Reference > Quotations > S. Austin Allibone, comp. > Prose Quotations from Socrates to Macaulay
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S. Austin Allibone, comp.  Prose Quotations from Socrates to Macaulay.  1880.
 
Joseph Addison
 
  Absence, what the poets call death in love, has given occasion to beautiful complaints in those authors who have treated of this passion in verse.
Joseph Addison.    
  1
 
  I distinguish a man that is absent because he thinks of something else, from him that is absent because he thinks of nothing.
Joseph Addison.    
  2
 
  Actions are of so mixed a nature, that as men pry into them, or observe some parts more than others, they take different hints, and put contrary interpretations on them.
Joseph Addison.    
  3
 
  Outward actions can never give a just estimate of us, since there are many perfections of a man which are not capable of appearing in actions.
Joseph Addison.    
  4
 
  He was particularly pleased with Sallust for his entering into internal principles of action.
Joseph Addison.    
  5
 
  A superior capacity for business, and a more extensive knowledge, are steps by which a new man often mounts to favour and outshines the rest of his contemporaries.
Joseph Addison.    
  6
 
  Admiration is a short-lived passion, that immediately decays upon growing familiar with its object, unless it be still fed with fresh discoveries.
Joseph Addison.    
  7
 
  It is not the business of virtue to extirpate the affections, but to regulate them.
Joseph Addison.    
  8
 
  There are few men who are not ambitious of distinguishing themselves in the nation or country where they live, and of growing considerable with those with whom they converse. There is a kind of grandeur and respect which the meanest and most insignificant part of mankind endeavour to procure in the little circle of their friends and acquaintance. The poorest mechanic, nay, the man who lives upon common alms, gets him his set of admirers, and delights in that superiority which he enjoys over those who are in some respects beneath him. This ambition, which is natural to the soul of man, might, methinks, receive a very happy turn, and, if it were rightly directed, contribute as much to a person’s advantage as it generally does to his uneasiness and disquiet.
Joseph Addison.    
  9
 
  How often is the ambitious man mortified with the very praises he receives, if they do not rise so high as he thinks they ought!
Joseph Addison.    
  10
 
  Ambition raises a tumult in the soul, and puts it into a violent hurry of thought.
Joseph Addison.    
  11
 
  The ambitious man has little happiness, but is subject to much uneasiness and dissatisfaction.
Joseph Addison.    
  12
 
  If any false step be made in the more momentous concerns of life, the whole scheme of ambitious designs is broken.
Joseph Addison.    
  13
 
  An ambitious man puts it into the power of every malicious tongue to throw him into a fit of melancholy.
Joseph Addison.    
  14
 
  Most men have so much of ill-nature, or of weariness, as not to soothe the vanity of the ambitious man.
Joseph Addison.    
  15
 
 
 
  It is observed by Cicero, that men of the greatest and the most shining parts are most actuated by ambition.
Joseph Addison.    
  16
 
  Encourage such innocent amusements as may disembitter the minds of men and make them mutually rejoice in the same agreeable satisfactions.
Joseph Addison.    
  17
 
  Title and ancestry render a good name more illustrious, but an ill one more contemptible.
Joseph Addison.    
  18
 
  It is pleasant to see a verse of an old poet revolting from its original sense, and siding with a modern subject.
Joseph Addison.    
  19
 
  I would not anticipate the relish of any happiness, nor feel the weight of any misery, before it actually arrives.
Joseph Addison.    
  20
 
  The great magazine for all kinds of treasure is supposed to be the bed of the Tiber. We may be sure, when the Romans lay under the apprehensions of seeing their city sacked by a barbarous enemy, that they would take care to bestow such of their riches that way as could best bear the water.
Joseph Addison.    
  21
 
  A man that is in Rome can scarce see an object that does not call to mind a piece of a Latin poet or historian.
Joseph Addison.    
  22
 
  There are in Rome two sets of antiquities,—the Christian and the Heathen: the former, though of a fresher date, are so embroiled with fable and legend that one receives but little satisfaction.
Joseph Addison.    
  23
 
  The antiquaries are for cramping their subject into as narrow a space as they can; and for reducing the whole extent of a science into a few general maxims.
Joseph Addison.    
  24
 
  Several supercilious critics will treat an author with the greatest contempt if he fancies the old Romans wore a girdle.
Joseph Addison.    
  25
 
  Our admiration of the antiquities about Naples and Rome does not so much arise out of their greatness as uncommonness.
Joseph Addison.    
  26
 
  When a man sees the prodigious pains our forefathers have been at in these barbarous buildings, one cannot but fancy what miracles of architecture they would have left us had they been instructed in the right way.
Joseph Addison.    
  27
 
  When arguments press equally in matters indifferent, the safest method is to give up ourselves to neither.
Joseph Addison.    
  28
 
  Insignificant cavils may be started against everything that is not capable of mathematical demonstration.
Joseph Addison.    
  29
 
  The terms are loose and undefined; and, what less becomes a fair reasoner, he puts wrong and invidious names on everything to colour a false way of arguing.
Joseph Addison.    
  30
 
  There is a great affinity between designing and poetry; for the Latin poets, and the designers of the Roman medals, lived very near one another, and were bred up to the same relish for wit and fancy.
Joseph Addison.    
  31
 
  When a man spends his life among the stars and planets, or lays out a twelvemonth on the spots of the sun, however noble his speculations may be, they are very apt to fall into burlesque.
Joseph Addison.    
  32
 
  Most of our fellow-subjects are guided either by the prejudice of education, or by a deference to the judgment of those who, perhaps, in their own hearts, disapprove the opinions which they industriously spread among the multitude.
Joseph Addison.    
  33
 
  It is a fine simile in one of Mr. Congreve’s prologues which compares a writer to a buttering gamester that stakes all his winning upon one cast; so that if he loses the last throw he is sure to be undone.
Joseph Addison.    
  34
 
  Towards those who communicate their thoughts in print I cannot but look with a friendly regard, provided there is no tendency in their writings to vice.
Joseph Addison.    
  35
 
  To consider an author as the subject of obloquy and detraction, we may observe with what pleasure a work is received by the invidious part of mankind in which a writer falls short of himself.
Joseph Addison.    
  36
 
  Authors who have thus drawn off the spirits of their thoughts should lie still for some time, till their minds have gathered fresh strength, and, by reading, reflecting, and conversation, laid in a new stock of elegancies, sentiments, and images of nature.
Joseph Addison.    
  37
 
  It would be well for all authors if they knew when to give over, and to desist from any further pursuits after fame.
Joseph Addison.    
  38
 
  I consider time as an immense ocean, into which many noble authors are entirely swallowed up, many very much shattered and damaged, some quite disjointed and broken into pieces.
Joseph Addison.    
  39
 
  Aristotle’s rules for epic poetry which he had drawn from his reflections upon Homer cannot be supposed to quadrate exactly with the heroic poems which have been made since his time; as it is plain his rules would have been still more perfect could he have perused the Æneid.
Joseph Addison.    
  40
 
  I mention Aristotle, Polybius, and Cicero, the greatest philosopher, the most impartial historian, and the most consummate statesman, of all antiquity.
Joseph Addison.    
  41
 
  Who does not more admire Cicero as an author than as a consul of Rome, and does not oftener talk of the celebrated writers of our own country in former ages, than of any among their contemporaries?
Joseph Addison.    
  42
 
  Peaceable times are the best to live in, though not so proper to furnish materials for a writer.
Joseph Addison.    
  43
 
  It would be well for all authors if they knew when to give over, and to desist from any farther pursuits after fame.
Joseph Addison.    
  44
 
  I have been distasted of this way of writing by reason of long prefaces and exordiums.
Joseph Addison.    
  45
 
  Successful authors do what they can to exclude a competitor; while the unsuccessful, with as much eagerness, lay their claim to him as their brother.
Joseph Addison.    
  46
 
  The public is always even with an author who has not a just deference for them: the contempt is reciprocal.
Joseph Addison.    
  47
 
  The great art of a writer shows itself in the choice of pleasing allusions.
Joseph Addison.    
  48
 
  There is not a more melancholy object in the learned world than a man who has written himself down.
Joseph Addison.    
  49
 
  The head has the most beautiful appearance, as well as the highest station, in a human figure. Nature has laid out all her art in beautifying the face; she has touched it with vermilion, planted in it a double row of ivory, made it the seat of smiles and blushes, lighted it up and enlivened it with the brightness of the eyes, hung it on each side with curious organs of sense, given it airs and graces that cannot be described, and surrounded it with such a flowing shade of hair as sets all its beauties in the most agreeable light. In short, she seems to have designed the head as the cupola to the most glorious of her works.
Joseph Addison.    
  50
 
  Before I made this remark, I wondered to see the Roman poets in their description of a beautiful man so often mention the turn of his neck and arms.
Joseph Addison.    
  51
 
  Many particular facts are recorded in holy writ attested by particular pagan authors.
Joseph Addison.    
  52
 
  There is no passion that it is not finely expressed in those parts of the inspired writings which are proper for divine songs and anthems.
Joseph Addison.    
  53
 
  A man must be excessively stupid, as well as uncharitable, who believes there is no virtue but on his own side.
Joseph Addison.    
  54
 
  Our Grub-street biographers watch for the death of a great man, like so many undertakers, on purpose to make a penny of him.
Joseph Addison.    
  55
 
  This manner of exposing the private concerns of families, and sacrificing the secrets of the dead to the curiosity of the living, is one of the licentious practices, which might well deserve the animadversions of our government.
Joseph Addison.    
  56
 
  The lives of great men cannot be writ with any tolerable degree of elegance or exactness within a short time after their decease.
Joseph Addison.    
  57
 
  Sour enthusiasts affect to stigmatize the finest and most elegant authors, both ancient and modern, as dangerous to religion.
Joseph Addison.    
  58
 
  He often took a pleasure to appear ignorant, that he might the better turn to ridicule those that valued themselves on their books.
Joseph Addison.    
  59
 
  I have been tired with accounts from sensible men, furnished with matters of fact which have happened within their own knowledge.
Joseph Addison.    
  60
 
  Calumnies often refuted are the postulatums of scribblers, upon which they proceed as upon first principles.
Joseph Addison.    
  61
 
  That cant and hypocrisy which had taken possession of the people’s minds in the times of the great rebellion.
Joseph Addison.    
  62
 
  As a man should always be upon his guard against the vices to which he is most exposed, so should we take a more than ordinary care not to lie at the mercy of the weather in our moral conduct.
Joseph Addison.    
  63
 
  Others proclaim the infirmities of a great man with satisfaction and complacence, if they discover none of the like in themselves.
Joseph Addison.    
  64
 
  I never knew one who made it his business to lash the faults of other writers that was not guilty of greater himself.
Joseph Addison.    
  65
 
  It instils into their minds the utmost virulence, instead of that charity which is the perfection and ornament of religion.
Joseph Addison.    
  66
 
  I have always preferred cheerfulness to mirth. The latter I consider as an act, the former as a habit, of the mind.
Joseph Addison.    
  67
 
  I would not laugh but to instruct; or, if my mirth ceases to be instructive, it shall never cease to be innocent.
Joseph Addison.    
  68
 
  When I see the motherly airs of my little daughters when playing with their puppets, I cannot but flatter myself that their husbands and children will he happy in the possession of such wives and mothers.
Joseph Addison.    
  69
 
  Being convinced upon all accounts that they had the same reason to believe the history of our Saviour as that of any other person to which they themselves were not actually eye-witnesses, they were bound, by all the rules of historical faith and of right reason, to give credit to this history.
Joseph Addison.    
  70
 
