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Feng Menglong

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Money and the commodification of Human Relations in Feng Menglong's stories Much of Chinese literature, as we know it today, is derived from the prolific storytelling period of the Yuan and Ming dynasties. Furthermore, during this period, the vernacular story was particularly popular. As opposed to the more abstruse and formal classical fiction, vernacular tales were fashioned with less rigidity and thus were often better able to capture the more colorful and sometimes sordid details of the Chinese life and culture of the times, such as the commoditization of human relationships that arose with the Ming dynasty's incomparable prosperity. Feng Meng-long's works "Du Tenth Sinks the Jewel Box in Anger," and "The Canary Murders," two stories …show more content…

At this point in the story, solely on account of the silver and without any further exploration into Du's motives, Liu has made an abrupt change in his evaluation of Du's character. Instead of just falling short of calling her a whore like he had previously, he exclaims that "this is truly a woman with sincere intentions … she has real feeling" (Stephen Owen, Anthology, 842). Apparently, to Liu's thinking, any woman who was able to part with such a large amount of money without hesitation must be worthy of respect. Although his judgment of Du's nature was ultimately correct and his actions sympathetic and generous, he was nonetheless directed by a cynical sense of materialism that was only alleviated with Du's incorruptible innocence. Of course, the crowning incident of moneyed materialism in the story is in its last pages where Li Jia is tempted into selling Du Tenth for Sun Fu's offer of one thousand taels of silver. After enduring all their trials, Li ultimately shows himself to be unable to distance himself from the world of materialistic goods and luxury. Although Sun Fu's suggestion that Li's family will find Du's brothel background inappropriate induces Li to "wrinkle up his brows," Feng Menglong makes it clear that it is not until Sun mentions the possibility of financial destitution – "If some day your savings should run out …" – that Li is truly struck with doubt. "When he heard this part about being left with no place to turn,

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