Critical Lens: A Critical Analysis

Cleaning up down South: supermarkets, ethical trade and African horticulture is a piece by Susanne Freidberg published in Social and Cultural Geography journal in 2003 (Freidberg, 2003). Susanne Friedberg holds PhD from UC Berkely and is a Professor of Geography in Darmouth College, New Hampshire (“Susanne Freidberg,” n.d.). In the article the author argues that the ethical standards have become fetishised. The UK supermarkets compliance with such standards edges on paranoia. It does not mean that the supermarkets care about these standards from moral point of view but that the compliance is driven by fear of bad

Critical reading involves digging deeper into the author’s creation, and being able to understand it on different levels. Throughout the book, we are given tips on how to solely concentrate on reading without getting distracted. With writing and reading together, you can judge the essay you are reading more accurately. The sample essay by Nancy Mairs, shows different examples on

Nordby,K. Kjonsberg, K. Hummelvoll, J.K.(2009) Relatives of persons with recently discovered serious mental illness: in need of support to become resource persons in treatment and recovery.(Appendix 1). Journal of psychiatric and mental health nursing. 17, 304-311.

“I have freedom,” you say? Do you really? Perhaps, in some ways, you do. But in the end, you’re just another puppet being controlled by invisible strings whether you know it or not. “Man is born free, and everywhere he is in chains,” Jean-Jacques Rousseau once said. In society, man is “chained” and controlled by the government, by pressure of conforming to the social norms, by wealth and social class, and by one’s desires and emotions. Prior to birth, man is not restricted by such factors but that is merely a fleeting moment as he is slowly exposed to more and more of the world. I agree that “everywhere [man] is in chains,” but on the contrary, I believe man is already chained from the start—that man is never free. In the novel, Brave New

Is it socially acceptable behaviour for people to dedicate their lives to an object? Sure, one might say. People have passions and hobbies; these “objects” are worked hard for and should be enjoyed. Although most would say that this type of behaviour is not how normal people should live and that life’s fruition lies in the hands of social interaction; we can only truly enjoy life in the company of other humans, not objects. Where is the line drawn? Is it possible to cling on to a possession so much that it starts to detrimentally affect the person involved? W.D. Valgardson’s short story The Novice demonstrates that this is certainly a possibility. The protagonist undergoes a similar situation; he gets caught up in idealism (glamorizing

New historicism is premised upon an ideological attempt to wed the practice of history and literary criticism. In this type of textual analysis, the literary work is juxtaposed with historical events (characteristic of the time period in which the work was produced) in an effort to understand the implications within the text. This line of inquiry serves to recover a "historical consciousness" which may be utilized in the rendering of literary theory. "Poems and novels came to be seen in isolation, as urnlike objects of precious beauty. The new historicists, whatever their differences and however defined, want us to see that even the most unlike poems are caught in a web of historical conditions,

You and I live in a world were modernism is reaching new heights every day. One day that touchscreen phone is considered new, and then next week it’s old news. These two stories that I am going to compare are about the role of technology, science and how it affects me and you. Based on how it uses new technology and modern science A Sound of Thunder is a better sci-fiction story.

When reading literature we often attempt to use particular threads of thought or lenses of critique to gain entry into the implied historic or legendary nature of literature. To accurately process a tale in the light in which it is presented, we have to consider the text from multiple viewpoints. We must take into consideration intentional and affective fallacies and the socioeconomic circumstances of the presenter/author/narrator. We also have to consider how our personal experience creates bias by placing the elements of the story into the web of relationships that we use to interpret the external world. There also is the need to factor in other external pressures, from societal norms, cultural ideals, and psychological themes, and how

In the process of writing, regardless of the form it takes, thesis or narrative for example, the purpose of the piece has several lenses that shape how the reader perceives the material. Of the less important lenses that shape the piece, mood, word choice, and rhetoric are only a few. These elements of the work, while minimal in a relative sense, accomplish the same as other, more important components, they influence how the reader perceives the material, how it is understood. If one is to effectively convey the message of the piece, one must first look at how the any reader perceives any text. This idea of how the reader perceives is a culmination of all the devices employed by the author. The idea is for the author to craft an aggregate

Reading Through The Lens Literature can be esoteric. When reading or watching something incomprehensible, utilizing other disciplines of study to relate the literature make it easier to understand. Author and novelist Stephen Kings once said, “Fiction is the truth inside the lie.” This quote lucidly depicts the underlying disciplines found in Mary Atwood’s historical fiction novel, Alias Grace. After thorough reading of the novel, the most prominent foundational zones found were the concepts of history, semantics, and hypnosis.

In conclusion, historical fiction helps historians have an understanding of the ways of life in the west, the environment and the increase of technology's impact on it, the way people lived, and the people of the west’s relations, all contrasting from the 1820’s to the early 1900’s. While the ways of life are far advanced and humanity would never think about living in an era like that again, it still helps us to study and understand their way of life for us to understand how technology has advanced to this point. As someone once said, “Those who do not remember the past are condemned to repeat

Historical fiction is set in the past and tells a story using details from the time and place to which it is referring. This can and often includes historical figures giving the reader a sense of the time and place. Children who read historical fiction gain understanding of their own heritage, people, beliefs values hardships and physical surroundings. They can make the connections between the influences of the past and what influences them now. As they discover universal truths identify feelings and behaviors, it will encourage them to make a better choice for themselves. Understanding different viewpoints will develop sensitivities and empathy helping them to realize that history shows us that we must work together.

This critical review has evaluated the chapter Attitude: Studying for Knowledge from the book Ready, Study, Go by Khurshed Batliwala and Dinesh Ghodke. The theories put forward by Batliwala and Ghodke are intriguing and they did a good job of illustrating these theories with their personal experiences. Nevertheless, this writing is weakened by the presence of bias, overarching assumptions Ghodke occasionally makes, and sometimes overly technical and verbose

New Historicism is a modern literary theory that focuses on how events, culture, and places within a society influence a written work. New Historicists analyze allusions to characteristics of the time period in which the work was written. By definition, new historicism seeks to discover the significance in a text by taking into account the work within the construction of the established ideas and assumptions of its historical era. Literary texts are entrenched with historical context and the author is seen as subject to the forces of the culture that he or she works within. New Historicists reject the New Critical principle that texts are autonomous and should be read without any comparison to history, and instead argue that texts are

Historians use literary techniques and even poetic devices to craft historiographies that are compelling for readers. For example, a historian may construct a plot or narrative based on a series of events or on biographical data. A fiction author likewise relies on historical events and biographical data to construct plots: a process White calls "emplotment," (1714). Emplotment is basically the "encodation of facts," (White 1714). The storyteller is a historian, for no fiction is created out of thin air. Likewise, the historian is a storyteller, for readers of history require a