Essay On Bad Indians And A Small Place

In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will

For many tribes of Plains Indians whose bison-hunting culture flourished during the 18th and 19th centuries, the sun dance was the major communal religious ceremony . . . the rite celebrates renewal - the spiritual rebirth of participants and their relatives as well as the regeneration of the living earth with all its components . . . The ritual, involving sacrifice and supplication to insure harmony between all living beings, continues to be practiced by many contemporary native Americans. -Elizabeth Atwood LawrenceAs the most important ritual of the nomadic Plains Indians, the Sun Dance in itself presents many ideas, beliefs, and values of these cultures. Through its rich symbolism and complicated rituals we are able to catch a glimpse

Gentle waves, lush greenery, and sun-soaked beaches, Antigua embodies your ideal holiday destination. But Jamaica Kincaid turns your paradise upside down in her new memoir A Small Place. Using her pen as a sword, Kincaid slashes Antigua’s façade of perfection into shreds and presses the blade against the throats of tourism, colonialism and corruption.

11). Mission Indians were considered savage uncivilized people because their customs were different than that of the Spanish; Indian’s were brought to the missions to strip any form of freedom of religion, culture, and language. Mistreatment was prevalent because of the ideology of complete transformation of Mission Indian’s, and created psychological disorders. In Miranda’s document “Genealogy of Violence, Part 1”, there is a sequence linking Spanish Mission’s to emotional abuse which led to high suicide rates, domestic violence, clinical depression, and post-traumatic stress disorder. Furthermore, Miranda also creates a “Genealogy of Violence, Part 2”, where she inputs individual reports made from different missions that discusses the normal family dynamic between the child and parent of early Mission Indians. However, below each passage from the mission’s, contained personal accounts of emotional abuse Miranda’s father had exhibited on her family. Additionally, Miranda explains in each passage how the result of her father being emotionally abusive was in direct correlation of the abuse experienced in the mission’s that has been passed down. Specifically, Miranda states, “More than anything else we brought with us out of the missions, we carry the violence we were given…” (Miranda, pg. 34). Miranda exposes the emotional

In her book American Indian Stories, Zitkala-Sa's central role as both an activist and writer surfaces, which uniquely combines autobiography and fiction and represents an attempt to merge cultural critique with aesthetic form, especially surrounding such fundamental matters as religion. In the tradition of sentimental, autobiographical fiction, this work addresses keen issues for American Indians' dilemmas with assimilation. In Parts IV and V of "School Days," for example, she vividly describes a little girl's nightmares of paleface devils and delineates her bitterness when her classmate died with an open Bible on her bed. In this groundbreaking scene, she inverts the allegation of Indian religion as superstition by labeling

Antigua is a beautiful island in the Caribbean that got its name from Christopher Columbus in 1493 when he first visited the small 108 square mile island (Niddrie). Antigua was later colonized by England in 1632, and won its independence in 1981 (Niddrie). Antigua was originally a country that was planned as a slave-breeding colony, but never became one; the slaves who were imported came to live self-reliantly in their own community (Niddrie). After, Antigua gained its independence; it established a constitutional monarchy, where the British monarch is still head of state, represented by a governor general (Niddrie). Sadly, Antigua is an impoverished country that has a history of being a victim of British imperialism, government corruption, and tourism (Kincaid). Kincaid informs her audience

It’s hard to imagine someone’s personal experience without actually being the one enduring it; however, Jamaica Kincaid’s use of language contests other wise.Through intense imagery and emotional response, Jamaica Kincaid utilizes rhetorical appeals such as logos, pathos, and ethos, which successfully convinces her audience by creating a conversation between herself and the reader. Jamaica Kincaid’s A Small Place is an expression of her inner feelings on the transformation her hometown, Antigua, and the everlasting postcolonial impact that occurs. Kincaid reacts to the feelings she had as a young girl and compares that mindset to the opinions she holds today as an adult. Kincaid’s piece evaluates the foreignness, race, and power that consumes Antigua. While she descriptively explains the circumstances she faced in Antigua, Kincaid incorporates historical background which provides logical support to her purpose. Notably, the author’s first hand experiences gives her credibility, ethos, and allows the audience to clearly understand the context from her perspective. Not only does Kincaid effectively describe her experiences, but she also makes her audience feel as though they are looking through her eyes. Her purpose demonstrates the difficulty and impossibility of returning to origin after crucial influences. A Small Place proves that the effects of racism and racial inequality are long term and culture cannot simply return exactly how it once was in that specific culture,

