Don John In Shakespeare's Much Ado About Nothing

He hath borne himself beyond the promise of his age, doing in the figure of a lamb the feats of a lion. He hath indeed better bettered expectation than you must expect of me to tell you how. (Act 1, scene 1, line 12). This is the first we hear of the reputation of Claudio, from it we learn that he is mature, a good soldier, and has exceeded expectations. Leonato, having only heard good things about the young man, treats Claudio with respect and allows this very young man to marry his only daughter. This is an example of the saying ‘your reputation precedes you’. Benedick’s reputation is very apparent throughout the play: a Joker. At the Ball, Benedick in disguise, asks Beatrice about what she thinks of him, and she describes how most see him: 'Why, he is the Prince 's jester, a very dull fool, only his gift is in devising impossible slanders. None but libertines delight in him, and the commendation is not in his wit but in his villainy, for he both pleases men and angers them, and then they laugh at him and beat him. ' (Act 1, scene 7, line 2). Don John and Don Pedro have opposite reputations and perceptions of their characters. Don Pedro is a war hero, the prince, highly respected and trustworthy. He is the authoritarian, the one to look to for advice and input. We can see this when Leonato says: If you swear, my lord, you shall not be forsworn. [To Don John.] Let me bid you welcome, my lord, being reconciled to the

Throughout the story, John expresses qualities of an honest man by defending his wife Elizabeth when she is

When thinking about the well known comedy Much Ado About Nothing, by William Shakespeare the audience is quick to focus on the wit and comedy that the play has to offer, rather than the understated villain who easily disappears in the background. While reading the play, one can posit that Don John is not the typical villain who acts with a specific motive in mind, rather, he is acting out of an obligation he feels to serve as an antagonist considering his position as a bastard. This is demonstrated in his dialogue, which reveals his inner turmoil on being chained to the villainous role and his willingness to act on any malicious opportunity that presents itself to him. This is significant in that, it provides another layer to our villain and causes the audience to think beyond the first layer that is easily presented, and into the true inner motives of the character.

Bastard, a child born out of wedlock, an illegitimate descendant that "deserves to be slapped." Don John, coined as “Shakespeare’s most passive villain” is plagued by the society of Messina that rejected him from the very moment of birth. Looking through the idea of predetermined roles in life, we can come to realize the roots of Don John’s agitation arises from his illegitimacy, stacking him at the bottom of the social hierarchy. Here he feels obliged to act the part of the villain, delegated by his very own blood.

Let’s talk about the world about 2,000 years ago. It was a world where the mass of people were illiterate, taxes were extremely high, and the leaders would cheat and kill to feed their ever growing need for power. We all can relate to having a good storyteller in our lives, most were read to at night by their parents or are parents themselves that read to their children. What is the purpose of storytelling? It’s simple, comfort. A good story can ease your psychological unrest as well as offer a moral purpose. Sometimes you can even relate a story to your own life and offer an explanation to something you may be experiencing. This is exactly what the four gospels, Matthew, Mark, Luke and John were. They told their stories of Jesus to offer comfort to their people in a time when people could not pick up a story and read it themselves. It is part of human nature to have the desire for a good story. This paper will describe several events that were written by great storytellers in the bible.

Don John is different from Don Pedro because Don John causes conflict and Don Pedro ends conflict. Don John says “Whatsoever comes athwart [Claudio’s] affection ranges

Hero, the unfortunate damsel in distress, sacrificing her own marriage and pretending to perish in order to ameliorate the reputation of her family, compelled to work upon the words of other’, Hero is actually a hero according to the denotation of the word “hero” in “Much Ado About Nothing.” Born into royalty, Hero endures a traumatic incident, but eventually achieves her destiny. One of Shakespeare’s major themes is deception regarding gender roles. With his use of characteristic archetypes, he evokes that deception is what lies between perception and reality, which in this case drives Claudio to misconstrue the reality. A man’s superiority towards a woman is prominent throughout the play and Shakespeare recognizes that a woman’s place in society is much more than standing inferior to men. By portraying Hero’s death, he shows the immense guilt Claudio suffers form and merely suggests that Hero is more than just an object. She is a hero, who, with her sacrificial death, cleanses her family’s reputation and marries the man of her drema. Overcoming the abominable deception imprinted upon Hero, she proclaims herself a hero by fulfilling her goals and through her role, Shakespeare portrays the role of women via society’s views on gender roles.

