Essay on Emily Bronte Illusion and Reality

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.

Wuthering Heights by Emily Bronte was published in 1847 and received many contradictory judgements. One main judgement that criticized the novel was how multiple characters can have a change in characterization depending on the reader. Many of the novel's characters, such as Heathcliff, possess positive values, but readers tend to focus on their negative qualities which allows these characters to change. Growing up poor and homeless, Heathcliff’s character changes many times throughout the novel as he grows older and possess negative qualities towards other characters. Later residing as an old, lonely master, Heathcliff’s change in character at the end of Wuthering Heights signifies that he has gone mad and leads to intentions that Heathcliff has not committed suicide, but lost all will after all he has been through.

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

With such an infamous knack for the art of the scorn and slander, it’s not much of a surprise that Catherine enjoys her gossip. While telling Nelly about Edgar’s Marriage proposal, with Heathcliff eavesdropping close by, Nelly asks Cathy why she would not marry heathcliff instead. Her response, “It would degrade me to marry Heathcliff now” (Bronte 81), shows that she not only cares more about her social status and appearance, but that she disregards Heathcliff’s feelings almost entirely as she has, as if she were shopping, gone with the better deal. Once Heathcliff hears Cathy’s words, he becomes a changed man, and by no means for the

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

Born in 1818, Emily Bronte, known as the Laureate of the Moors, feared that people would not read her novel because of her gender. When Bronte turned twenty-seven, she published Wuthering Heights. At approximately the same time, her two sisters, Charlotte and Anne, published their literary works. Looking at Emily Bronte’s Victorian novel, Wuthering Heights, this literary work seems to be yet another book about a grumpy man who tries to take revenge on everyone who hurts him throughout his life. Looking deeper into this novel, readers see that the story revolves around several complex characters who must endure indescribable pain and suffering in their quest for love. The Earnshaw family decides to make Heathcliff who is the primary

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

Emily Bronte, one of six children from Yorkshire, England, wrote the critically acclaimed Wuthering Heights, a romance novel of social relevance with qualities of romanticism and gothicism to form the destructive journey of love. Brontë utilizes the setting of the English Moors, a setting she is familiar with, to place two manors Wuthering Heights and Thrushcross Grange to mirror the mood of characters, their action, and the atmosphere of conflicts. The moors provide a place for Brontë to isolate and magnify the characters as a small community, then she uses the manor to explain each character individually. The 19th century setting allows the reader to view the destructive nature of love when one loves the wrong person. The Wuthering Heights

Someone having their true lover marry another person whom they do not truly love would be a difficult and undesirable situation. How a person in a similar situation reacts to it, especially in the long term, can reveal a lot about their character. Such is the case with Heathcliff, the main character of Wuthering Heights, a novel written by Emily Brontë. Wuthering Heights takes place from the late eighteenth century through the early 1800s (decade) within the two houses of Wuthering Heights and Thrushcross Grange and on the land surrounding them (1, 58). The two houses are located in England and are near the village of Gimmerton (1, 102).

The novel ‘Wuthering Heights’ (1847) by Emily Brontë and the film adaptation ‘Wuthering Heights’ (2011) by Andrea Arnold each convey respective values and perspectives reflective of the contrasting contexts and forms of each text. The novel, set in the Romantic period, is centred around two families living on the isolated, Yorkshire moors, and the explosive interactions between them. The concept of confinement contrasts against the freedom of nature throughout the novel. Nature is another key theme and a fundamental aspect of the Romantic period, used to present ideas such as rebellion and freedom. Finally, passion within human relationships is thoroughly explored through Catherine and Heathcliff’s relationship within the novel. However, as the film adaptation is a product of a contemporary post-feminist, post-colonial time period, these themes can now be explored through lenses such as racial discrimination, feminism, and human connection.

It is the opinion of this essay that the character of Heathcliff evolves a lot more than the character of Catherine. When we first meet Heathcliff, he was found on the streets of Liverpool by Catherine’s father who then adopts him into the family as one of his own. This would have been a dramatic change for Heathcliff. Then after experiencing this quality of life until the death of the father he is then cast into the role of a servant/labourer by Catherine’s brother who despises him. Finally, when Heathcliff hears part of the conversation between Catherine and Nelly, he hears Catherine plans to marry Edgar Linton as she could never marry Heathcliff. “It would degrade me to marry Heathcliff now”. (82) It is here Heathcliff leaves Wuthering Heights and returns three years later, a gentleman of means and of polite demeanour, not what you would expect from him. Here we can bring back the point that one’s environment dramatically affects one’s behaviour. Like Catherine, Heathcliff defies social norms expected of his gender. After he returns back from travelling having acquired great wealth and on the surface seems a changed man, he would be accepted into middle class society as he displays the characteristics expected of him. It is well described in the book to enforce the dramatic change in him for readers to understand how far he has come from