Verse > Anthologies > Ralph Waldo Emerson, ed. > Parnassus > III. Intellectual
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Ralph Waldo Emerson, comp. (1803–1882).  Parnassus: An Anthology of Poetry.  1880.
 
III. Intellectual
Memory — Inspiration — Imagination — Fancy — Music — Art — Moods
 
  “Quotque aderant vates, rebar adesse Deos.”—OVID.
  “By pain of heart, now checked, and now impelled,
The intellectual power from words to things
Went sounding on,—a dim and perilous way.”—WORDSWORTH.
  
Thought by Helen Hunt Jackson (1830–1885)
Questionings by Frederic Henry Hedge (1805–1890)
Memory by Alfred, Lord Tennyson (1809–1892)
Memory by William Ellery Channing (1818–1901)
Foresight by William Shakespeare (1564–1616)
Ode to Himself by Ben Jonson (1572–1637)
Not Every Day fit for Verse by Robert Herrick (1591–1674)
The Praise of Homer by George Chapman (1559?–1634)
On First Looking into Chapman’s Homer by John Keats (1795–1821)
Socrates by Edward Young (1681–1765)
Morning by William Allingham (1824–1889)
Inspiration by Henry David Thoreau (1817–1862)
The Poet by Caroline Sturgis Tappan (1819–1888)
Inspiration by Robert Burns (1759–1796)
The Flower by George Herbert (1593–1633)
Writing Verses by Robert Burns (1759–1796)
The Muse by George Wither (1588–1667)
The Poet by Geoffrey Chaucer (c. 1340–1400)
Prayer to Apollo by Geoffrey Chaucer (c. 1340–1400)
The Cuckow and the Nightingale by Geoffrey Chaucer (c. 1340–1400)
Steamboats, Viaducts, and Railways by William Wordsworth (1770–1850)
Scale of Minds by William Wordsworth (1770–1850)
Under the Portrait of Milton by John Dryden (1631–1700)
Pleasures of Imagination by Mark Akenside (1721–1770)
Fame by Ben Jonson (1572–1637)
Ulysses by Alfred, Lord Tennyson (1809–1892)
From King Lear by William Shakespeare (1564–1616)
Outline by William Wordsworth (1770–1850)
Comus, a Mask by John Milton (1608–1674)
Mythology by Samuel Taylor Coleridge (1772–1834)
Kilmeny by James Hogg (1770–1835)
Dreams by Sir Walter Scott (1771–1832)
Romeo’s Presage by William Shakespeare (1564–1616)
Ships at Sea by Robert Barry Coffin (“Barry Gray”) (1826–1886)
The White Island by Robert Herrick (1591–1674)
Fantasy by Ben Jonson (1572–1637)
Phœnix and Turtle Dove by William Shakespeare (1564–1616)
Compliment to Queen Elizabeth by William Shakespeare (1564–1616)
Queen Mab by William Shakespeare (1564–1616)
Song from Gypsies’ Metamorphoses by Ben Jonson (1572–1637)
The Song of Fionnuala by Thomas Moore (1779–1852)
Fairies by Thomas Warton (1728–1790)
Kubla Khan by Samuel Taylor Coleridge (1772–1834)
St. Cecilia’s Day by John Dryden (1631–1700)
Music by William Strode (1602–1645)
Orpheus with His Lute by William Shakespeare (1564–1616)
Music by John Keats (1795–1821)
The Passions by William Collins (1721–1759)
A Supplication by Abraham Cowley (1618–1667)
To Music by Felicia Dorothea Hemans (1793–1835)
To the Harp by Michael Drayton (1563–1631)
Æolian Harp by William Allingham (1824–1889)
Alexander’s Feast; or, The Power of Music by John Dryden (1631–1700)
Art and Nature by William Shakespeare (1564–1616)
Dædalus by John Sterling (1806–1844)
Cathedral by William Congreve (1670–1729)
Sonnet: ‘Oh, how much more doth’ by William Shakespeare (1564–1616)
Sonnet: ‘From you have I been absent’ by William Shakespeare (1564–1616)
To the Critic by Alfred, Lord Tennyson (1809–1892)
Locksley Hall by Alfred, Lord Tennyson (1809–1892)
Hurts of Time by Lord Byron (1788–1824)
Poet’s Mood by Francis Beaumont (1584–1616) and John Fletcher (1579–1625)
Moods by Sir John Suckling (1609–1642)
The Soul’s Errand by Sir Walter Raleigh (1554?–1618)
Rabia by James Freeman Clarke (1810–1888)

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