  However consonant to reason his precepts appeared, nothing could have tempted men to acknowledge him as their God and Saviour but their being firmly persuaded of the miracles he wrought.
Joseph Addison.    
  71
 
  Who would not believe that our Saviour healed the sick and raised the dead when it was published by those who themselves often did the same miracles?
Joseph Addison.    
  72
 
  Let a man’s innocence be what it will, let his virtues rise to the highest pitch of perfection, there will still be in him so many secret sins, so many human frailties, so many offences of ignorance, passion, and prejudice, so many unguarded words and thoughts, that without the advantage of such an expiation and atonement as Christianity has revealed to us, it is impossible he should be saved.
Joseph Addison.    
  73
 
  It can never be for the interest of a believer to do me a mischief, because he is sure, upon the balance of accounts, to find himself a loser by it.
Joseph Addison.    
  74
 
  The pre-eminence of Christianity to any other religious scheme which preceded it, appears from this, that the most eminent among the pagan philosophers disclaimed many of those superstitious follies which are condemned by revealed religion.
Joseph Addison.    
  75
 
  When religion was woven into the civil government, and flourished under the protection of the emperors, men’s thoughts and discourses were full of secular affairs; but in the three first centuries of Christianity men who embraced this religion had given up all their interests in this world, and lived in a perpetual preparation for the next.
Joseph Addison.    
  76
 
  It happened, very providentially, to the honour of the Christian religion, that it did not take its rise in the dark illiterate ages of the world, but at a time when arts and sciences were at their height.
Joseph Addison.    
  77
 
  A few persons of an odious and despised country could not have filled the world with believers, had they not shown undoubted credentials from the divine person who sent them on such a message.
Joseph Addison.    
  78
 
  Such arguments had an invincible force of those Pagan philosophers who became Christians, as we find in most of their writings.
Joseph Addison.    
  79
 
  Arnobius asserts that men of the finest parts and learning,—rhetoricians, lawyers, physicians,—despising the sentiments they had once been fond of, took up their rest in the Christian religion.
Joseph Addison.    
  80
 
  There is a great affinity between coins and poetry, and your medallist and critic are much nearer related than the world imagines.
Joseph Addison.    
  81
 
  Compare the beauty and comprehensiveness of legends on ancient coins.
Joseph Addison.    
  82
 
  Among the great variety of ancient coins which I saw at Rome I could not but take particular notice of such as relate to any of the buildings or statues which are still extant.
Joseph Addison.    
  83
 
  Till about the end of the third century I do not remember to have seen the head of a Roman emperor drawn with a full face: they always appear in profile.
Joseph Addison.    
  84
 
  Old coins are like so many maps for explaining the ancient geography.
Joseph Addison.    
  85
 
  I have seen an antiquary lick an old coin, among other trials, to distinguish the age of it by its taste.
Joseph Addison.    
  86
 
  You will never, with all your medallic eloquence, persuade Eugenius that it is better to have a pocketful of Othos than of Jacobuses.
Joseph Addison.    
  87
 
  There are not more useful members in a commonwealth than merchants. They knit mankind together in a mutual intercourse of good offices, distribute the gifts of nature, find work for the poor, and wealth to the rich, and magnificence to the great…. Trade, without enlarging the British territories, has given us a kind of additional empire: it has multiplied the number of the rich, made our landed estates infinitely more valuable than they were formerly, and added to them an accession of other estates as valuable as the lands themselves.
Joseph Addison.    
  88
 
  A good conscience is to the soul what health is to the body: it preserves a constant ease and serenity within us, and more than countervails all the calamities and afflictions which can possibly befall us.
Joseph Addison.    
  89
 
  I must confess, there is something in the changeableness and inconstancy of human nature that very often both dejects and terrifies me. Whatever I am at present, I tremble to think what I may be. While I find this principle, how can I assure myself that I shall be always true to my God, my friend, or myself? In short, without constancy there is neither love, friendship, nor virtue in the world.
Joseph Addison.    
  90
 
  Nothing, says Longinus, can be great, the contempt of which is great.
Joseph Addison.    
  91
 
  Mr. Bayle compares the answering of an unmethodical author to the hunting of a duck: when you have him full in your sight, he gives you the slip and becomes invisible.
Joseph Addison.    
  92
 
  He is perpetually puzzled and perplexed amidst his own blunders, and mistakes the sense of those he would confute.
Joseph Addison.    
  93
 
  The harshness of reasoning is not a little softened and smoothed by the effusions of mirth and pleasantry.
Joseph Addison.    
  94
 
  No sooner was a convert initiated, but by an easy figure he became a new man, and both acted and looked upon himself as one regenerated, and born a second time into another state of existence.
Joseph Addison.    
  95
 
  It is pleasant to see a notorious profligate seized with a concern for religion, and converting his spleen into zeal.
Joseph Addison.    
  96
 
  Every man in the time of courtship, and in the first entrance of marriage, puts on a behaviour like my correspondent’s holiday suit.
Joseph Addison.    
  97
 
  Tom hinting at his dislike of some trifle his mistress had said, she asked him how he would talk to her after marriage if he talked at this rate before?
Joseph Addison.    
  98
 
  I never knew a critic who made it his business to lash the faults of other writers that was not guilty of greater himself; as the hangman is generally a worse malefactor than the criminal that suffers by his hand.
Joseph Addison.    
  99
 
  If the critic has published nothing but rules and observations in criticism, I then consider whether there be a propriety and elegance in his thoughts and words, clearness and delicacy in his remarks, wit and good breeding in his raillery.
Joseph Addison.    
  100
 
  They publish their ill-natured discoveries with a secret pride, and applaud themselves for the singularity of their judgment, which has found a flaw in what the generality of mankind admires.
Joseph Addison.    
  101
 
  How often is a person whose intentions are to do good by the works he publishes, treated in as scurrilous a manner as if he were an enemy to mankind!
Joseph Addison.    
  102
 
  To say of a celebrated piece that there are faults in it, is, in effect, to say that the author of it is a man.
Joseph Addison.    
  103
 
  A critic is a man who on all occasions is more attentive to what is wanting than what is present.
Joseph Addison.    
  104
 
  Nothing is so tiresome as the works of those critics who write in a dogmatic way, without language, genius, or imagination.
Joseph Addison.    
  105
 
  I have not here considered custom as it makes things easy, but as it renders them delightful: and though others have made the same reflections, it is possible they may have drawn those uses from it.
Joseph Addison.    
  106
 
  True quality is neglected, virtue is oppressed, and vice triumphant. The last day will assign to every one a station suitable to his character.
Joseph Addison.    
  107
 
  A man has not time to subdue his passions, establish his soul in virtue, and come up to the perfection of his nature, before he is hurried off the stage.
Joseph Addison.    
  108
 
  Men sometimes upon the hour of departure do speak and reason above themselves; for then the soul, beginning to be freed from the ligaments of the body, reasons like herself, and discourses in a strain above mortality.
Joseph Addison.    
  109
 
  Devotion inspires men with sentiments of religious gratitude, and swells their hearts with inward transports of joy and exultation.
Joseph Addison.    
  110
 
  If we look into communities and divisions of men, we observe that the discreet man, not the witty, nor the learned, nor the brave, guides the conversation, and gives measures to society.
Joseph Addison.    
  111
 
  Discretion is the perfection of reason, and a guide to win all the duties of life.
Joseph Addison.    
  112
 
  The stage might be made a perpetual source of the most noble and useful entertainment, were it under proper regulations.
Joseph Addison.    
  113
 
  The work may be well performed, but will never take if it is not set off with proper scenes.
Joseph Addison.    
  114
 
  The poetry of operas is generally as exquisitely ill as the music is good.
Joseph Addison.    
  115
 
  Murders and executions are always transacted behind the scenes in the French theatre.
Joseph Addison.    
  116
 
  The peacock, in all his pride, does not display half the colours that appear in the garments of a British lady when she is dressed.
Joseph Addison.    
  117
 
  There is not so variable a thing in nature as a lady’s head-dress. Within my own memory, I have known it to rise and fall within thirty degrees.
Joseph Addison.    
  118
 
  We cannot believe our posterity will think so disrespectfully of their great-grandmothers as that they made themselves monstrous to appear amiable.
Joseph Addison.    
  119
 
  A face which is over-flushed appears to advantage in the deepest scarlet; and the darkest complexion is not a little alleviated by a black hood.
Joseph Addison.    
  120
 
  It would not be an impertinent design to make a kind of an old Roman wardrobe, where you should see togas and tunicas, the chlamys and trabea, and all the different vests and ornaments so often mentioned in the Greek and Roman authors.
Joseph Addison.    
  121
 
  The man who will live above his present circumstances is in great danger of living, in a little time, much beneath them.
Joseph Addison.    
  122
 
  There is no talent so pernicious as eloquence to those who have it not under command: women, who are so liberally gifted by nature in this particular, ought to study the rules of female oratory.
Joseph Addison.    
  123
 
  In our present miserable and divided condition, how just soever a man’s pretensions may be to a great or blameless reputation, he must, with regard to his posthumous character, content himself with such a consideration as induced the famous Sir Francis Bacon, after having bequeathed his soul to God, and his body to the earth, to leave his fame to foreign nations.
Joseph Addison.    
  124
 
  They have grudged those contributions which have set our country at the head of all the governments of Europe.
Joseph Addison.    
  125
 
  Our language has received innumerable elegancies and improvements from that infusion of Hebraisms which are derived to it out of the poetical passages in Holy Writ.
Joseph Addison.    
  126
 
  Hebraisms warm and animate our language, and convey our thoughts in more ardent and intense phrases.
Joseph Addison.    
  127
 
  We are pleased … to see him humbled in his reputation who had so far raised himself above us.
Joseph Addison.    
  128
 
  Upon laying a weight in one of the scales, inscribed eternity, though I threw in that of time, prosperity, affliction, wealth, and poverty, which seemed very ponderous, they were not able to stir the opposite balance.
Joseph Addison.    
  129
 
  An evil intention perverts the best actions and makes them sins.
Joseph Addison.    
  130
 
  Had not exercise been necessary, nature would not have given such an activity to the limbs, and such a pliancy to every part, as produces those compressions and extensions necessary to the preservation of such a system.
Joseph Addison.    
  131
 
  The French apply themselves more universally to their exercises than any nation: one seldom sees a young gentleman that does not fence, dance, and ride.
Joseph Addison.    
  132
 
  An extravagant man, who has nothing else to recommend him but a false generosity, is often more beloved than a person of a much more finished character, who is defective in this particular.
Joseph Addison.    
  133
 
  That fine part of our constitution, the eye, seems as much the receptacle and seat of our passions, appetites, and applications, as the mind itself; and at least it is the outward portal to introduce them to the house within, or rather the common thoroughfare to let our affections pass in and out. Love, anger, pride, and avarice, all visibly move in those little orbs.
Joseph Addison.    
  134
 
  A beautiful eye makes silence eloquent; a kind eye makes contradiction an assent; an enraged eye makes beauty deformed. This little member gives life to every other part about us; and I believe the story of Argus implies no more than that the eye is in every part; that is to say, every other part would be mutilated were not its force represented more by the eye than even by itself.
Joseph Addison.    
  135
 
  Where statesmen are ruled by faction and interest, they can have no passion for the glory of their country, nor any concern for the figure it will make.
Joseph Addison.    
  136
 
  The person who has a firm trust in the Supreme Being is powerful in his power, wise by his wisdom, happy by his happiness.
Joseph Addison.    
  137
 
  The desire of fame betrays an ambitious man into indecencies that lessen his reputation: he is still afraid lest any of his actions should be thrown away in private.
Joseph Addison.    
  138
 
