Countercultural Trends Worksheet

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School

University of California, Berkeley *

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Course

R1A

Subject

Religion

Date

Dec 6, 2023

Type

pdf

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1

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“Countercultural Trends” Worksheet Read the following passages from "Countercultural Trends," and contextualize, paraphrase, elaborate upon, and relate their ideas to other course texts. Answer the questions which follow and formulate at least one additional line of inquiry. "Setting out to break all the taboos of conventional morality and cultural consensus, the Beats and their renegade friends openly declared their disdain for established norms and values. For them . . . art meant action" (88). What are some examples of "taboos of conventional morality and cultural consensus"? Whom or what do they serve and/or oppress? "They preached love and were open to sexual adventure, regardless of their partners' gender. In their journeys toward the inner world, they predicted New Age dreams of self-realization" (88). What is "the inner world" and what does a journey there entail? What is escaped, lost or gained on this journey? What is "self-realization," and what are some of its goals, drawbacks, aims and obstacles? "It was for people who were making things with the detritus of society, who themselves were ostracized or alienated from full involvement in society" (89). What is "detritus" and what does it mean to make art from it? How does this art-medium of detritus reflect or address being "ostracized or alienated from full involvement in society"? "[E]verything that industrial society would prefer to forget and ignore and neglect takes on a pitiless Frankenstein vitality. It isn’t beautiful, it isn’t nice, it isn’t spiritually elevating. It casts the darkest kind of suspicion on the lives we lead and the twisted ingenuity that supports these lives. And offers us no answers at all" (113). How and why does this view of art distinguish itself from conventional expectations of beauty and comfort in art? What is the "twisted ingenuity that supports" the suspicious "lives we lead," and why are answers withheld? "Graffiti is an expression of the disenfranchised, who mark and claim their territory with their 'tags' (names) and various signs and symbols, often understood solely by initiates" (116). Who are "the disenfranchised," why would territory need to be claimed? What motivates covert and exclusive communication "understood solely by initiates"? "The counterculture . . . was directed against established authority. Dissenters all, they challenged the 'American way of life' and its economic foundation" (118). What is-- and is worth attacking about-- "established authority"? What's wrong with the "economic foundation" of the "American way of life"?
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