Entrapment In The Yellow Wallpaper

However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost

Central to the story is the wallpaper itself. It is within the wallpaper that the narrator finds her hidden self and her eventual damnation/freedom. Her obsession with the paper begins subtly and then consumes both the narrator and the story. Once settled in the long-empty “ancestral estate,” a typical gothic setting, the narrator is dismayed to learn that her husband has chosen the top-floor nursery room for her. The room is papered in horrible yellow wallpaper, the design of which “commit[s] every artistic sin”(426). The design begins to fascinate the narrator and she

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

The yellow wallpaper in the room shows, symbolically, the narrator was being oppressed. The narrator hated the wallpaper because she saw herself as a prisoner of her own husband. Spending so much time in the room, the narrator studied the wallpaper in details and found the wallpaper somewhat represents her. "There is one place where two breadths didn't match, and the eyes go all up and down the line, one a little higher than the other" (pg280), "Such a peculiar odor, too" (pg 285) etc. The confusing pattern, the bar, the woman behind the bar, and the yellow color of the wallpaper allowed her to feel so helpless, as if she was a bird

Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

Maybe one of the bigger underlying messages in this short story is confinement, which is represented by one of the bigger symbols,the yellow wallpaper. When Jane begins to first describe the wallpaper she says,”The color is repellent, almost revolting; a smouldering unclean yellow,strangely faded by the slow-turning sunlight’(Gilman 3). Jane doesn’t seem to understand what is truly eating at her and causing her depression because she feels suppressed but because it is a social norm she continues to go along with it. The yellow wallpaper is weird at first, it repels her, is revolting to her and it is strange because it seems to represent freement of confinement. Continuing on in the story Jane states, ‘There are things in that paper that nobody knows but me, or ever will’(Gilman 4). Proving that the wallpaper is

Similarly, “The Yellow Wallpaper” symbolizes the trapped narrator with an urgency to escape from her dwelling. Like Elisa, the narrator finds a task that would keep her boredom away as “life is very much more exciting than it used to be” (443). By staring at the wallpapers pattern constantly all day, she is no longer bored. In addition, the narrator believes that in order to escape she must free the woman behind the wallpaper. The narrator turns insane by visioning a woman in the wallpaper and trying to escape. The narrator is imprisoned, and the bothersome patter of the yellow wallpaper begins to straighten out to her. The narrator finds a channel of hope outside the windows, through the bars, wanting to leave the room and depart into the real world. Both Elisa Allen and the narrator feel a need, a desire for an escape from their current lives.

Due to postpartum depression, the narrator, Jane; her husband, John; their child; and the narrator’s sister-in-law, Jennie, rent an isolated countryside estate in hopes to cure the narrator’s illness. Causing an external conflict with his wife, John forces her to live in isolation forbidding writing, working, and socializing. As a result, the narrator becomes fascinated with the wallpaper, begins to hallucinate, and believes another woman is trapped behind the patterns. Jane is hopelessly insane believing there are multiple creeping women present and that she herself has come out the wallpaper. Suspecting that John and Jennie are aware of her obsession, she resolves to destroy the paper by tearing and biting it off the wall and save the trapped women. By the end, the narrator convinces herself that she has achieved liberation freeing herself from the constraints of her marriage, society, and efforts to repress her

However, due to the narrator’s “imaginative power and habit of story-making”, her husband tells her, “a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency, so I try.” (439). Being forbidden to have an imagination leaves the narrator emotionally distressed and irritated with feelings of oppression, but she ignores her husband’s ideas and occupies her imagination with the yellow wallpaper that surrounds the room, developing some sort of relationship with it that allows her to confess her suppressed feelings.

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

The narrator’s descriptions of the room itself change with each entry. At first, it is merely irritating. She describes the color as “repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning light” (356). Any reliable, sane person would be irritated by an ugly yellow on their walls. By the second entry, she admits she has a growing fondness for the room, aside from the wallpaper. She starts to pick out

She started looking at the room as if it was a mental prison and there were no escape “There are things in the wallpaper that nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder- I begin to think- I wish John would take me away from here!” (Schilb and Clifford 238). The author began seeing an image in the wallpaper of a woman trying to escape from the wallpaper and be free “The front pattern does move- and no wonder! The woman behind shakes it!” (Schilb and Clifford 241). The quotes are showing that the narrator has completely lost her mind as she is unstable mentally to realize what real or not. Another quote shows how stable her conditions are “I’m feeling ever so much better! I don’t sleep much at night, for it is so interesting to watch developments (Schilb and Clifford 240). This is psychologically unhealthy for the protagonist, showing how she went from being a well stable lady to an insane