  If the same actions be the instruments both of acquiring fame and procuring this happiness, they would nevertheless fail in the attainment of this last end if they proceeded from a desire of the first.
Joseph Addison.    
  139
 
  Many, indeed, have given over their pursuits after fame, either from disappointment, or from experience of the little pleasure which attends it, or the better informations or natural coldness of old age; but seldom from a full satisfaction and acquiescence in their present enjoyments of it.
Joseph Addison.    
  140
 
  Many actions apt to procure fame are not conducive to this ultimate happiness.
Joseph Addison.    
  141
 
  Nor is fame only unsatisfying in itself, but the desire of it lays us open to many accidental troubles.
Joseph Addison.    
  142
 
  Our admiration of a famous man lessens upon our nearer acquaintance with him; and we seldom hear of a celebrated person without a catalogue of some notorious weaknesses and infirmities.
Joseph Addison.    
  143
 
  In the loss of an object we do not proportion our grief to the real value it bears, but to the value our fancies set upon it.
Joseph Addison.    
  144
 
  Why will any man be so impertinently officious as to tell me all this is only fancy? If it is a dream, let me enjoy it.
Joseph Addison.    
  145
 
  Religious fear, when produced by just apprehensions of a divine power, naturally overlooks all human greatness that stands in competition with it, and extinguishes every other terror.
Joseph Addison.    
  146
 
  What can that man fear who takes care to please a Being that is able to crush all his adversaries?
Joseph Addison.    
  147
 
  There is nothing which one regards so much with an eye of mirth and pity as innocence, when it has in it a dash of folly.
Joseph Addison.    
  148
 
  Nature has sometimes made a fool; but a coxcomb is always of a man’s own making.
Joseph Addison.    
  149
 
  Friendship is a strong and habitual inclination in two persons to promote the good and happiness of each other.
Joseph Addison.    
  150
 
  Our friends see not our faults, or conceal them, or soften them by their representation.
Joseph Addison.    
  151
 
  Such as are treated ill, and upbraided falsely, find out an intimate friend that will hear their complaints, and endeavour to soothe their secret resentments.
Joseph Addison.    
  152
 
  A friendship that makes the least noise is very often the most useful; for which reason I should prefer a prudent friend to a zealous one.
Joseph Addison.    
  153
 
  Tully has justly exposed a precept, that a man should live with his friend in such a manner that if he became his enemy it should not be in his power to hurt him.
Joseph Addison.    
  154
 
  We ought always to make choice of persons of such worth and honour for our friends, that if they should ever cease to be so, they will not abuse our confidence, nor give us cause to fear them as enemies.
Joseph Addison.    
  155
 
  The institution of sports was intended by all governments to turn off the thoughts of the people from busying themselves in matters of state.
Joseph Addison.    
  156
 
  It is wonderful to see persons of sense passing away a dozen hours together in shuffling and dividing a pack of cards.
Joseph Addison.    
  157
 
  Nothing wears out a fine face like the vigils of the card-table and those cutting passions which attend them.
Joseph Addison.    
  158
 
  The productions of a great genius, with many lapses and inadvertencies, are infinitely preferable to the works of an inferior kind of author which are scrupulously exact, and conformable to all the rules of correct writing.
Joseph Addison.    
  159
 
  The Supreme Being has made the best argument for his own existence, in the formation of the heavens and the earth, and which a man of sense cannot forbear attending to who is out of the noise of human affairs.
Joseph Addison.    
  160
 
  The moral perfections of the Deity, the more attentively we consider, the more perfectly still shall we know them.
Joseph Addison.    
  161
 
  It is of unspeakable advantage to possess our minds with an habitual good intention, and to aim all our thoughts, words, and actions at some laudable end.
Joseph Addison.    
  162
 
  Half the misery of life might be extinguished would man alleviate the general curse by mutual compassion.
Joseph Addison.    
  163
 
  To an honest mind the best perquisites of a place are the advantages it gives a man of doing good.
Joseph Addison.    
  164
 
  A cheerful temper, joined with innocence, will make beauty attractive, knowledge delightful, and wit good-natured. It will lighten sickness, poverty, and affliction, convert ignorance into an amiable simplicity, and render deformity itself agreeable.
Joseph Addison.    
  165
 
  Men naturally warm and heady are transported with the greatest flush of good-nature.
Joseph Addison.    
  166
 
  Such a transient, temporary good-nature is not that philanthropy, that love of mankind, which deserves the title of a moral virtue.
Joseph Addison.    
  167
 
  This part of good-nature, which consists in the pardoning and overlooking of faults, is to be exercised only in doing ourselves justice in the ordinary commerce and occurrences of life.
Joseph Addison.    
  168
 
  Fine sense and exalted sense are not half so useful as common sense: there are forty men of wit for one man of good sense; and he that will carry nothing about with him but gold will be every day at a loss for readier change.
Joseph Addison.    
  169
 
  Providence delegates to the supreme magistrate the same power for the good of men which that supreme magistrate transfers to those several substitutes who act under him.
Joseph Addison.    
  170
 
  Government mitigates the inequality of power, and makes an innocent man, though of the lowest rank, a match for the mightiest of his fellow subjects.
Joseph Addison.    
  171
 
  A tenacious adherence to the rights and liberties transmitted from a wise and virtuous ancestry, public spirit, and a love of one’s country, are the support and ornaments of government.
Joseph Addison.    
  172
 
  If friends to a government forbear their assistance, they put it in the power of a few desperate men to ruin the welfare of those who are superior to them in strength and interest.
Joseph Addison.    
  173
 
  If he is for an exclusion of fear, which is supposed to have some influence in every law, he opposes himself to every government.
Joseph Addison.    
  174
 
  The care of our national commerce redounds more to the riches and prosperity of the public than any other act of government.
Joseph Addison.    
  175
 
  A multitude of eyes will narrowly inspect every part of an eminent man, consider him nicely in all views, and not be a little pleased when they have taken him in the worst and most disadvantageous lights.
Joseph Addison.    
  176
 
  A solid and substantial greatness of soul looks down with neglect on the censures and applauses of the multitude.
Joseph Addison.    
  177
 
  Men who have passed all their time in low and vulgar life cannot have a suitable idea of the several beauties and blemishes in the actions of great men.
Joseph Addison.    
  178
 
  Reproach is a concomitant to greatness, as satires and invectives were an essential part of a Roman triumph.
Joseph Addison.    
  179
 
  Nothing, says Longinus, can be great, the contempt of which is great.
Joseph Addison.    
  180
 
  In the loss of an object we do not proportion our grief to its real value, but to the value our fancies set upon it.
Joseph Addison.    
  181
 
  Plutarch says very finely, that a man should not allow himself to hate even his enemies; because if you indulge this passion on some occasions, it will rise of itself in others.
Joseph Addison.    
  182
 
  One could not devise a more proper hell for an impure spirit than that which Plato has touched upon.
Joseph Addison.    
  183
 
  I have heard one of the greatest geniuses this age has produced, who had been trained up in all the polite studies of antiquity, assure me, upon his being obliged to search into records, that he at last took, an incredible pleasure in it.
Joseph Addison.    
  184
 
  In histories composed by politicians they are for drawing up a perpetual scheme of causes and events, and preserving a constant correspondence between the camp and the council-table.
Joseph Addison.    
  185
 
  It must be a prospect pleasing to God himself to see his creation forever beautifying in his eyes, and drawing nearer to him by greater degrees of resemblance.
Joseph Addison.    
  186
 
  It was easier for Homer to find proper sentiments for Grecian generals than for Milton to diversify his infernal council with proper characters.
Joseph Addison.    
  187
 
  The part of Ulysses in Homer’s Odyssey is much admired by Aristotle, as perplexing that fable with very agreeable plots and intricacies, by the many adventures in his voyage and the subtilty of his behaviour.
Joseph Addison.    
  188
 
  Homer in his character of Vulcan and Thersites, in his story of Mars and Venus, in his behaviour of Irus, and in other passages, has been observed to have lapsed into the burlesque character, and to have departed from that serious air essential to the magnificence of an epic poem.
Joseph Addison.    
  189
 
  When honour runs parallel with the laws of God and our country, it cannot be too much cherished; but when the dictates of honour are contrary to those of religion and equity, they are the great depravations of human nature.
Joseph Addison.    
  190
 
  If we hope for what we are not likely to possess, we act and think in vain, and make life a greater dream and shadow than it really is.
Joseph Addison.    
  191
 
  If we hope for things of which we have not thoroughly considered the value, our disappointment will be greater than our pleasure in the fruition of them.
Joseph Addison.    
  192
 
  That vain and foolish hope which is misemployed on temporal objects produces many sorrows.
Joseph Addison.    
  193
 
  A religious hope does not only bear up the mind under her sufferings, but makes her rejoice in them.
Joseph Addison.    
  194
 
  Horace speaks of these parts in an ode that may be reckoned among the finest for the naturalness of the thought and the beauty of the expression.
Joseph Addison.    
  195
 
  If a reader examines Horace’s Art of Poetry, he will find but very few precepts in it which he may not meet with in Aristotle.
Joseph Addison.    
  196
 
  It is impossible for detached papers to have a general run, or long continuance, if not diversified with humour.
Joseph Addison.    
  197
 
  After treating her like a goddess, the husband uses her like a woman: what is still worse, the most abject flatterers degenerate into the greatest tyrants.
Joseph Addison.    
  198
 
  The hypocrite would not put on the appearance of virtue if it was not the most proper means to gain love.
Joseph Addison.    
  199
 
  Those ideas which are in the mind of man are a transcript of the world; to this we may add, that words are the transcripts of those ideas which are in the mind of man, and that writing and printing are the transcript of words.
Joseph Addison.    
  200
 
  The ill-natured man gives himself a large field to expatiate in: he exposes those failings in human nature which the other would cast a veil over.
Joseph Addison.    
  201
 
  By imagination, a man in a dungeon is capable of entertaining himself with scenes and landscapes more beautiful than any that can be found in the whole compass of nature.
Joseph Addison.    
  202
 
  By the pleasures of the imagination or fancy I mean such as arise from visible objects when we call up their ideas into our minds by paintings, statues, or descriptions.
Joseph Addison.    
  203
 
  Men of warm imaginations neglect solid and substantial happiness for what is showy and superficial.
Joseph Addison.    
  204
 
  Though the presence of imaginary good cannot make us happy, the absence of it may make us miserable.
Joseph Addison.    
  205
 
  When men of rank and fortune pass away their lives in criminal pursuits and practices they render themselves more vile and despicable than any innocent man can be, whatever low station his fortune and birth have placed him in.
Joseph Addison.    
  206
 
  Mutability of temper and inconsistency with ourselves is the greatest weakness of human nature.
Joseph Addison.    
  207
 
  Nothing that is not a real crime makes a man appear so contemptible and little in the eyes of the world as inconstancy.
Joseph Addison.    
  208
 
  One would fancy that infidels would be exempt from that single fault which seems to grow out of the imprudent fervours of religion; but so it is that infidelity is propagated with as much fierceness and contention as if the safety of mankind depended upon it.
Joseph Addison.    
  209
 
  When a hen has laid her eggs so that she can cover them, what care does she take in turning them frequently, that all parts may partake of the vital warmth!
Joseph Addison.    
  210
 
  The male bird amuses the female with his songs during the whole time of her sitting.
Joseph Addison.    
  211
 
  Irresolution on the schemes of life which offer themselves to our choice, and inconstancy in pursuing them, are the greatest causes of all our unhappiness.
Joseph Addison.    
  212
 
