| The Columbia Encyclopedia, Sixth Edition. 2001-07. |
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| Bellows, George Wesley |
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| 1882–1925, American painter, draftsman, and lithographer, b. Columbus, Ohio; son of an architect and builder. In his senior year he left Ohio State Univ. to study painting under Robert Henri in New York City. Bellows never visited Europe and seemed uninfluenced by the currents affecting his European contemporaries, but he actively supported independent art movements in New York City. His work has a direct, unselfconscious realism and has survived because of its humanity and sincere conviction. Forty-two Kids (Corcoran Gall., Washington, D.C.); Up the River (Metropolitan Mus.); Stag at Sharkey’s (Mus. of Art, Cleveland); and a portrait of the artist’s mother (Art Inst., Chicago) are characteristic paintings. Bellows revived lithography in the United States, and his prints are as important as his paintings. Billy Sunday, Dance in a Mad House, and Dempsey and Firpo are American classics. He was a noted teacher at the Art Students League, New York City. | 1 | | See collection of his lithographs by E. S. Bellows (1927); studies by P. Boswell, Jr. (1942), C. H. Morgan (1965), and M. S. Young (1973). | 2 |
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| | | The Columbia Encyclopedia, Sixth Edition. Copyright © 2007 Columbia University Press. |
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