Blanche is living in a time where it is a lot more difficult for women than it is for women in the present time. Blanche’s situation is one side of the representation of the play’s juxtaposition between the gender roles of men and women. As a woman, Blanche is meant to be the character that showcases women’s struggle. She was married but her husband died. She inherited an estate but had to sell it to pay off debts and creditors, “The four letter word deprived us of our plantation…” (Williams 2314). She is hinted at only being thirty years old and is still beautiful but she has to downplay her age because women of a certain age start to figuratively be put out to pasture, “She is about five years older than STELLA.”(Williams 2301). Another mark …show more content…
Stanley Kowalski is a simple working-class man in his late twenties who is married to Blanche’s sister Stella, “They are about twenty-eight or thirty years old, roughly dressed in blue denim work clothes.” (Williams 2301). Stanley arrives in a very Freudian manner in the way that he literally throws at his wife Stella, “He heaves the package at her. She cries out in protest but manages to catch it: then she laughs breathlessly. Her husband and his companion have already started back around the corner.” (Williams 2301). Stanley’s introduction is a very well thought-out litmus test for how his character functions, and what his motivations are. There are elements of sexuality, aggression, and gender dominance all on display that is in sharp contrast to Blanche’s more demure arrival. Their differences in introduction is a perfect allegory for who they are as characters and how they will duke it out. Stanley’s characterization can be analyzed when his name is fully understood. The first syllable of Stanley is “Stan” which sounds a lot like stand, and “Stand” is defined as “holding one's ground against an opponent or enemy” (OED). This is symbolism for both his alpha male status, and the duel that will brew between himself and Blanche. “Stand” is also associated with the term “cock-stand”, which is slang for an erect penis …show more content…
Altogether, the characters that are the most important are Blanch, Stanley, Stella, Mitch, Eunice, and Steve. The number of characters is important because it also gives us more insight for the play. There are six characters with established names that live in the building where the story is set. The number six sounds similar to the word sex. And sexual desire plays a major role in everything having to do with the play. Desire was what led Blanche to her demise, “They told me to take a street-car named Desire…” (Williams 2301). Blanch was led to all of them like a moth devoured by fire. Blanche’s sister Stella’s name is Italian for “star” (OED). Stars burn very hot but they ultimately fade out, which is a good indicator of the service that Stella provides to the play. Stella’s name also shares some characteristics with Stanley’s name but falls one letter short. This is indicative of Stella’s need to follow Stanley’s lead and remain submissive towards him. The first syllable of Stella’s name sounds the same as “stale”, and stale is defined as “that has lost its freshness, novelty, or interest; hackneyed, worn out, out of date; effete.”(OED). That definition is a clue to how Stella doesn’t intrigue Stanley, the reader, or the audience as much as Blanche does. During a conversation Stanley is having with Blanch, he practically tries to shoo Stella away, “Your
The most ostentatious of the group, Stanley is a flawed man that is forced into the role of husband and father by the women around him. Stanley enjoys avoiding his real life and problems by socializing with his other equally macho friends playing poker and drinking excessive amounts of alcohol which in turn makes him stereotypically violent towards his wife. Stanley’s actions to Blanche as well are possessive and domineering as he looks through her things and criticizes the gifts she has garnered from the various suitors she had. “After Stanley's rummaging around in the trunk, Blanche exclaims: "It looks like my trunk has exploded" (38). When he violates that space - "Stanley crosses to the trunk, shoves it roughly open, and begins to open compartments" (41) - he betrays Blanche's intimacy. Rapaciously investigating the love letters, "He rips off the ribbon and starts to examine them, Blanche snatches them from him, and they cascade to the floor." Furious, she shouts: "Now that you've touched them, I'll burn them" and then starts scooping "the floor, gathering
The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not
Although Stanley’s power works mainly to downgrade Blanche, his violent and aggressive nature also disempowers Stella. She is abused during poker night, a moment of masculine bonding. Following the poker night she is made powerful when she retreats to Eunice’s Flat. However, she returns to disempowerment when she leaves Eunice’s flat and Stanley ‘bears her into the dark flat’. Stella’s decision to stay with Stanley is not based on choice, but rather on the fact that she must. This enforces the dominant belief that women are unable to support themselves, emotionally and financially.
It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.
Stella's marriage to Stanley, on the other hand, seems to have given her the happiness and fulfillment, which Blanche has attempted to find in a guilt-ridden life of loneliness with promiscuity. As a result Blanche has become neurotic and alcoholic, slipping increasingly into insanity. Stella, meanwhile, appears to have been thriving in a profane, coarse, but wholly satisfying sexual relationship with Stanley. Thus, superficially, the main contrast between Stella and Blanche seems to be one between sickness and health, perversity and normality, particularly in the sexual relationship. Stella is thriving; Blanche is disintegrating. But a closer examination of these sisters begins to show more complex differences in their characters and situations. Blanche is disintegrating for reasons other than sexual perversity, and Stella is paying a rather steep price for her so-called "normal" life with Stanley.