  The jealous man wishes himself a kind of deity to the person he loves; he would be the only employment of her thoughts.
Joseph Addison.    
  213
 
  The jealous man is not angry if you dislike another, but if you find those faults which are in his own character, you discover not only your dislike of another, but of himself.
Joseph Addison.    
  214
 
  The best law in our days is that which continues our judges during their good behaviour, without leaving them to the mercy of such who might by an undue influence trouble and pervert the course of justice.
Joseph Addison.    
  215
 
  It was a famous saying of William Rufus, Whosoever spares perjured men, robbers, plunderers, and traitors, deprives all good men of their peace and quietness.
Joseph Addison.    
  216
 
  An old maiden gentlewoman is the greatest discoverer of judgments; she can tell you what sin it was that set such a man’s house on fire.
Joseph Addison.    
  217
 
  As to be perfectly just is an attribute in the Divine Nature, to be so to the utmost of our abilities is the glory of a man: such an one, who has the public administration, acts like the representative of his Maker.
Joseph Addison.    
  218
 
  Dependence is a perpetual call upon humanity, and a greater incitement to tenderness and pity than any other motive whatsoever.
Joseph Addison.    
  219
 
  It is a double misfortune to a nation given to change when they have a sovereign that is prone to fall in with all the turns and veerings of the people.
Joseph Addison.    
  220
 
  Were our legislature vested in the prince, he might turn and wind our constitution at his pleasure, and shape our government to his fancy.
Joseph Addison.    
  221
 
  Many princes made very ill figures upon the throne who before were the favourites of the people.
Joseph Addison.    
  222
 
  Knowledge is that which, next to virtue, truly and essentially raises one man above another.
Joseph Addison.    
  223
 
  By superior capacity and extensive knowledge a new man often rises to favour.
Joseph Addison.    
  224
 
  Manufactures, trade, and agriculture naturally employ more than nineteen parts of the species in twenty; and as for those who are not obliged to labour, by the condition in which they are born, they are more miserable than the rest of mankind, unless they indulge themselves in that voluntary labour which goes by the name of exercise.
Joseph Addison.    
  225
 
  Labour ferments the humours, casts them into their proper channels, and throws off redundancies.
Joseph Addison.    
  226
 
  The English and French raise their language with metaphors, or by the pompousness of the whole phrase wear off any littleness that appears in the particular parts.
Joseph Addison.    
  227
 
  The want of vowels in our language has been the general complaint of our politest authors, who nevertheless have made these retrenchments, and consequently increased our former scarcity.
Joseph Addison.    
  228
 
  If we may believe our logicians, man is distinguished from all other creatures by the faculty of laughter.
Joseph Addison.    
  229
 
  I laugh at every one, said an old cynic, who laughs at me. Do you so? replied the philosopher: then you lead the merriest life of any man in Athens.
Joseph Addison.    
  230
 
  The Roman emperors were possessed of the whole legislative as well as executive power.
Joseph Addison.    
  231
 
  When Innocent desired the Marquis of Carpio to furnish thirty thousand head of swine, he could not spare them; but thirty thousand lawyers he had at his service.
Joseph Addison.    
  232
 
  A counsellor never pleaded without a piece of pack-thread in his hand, which he used to twist about a finger all the while he was speaking; the wags used to call it the thread of his discourse.
Joseph Addison.    
  233
 
  When men of learning are acted by a knowledge of the world, they give a reputation to literature and convince the world of its usefulness.
Joseph Addison.    
  234
 
  Men of learning who take to business discharge it with greater honesty than men of the world; because the former, in reading, have been used to find virtue extolled and vice stigmatized; while the latter have seen vice triumphant and virtue discountenanced.
Joseph Addison.    
  235
 
  Nothing is more easy than to represent as impertinences any parts of learning that have no immediate relation to the happiness or convenience of mankind.
Joseph Addison.    
  236
 
  The bridge is human life: upon a leisurely survey of it, I found that it consisted of threescore and ten entire arches.
Joseph Addison.    
  237
 
  Though we seem grieved at the shortness of life in general, we are wishing every period of it at an end: the minor longs to be at age; then to be a man of business; then to make up an estate; then to arrive at honours; then to retire.
Joseph Addison.    
  238
 
  As it is the chief concern of wise men to retrench the evils of life by the reasonings of philosophy, it is the employment of fools to multiply them by the sentiments of superstition.
Joseph Addison.    
  239
 
  It shall ever be my study to make discoveries of this nature in human life, and to settle the proper distinctions between the virtues and perfections of mankind and those false colours and resemblances of them that shine alike in the eyes of the vulgar.
Joseph Addison.    
  240
 
  The consciousness of being loved softens the keenest pang, even at the moment of parting; yea, even the eternal farewell is robbed of half its bitterness when uttered in accents that breathe love to the last sigh.
Joseph Addison.    
  241
 
  We see the pernicious effects of luxury in the ancient Romans, who immediately found themselves poor as soon as this vice got footing among them.
Joseph Addison.    
  242
 
  Malignant tempers, whatever kind of life they are engaged in, will discover their natural tincture of mind.
Joseph Addison.    
  243
 
  The bulk of our species … are such as are not likely to be remembered a moment after their disappearance.
Joseph Addison.    
  244
 
  Man is the merriest species of the creation: all above and below him are serious.
Joseph Addison.    
  245
 
  The true art of being agreeable is to appear well pleased with all the company, and rather to seem well entertained with them, than to bring entertainment to them. A man thus disposed perhaps may not have much learning, nor any wit; but if he has common sense and something friendly in his behaviour, it conciliates men’s minds more than the brightest parts without this disposition. It is true, indeed, that we should not dissemble and flatter in company; but a man may be very agreeable, strictly consistent with truth and sincerity, by a prudent silence where he cannot concur, and a pleasing assent where he can. Now and then you meet with a person so exactly formed to please, that he will gain upon every one that hears or beholds him: this disposition is not merely the gift of nature, but frequently the effect of much judgment of the world, and a command over the passions.
Joseph Addison.    
  246
 
  We are no sooner presented to any one we never saw before but we are immediately struck with the idea of a proud, a reserved, an affable, or a good-natured man.
Joseph Addison.    
  247
 
  He enjoyed the greatest strength of good sense, and the most exquisite taste of politeness. Without the first, learning is but an encumbrance, and without the last is ungraceful.
Joseph Addison.    
  248
 
  He whose very best actions must be seen with grains of allowance cannot be too mild, moderate, and forgiving.
Joseph Addison.    
  249
 
  Compositions of this nature show that wisdom and virtue are far from being inconsistent with politeness and good humour.
Joseph Addison.    
  250
 
  The natural sweetness and innocence of her behaviour shot me through and through, and did more execution upon me in grogram than the greatest beauty in town had ever done in brocade.
Joseph Addison.    
  251
 
  The French are open, familiar, and talkative; the Italians stiff, ceremonious, and reserved.
Joseph Addison.    
  252
 
  The French language is extremely proper to tattle in; it is made up of so much repetition and compliment.
Joseph Addison.    
  253
 
  I am ashamed I cannot make a quicker progress in the French, where everybody is courteous and talkative.
Joseph Addison.    
  254
 
  In Spain, there is something still more serious and composed in the manner of the inhabitants.
Joseph Addison.    
  255
 
  The first martyr for Christianity was encouraged in his last moments by a vision of that divine person for whom he suffered.
Joseph Addison.    
  256
 
  Though I have here only chosen this single link of martyrs, I might find out others among those names which are still extant, that delivered down this account of our Saviour in a successive tradition.
Joseph Addison.    
  257
 
  Justin Martyr, Tertullian, Lactantius, and Arnobius tell us that this martyrdom first of all made them seriously inquisitive into that religion which could endue the mind with so much strength, and overcome the fear of death, nay, raise an earnest desire of it, though it appeared in all its terrors.
Joseph Addison.    
  258
 
  God discovers the martyr and confessor without the trial of flames and tortures, and will hereafter entitle many to the reward of actions which they had never the opportunity of performing.
Joseph Addison.    
  259
 
  Medals are so many monuments consigned over to eternity, that they may last when all other memorials of the same age are worn out or lost.
Joseph Addison.    
  260
 
  Medals give a very great light to history in confirming such passages as are true in old authors, and settling such as are told after different manners.
Joseph Addison.    
  261
 
  If we consider the different occasions of ancient and modern medals, we shall find that they both agree in recording the great actions and successes in war; allowing still for the different ways of making it and the circumstances that attended it.
Joseph Addison.    
  262
 
  The Roman medals were their current money: when an action deserved to be recorded on a coin, it was stamped, and issued out of the mint.
Joseph Addison.    
  263
 
  Among the Romans, to preserve great events upon their coins, when any particular piece of money grew very scarce it was often recoined by a succeeding emperor.
Joseph Addison.    
  264
 
  What a majesty and force does one meet with in these short inscriptions: are not you amazed to see so much history gathered into so small a compass?
Joseph Addison.    
  265
 
  One may often find as much thought on the reverse of a medal as in a canto of Spenser.
Joseph Addison.    
  266
 
  A reverse often clears up the passage of an old poet, as the poet often serves to unriddle the reverse.
Joseph Addison.    
  267
 
  The figures of many ancient coins rise up in a much more beautiful relief than those on the modern; the face sinking by degrees in the several declensions of the empire till, about Constantine’s time, it lies almost even with the surface of the medal.
Joseph Addison.    
  268
 
  As a medallist, you are not to look upon a cabinet of medals as a treasury of money, but of knowledge.
Joseph Addison.    
  269
 
  Nothing can be more pleasant than to see virtuosos about a cabinet of medals, descanting upon the value, rarity, and authenticalness of the several pieces.
Joseph Addison.    
  270
 
  Medallions, in respect of the other coins, were the same as modern medals in respect of modern money.
Joseph Addison.    
  271
 
  Shining landskips, gilded triumphs, and beautiful faces, disperse that gloominess which is apt to hang upon the mind in those dark disconsolate seasons.
Joseph Addison.    
  272
 
  The memory is perpetually looking back when we have nothing present to entertain us: it is like those repositories in animals that are filled with stores of food, on which they may ruminate when their present pasture fails.
Joseph Addison.    
  273
 
  If the minds of men were laid open, we should see but little difference between that of the wise and that of the fool: there are infinite reveries and numberless extravagancies pass through both.
Joseph Addison.    
  274
 
  Music when thus applied raises in the mind of the hearer great conceptions: it strengthens devotion, and advances praise into rapture.
Joseph Addison.    
  275
 
  There is something unspeakably cheerful in a spot of ground which is covered with trees, that smiles amidst all the rigours of winter, and gives us a view of the most gay season in the midst of that which is the most dead and melancholy.
Joseph Addison.    
  276
 
  They follow Nature in their desires, carrying them no farther than she directs, and leaving off at the point at which excess would grow troublesome.
Joseph Addison.    
  277
 
  I would have no man discouraged with that kind of life or series of actions in which the choice of others or his own necessities may have engaged him.
Joseph Addison.    
  278
 
  It is sometimes pleasant enough to consider the different notions which different persons have of the same thing.
Joseph Addison.    
  279
 
  Alcibiades was one of the best orators of his age, notwithstanding he lived when learning was at its highest pitch.
Joseph Addison.    
  280
 
  Ovid ranged over all Parnassus with great nimbleness and agility; but as he did not much care for the toil requisite to climb the upper part of the hill, he was generally roving about the bottom.
Joseph Addison.    
  281
 
  He has none of those little points and puerilities that are so often to be met with in Ovid; none of the epigrammatic turns of Lucan; none of those swelling sentiments which are so frequent in Statius and Claudian; none of those mixed embellishments of Tasso.
Joseph Addison.    
  282
 