die. The Red Chief was also in charge of the lacrosse games which were called

In her novel, Bad Indians: A Tribal Memoir, Deborah A. Miranda theorizes that the underlying patronage of her father’s violent behavior arises from the original acts of violence carried out by the Spanish Catholic Church during the era of missionization in California. The structure of her novel plays an essential role in the development of her theory, and allows her to further generalize it to encompass the entire human population. “In this beautiful and devastating book, part tribal history, part lyric and intimate memoir, Deborah A. Miranda tells stories of her Ohlone Costanoan Esselen family as well as the experience of California Indians as a whole through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems.” Patching together every individual source to create the story of a culture as a whole, Miranda facilitates the task of conceptualizing how Societal Process Theory could play into the domestic violence she experiences growing up as the daughter of a California Indian.

The book “Lakota Woman,” is an autobiography that depicts Mary Crow Dog and Indians’ Lives. Because I only had a limited knowledge on Indians, the book was full of surprising incidents. Moreover, she starts out her story by describing how her Indian friends died in miserable and unjustifiable ways. After reading first few pages, I was able to tell that Indians were mistreated in the same manners as African-Americans by whites. The only facts that make it look worse are, Indians got their land stolen and prejudice and inequality for them still exists.

    Many people see the world and others differently. Just like the two sisters in “Everyday Use”, the two sisters in “Two Ways to Belong in America”, and the father in the letter/short essay “An Indian Father's Plea”. All these people have different past and things they’re going through. The two sisters in “Two Ways To Belong In America” both have their different stories from their past, one likes America the other does not because they betrayed her. Next, the father from “An Indian Father’s Plea” sees America differently because the school was labeled his kid a “slow learner” which made him upset. In addition, the two sisters from “ Everyday Use” argue about a quilt in which they both view differently

Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”

Don’t be confused when an Indian tribe is called the Chippewa or the Ojibway because they are the same tribe. French settlers could not pronounce Ojibway correctly so they called the tribe the Chippewa. Have you ever wanted to know about the Ojibway Indians? If you read on, you will learn many interesting facts about this tribe.

Characterization is the biggest component that helps build on the themes of identity in the short story “Good Country People” written by Flannery O’connor. The theme itself is dependent where as the characters are independent of each other. The characters behaviors build within each other.

Both of these stories deal with two culture groups, Indians and Americans; Mr. Kapasi has trouble relating to Mrs. and Mr. Das because of the vast amount of differences in their culture: Mr. Kapasi has an arranged marriage, Mr. and Mrs. Das did not, so he also “found it strange that Mr. Das should refer to his wife by her first name when speaking to the little girl.” He thinks, “Mr. and Mrs.Das behaved like an older brother and sister, not parents.” The only way Mr. Kapasi is able to relate to Mrs. Das is that fact that she currently is in a loveless marriage, similar to his marriage, and even this is not enough to bring understanding. The difference in these cultural constructs is vast and continues throughout these stories. Miranda has very little knowledge about India: when Laxmi mentions “[h]e has a Punjabi mother and a Bengali father,” Miranda “thought it was a religion,” but later realizes it is place in India called Bengal. Miranda and Dev share a large cultural difference, “the only Indians whom Miranda had known were a family in the neighborhood where she'd grown up.” She wants to please Dev though, so she learns more about Indian culture and changes her normal routine to incorporate some kind of Indian culture in her schedule. As the meaning of “sexy” is unearthed, Miranda finds it is very different from Devs construct of the word. The cultural differences between all of these characters are as confusing as they are fun, but these differences sever the