William Shakespeare’s play Much Ado about Nothing traverses the complex social, and emotional trials and triumphs of romantic relationships; Shakespeare’s perspective on the subject is both very similar to ours today, and different. Although filled with sexual innuendos, and humorous trickery and shenanigans, Much Ado about Nothing also dives into the complexities of social anxieties, defense mechanisms to cope with the social pressures, and the emotions involved.

The revenge that was in Don John’s heart was so strong that he decided to emotionally, socially and mentally kill Hero by making it look like she cheated on Claudio with Borachio. Once Claudio and Don Pedro found out that this was “true” they both made a plan to humiliate Hero on the altar during the weeding. Once all of this went down Hero was completely shocked and as she was trying to explain herself that she did not do this no one believed her. Her own father Leonato disowned her right there and there. This lie created such a big scandal all around Messina. Everyone now saw Hero as a cheater. The only one that did believe her was friar John. This is when another lie was made up to protect Heros social image. Friar John decided to make

After finishing a war, Don Pedro and his group of soldiers decide to stop at an old friend of Don Pedro house, in Messina. Claudio soon realizes that he truly loves Hero after seeing her again when at Leonato’s house and he wants to marry her that day. When Claudio is confessing his love to Don Pedro, he and Don Pedro plan to have Don Pedro get her consent, of marriage, then he will give her to Claudio, but while this is happening, one of Don John men is listening in on the conversation. Don John quickly learns about this new news of his brother’s soon to be marriage and wants to stop it, for revenge. When at the party Don Pedro asks Hero for her consen’s to marry Claudio, which she agree to so they plan their wedding for the next Monday.

He was given a house to live in, yet never had a true home. He was taken under the family name yet would never be treated as a part of it. Even Don Pedro sook a more “fitting” companion to spend time with. Freely gifted to his brother, Don would never receive the same money, status or respect. Now I’m sure you can come to see where the bitterness and spurn arose from, things he had no control over defined his life, fitting him with more than enough motivation to spoil the happiness of the residents of Messina. Yet being a shakespearean comedy, focused on displaying the comic and follies of misunderstandings, it can fairly said he lacks the depth and development of some of Shakespeare's darker villains from tragedies, rendering him an underdeveloped and arguably uninteresting antagonist. Melancholy and sullen by nature, he ironically believes that his brooding makes him appear strong, but it actually shows him to be a coward. Don John is too caught up in self-pity to do anything that could better his life, so he simply lives to destroy the lives of

Don John describes himself as an honest villain. He enjoys making others unhappy and being an outcast.

Produced by Wolfgang Amadeus Mozart in 1787, Don Giovanni is regarded as one the best operas ever made. The piece is based on the legend of Don Juan, an illusory libertine and seducer of women (Kerns, 2010). At first, Mozart’s opera seems more like a story of the romantic adventures of a dissolute nobleman and his disgrace. However, there is much more to Don Giovanni than just a series of events and serious laughs, just as the protagonist is much more than a notorious, single-minded, and unprincipled seducer. Closer examination of the piece reveals its core themes of social classes and divisions as depicted by Leporello’s complaints about his servitude to his employer in the first scene (Mozart, Fisher, & Ponte, 2007). The play also touches on vital human traits and principles, including loyalty, faithfulness, and sincerity. More importantly, Don Giovanni centers on the ambiguity intrinsic to human relations, the intricate connection between life and death, and the interminable tension between love and the risk of its extermination.

what I am: I must be sad when I have cause, and smile at no mans jest:

Don John's malevolent plan to ruin Claudio and Hero's wedding was to take effect the night before they were to wed. The malicious Don John constructed, or rather misconstructed, the scheme that insinuated Claudio's belief in Hero's faithlessness. It is Don John who reports to Claudio and Don Pedro that Hero is having an affair, and he who stage-manages an elaborate charade featuring his own henchman Borachio and an unwitting stand-in for Hero to lend credence to this fiction. Perhaps the most significant thing to be noted in connection with this deception is that the spectator does not witness the crucial scene in which Claudio overhears the counterfeit exchanges between Margaret and Borachio that persuade him of Hero's guilt. We learn of this episode only at second hand, when Borachio boasts of his exploit (Lucking).