  An untravelled Englishman cannot relish all the beauties of Italian pictures; because the postures expressed in them are often such as are peculiar to that country.
Joseph Addison.    
  283
 
  Let them extinguish their passions which embitter their lives, and deprive them of their share in the happiness of the community.
Joseph Addison.    
  284
 
  The advice given by a great moralist to his friend was, that he should compose his passions; and let that be the work of reason which would certainly be the work of time.
Joseph Addison.    
  285
 
  No rules that relate to pastoral can affect the Georgics, which fall under that class of poetry which consists in giving plain instructions to the reader.
Joseph Addison.    
  286
 
  The truth of it is, the sweetness and rusticity of a pastoral cannot be so well expressed in any other tongue as in the Greek, when rapidly mixed and qualified with the Doric dialect.
Joseph Addison.    
  287
 
  Zeal for the good of one’s country a party of men have represented as chimerical and romantic.
Joseph Addison.    
  288
 
  As Simonides has exposed the vicious part of women from the doctrine of pre-existence, some of the ancient philosophers have satirized the vicious part of the human species from a notion of the soul’s post-existence.
Joseph Addison.    
  289
 
  A physician uses various methods for the recovery of sick persons; and, though all of them are disagreeable, his patients are never angry.
Joseph Addison.    
  290
 
  A wealthy doctor who can help a poor man, and will not without a fee, has less sense of humanity than a poor ruffian who kills a rich man to supply his necessities. It is something monstrous to consider a man of a liberal education tearing out the bowels of a poor family by taking for a visit what would keep them a week.
Joseph Addison.    
  291
 
  Whether the different motions of the animal spirits may have any effect on the mould of the face, when the lineaments are pliable and tender, I shall leave to the curious.
Joseph Addison.    
  292
 
  Cicero doubts whether it were possible for a community to exist that had not a prevailing mixture of piety in its constitution.
Joseph Addison.    
  293
 
  Religion contracts the circle of our pleasures, but leaves it wide enough for her votaries to expatiate in.
Joseph Addison.    
  294
 
  In an heroic poem two kinds of thoughts are to be avoided: the first are such as are affected and unnatural; the second, such as are mean and vulgar.
Joseph Addison.    
  295
 
  Although in poetry it be absolutely necessary that the unities of time, place, and action should be thoroughly understood, there is still something more essential, that elevates and astonishes the fancy.
Joseph Addison.    
  296
 
  Since the inculcating precept upon precept will prove tiresome, the poet must not encumber his poem with too much business, but sometimes relieve the subject with a moral reflection.
Joseph Addison.    
  297
 
  Lucan vaulted upon Pegasus with all the heat and intrepidity of youth.
Joseph Addison.    
  298
 
  Lucan is the only author of consideration among the Latin poets who was not explained for the use of the dauphin; because the whole Pharsalia would have been a satire upon the French form of government.
Joseph Addison.    
  299
 
  Among the mutilated poets of antiquity there is none whose fragments are so beautiful as those of Sappho.
Joseph Addison.    
  300
 
  No authors draw upon themselves more displeasure than those who deal in political matters, which is justly incurred, considering that spirit of rancour and virulence with which works of this nature abound.
Joseph Addison.    
  301
 
  Men who possess a state of neutrality in times of public danger desert the interests of their fellow-subjects.
Joseph Addison.    
  302
 
  A British ministry ought to be satisfied if, allowing to every particular man that his private scheme is wisest, they can persuade him that, next to his own plan, that of the government is the most eligible.
Joseph Addison.    
  303
 
  A solid and substantial greatness of soul looks down with a generous neglect on the censures and applause of the multitude.
Joseph Addison.    
  304
 
  A man’s first care should be to avoid the reproaches of his own heart; his next, to escape the censures of the world. If the last interferes with the former, it ought to be entirely neglected; but otherwise there cannot be a greater satisfaction to an honest mind than to see those approbations which it gives itself, seconded by the applauses of the public. A man is more sure of his conduct when the verdict which he passes upon his own behaviour is thus warranted and confirmed by the opinion of all that know him.
Joseph Addison.    
  305
 
  It lengthens out every act of worship, and produces more lasting and permanent impressions in the mind than those which accompany any transient form of words.
Joseph Addison.    
  306
 
  How cold and dead does a prayer appear that is composed in the most elegant forms of speech, when it is not heightened by solemnity of phrase from the sacred writings!
Joseph Addison.    
  307
 
  In England we see people lulled asleep with solid and elaborate discourses of piety, who would be warmed and transported out of themselves by the bellowings and distortions of enthusiasm.
Joseph Addison.    
  308
 
  Prejudice and self-sufficiency naturally proceed from inexperience of the world, and ignorance of mankind.
Joseph Addison.    
  309
 
  We find out some excuse or other for deferring good resolutions.
Joseph Addison.    
  310
 
  No arguments made a stronger impression on these Pagan converts than the predictions relating to our Saviour in those old prophetic writings, deposited among the hands of the greatest enemies to Christianity, and owned by them to have been extant many ages before his appearance.
Joseph Addison.    
  311
 
  There are predictions of our Saviour recorded by the evangelists which were not completed till after their deaths, and had no likelihood of being so when they were pronounced by our blessed Saviour.
Joseph Addison.    
  312
 
  As to the accomplishment of this remarkable prophecy, whoever reads the account given by Josephus, without knowing his character, and compares it with what our Saviour foretold, would think the historian had been a Christian; and that he had nothing else in view but to adjust the event to the prediction.
Joseph Addison.    
  313
 
  The promiscuous and undistinguishing distribution of good and evil which was necessary for carrying on the designs of Providence in this life, will be rectified in another.
Joseph Addison.    
  314
 
  Most historians have spoken of ill success, and terrible events, as if they had been let into the secrets of Providence and made acquainted with that private conduct by which the world is governed.
Joseph Addison.    
  315
 
  To stick at nothing for the public interest is represented as the refined part of the Venetian wisdom.
Joseph Addison.    
  316
 
  I am wonderfully pleased when I meet with any passage in an old Greek or Latin author, that is not blown upon, and which I have never met with in any quotation.
Joseph Addison.    
  317
 
  A quotation from Hudibras shall make them treat with levity an obligation wherein their welfare is concerned as to this world and the next: raillery of this nature is enough to make the hearer tremble.
Joseph Addison.    
  318
 
  While good men are employed in extirpating mortal sins, I should rally the world out of indecencies and venial transgression.
Joseph Addison.    
  319
 
  I may cast my readers under two general divisions, the mercurial and the saturnine. The first are the gay part of my disciples, who require speculations of wit and humour; the others are those of a more solemn and sober turn.
Joseph Addison.    
  320
 
  I would have him read over the celebrated works of antiquity, which have stood the test of so many different ages.
Joseph Addison.    
  321
 
  A reader cannot be more rationally entertained than by comparing and drawing a parallel between his own private character and that of other persons.
Joseph Addison.    
  322
 
  The voice of reason is more to be regarded than the bent of any present inclination; since inclination will at length come over to reason, though we can never force reason to comply with inclination.
Joseph Addison.    
  323
 
  The Pagan converts mention this great reformation of those who had been the greatest sinners, with that sudden and surprising change which the Christian religion made in the lives of the most profligate.
Joseph Addison.    
  324
 
  It is of unspeakable advantage to possess our minds with an habitual good intention, and to aim all our thoughts, words, and actions, at some laudable end, whether it be to the glory of our Maker, the good of mankind, or the benefit of our own souls.
Joseph Addison.    
  325
 
  A man’s first care should be to avoid the reproaches of his own heart; his next, to escape the censures of the world.
Joseph Addison.    
  326
 
  A man’s reputation draws eyes upon him that will narrowly inspect every part of him.
Joseph Addison.    
  327
 
  We are pleased by some implicit kind of revenge to see him taken down and humbled in his reputation who had so far raised himself above us.
Joseph Addison.    
  328
 
  Riches expose a man to pride and luxury, and a foolish elation of heart.
Joseph Addison.    
  329
 
  If ridicule were employed to laugh men out of vice and folly, it might be of some use; but it is made use of to laugh men out of virtue and good sense, by attacking everything solemn and serious.
Joseph Addison.    
  330
 
  Should a writer single out and point his raillery at particular persons, or satirize the miserable, he might be sure of pleasing a great part of his readers; but must be a very ill man if he could please himself.
Joseph Addison.    
  331
 
  A satire should expose nothing but what is corrigible, and make a due discrimination between those that are and those that are not the proper objects of it.
Joseph Addison.    
  332
 
  Were not men of abilities thus communicative, their wisdom would be in a great measure useless, and their experience uninstructive.
Joseph Addison.    
  333
 
  A statue lies hid in a block of marble; and the art of the statuary only clears away the superfluous matter, and removes the rubbish.
Joseph Addison.    
  334
 
  They were famous originals that gave rise to statues, with the same air, posture, and attitudes.
Joseph Addison.    
  335
 
  There are men of concealed fire that doth not break out in the ordinary circumstances of life.
Joseph Addison.    
  336
 
  That satisfaction we receive from the opinion of some pre-eminence in ourselves, when we see the absurdities of another, or when we reflect on any absurdities of our own.
Joseph Addison.    
  337
 
  A man has not enough range of thought to look out for any good which does not relate to his own interest.
Joseph Addison.    
  338
 
  Every one who lives in the habitual practice of any voluntary sin cuts himself off from Christianity.
Joseph Addison.    
  339
 
  There is a kind of sluggish resignation, as well as poorness and degeneracy of spirit, in a state of slavery, that very few will recover themselves out of it.
Joseph Addison.    
  340
 
  When we are asleep, joy and sorrow give us more vigorous sensations of pain or pleasure than at any other time.
Joseph Addison.    
  341
 
  Social duties are carried to greater heights, and enforced with stronger motives, by the principles of our religion.
Joseph Addison.    
  342
 
  Whether dark presages of the night proceed from any latent power of the soul during her abstraction, or from any operation of subordinate spirits, has been a dispute.
Joseph Addison.    
  343
 
  Studies employed on low objects; the very naming of them is sufficient to turn them into raillery.
Joseph Addison.    
  344
 
  No periodical writer, who always maintains his gravity, and does not sometimes sacrifice to the graces, must expect to be in vogue for any time.
Joseph Addison.    
  345
 
  Claudius … has run his description into the most wretched fustian.
Joseph Addison.    
  346
 
  The sublime rises from the nobleness of the thoughts, the magnificence of the words, or the harmonious and lively turn of the phrase: the perfect sublime arises from all three together.
Joseph Addison.    
  347
 
  If you wish success in life, make perseverance your bosom friend, experience your wise counsellor, caution your elder brother, and hope your guardian genius.
Joseph Addison.    
  348
 
  Can anything be more surprising than to consider Cicero observing with a religious attention after what manner the chickens pecked the grains of corn thrown them?
Joseph Addison.    
  349
 
  This national fault of being so very talkative looks natural and graceful in one that has gray hairs to countenance it.
Joseph Addison.    
  350
 
  Temperance gives Nature her full play, and enables her to exert herself in all her force and vigour.
Joseph Addison.    
  351
 
  The three first stanzas are rendered word for word with the original, not only with the same elegance, but the same short turn of expression peculiar to the Sapphic ode.
Joseph Addison.    
  352
 
  Plato lays it down as a principle, that whatever is permitted to befall a just man, whether poverty or sickness, shall, either in life or death, conduce to his good.
Joseph Addison.    
  353
 
  Should I publish any favours done me by your lordship, I am afraid it would look more like vanity than gratitude.
Joseph Addison.    
  354
 
