Authenticity In Life Of Pi

The Life of Pi is a book that focuses on the journey of a young boy named Piscine Molitor Patel while he becomes stranded at sea with the comfort of only a Bengal tiger named Richard Parker. Names are significant to this story because you can get more of a connection with someone if names are mentioned more than once and if a little backstory is given.

Storytelling, in many ways, allows one to express their imagination through fanciful adventures and tales; thus, serving a purpose in terms of allowing an individual to cope with their tragedies, but also to entertain one another. In Yann Martel’s Life of Pi, and in Tim Burton’s Big Fish, the audience comes to realize that the conflict between fact and truth, combined with storytelling, are the central themes; it becomes clearer that facts have to be proven, whereas the truth is usually straightforward. These stories focus around the protagonists’ views, teaching the value, truth, and purpose of storytelling; in which, it is the pieces that collectively form the importance of storytelling. Storytelling allows the protagonists of both stories to cope with their struggles, and assists them in overcoming their adversities. It partly influences their decisions, and ideas; ultimately, changing their own perspectives in their struggles. Both show that stories can be incredibly meaningful and take on significant roles for the characters, which can be used to answer important questions about the truth.

Once rescued, Pi’s credibility is questioned as he embellishes the accounts of his journey to the Japanese inspectors who find his story unlikely. Pi’s reasoning and rationale are based on illusions and mirages he envisioned while stranded on the lifeboat. His story demonstrates his desire to create a different story in order to avoid the harsh facts of life. Delving into deep and often complex truths, as Gladwell did in Outliers, enforces the reader to face the realities of life as they are and not live under any false illusions. Pi Patel, in Martel’s Life of Pi, differs from Gladwell in that he desires to live in a world of comforting lies. As he narrates his journey to others, Pi fabricates many aspects of the story in order to deceive himself and others surrounding

Embellished storytelling has remained an art form among human civilizations since the dawn of humanity. Stories were passed down through generations with each version obtaining new elements thrown in by the next storyteller. The modifications made to each story added specific fictional elements to better convey the meaning and emotions of the story. Many of these stories attempt to explain unexplainable phenomenon through stories of Gods like in Greek mythology. Yann Martel, in his famed work Life of Pi, depicts a story with a structure manipulated to create a fictional representation of the truth. The main character, Pi, who tells this story asks the narrator, “Which story do you prefer? Which is the better story?” (Martel 178). Martel explains the fictional twist of the story as a way to bring out the true essence of it. This fictional variation can be observed as a representation of Pi’s faith and it greater captivates the listener than in what is likely the truthful version.

During Pi’s interview with two Japanese men, he told them a different story, two stories to be exact. He told his journey we all know and another version, a human version. In the human version of P’s story Orange Juice was his mom, the zebra was the sailor, the hyena was the cook, and the adult Bengal tiger was none other than Pi. Pi’s second story could be real or made up, but that

Pi states. The agnostic Japanese officials know this and take away the fact of knowing each story in its version contained a distinctive kind of factuality. Nevertheless, can a simpler and standard approach to a story really help us to get closer to the real truth of Pi’s adventure? You pay tribute to the everlasting writing of Yann Martel with the fact that a very minimal number of readers would be allured to even think

The story was split into three sections. The first section introduces the main character/narrator as an adult living in Canada. He reflects on his life and describes his childhood in India. His father owned a zoo in Pondicherry, a small district in southern India. The zoo led Pi to be quite comfortable around animals and to understand how they think. During part one, the narrator also describes

As he is faced with extreme challenges, Pi questions why God would allow such terrible things to happen to him. His ultimate survival ends up making his trust in God stronger. He also learns to not feel guilt about killing animals. Struggling to survive causes Pi to become smarter and more mature. He has to adapt to his new situation by getting along with Richard Parker, learning to live in his new environment, and staying sane and

and First Person (Central Narrator) since the author, who is not Pi, tells the story as if he is Pi."(Shmoop

