Lydia Maria Child wrote her story Hobomok during a time in which the idea of miscegenation was rather unexplored and extremely disapproved of. Child, being born in 1804, experienced an America in which Native Americans never ruled or laid claim to land in the way that they had during the lives of her parents or grandparents, prior to the European waves of immigrants who fought and diminished the Native American tribes for land. She knew the Native American persona that started the ruthless Creek War, or the catastrophic Black Hawk War. However, the hostility between the two cultures had not always been so high, such as was the case with the Cherokees, a tribe that wished to assimilate. Yet, even the Cherokees suffered the wrath of the Indian Removal Act, the forced relocation of thousands of Native Americans despite the U.S supreme court’s disapproval of the legislation. Though sporadic cases of miscegenation are found throughout history, the forthright condemnation of miscegenation was something quite unique to a young America.
The idea of the “Noble Savage”, a literary stock character created in the 17th century that embodies the stereotypical, idealized Native American and represents humanity’s innate goodness, was created much later into the conflicts between Native Americans and American colonists. Though the idea was created by the French Jesuits, Child’s brother, Convers Francis, who was a Unitarian Minister, carried a belief that people are not inherently sinful, and
An emphasis on family is one of the central facets of Native American culture. There is a sense of community between Native American. Louise Erdrich, a Chippewa Indian herself, writes a gripping bildungsroman about a thirteen year old boy named Joe who experiences all forms of family on the Native American Reserve where he lives. He learns to deal with the challenges of a blood family, witnesses toxic family relationships, and experiences a family-like love from the members of the community. In her book, The Round House, Louise Erdrich depicts three definitions of the word family and shows how these relationships affect Joe’s development into an adult.
W.E.B. Du Bois has contributed greatly to contemporary sociological thinking because he began a conversation of what it means to be “other” in this American Society. In his conversation of what it means to be other he constructed and included three major concepts that continue to resonate till this day. His concepts include “the color-line”, “the veil”, and the “double consciousness” (Appelrouth and Edles, 269). Together, these concepts not only described past experiences of blacks in American society (e.g., slavery) but also continue to remind us that the relation of whites and people of color remains complex. In Du Bois’s own words, “the Nation has not yet found peace from its sins” (273).
In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will
Black Robe is a film that greatly exemplifies the views the Natives and the French held of one another during the 1600s. Both groups help impressions of each other that influenced how they interacted together. During the Native and French encounters in Black Robe, it was apparent that Natives viewed the French as incompetent, weak, but also interesting; the French had their own impressions that the Natives were savages and in need of salvation. It is with the Algonquins that one can see the interest they held in their view of the French. In Black Robe, there is a scene with the Natives sitting in a church-like building watching a clock.
Native Guard is a poem that is built on a lot of passion and precision that makes this entire book of poetry stand out. From the beginning with the elusive imagery and foreshadowing of her childhood and her mother’s life we are easily engulfed in the lifestyle of being born in the south. The imagery continues on in the new memory of the pinnacle time of slavery and the Civil War, which shows the true nature of the south through repetition and metaphoric sentences of many gruesome and remorseful scenes.
“There are too many people, and too few human beings.” (Robert Zend) Even though there are many people on this planet, there are very few civilized people. Most of them are naturally savaged. In the book, Lord of the Flies, by William Golding, boys are stranded on an island far away, with no connections to the adult world. These children, having no rules, or civilization, have their true nature exposed. Not surprisingly, these children’s nature happens to be savagery. Savagery can clearly be identified in humans when there are no rules, when the right situation arouses, and finally when there is no civilization around us.
