preview

A Summary Of The Ancient Greek And The Byzantine Empires

Good Essays

Both the Ancient Greek and the Byzantine Empires have a long and familiar history with warfare, acclimated to crushing losses and sweeping victories. In Greece, military action has fended off the Persian invaders and brought warring city-states deep-set rivalries. Within the Byzantine Empire, conquest has brought Rome back into the Roman Empire. Despite both civilizations’ high esteem in military conquest and glory, they had contrasting views of warfare and how their respective armies went to work. The Greek Classical Terracotta volute-krater, attributed to the Painter of the Woolly Satyr, illustrates two messy front line battles in separate registers. Meanwhile, from the Early Byzantine period, the silver Plate with the Battle of David and Goliath depicts not so much a battle between two armies, but rather a dramatic yet organized duel, over the course of 3 registers. From these two pieces, one could all but assume one statement: of the artists and commissioners of the terracotta volute-krater and the Plate with the Battle of David and Goliath, only those of the former have seen battle. In the terracotta volute-krater, the viewer immediately sees from any angle that there is indeed a raging battle afoot in the register occupying the body of the vase. The amazonachae, a battle between the mythical Amazon (a race of warrior women) and Greeks, were a popular subject of works, particularly in Athens. On one face of the neck of the vase, there rages a fight between centaurs and Lapiths. Meanwhile, the Byzantine Plate with the Battle of David and Goliath depicts the titular duel from the holy text. Despite drawing the viewer’s eyes to the larger middle register depicting the biblical fight, the silver plate’s top register begins the plate’s narrative: David is confronting the giant Goliath. More importantly, among the two holding their hands out in blessing (thumb to ring finger), David has the the blessing of God (depicted as a hand descending from the sky). In this narrative, David’s victory is assured; after all, he has the approval of God; such is not the case in the amazonachae nor the centauromachia depicted on the volute-krater, in which victory is still uncertain. Needless to say, these works of art do not

Get Access