To begin with, Richard Parker gives Pi a hope to survive. Pi says to Richard Parker that the storm is gone. He needs to convince himself of that more than what Richard Parker needed. Pi scream aloud, “I owe a lot more gratitude than I can really express. I couldn’t have done it without you. I would like to say it formally: Richard Parker thank you. Thank you for saving my life.” (Martel 317). Furthermore, Pi trains Richard Parker when they are in the ocean because Pi thinks that if they have to stay together they have to learn how to co-operate with other. Pi thinks that he, “had to tame him. It was at that moment that I realized this is necessity. It was not a question of him or me, but of him and me. We were, literally and figuratively, in the same boat.” (Martel 181). So, Richard Parker provides the distraction Pi needed. This also proves to change Pi’s life because if Richard Parker was not there Pi would have gone crazy thinking about the disaster which made him

The author of life of Pi, Yann Martel says “This book was born as I was hungry.” Pi’s life is a test of faith bravery and pure luck. So far Pi’s luck has not run out. Richard Parker is satisfied with the hyena, and zebra in his stomach. Pi has found a frenchman with food and an island full of meekrats. Weeks later he is rescued from the island and is visited by two japanese men. He told them two stories. Even though the first story had Pi’s boat life animal companions, it did not obtain the feeling and innervation that ensured the second story’s superiority.

The Life of Pi, a film adaptation of the novel, is a drama and adventure movie that was released in 2012. It was directed by Ang Lee and written by Yann Martel (novel) and David Magee (screenplay). The story involves the 227 days that its teenage hero spends drifting across the Pacific in a lifeboat with a Bengal tiger. Framed narration also introduces the idea that the truth is multi-faceted. Truth manifests itself through multiple perspectives.

Martel’s use of the extraordinary causes Pi to suffer the loss of a food source he would have taken advantage of had he not experienced the terror of Orange Juice coming on board. Martel also uses the fear of Richard Parker’s hunger to push Pi to step over new boundaries and face the consequences of his actions. Being a vegetarian, Pi is horrified at the idea of killing one of the Earth’s beautiful creatures: “I suppose I was partly responsible for the rat’s death, but I’d only thrown it; it was Richard Parker who had killed it. A lifetime of peaceful vegetarianism stood between me and the willful beheading of a fish” (231). To be successful in his life with a tiger on board, Pi would have to face the consequences of his actions and break one of the rules he created for himself earlier in his life. Martel creates a fear throughout the novel that drives Pi to shatter one of his own standards for living; this fear completely alters the behavior and beliefs of Pi. Richard Parker caused Pi to rethink his plans multiple times throughout Life of Pi. For example, Pi describes the outcome of his training with Richard Parker: “The first time I tried, Richard Parker bared his teeth, rotated his ears full round, vomited a short guttural roar and charged” (260). After facing the outcome multiple times, Pi continues to try again, editing each error he made in the past with the Bengal tiger. Martel’s use of fantasy taught Pi that it is okay to make mistakes, however one must fix

The Japanese diplomats refusal to believe Pi’s story due to the sole reason that it is not likely to be “realistic” shows us how a person thinks like that misses the point of stories: “So tell me, since it makes no factual difference to you and you can’t prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals”? (352). Stories are not meant to be a manifestation of reality, making it so would rob the story of all of its meaning that cannot be expressed through material. Sometimes, truth can be stranger than fiction, but truth can never reach the breadth that fiction is able

The Life of Pi is a novel written by Yann Martel, that involves a young teen named Pi in survival after suffering a tragic ship accident. The novel starts out with mostly the author’s thoughts and ideas. The first part of the book excluding the author’s page mainly describes Pi’s thoughts, beliefs, life, and the events that take place before the tragic accident he is involved in. Pi has a brother named Ravi and an uncle called Francis. Pi is remarkably connected and interested in religion and zoology. Pi and his family soon move to Pondicherry in India, where they buy a zoo. Soon as they move, Pi discusses his feelings on living in a zoo. After moving to the zoo, Pi starts to get involved in a lot of religion. Talks about religion are