  If those men of parts who have been employed in vitiating the age had endeavoured to rectify and amend it, they needed not have sacrificed their sense to their fame.
Joseph Addison.    
  355
 
  In the common run of mankind, for one that is wise and good you find ten of a contrary character.
Joseph Addison.    
  356
 
  A wise man is then best satisfied when he finds that the same argument which weighs with him has weighed with thousands before him, and is such as hath borne down all opposition.
Joseph Addison.    
  357
 
  Readers who are in the flower of their youth should labour at those accomplishments which may set off their persons when their bloom is gone, and to lay in timely provisions for manhood and old age.
Joseph Addison.    
  358
 
  A believer may be excused by the most hardened atheist for endeavouring to make him a convert.
Joseph Addison.    
  359
 
  A man must be of a very cold or degenerate temper whose heart doth not burn within him in the midst of praise and adoration.
Joseph Addison: Freeholder.    
  360
 
  These considerations, though they may have no influence on the multitude, ought to sink into the minds of those who are their abettors, and who, if they escape punishment here, must know that these several mischiefs will be one day laid to their charge.
Joseph Addison: Freeholder.    
  361
 
  Indifference cannot but be criminal when it is conversant about objects which are so far from being of an indifferent nature that they are of the highest importance to ourselves and our country.
Joseph Addison: Freeholder.    
  362
 
  Those very points in which these wise men disagreed from the bulk of the people are points in which they agreed with the received doctrines of our nature.
Joseph Addison: Freeholder.    
  363
 
  The prospect of death is so gloomy and dismal that if it were constantly before our eyes it would embitter all the sweets of life. The gracious Author of our being hath therefore so formed us that we are capable of many pleasing sensations and reflections, and meet with so many amusements and solicitudes, as divert our thoughts from dwelling upon an evil which, by reason of its seeming distance, makes but languid impressions upon the mind. But how distant soever the time of our death may be, since it is certain that we must die, it is necessary to allot some portion of our life to consider the end of it; and it is highly convenient to fix some stated times to meditate upon the final period of our existence here. The principle of self-love, as we are men, will make us inquire what is like to become of us after our dissolution; and our conscience, as we are Christians, will inform us that according to the good or evil of our actions here, we shall be translated to the mansions of eternal bliss or misery. When this is seriously weighed, we must think it madness to be unprepared against the black moment; but when we reflect that perhaps that black moment may be to-night, how watchful ought we to be!
Joseph Addison: Guardian, No. 18.    
  364
 
  Courage that grows from constitution very often forsakes a man when he has occasion for it; and when it is only a kind of instinct in the soul, it breaks out on all occasions, without judgment or discretion. That courage which arises from the sense of our duty, and from the fear of offending Him that made us, acts always in an uniform manner, and according to the dictates of right reason.
Joseph Addison: Guardian.    
  365
 
  What can that man fear who takes care to please a Being that is so able to crush all his adversaries? A Being that can divert any misfortune from befalling him, or turn any such misfortune to his advantage?
Joseph Addison: Guardian.    
  366
 
  The candour which Horace shows is that which distinguishes a critic from a caviller: he declares that he is not offended at little faults, which may be imputed to inadvertency.
Joseph Addison: Guardian.    
  367
 
  When I read rules of criticism I inquire after the works of the author, and by that means discover what he likes in a composition.
Joseph Addison: Guardian.    
  368
 
  Justice discards party, friendship, kindred, and is always therefore represented as blind.
Joseph Addison: Guardian.    
  369
 
  It would certainly be for the good of mankind to have all the mighty empires and monarchies of the world cantoned out into petty states and principalities.
Joseph Addison: On Italy.    
  370
 
  When these learned men saw sickness and frenzy cured, the dead raised, the oracles put to silence, the demons and evil spirits forced to confess themselves no gods, by persons who only made use of prayers and adjurations in the name of their crucified Saviour, how could they doubt of their Saviour’s power on the like occasions?
Joseph Addison: On the Christian Religion.    
  371
 
  Precepts of morality, besides the natural corruption of our tempers which makes us averse to them, are so abstracted from ideas of sense that they seldom get an opportunity for descriptions and images.
Joseph Addison: On the Georgics.    
  372
 
  I have often thought there has not been sufficient pains taken in finding out proper employment and diversions for the fair ones. Their amusements seem contrived for them rather as they are women than as they are reasonable creatures; and are more adapted to the sex than to the species. The toilet is their great scene of business, and the right adjusting of their hair the principal employment of their lives. The sorting of a suit of ribands is reckoned a very good morning’s work; and if they make an excursion to a mercer’s or a toy-shop, so great a fatigue makes them unfit for anything else all the day after. Their more serious occupations are sewing and embroidery, and their greatest drudgery the preparation of jellies and sweetmeats. This, I say, is the state of ordinary women; though I know there are multitudes of those of a more elevated life and conversation, that move in an exalted sphere of knowledge and virtue, that join all the beauties of the mind to the ornaments of dress, and inspire a kind of awe and respect, as well as love, into their male beholders.
Joseph Addison: Spectator, No. 10.    
  373
 
  “Censure,” says a late ingenious author, “is the tax a man pays to the public for being eminent.” It is a folly for an eminent man to think of escaping it, and a weakness to be affected with it. All the illustrious persons of antiquity, and indeed of every age in the world, have passed through this fiery persecution. There is no defence against reproach but obscurity; it is a kind of concomitant to greatness, as satires and invectives were an essential part of a Roman triumph.
Joseph Addison: Spectator, No. 101.    
  374
 
  If men of eminence are exposed to censure on one hand, they are as much liable to flattery on the other. If they receive reproaches which are not due to them, they likewise receive praises which they do not deserve. In a word, the man in a high post is never regarded with an indifferent eye, but always considered as a friend or an enemy. For this reason persons in great stations have seldom their true characters drawn till several years after their deaths. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunities of knowing the truth, they are in the best disposition to tell it.
Joseph Addison: Spectator, No. 101.    
  375
 
  Sir Francis Bacon observes that a well-written book, compared with its rivals and antagonists, is like Moses’s serpent, that immediately swallowed up and devoured those of the Egyptians.
Joseph Addison: Spectator, No. 101.    
  376
 
  Shallow pedants cry up one another much more than men of solid and useful learning. To read the titles they give an editor, or collator of a manuscript, you would take him for the glory of the commonwealth of letters, and the wonder of his age, when perhaps upon examination you find that he has only rectified a Greek particle, or laid out a whole sentence in proper commas.  377
  They are obliged indeed to be thus lavish of their praises, that they may keep one another in countenance; and it is no wonder if a great deal of knowledge, which is not capable of making a man wise, has a natural tendency to make him vain and arrogant.
Joseph Addison: Spectator, No. 105.    
  378
 
  Of all the species of pedants which I have mentioned, the book pedant is much the most supportable; he has at least an exercised understanding, a head which is full, though confused, so that a man who converses with him may often receive from him hints of things that are worth knowing, and what he may possibly turn to his own advantage, though they are of little use to the owner. The worst kind of pedants among learned men are such as are naturally endued with a very small share of common sense, and have read a great number of books without taste or distinction.  379
  The truth of it is, learning, like travelling, and all other methods of improvement, as it finishes good sense, so it makes a silly man ten thousand times more insufferable, by supplying variety of matter to his impertinence, and giving him an opportunity of abounding in absurdities.
Joseph Addison: Spectator, No. 105.    
  380
 
  As Sir Roger was going on in his story, the gentleman we were talking of came up to us; and upon the knight’s asking him who preached to-morrow (for it was Saturday night), told us, the bishop of St. Asaph in the morning, and Dr. South in the afternoon. He then showed us his list of preachers for the whole year, where I saw with a great deal of pleasure Archbishop Tillotson, Bishop Saunderson, Dr. Barrow, Dr. Calamy, with several living authors who have published discourses of practical divinity…. I could heartily wish that more of our country clergy would follow this example; and instead of wasting their spirits in laborious compositions of their own, would endeavour after a handsome elocution, and all those other talents that are proper to enforce what has been penned by great masters. This would not only be more easy to themselves, but more edifying to the people.
Joseph Addison: Spectator, No. 106.    
  381
 
  Mr. Locke, in his chapter of the Association of Ideas, has very curious remarks to show how, by the prejudice of education, one idea often introduces into the mind a whole set that bear no resemblance to one another in the nature of things. Among several instances of this kind, he produces the following instance: “The ideas of goblins and sprites have really no more to do with darkness than light: yet let but a foolish maid inculcate these often on the mind of a child, and raise them there together, possibly he shall never be able to separate them again so long as he lives, but darkness shall ever after bring with it those frightful ideas, and they shall be so joined that he can no more bear the one than the other.”
Joseph Addison: Spectator, No. 109.    
  382
 
  But among these and other excellent arguments for the immortality of the soul, there is one drawn from the perpetual progress of the soul to its perfection without a possibility of ever arriving at it; which is a hint that I do not remember to have seen opened and improved by others who have written on this subject, though it seems to me to carry a great weight with it. How can it enter into the thoughts of man, that the soul, which is capable of such immense perfections, and of receiving new improvements to all eternity, shall fall away into nothing almost as soon as it is created? Are such abilities made for no purpose?
Joseph Addison: Spectator, No. 111.    
  383
 
  That cherubim which now appears as a God to a human soul, knows very well that the period will come about in eternity when the human soul shall be as perfect as he himself now is: nay, when she shall look down upon that degree of perfection as much as she now falls short of it…. With what astonishment and veneration may we look into our own souls, where there are such hidden stores of virtue and knowledge, such inexhausted sources of perfection? We know not yet what we shall be, nor will it ever enter into the heart to conceive the glory that will be always in reserve for him.
Joseph Addison: Spectator, No. 111.    
  384
 
  There is not, in my opinion, a more pleasing and triumphant consideration in religion than this of the perpetual progress which the soul makes towards the perfection of its nature, without ever arriving at a period in it. To look upon the soul as going on from strength to strength, to consider that she is to shine forever with new accessions of glory, and brighten to all eternity; that she will be still adding virtue to virtue, and knowledge to knowledge; carries in it something wonderfully agreeable to that ambition which is natural to the mind of man. Nay, it must be a prospect pleasing to God himself, to see his creation forever beautifying in his eyes, and drawing nearer to him, by greater degrees of resemblance.
Joseph Addison: Spectator, No. 111.    
  385
 
  Labour or exercise ferments the humours, casts them into their proper channels, throws off redundancies, and helps nature in those secret distributions without which the body cannot subsist in its vigour, nor the soul act with cheerfulness.  386
  I might here mention the effects which this has upon all the faculties of the mind, by keeping the understanding clear, the imagination untroubled, and refining those spirits which are necessary for the proper exertion of our intellectual faculties, during the present laws of union between soul and body. It is to a neglect in this particular that we must ascribe the spleen which is so frequent in men of studious and sedentary tempers, as well as the vapours to which those of the other sex are so often subject.
Joseph Addison: Spectator, No. 115.    
  387
 
  There is no kind of exercise which I would so recommend to my readers of both sexes as this of riding, as there is none which so much conduces to health, and is every way accommodated to the body, according to the idea which I have given of it. Doctor Sydenham is very lavish in its praises; and if the English reader would see the mechanical effects of it described at length, he may find them in a book published not many years since, under the title of the Medicina Gymnastica.
Joseph Addison: Spectator, No. 115.    
  388
 