Lives for Native Americans on reservations have never quite been easy. There are many struggles that most outsiders are completely oblivious about. In her book The Roundhouse, Louise Erdrich brings those problems to light. She gives her readers a feel of what it is like to be Native American by illustrating the struggles through the life of Joe, a 13-year-old Native American boy living on a North Dakota reservation. This book explores an avenue of advocacy against social injustices. The most observable plight Joe suffers is figuring out how to deal with the injustice acted against his mother, which has caused strife within his entire family and within
In this essay I intend to explore the narrative conventions and values, which Oliver Smithfield presents in the short story Victim. The short story positions the reader to have negative and sympathetic opinion on the issues presented. Such as power, identity and bullying. For example Mickey the young boy is having issues facing his identity. It could be argued that finding your identity may have the individual stuck trying to fit in with upon two groups.
It is without doubt that there has been a prominent distinction between the Native Americans and the English settlers upon landing in Virginia in the early 1600s. With the prior ‘knowledge’ from previous pioneers in America, the colonist had viewed the Natives in a vilified manner as savages without proper means of civilization. These so called ‘heathens’ were said
“The Girl Who Sang to the Buffalo” is a fictional novel based on true events written by the popular American author, Kent Nerburn. Nerburn connected the reader to the ways of the Native Americans and non-Natives. Many non-Natives believe they have a basic understanding of the Native Americans, and what they have dealt with the US government. However, Nerburn provides a different perspective in comprehending the irritation the Native Americans thought of Americans not fully realizing they are heckling the Natives in this manner. Kent Nerburn had some issues with the Natives in not thinking through his decisions when confronting a Native about any questions he may have resulting in mounts of annoyance of the Natives.
The American desire to culturally assimilate Native American people into establishing American customs went down in history during the 1700s. Famous author Zitkala-Sa, tells her brave experience of Americanization as a child through a series of stories in “Impressions of an Indian Childhood.” Zitkala-Sa, described her journey into an American missionary where they cleansed her of her identity. In “Impressions of an Indian Childhood,” Zitkala-Sa uses imagery in order to convey the cruel nature of early American cultural transformation among Indian individuals.
In his essay, “Horse and Gentlemen,” T.H. Breen describes the cultural significance of gambling, specifically in relation to the quarter-horse races, in late 17th century Virginia. Breen primarily argues that the three main aspects of gambling – competitiveness, materialism, and individualism – reflected and reinforced the socio-economic structure of Virginia in this period. The high stakes wagers of the affluent planters reinforced their dominant status in the social structure and the gentry’s right to rule over this colony. Breen’s argument to this effect is supported by letters, court transcripts, documentation of wagers, and other written first-hand accounts. Breen’s case for the cultural significance of gambling has persuasive arguments for its representation of competitiveness and materialism. However, his argument for individualism has contrary elements and his essay would have been improved with the inclusion of women’s role in the gambling culture.
“Ancestral lines” by John Barker is a book about the anthropologist’s experience in the Uiaku village located in Papua New Guinea. In the first chapter, Barker tells his readers briefly about him and his education, his and his wife’s experience with the Maisin community, and talks in great detail about the Maisin and their culture in the Uiaku village.
It is easy to see that current events and issues of the world around them have had an impact on authors and what they have written from the stories in this time period. The Native American authors wrote stories describing life during and after white man came to America. We read Oratory’s by two Native American’s COCHISE and CHARLOT. They gave heart-wrenching speeches, giving great details into the history of the tribes and the devastating effect the white man had on them. Author Zitkala Sa gave us a powerful interpretation of her life as a Indian and how the white’s coming to America affected her life.
Using the carnival as a background is appropriate because it is a time of celebration when everything is in chaos and people have lost their self-control. The carnival may be a symbol of Montresor’s own madness and the crazy thoughts in his head. The carnival usually indicates joyful social interaction but it is distorted by Montresor. Montresor’s reference to the bones and vaults of his family foreshadow the story’s descent into the underworld. The underground travels of the two men are a metaphor for their trip to hell. The carnival is essentially for the living but Montresor takes it into the vaults underground, to the realm of the dead and the satanic. The setting Poe chose for the story adds to the terror. Most of the events of the story runs in dark, damp tunnels piled with the bones of dead people. By taking Fortunato into the vaults, Montresor cuts him off from help. The two characters are underground and isolated.