Tennessee William is a man known to particularly write about loneliness, irritation, and hopelessness. One of his more famous works, A Streetcar Named Desire, is no exception; it uses many aspects of conflict involving multiple themes, including death and desire, a motif that constantly haunts one of the four major characters in the play: Blanche Dubois. This theme is developed through the repeated conflicts set in her past life and current life. The other three major characters are Blanche’s sister, Stella Kowalski; her brother-in-law, Stanley Kowalski; and her love interest, Harold “Mitch” Mitchell. These figures are involved in multiple strifes that make up the entirety of the play, ultimately leading to what critics immediately recognize as tragic and ironic (Crandell 92).
Interestingly enough, the theme of death and desire immediately sets in. The beginning of the play uses a street called Elysian Fields as a setting; an allusion to Greek mythology where valiant
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The loss of everything around her, including her home, Belle Reve; her mother, father, relatives, and her young husband, leads her to deteriorate: “I don’t want realism. I want magic” (1870; sc. 9). Not only that, but she is constantly reminded of death. First, it was the polka music (the one she danced with her husband before he committed suicide) that kept playing in her head. Then it was the inscription on Mitch’s cigarette case, which read, “And if God choose,\I shall but love thee better---after---death” (1838; sc. 3). Afterwards, it was the Mexican woman selling flowers for funerals because she repeats, ”Flores para los muertos,” which means flowers for the dead in Spanish (1871; sc. 9). Blanche later concludes that, “Death….the opposite is desire,” which comes from the knowledge that when someone is dead, they can no longer feel nor desire (1872; sc. 10). It’s even more tragic when the audience realizes that she has faced
A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.
In Tennessee William’s A Streetcar Named Desire, Blanche DuBois unveils the theme of the story through her representation of the struggle to maintain innocence in a tragically guilty world. The main theme of the story is that the façade of performed perfection will always be unsuccessful; fantasy cannot overcome reality. As hard as Blanche tries to hide in her fantasy, eventually truth persists and, in the end, overtakes the delusions she holds. Blanche uses her appearance to suggest innocence and youth, yet with a closer look, readers see that, though she attempts very hard to be, she is neither. She also has a symbolic relationship with Mitch; the further they draw apart, the further into madness she descends. While it is clear that Blanche is not entirely innocent, the author creates her as a symbol of such. This way, as she slowly loses her mind—and Mitch—she symbolizes the loss of said innocence. Blanche can also be considered an embodiment of Williams’s older sister Rose, who is known to have been institutionalized for her erratic behavior. Rose Williams’s inability to overcome her mental instability is directly represented through Blanche, a character who also cannot maintain fantasy and ultimately succumbs to reality. Had Blanche been able to sustain her pretense of innocence, it is possible she could have avoided the harsh realities of life.
Street car named desire The street car name desire, is a play set in New Orleans after the second world war that is mainly based in a conflict between two strong people with certain different characters and culture who have different points of view about things. The first one is a masculine person with a well constructed body and impolite as well which is visible since the beginning of the play when he heaves the same of meat at Stella and has also a low and weak usage grammar which is noticeable when he talks to his friends or wife. On the other hand, Blanche, who is a female, is a highbrow class and a well educated person as we can see when she mentions famous people like Edgar allan Poe, she is daintily dressed with a fluffy bodice costume and is very self confident and has a high level of
The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.
Blanche repeatedly lied to make herself look pure to others. It only served as a masquerade to hide her dirty, sinful reality. She lied about her age, alcoholism, promiscuity, and why she had to leave Laurel. When Stanley asked her if she wanted a shot, she replied, “No, I—rarely touch it” (Scene 1, page 1548). She could not confront her reality, so she retreated to her world of illusion. This was Blanche’s most prominent flaw. If she could have accepted things for what they are, she could have salvaged her sanity. If, from the beginning, she had been truthful to Stanley’s friend Mitch, he could have forgiven her. Dismally, Mitch would not trust her after finding out everything she said was fabricated. “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it” (Scene 9, page 1590). Blanche feared lights which symbolized her fear of reality. She claimed that with Alan’s death, all light had gone out of her life. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that’s stronger than this—kitchen candle.”
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.
In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.
In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.
The play A Streetcar Named Desire, was remade into a movie that was filmed in New Orleans. The film takes place in the 1950s with Blanche who moves in with her sister, Stella, and her brother in law, Stanley. The movie is about Blanche’s experience and eventually demise all in New Orleans.
The first scene opens overlooking the setting of the play, post WW2 New Orleans. New Orleans as a city was the biggest city in ‘the South’ at the time, a place where the industry of the Second World War had boomed, creating jobs for the working class in the factories and yards that sprang up all over the city – of course this is where Stanley, Mitch and the other male characters in the play, as working class men, all are employed. Additionally New Orleans was a
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe
It’s a scene from Tennessee Williams’s A Streetcar Named Desire: Stella Kowalski is yelling at her husband Stanley for his uproarious poker game. Stanley ignores his wife until she sharply interrupts his game and asks everyone to leave. In a fit of rage, Stanley slaps his wife. Stunned, Stella runs away and takes refuge in a neighbor’s house while Stanley’s poker buddies attempt to restrain him.
This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.