  Conversation, like the Romish religion, was so encumbered with show and ceremony, that it stood in need of a reformation to retrench its superfluities, and restore it to its natural good sense and beauty. At present, therefore, an unconstrained carriage, and a certain openness of behaviour, are the height of good breeding. The fashionable world is grown free and easy; our manners sit more loose upon us. Nothing is so modish as an agreeable negligence. In a word, good breeding shows itself most, where to an ordinary eye it appears the least.
Joseph Addison: Spectator, No. 119.    
  389
 
  One may now know a man that never conversed in the world, by his excess of good-breeding. A polite country esquire shall make you as many bows in half an hour as would serve a courtier for a week. There is infinitely more to do about place and precedency in a meeting of justices’ wives than in an assembly of duchesses.
Joseph Addison: Spectator, No. 119.    
  390
 
  I remember last winter there were several young girls of the neighbourhood sitting about the fire with my landlady’s daughters and telling stories of spirits and apparitions. Upon my opening the door the young women broke off their discourse, but my landlady’s daughters telling them that it was nobody but the gentleman (for that is the name which I go by in the neighbourhood, as well as in the family), they went on without minding me. I seated myself by the candle that stood on a table at one end of the room, and, pretending to read a book I took out of my pocket, heard several dreadful stories of ghosts, as pale as ashes, that had stood at the feet of a bed, or walked over a church-yard by moonlight; and of others that had been conjured into the Red Sea for disturbing people’s rest and drawing their curtains at midnight; with many other old women’s fables of the like nature. As one spirit raised another, I observed that at the end of every story the whole company closed their ranks, and crowded about the fire. I took notice in particular of a little boy, who was so attentive to every story, that I am mistaken if he ventures to go to bed by himself this twelvemonth. Indeed, they talked so long, that the imaginations of the whole assembly were manifestly crazed, and, I am sure, will be the worse for it as long as they live…. Were I a father, I should take a particular care to preserve my children from these little horrors of imagination, which they are apt to contract when they are young, and are not able to shake off when they are in years.
Joseph Addison: Spectator, No. 12.    
  391
 
  The truth of it is, I look upon a sound imagination as the greatest blessing in life, next to a clear judgment, and a good conscience. In the mean time, since there are very few whose minds are not more or less subject to these dreadful thoughts and apprehensions, we ought to arm ourselves against them by the dictates of reason and religion, “to pull the old woman out of our hearts” (as Persius expresses it in the motto of my paper) and extinguish those impertinent notions which we imbibed at a time that we are not able to judge of their absurdity. Or if we believe, as many wise and good men have done, that there are such phantoms and apparitions as those I have been speaking of, let us endeavour to establish to ourselves an interest in Him who holds the reins of the whole creation in his hands, and moderates them after such a manner that it is impossible for one being to break loose upon another without his knowledge and permission.
Joseph Addison: Spectator, No. 12.    
  392
 
  For my own part, I am apt to join in the opinion with those who believe that all the regions of nature swarm with spirits; and that we have multitudes of spectators on all our actions, when we think ourselves most alone; but, instead of terrifying myself with such a notion, I am wonderfully pleased to think that I am always engaged with such an innumerable society in searching out the wonders of the creation, and joining in the same consort of praise and adoration.  393
  Milton has finely described this mixed communion of men and spirits in paradise; and had doubtless his eye upon a verse in old Hesiod, which is almost word for word the same with his third line in the following passage:
                    Nor think, though men were none,
That heav’n would want spectators. God want praise:
Millions of spiritual creatures walk the earth.
Joseph Addison: Spectator, No. 12.    
  394
 
  There is not, in my opinion, anything more mysterious in nature than this instinct in animals, which thus rises above reason and falls infinitely short of it. It cannot be accounted for by any properties in matter, and at the same time works after so odd a manner that one cannot think it the faculty of an intellectual being. For my own part, I look upon it as upon the principle of gravitation in bodies, which is not to be explained by any known qualities inherent in the bodies themselves, nor from the laws of mechanism, but, according to the best notions of the greatest philosophers, is an immediate impression from the first mover, and the divine energy acting in the creatures.
Joseph Addison: Spectator, No. 120.    
  395
 
  Reason shows itself in all occurrences of life; whereas the brute makes no discovery of such a talent, but in what immediately regards his own preservation or the continuance of his species. Animals in their generation are wiser than the sons of men; but their wisdom is confined to a few particulars, and lies in a very narrow compass. Take a brute out of his instinct, and you find him wholly deprived of understanding.
Joseph Addison: Spectator, No. 120.    
  396
 
  A man’s first care should be to avoid the reproaches of his own heart; his next, to escape the censures of the world. If the last interferes with the former, it ought to be entirely neglected; but otherwise there cannot be a greater satisfaction to an honest mind than to see those approbations which it gives itself seconded by the applauses of the public. A man is more sure of his conduct when the verdict which he passes upon his own behaviour is thus warranted and confirmed by the opinion of all that know him.
Joseph Addison: Spectator, No. 122.    
  397
 
  The ordinary writers of morality prescribe to their readers after the Galenic way; their medicines are made up in large quantities. An essay-writer must practise in the chemical method, and give the virtue of a full draught in a few drops. Were all books reduced thus to their quintessence, many a bulky author would make his appearance in a penny paper. There would be scarce such a thing in nature as a folio; the works of an age would be contained on a few shelves; not to mention millions of volumes that would be utterly annihilated.
Joseph Addison: Spectator, No. 124.    
  398
 
  If this party spirit has so ill an effect on our morals, it has likewise a very great one upon our judgments. We often hear a poor insipid paper or pamphlet cried up, and sometimes a noble piece depreciated, by those who are of a different principle from the author. One who is actuated by this spirit is almost under an incapacity of discerning either real blemishes or beauties. A man of merit in a different principle, is like an object seen in two different mediums, that appears crooked or broken, however straight and entire it may be in itself. For this reason there is scarce a person of any figure in England, who does not go by two contrary characters, as opposite to one another as light and darkness. Knowledge and learning suffer in a particular manner from this strange prejudice, which at present prevails amongst all ranks and degrees in the British nation. As men formerly became eminent in learned societies by their parts and acquisitions, they now distinguish themselves by the warmth and violence with which they espouse their respective parties. Books are valued upon the like considerations. An abusive scurrilous style passes for satire, and a dull scheme of party notions is called fine writing.
Joseph Addison: Spectator, No. 125.    
  399
 
  There cannot be a greater judgment befall a country than such a dreadful spirit of division as rends a government into two distinct people, and makes them greater strangers and more averse to one another than if they were actually two different nations. The effects of such a division are pernicious to the last degree, not only with regard to those advantages which they give the common enemy, but to those private evils which they produce in the heart of almost every particular person. This influence is very fatal both to men’s morals and their understandings; it sinks the virtue of a nation, and not only so, but destroys even common sense.  400
  A furious party spirit, when it rages in its full violence, exerts itself in civil war and bloodshed; and when it is under its greatest restraints naturally breaks out in falsehood, detraction, calumny, and a partial administration of justice. In a word, it fills a nation with spleen and rancour, and extinguishes all the seeds of good nature, compassion, and humanity.
Joseph Addison: Spectator, No. 125.    
  401
 
  Women in their nature are much more gay and joyous than men; whether it be that their blood is more refined, their fibres more delicate, and their animal spirits more light and volatile; or whether, as some have imagined, there may not be a kind of sex in the very soul, I shall not pretend to determine. As vivacity is the gift of women, gravity is that of men.
Joseph Addison: Spectator, No. 128.    
  402
 
  But whatever was the reason that man and woman were made with this variety of temper, if we observe the conduct of the fair sex, we find that they choose rather to associate themselves with a person who resembles them in that light and volatile humour which is natural to them, than to such as are qualified to moderate and counterbalance it. It has been an old complaint, that the coxcomb carries it with them before the man of sense….  403
  The same female levity is no less fatal to them after marriage than before. It represents to their imaginations the faithful, prudent husband as an honest, tractable, and domestic animal; and turns their thoughts upon the fine, gay gentleman that laughs, sings, and dresses so much more agreeably.  404
  As this irregular vivacity of temper leads astray the hearts of ordinary women in the choice of their lovers and the treatment of their husbands, it operates with the same pernicious influence towards their children, who are taught to accomplish themselves in all those sublime perfections that appear captivating in the eye of their mother. She admires in her son what she loved in her gallant, and by that means contributes all she can to perpetuate herself in a worthless progeny.
Joseph Addison: Spectator, No. 128.    
  405
 
  The English delight in silence more than any other European nation, if the remarks which are made on us by foreigners are true. Our discourse is not kept up in conversation, but falls into more pauses and intervals than in our neighbouring countries; as it is observed, that the matter of our writings is thrown much closer together, and lies in a narrower compass, than is usual in the works of foreign authors; for, to favour our natural taciturnity, when we are obliged to utter our thoughts, we do it in the shortest way we are able, and give as quick a birth to our conceptions as possible.  406
  This humour shows itself in several remarks that we may make upon the English language. As, first of all, by its abounding in monosyllables, which gives us an opportunity of delivering out thoughts in few sounds.
Joseph Addison: Spectator, No. 135.    
  407
 
  It is perhaps this humour of speaking no more than we needs must, which has so miserably curtailed some of our words, that in familiar writings and conversations they often lose all but their first syllables, as in “mob., rep., pos., incog.,” and the like; and, as all ridiculous words make their first entry into a language by familiar phrases, I dare not answer for these, that they will not in time be looked upon as part of our tongue.
Joseph Addison: Spectator, No. 135.    
  408
 
  I cannot conclude my paper without observing that Virgil has very finely touched upon this female passion for dress and show, in the character of Camilla; who, though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.
Joseph Addison: Spectator, No. 15.    
  409
 
  True happiness is of a retired nature, and an enemy to pomp and noise: it arises, in the first place, from the enjoyment of one’s self; and in the next, from the friendship and conversation of a few select companions; it loves shade and solitude, and naturally haunts groves and fountains, fields and meadows: in short, it feels everything it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration which she raises in others. She flourishes in courts and palaces, theatres and assemblies, and has no existence but when she is looked upon.
Joseph Addison: Spectator, No. 15.    
  410
 
  I have often reflected with myself on this unaccountable humour in womankind, of being smitten with everything that is showy and superficial; and on the numberless evils that befall the sex, from this light fantastical disposition.
Joseph Addison: Spectator, No. 15.    
  411
 
  Irresolution on the schemes of life which offer themselves to our choice, and inconstancy in pursuing them, are the greatest and most universal causes of all our disquiet and unhappiness. When ambition pulls one way, interest another, inclination a third, and perhaps reason contrary to all, a man is likely to pass his time but ill who has so many different parties to please. When the mind hovers among such a variety of allurements, one had better settle on a way of life that is not the very best we might have chosen, than grow old without determining our choice, and go out of the world, as the greatest part of mankind do, before we have resolved how to live in it. There is but one method of setting ourselves at rest in this particular, and that is by adhering steadfastly to one great end as the chief and ultimate aim of all our pursuits. If we are firmly resolved to live up to the dictates of reason, without any regard to wealth, reputation, or the like considerations, any more than as they fall in with our principal design, we may go through life with steadiness and pleasure; but if we act by several broken views, and will not only be virtuous, but wealthy, popular, and everything that has a value set upon it by the world, we shall live and die in misery and repentance.
Joseph Addison: Spectator, No. 162.    
  412
 
  In afflictions men generally draw their consolations out of books of morality, which indeed are of great use to fortify and strengthen the mind against the impressions of sorrow. Monsieur St. Evremont, who does not approve of this method, recommends authors who are apt to stir up mirth in the minds of the readers, and fancies Don Quixote can give more relief to a heavy heart than Plutarch or Seneca, as it is much easier to divert grief than to conquer it. This doubtless may have its effects on some tempers. I should rather have recourse to authors of a quite contrary kind, that give us instances of calamities and misfortunes and show human nature in its greatest distresses.
Joseph Addison: Spectator, No. 163.    
  413
 
