus, as far as I can tell, uses little to no verbal irony. This could be a good thing, but not for him, because it can be used to better persuade a crowd into your way of thinking. Also, Antony tries to bring about the feeling of doubt in the plebeians by using some contradicting statements, “Brutus is an honorable mankilling Cæsar was wrongful,” and making Cæsar the most honorable person in all of Rome.

He does not want Caesar to be crowned king. Power meant more to Brutus than being noble to Caesar. The actions of Brutus do not reflect his intentions of being a nobleman. Contemplating the assassination, Brutus invokes the familiar Elizabethan analogy between the body politic and the body natural. In so doing he invokes the symbolic framework which establishes the relationships among the diverse issues and actions of the play and provides, in this case, an implicit refutation of the position he is about to take. For Brutus' political miscalculations, rather than being the almost inexplicable mistakes of a supremely virtuous character, are the manifestations of a clearly defined moral failing. Brutus, of course, misses the point of his analogy. Sensible of the hideousness of the "Insurrection" within the "little Kingdome" to which he likens himself, he does not go on to deduce, as he might be expected to, that "Rebels [ought] by the Justice of the law to be suppressed, even as the

Brutus and Antony use pathos in their speech to get to the people's emotions. They think by using that strategy that the people will follow them. For example, in Brutus’s speech he uses pathos by stating, “If there be any in this assembly, any dear friend of Caesar’s to him I say, that Brutus’ love to Caesar was no less than his.” Brutus is trying to establish common ground with the audience. The

William Shakespeare’s use of Pathos in Mark Antony’s speech is clearly evident. In order to understand the concept and idea of Pathos, and for it to be effective, one must know what it is. The appeal of Pathos uses words or passages to activate emotions, and strike some sort of feeling in the audience’s body. If written effectively, the appeal of Pathos emits an emotional response from the audience. “My heart is in the coffin there with Caesar, And I must pause till it come back to me” (3.2.106-107). Antony elicits both sadness and sympathy from his audience. The death of Julius Caesar, and the use of Pathos is very important in winning over the audience’s appeal. Antony is obviously very angry with what had happened to Julius Caesar, due to the fact that Antony was a good friend with him. “And Brutus Antony, there were an Antony Would

Throughout the quarter individuals have read pieces of literature focused on cultural impacts and the way language functions in a society. The tragic play The Tragedy of Julius Caesar written by William Shakespeare shows how figurative language and comic hooks are used to show different cultures through words or actions. These differences are further show in Jane Austen's fictional romantic novel Pride and Prejudice through each of the characters actions. The poem “Theme for English B” by Langston Hughes uses phrases to tell readers about his beliefs. In the end authors use language to influence actions and ideas in society or other characters.

Shakespeare wrote many plays and poems. In them, he left valuable lessons of morality in the shape of metaphors and similes. He had a unique play on words and in some of the stories, plays, and poems he’s written. There’s usually a metaphor on the beauty and the beast of human nature or the world and society in his stories and poems. He wrote such metaphors for us to interpret and understand the nature of ,almost, everything.