Throughout the course of history, the ideals and rights a women must possess have shifted drastically. In the nineteenth century and into the early twentieth century, women gained more freedoms than they had previously enjoyed. Now, women could work, own their own property, and could rely on their own income for support in family life. This change in women’s rights is mentioned in much of the literature of this time period. While many authors praised women as individual heroines who took the opportunity to pursue their own freedom, there were also many who believed that this shift in ideals left some women battered and ultimately broken. This gloomy concept can be seen in both William Faulkner’s A Rose for Emily and Tennessee Williams’ A Streetcar Named Desire. Through the analysis of these two works, readers can gain a better understanding of the importance of love, marriage, and social status. Indeed, Faulkner presents love as a twisted and confusing term in his cryptic short story.
Within his story, Faulkner presents a woman who, after living in her father’s home for several
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He writes about Emily and the indecent relationships she maintains which annoy the townspeople. First, she has a Yankee gentleman who visits her, and then there is Homer. Out of all the men that visit Emily, Homer is the one gentleman she desires above any other man. This does not sit well with the townspeople as Homer is from a lower social class than Emily. To them, this match is indecent in many ways. In an analysis reviewing Faulkner’s A Rose for Emily, it states, “Despite the decay of the Grierson family, the older townspeople feel that being from a higher social class, Emily should fulfill her duty befitting to her family's aristocratic status” (Hsu, Wang 1). It is evident that social status is important for the southerners living in this town. Similarly, Blanche feels this way concerning Stella and Stanley’s life in New
There are nine types of heroes in this world, each of them with their own unique stories, plots, cliches etc. Among those is the classic tragic hero, one who is destined to fail no matter what. In a Streetcar Named Desire, the tragic hero is Blanche Dubois, an aging Southern Belle living in a state of perpetual panic about her fading beauty. In this essay it will be discussed what makes Blanche a tragic hero and how she compares to a typical tragic hero.
“Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (Faulkner 1). Emily, a member of the town’s elite class, relied upon her father when growing up and after his death, she refused to pay her taxes, stating that her father contributed much to society. But it was evident that she didn’t pay them because of a lack of maturity - financially and socially. When she was younger she pushes herself onto Homer Barron, a Northerner with no interest in marriage. Throughout the story, Emily is conflicted over societal change, and clings to her privileged manner even after finding herself in poverty. Yet, she becomes involved with a man from a lower social class, and a Northerner as well - hinting that he has different beliefs and values. The townspeople, however, believe the relationship it too modern when there is a possibility they are having physical relations despite not being serious about marriage. The community’s inability to commit to progress, contribute to the confused Emily’s decision. In A Rose for Emily, Faulkner uses the symbolism of Emily’s house and her hair to demonstrate her emotional instability and physical deterioration, illustrating the outcome of his story.
Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.
Tennessee Williams’ A Streetcar Named Desire is a web of themes, complicated scenarios, and clashes between the characters. Therefore, it might’ve been somehow difficult to find out who the protagonist of this play is if it wasn’t for Aristotle’s ideas of a good tragedy because neither of the main characters, Stanley Kowalski and Blanche Dubois, is completely good nor bad. According to Aristotle’s Poetics, a good tragedy requires the protagonist to undergo a change of status which only happens with Blanche Dubois.
In “A Jury of Her Peers” by Susan Glaspell and “A Rose for Emily” by William Faulkner, both authors introduce female protagonists that are confined by men’s authority. By displaying the protagonist's transformation, Glaspell and Faulkner highlight the repercussions of gender roles, to show that when women are trapped, they will go to great lengths to retaliate against their oppressors.
In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.
In her novel The Song of the Lark, Willa Cather says, “The world is little, people are little, human life is little. There is only one big thing -- desire” (Cather). Desire is something that has driven humans since their existence began. Even the Neolithic man was driven by his desire for food, a mate, or sex. Just like the Neolithic man, humans today have desires for our own basic needs.
Realism, what does it means? Realism is ‘the quality of a person who understands what is real and possible in a particular situation and is able to deal with problems in an effective and practical way’. In this short play, “A Streetcar Named Desire,” Williams did a great job of demonstrating the love and caring side of the characters. This shows that, when Blanche lost the family mansion and had nowhere to go, her sister welcome her with an open heart. Although the protagonist in this short play is the caring Blanche DuBois, the play shows that she struggle with social realism.
A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.
Like many people in the world, the characters in Tennessee William’s play, A Streetcar Named Desire, are troubled by anxiety and insecurities. Life in New Orleans during the 1940s was characterized by the incredible variety of music, lively and bright atmosphere, and diverse population, while in the midst of the ongoing World War II. Culture was rich and fruitful because the city developed into a “melting pot” of people from all over the world. Due to the wide-range in population, the people of New Orleans adopted an identity like no other. Instead of their identity being entirely pieced together, almost like a puzzle, the people took on one that was shared by the entire community. However, with this being said, people had the ability to use this to their advantage and mask their true selves. This idea translates well into the play A Streetcar Named Desire, and is exhibited through the character Blanche. In A Streetcar Named Desire, Tennessee Williams uses the theme of vanity to reveal the importance of appearance, and the insecurities of Blanche and how they influence her actions.
Humans are greater than insects as are moths. If you choose whatever you wish to be, you are the owner of curses and praise. This play’s notion is “Man is King”. “A streetcar named desire” is trying to tell that man is the proprietor in this play and the women were abused by him. The author Tennessee William tells us the winner is The Man. Blanche is Stanley’s an old-fashion sister- in-law who was trapped in to the situation and became a sexual abused victim. There are reasons for this tragedy; there is a possibility to escape from the trap. Something went wrong and someone is responsible for it.Blanche is responsible for her tragedy because she criticizes other people, she lies to others to hide her past, and she engages in affairs with
For my analysis paper, I have chosen the full-length play by Tennessee Williams, A Streetcar Named Desire. The drama containing several forms of realism was released in December of 1947 and stayed open on Broadway for two years until December of 1949. The play in set in New Orleans, Louisiana in a simi-poor area, but has a certain amount of charm that goes along with it. Williams creates a vast web of emotional conflicts thought all the characters, which leads to great tension thought the play. In my analysis I’m going to talk about the plot and characters in the play, the theme, dictation, music choices, spectacle and the convention.
Tennessee Williams, playwright of “A Streetcar Named Desire”, uses symbolism and other elements to establish the overall theme of illusion vs. reality. He uses these elements to show how the character Blanche can 't distinguish the difference between the two, ultimately leading her to a lonely life full of lies. And unlike Blanche, Stanley knows this from the very beginning and thus, their differences turn into a play full of mind games.
Marriage is of paramount importance in The Importance of Being Earnest, both as a primary force motivating the plot and as a subject for philosophical speculation and debate. The question of the nature of marriage appears for the first time in the opening dialogue between Algernon and his butler, Lane, and from this point on the subject never disappears for very long. Algernon and Jack discuss the nature of marriage when they dispute briefly about whether a marriage proposal is a matter of “business” or “pleasure,” and Lady Bracknell touches on the issue when she states, “An engagement should
The play A Streetcar Named Desire by Tennessee Williams examines the theme of both death and desire. Williams presents the only options of life as being one of these two options. Either you choose to figuratively die or you succumb to your desires. You must make to choice and life and battle death and go towards desire. These themes are antitheses of one another and are often times intertwined together. Williams uses the characters actions and thoughts as well as contrasts between them to develop this central theme.