Although there is nothing wrong with Stella offering her sister a help and let Blanche stays in her place, but the biggest missing component, in this case, is the cause a huge embarrassment, that is Stanley. Stanley is Stella’s husband, they live together with peace and entertainment so far; nevertheless, the involvement of a third person would interrupt or even shatter the situation, and this person is Blanche. Stanley represents the new rising Americans, and we can envision him as urban-hunkey. His lifestyle is full of manhood; he goes to bowling, loves poker party, and we gain the picture of him as an aggressive, dominant and very sexual person. To satisfy Stanley is quite simple, first, his sexual desire would override his other senses, which means his sexual relationship with his wife is extremely important to him; second, Stanley enjoys maintaining stereotypical gender roles in his home and being respect as the head of the household. After Blanche’s visit, both of his old habits are being disturbed because Blanche takes herself as someone who’s more superior which goes against his gender role and she sleeps right across them with only a thin layer of the barrier which also stops his lovely night party with his wife. These reasons caused Stanley being so unsympathetic to the way Stella treats Blanche, which furthermore
Stanley overhears these comments as they are ‘unaware of his presence’ (S4:pg.164*; and wants to dispose of Blanche to protect his marriage as Blanche has a hysterical determination to urge Stella to leave Stanley. Stanley refuses to accept Blanches’ conduct as she had no right to intervene and arbitrate as a guest in Stanley’s home supporting the idea that Stanley was preparing her downfall all along.
Desire is prominent in Stella and Stanley’s relationship; Stella is drawn to Stanley because he has a strong male sexuality and he is drawn to her because of her traditional feminine sexuality. Stanley abuses Stella, and when Blanche finds out she is perplexed. Stella explains that, “there are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant.”(1.4). Stella and Stanley stay together because they use sex to smooth out their disputes. Stanley views sex as an important aspect in marriage (Panda ). He views women as sexual objects; Williams gives an insight on Stanley, he says, “[Stanley] sizes women up at a glance, with sexual classifications, crude images flashing through his mind”(1.1). Stanley ends up raping Blanche at the end of the play; thus causing Blanche to lose her sanity. Although Blanche’s husband is only mentioned a few times in the play, the audience is able to see that his own sexual desire leads to his
Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there. The rape is his way of getting her there. In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche. What makes this scene so important to the topic is the way that the three characters react once the party has broken up. Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner. Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses. Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing. Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well. He is a leader and instantly rises to the challenge whenever his status is threatened.
Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted
One characteristic of Stanley is his rudeness and cruelty towards Blanche, Stella's sister. It is very apparent that Stanley does not care for Blanche.
She is also harsh to Stella, most likely the only one who still loves her. Blanche criticizes Stella’s and Stanley’s way of life. Blanche, from all these examples represents the destruction of southern
Stella’s husband Stanley Kowalski, was unwelcoming to Blanche, making her feel out of place and questioning her glamorous lifestyle. After Blanche witnesses Stanley abusing Stella, she tried to convince Stella to leave him, calling him an “animal” as well as many other insulting things. Stanley overhears this which accelerates the conflict between him and Blanche. Soon after Stanley finds out the truth about her life in Belle Reve, he rapes her. This is yet another unfortunate adverse situation that Blanche is burdened
Stella is referred by Stanley in a loving tone of “honey” and “stell” but he never once called her by her proper name, stifling her sense of individuality. Her seeming ignorance of Stanley’s true intentions are depicted by Williams when Stella believes, “[Stanley] was as good as a lamb when I came back and he’s really very, very ashamed of himself.” (134) ,when any competent individual in her position can clearly understand Stanley’s motives of significance of the abusive relationship between Stella and Stanley’s loveless, sexual marriage is indicative of majority of the post-war societal
Blanche is not trusted by her own sister when she was raped by Stanley, this causes Stanley to win the fight between the two of them. Blanche is unable to have justice because there is no man to back her up, the men trust other men and the women trust the men as well. Stella is unable to believe the idea that Stanley would betray her and so she rejects the voice of her own sister, Blanche, informing us that the voice a woman without a man is no voice at all “I couldn't believe her story and go on living with Stanley” (William 144). This depicts Blanche as being overpowered by the influence of men, here Stanley’s opinion, and so rejected by the environment she lives in to be exiled in a place where she cannot be heard. In contrast according to the literary critic Panda, “Stella has been immensely passivized”(Panda 53) when “Stanley plays baseball, Stella watches him play” (53) this depicts the relationship between a man and a women as the man being the one where the relationship is centralized on while the women are expected to be “passive, or she doesn’t exist” (Panda 53).