Essay about Conflicts in Amy Tan's The Joy Luck Club

   In Amy Tan's novel, Joy Luck Club, the mother of Jing-mei recognizes only two kinds of daughters: those that are obedient and those that follow their own mind. Perhaps the reader of this novel may recognize only two types of mothers: pushy mothers and patient mothers.  The two songs, "Pleading Child" and "Perfectly Contented," which the daughter plays, reinforce the underlying tension in the novel. These songs represent the feelings that the daughter, Jing-mei, has had throughout her life.

    Of the many stories involving the many characters of "The Joy Luck Club", I believe the central theme connecting them all is the inability of the mothers and their daughters to communicate effectively.

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

When Jing Mei recognizes the similarities between her mother and herself she begins to understand not only her mother but herself as well. There are subtle connections and likenesses from the beginning between Jing Mei and her mother that Jing Mei does not see. The book commences with Jing Mei taking her mother's place at the mah jong table, creating a similarity between them from the beginning. Suyuan dies two months before the start of the book, and therefore is not able to tell the stories. Jing Mei has learned and must tell her stories in her place, forming another parallelism between mother and daughter. Because Suyuan is dead, Jing Mei must act in place of her mother when she goes to meet her Chinese sisters in China. Throughout the book Jing Mei takes the place of Suyuan, showing she and her mother

Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships.  The mothers came to America from China hoping to give their daughters better lives than what they had.  In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture).  They were not expected to have their own will and to make their own way through life.  These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3).  To

This guidance is shown especially in the story of Lena St. Clair and her mother Ying-Ying. When Ying-Ying visits Lena and her husband at their new home, she senses the uneasy and precarious nature of their marriage, and tries to warn her daughter of this through subtle comments during her stay. One of these comments, “’You put something else on top, everything else fall down. Chunwang chihan” (163), leads Lena to recognize how fragile and superficial her relationship with Harold is, and that realization allows her finally stand up to him. Ying-Ying’s experiences in her first marriage taught her this lesson the hard way, when the buildup of her husband’s cruelty led her to an inability to carry his child. Although Lena’s circumstances are far less drastic than her mother’s, the same “last straw” mentality can be applied to both situations. Ying-Ying’s wisdom from her past helps Lena to save her future before that straw falls, in addition to showing her the cracks in a foundation that she thought was unflawed. In this action, Ying-Ying’s past in China aids her in guiding Lena towards a better life than she had, the ultimate goal of motherhood that is reinforced throughout the

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

Waverly is tired of her mother telling everyone about her accomplishment, that she lost her patients and tell her mother want were exactly on her mind. The dynamics relationship between mother and daughter is that you sometime lost your temper and tell your mother some of the problems you having with them.

“Here is how I came to love my mother.  How I saw her my own true nature.  What was beneath my skin.  Inside my bones.” (Tan 40)

In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.

    Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of

History, Culture and Identity of Mothers and Daughters in Amy Tan’s The Joy Luck Club

Tan uses the central conflict between her mother and herself by not wanting to do what the mother wants her to do which is to change her. Tan had made a choice for herself to give up her mother had got her to do play the piano when she embarrassed herself and family she even gave up school. Tan?s mother even said that she wasn't changing that she was only doing for the better. But then when Tan's mother died tan still had the piano when she played it she had remembered about her mother and had thought that she should've never gave up cause now she realizes that it was easier then she remembered. If Tan would've never gave up it would of made her mother happy knowing that she tried. It's towards America because Tan didn't get to choose what

Amy Tan is an American Born Chinese, daughter of immigrants, and her family shares many features with the families depicted in her novels. Tan's novels offer some glimpses of life in China while developing the themes of mother-daughter relations, cultural adaptation and "women with a past".  Tan’s novels share many themes and elements, but this paper will focus mainly on two episodes of the novel The Joy Luck Club: "The Joy Luck Club" and "Waiting Between the Trees"; and will make references to The Kitchen's God Wife and The Hundred Secret Senses.