Nonfiction > Upton Sinclair, ed. > The Cry for Justice
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Upton Sinclair, ed. (1878–1968).
The Cry for Justice: An Anthology of the Literature of Social Protest.  1915.
 
A Tale of Two Cities

By Charles Dickens

(Celebrated English novelist, 1812–1870. The novel here quoted deals with the French Revolution, and the scene narrates how one of Monseigneur’s guests drives away from the palace)
 
NOT many people had talked with him at the reception; he had stood in a little space apart, and Monseigneur might have been warmer in his manner. It appeared under the circumstances, rather agreeable to him to see the common people dispersed before his horses, and often barely escaping from being run down. His man drove as if he were charging an enemy, and the furious recklessness of the man brought no check into the face, or to the lips, of the master. The complaint had sometimes made itself audible, even in that deaf city and dumb age, that, in the narrow streets without foot-ways, the fierce patrician custom of hard driving endangered and maimed the mere vulgar in a barbarous manner. But few cared enough for that to think of it a second time, and, in this matter, as in all others, the common wretches were left to get out of their difficulties as they could.  1
  With a wild rattle and clatter, and an inhuman abandonment of consideration not easy to be understood in these days, the carriage dashed through streets and swept round corners, with women screaming before it, and men clutching each other and clutching children out of its way. At last, swooping at a street corner by a fountain, one of its wheels came to a sickening little jolt, and there was a loud cry from a number of voices, and the horses reared and plunged.  2
  But for the latter inconvenience, the carriage probably would not have stopped; carriages were often known to drive on, and leave their wounded behind, and why not? But the frightened valet had got down in a hurry, and there were twenty hands at the horses’ bridles.  3
  “What has gone wrong?” said Monsieur, calmly looking out.  4
  A tall man in a nightcap had caught up a bundle from among the feet of the horses, and had laid it on the basement of the fountain, and was down in the mud and wet, howling over it like a wild animal.  5
  “Pardon, Monsieur the Marquis!” said a ragged and submissive man, “it is a child.”  6
  “Why does he make that abominable noise? Is it his child?”  7
  “Excuse me, Monsieur the Marquis—it is a pity—yes.”  8
  The fountain was a little removed; for the street opened, where it was, into a space some ten or twelve yards square. As the tall man suddenly got up from the ground, and came running at the carriage, Monsieur the Marquis clapped his hand for an instant on his sword-hilt.  9
  “Killed!” shrieked the man, in wild desperation, extending both arms at their length above his head, and staring at him. “Dead!”  10
  The people closed round, and looked at Monsieur the Marquis. There was nothing revealed by the many eyes that looked at him but watchfulness and eagerness; there was no visible menacing or anger. Neither did the people say anything; after the first cry, they had been silent, and they remained so. The voice of the submissive man who had spoken, was flat and tame in its extreme submission. Monsieur the Marquis ran his eyes over them all, as if they had been mere rats come out of their holes.  11
  He took out his purse.  12
  “It is extraordinary to me,” said he, “that you people cannot take care of yourselves and your children. One or the other of you is for ever in the way. How do I know what injury you have done my horses. See! Give him that.”  13
  He threw out a gold coin for the valet to pick up, and all the heads craned forward that all the eyes might look down at it as it fell. The tall man called out again with a most unearthly cry, “Dead!”  14
 
 
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