  Inquiries after happiness, and rules for attaining it, are not so necessary and useful to mankind as the arts of consolation, and supporting of one’s self under affliction. The utmost we can hope for in this world is contentment; if we aim at anything higher, we shall meet with nothing but grief and disappointment. A man should direct all his studies and endeavours at making himself easy now, and happy hereafter.  414
  The truth of it is, if all the happiness that is dispersed through the whole race of mankind in this world were drawn together, and put into the possession of any single man, it would not make a very happy being. Though, on the contrary, if the miseries of the whole species were fixed in a single person, they would make a very miserable one.
Joseph Addison: Spectator, No. 163.    
  415
 
  A disappointment in love is more hard to get over than any other; the passion itself so softens and subdues the heart that it disables it from struggling or bearing up against the woes and distresses which befall it. The mind meets with other misfortunes in her whole strength; she stands collected within herself, and sustains the shock with all the force which is natural to her; but a heart in love has its foundation sapped, and immediately sinks under the weight of accidents that are disagreeable to its favourite passion.
Joseph Addison: Spectator, No. 163.    
  416
 
  I have often wished, that as in our constitution there are several persons whose business it is to watch over our laws, our liberties, and commerce, certain men might be set apart as superintendents of our language, to hinder any words of a foreign coin from passing amongst us; and in particular to prohibit any French phrases from becoming current in this kingdom, when those of our own stamp are altogether as valuable. The present war has so adulterated our tongue with strange words, that it would be impossible for one of our great-grandfathers to know what his posterity have been doing, were he to read their exploits in a modern newspaper. Our warriors are very industrious in propagating the French language, at the same time that they are so gloriously successful in beating down their power.
Joseph Addison: Spectator, No. 165.    
  417
 
  If writings are thus durable, and may pass from age to age through the whole course of time, how careful should an author be of committing anything to print that may corrupt posterity and poison the minds of men with vice and error! Writers of great talents who employ their parts in propagating immorality, and seasoning vicious sentiments with wit and humour, are to be looked upon as the pests of society, and the enemies of mankind. They leave books behind them (as it is said of those who die in distempers which breed an ill-will towards their own species) to scatter infection and destroy their posterity. They act the counterparts of a Confucius or a Socrates; and seem to have been sent into the world to deprave human nature and sink it into the condition of brutality.
Joseph Addison: Spectator, No. 166.    
  418
 
  Books are the legacies that a great genius leaves to mankind, which are delivered down from generation to generation, as presents to the posterity of those who are yet unborn. All other arts of perpetuating our ideas continue but a short time. Statues can last but a few thousands of years, edifices fewer, and colours still fewer than edifices. Michael Angelo, Fontana, and Raphael will hereafter be what Phidias, Vitruvius, and Apelles are at present,—the names of great statuaries, architects, and painters whose works are lost. The several arts are expressed in mouldering materials. Nature sinks under them, and is not able to support the ideas which are impressed upon it.  419
  The circumstance which gives authors an advantage above all these great masters is this, that they can multiply their originals; or rather can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.
Joseph Addison: Spectator, No. 166.    
  420
 
  Thus Cowley in his poem on the Resurrection, mentioning the destruction of the universe, has these admirable lines:
        Now all the wide extended sky,
And all th’ harmonious worlds on high,
And Virgil’s sacred work, shall die.
Joseph Addison: Spectator, No. 166.    
  421
 
  Aristotle tells us that the world is a copy or transcript of those ideas which are in the mind of the first Being, and that those ideas which are in the mind of men are a transcript of the world. To this we may add, that words are the transcript of those ideas which are in the mind of man, and that writing or printing is the transcript of words.
Joseph Addison: Spectator, No. 166.    
  422
 
  Good-nature is more agreeable in conversation than wit, and gives a certain air to the countenance which is more amiable than beauty. It shows virtue in the fairest light, takes off in some measure from the deformity of vice, and makes even folly and impertinence supportable.  423
  There is no society or conversation to be kept up in the world without good-nature, or something which must bear its appearance and supply its place. For this reason mankind have been forced to invent a kind of artificial humanity, which is what we express by the word good-breeding. For if we examine thoroughly the idea of what we call so, we shall find it to be nothing else but an imitation and mimicry of good-nature, or, in other terms, affability, complaisance, and easiness of temper reduced into an art.  424
  These exterior shows and appearances of humanity render a man wonderfully popular and beloved, when they are founded upon a real good-nature; but without it, are like hypocrisy in religion, or a bare form of holiness, which, when it is discovered, makes a man more detestable than professed impiety.  425
  Good-nature is generally born with us; health, prosperity, and kind treatment from the world are great cherishers of it where they find it; but nothing is capable of forcing it up where it does not grow of itself. It is one of the blessings of a happy constitution, which education may improve, but not produce.
Joseph Addison: Spectator, No. 169.    
  426
 
  It is grown almost into a maxim that good-natured men are not always men of the most wit. This observation, in my opinion, has no foundation in nature. The greatest wits I have conversed with are men eminent for their humanity.
Joseph Addison: Spectator, No. 169.    
  427
 
  The jealous man’s disease is of so malignant a nature, that it converts all it takes into its own nourishment. A cool behaviour sets him on the rack, and is interpreted as an instance of aversion or indifference; a fond one raises his suspicions, and looks too much like dissimulation and artifice. If the person he loves be cheerful, her thoughts must be employed on another; and if sad, she is certainly thinking on himself. In short, there is no word or gesture so insignificant, but it gives him new hints, feeds his suspicions, and furnishes him with fresh matter of discovery: so that if we consider the effects of his passion, one would rather think it proceeded from an inveterate hatred, than an excessive love; for certainly none can meet with more disquietude and uneasiness than a suspected wife, if we except the jealous husband.  428
  But the great unhappiness of this passion is, that it naturally lends to alienate the affection which it is so solicitous to engross; and that for these two reasons: because it lays too great a constraint on the words and actions of the suspected person, and at the same time shows you have no honourable opinion of her; both of which are strong motives to aversion.
Joseph Addison: Spectator, No. 170.    
  429
 
  And here, among the other torments which this passion produces, we may usually observe that none are greater mourners than jealous men, when the person who provokes their jealousy is taken from them. Then it is that their love breaks out furiously, and throws off all the mixtures of suspicion which choked and smothered it before. The beautiful parts of the character rise uppermost in the jealous husband’s memory, and upbraid him with the ill usage of so divine a creature as was once in his possession; whilst all the little imperfections, that were before so uneasy to him, wear off from his remembrance, and show themselves no more.
Joseph Addison: Spectator, No. 170.    
  430
 
  I might likewise observe, that the gloominess in which sometimes the minds of the best men are involved very often stands in need of such little incitements to mirth and laughter, as are apt to disperse melancholy and put our faculties in good humour. To which some will add, that the British climate, more than any other, makes entertainments of this nature in a manner necessary.
Joseph Addison: Spectator, No. 179.    
  431
 
  Of all hardnesses of heart there is none so inexcusable as that of parents towards their children. An obstinate, inflexible, unforgiving temper is odious upon all occasions; but here it is unnatural. The love, tenderness, and compassion, which are apt to arise in us towards those who depend upon us, is that by which the whole world of life is upheld. The Supreme Being, by the transcendent excellency and goodness of his nature, extends his mercy towards all his works; and because his creatures have not such a spontaneous benevolence and compassion towards those who are under their care and protection, he has implanted in them an instinct that supplies the place of this inherent goodness. I have illustrated this kind of instinct in former papers, and have shown how it runs through all the species of brute creatures, as indeed the whole animal creation subsists by it.
Joseph Addison: Spectator, No. 181.    
  432
 
  Among innumerable arguments which might be brought against such an unreasonable proceeding, I shall only insist on one. We make it the condition of our forgiveness that we forgive others. In our very prayers we desire no more than to be treated by this kind of retaliation. The case therefore before us seems to be what they call a “case in point;” the relation between the child and father being what comes nearest to that between a creature and its Creator. If the father is inexorable to the child who has offended, let the offence be of never so high a nature, how will he address himself to the Supreme Being, under the tender appellation of a father, and desire of him such a forgiveness as he himself refuses to grant?
Joseph Addison: Spectator, No. 181.    
  433
 
  Fables were the first pieces of wit that made their appearance in the world, and have been still highly valued not only in times of the greatest simplicity, but among the most polite ages of mankind. Jotham’s fable of the trees is the oldest that is extant, and as beautiful as any which have been made since that time. Nathan’s fable of the poor man and his lamb is likewise more ancient than any that is extant, besides the above-mentioned.
Joseph Addison: Spectator, No. 183.    
  434
 
  As fables took their birth in the very infancy of learning, they never flourished more than when learning was at its greatest height. To justify this assertion, I shall put my reader in mind of Horace, the greatest wit and critic in the Augustan age, and of Boileau, the most correct poet among the moderns; not to mention La Fontaine, who by this way of writing is come more into vogue than any other author of our times.
Joseph Addison: Spectator, No. 183.    
  435
 
  After having treated of these false zealots in religion, I cannot forbear mentioning a monstrous species of men, who one would not think had any existence in nature, were they not to be met with in ordinary conversation—I mean the zealots in atheism. One would fancy that these men, though they fall short, in every other respect, of those who make a profession of religion, would at least outshine them in this particular, and be exempt from that single fault which seems to grow out of the imprudent fervours of religion. But so it is, that infidelity is propagated with as much fierceness and contention, wrath and indignation, as if the safety of mankind depended on it.
Joseph Addison: Spectator, No. 185.    
  436
 
  I love to see a man zealous in a good matter, and especially when his zeal shows itself for advancing morality and promoting the happiness of mankind. But when I find the instruments he works with are racks and gibbets, gallies and dungeons: when he imprisons men’s persons, confiscates their estates, ruins their families, and burns the body to save the soul, I cannot stick to pronounce of such a one that (whatever he may think of his faith and religion) his faith is vain and his religion unprofitable.
Joseph Addison: Spectator, No. 185.    
  437
 
  I would have every zealous man examine his heart thoroughly, and, I believe, he will often find that what he calls a zeal for his religion, is either pride, interest, or ill-nature. A man who differs from another in opinion, sets himself above him in his own judgment, and in several particulars pretends to be the wiser person. This is a great provocation to the proud man, and gives a very keen edge to what he calls his zeal.
Joseph Addison: Spectator, No. 185.    
  438
 
  There is nothing in which men more deceive themselves than in what the world calls zeal. There are so many passions which hide themselves under it, and so many mischiefs arising from it, that some have gone so far as to say it would have been for the benefit of mankind if it had never been reckoned in the catalogue of virtues. It is certain, where it is once laudable and prudential, it is a hundred times criminal and erroneous: nor can it be otherwise, if we consider that it operates with equal violence in all religions, however opposite they may be to one another, and in all the subdivisions of each religion in particular.
Joseph Addison: Spectator, No. 185.    
  439
 
  What can be a stronger motive to a firm trust and reliance on the mercies of our Maker than the giving us his Son to suffer for us? What can make us love and esteem even the most inconsiderable of mankind, more than the thought that Christ died for him? Or what dispose us to set a stricter guard upon the purity of our own hearts, than our being members of Christ, and a part of the society of which that immaculate person is the head? But these are only a specimen of those admirable enforcements of morality which the apostle has drawn from the history of our blessed Saviour.
Joseph Addison: Spectator, No. 186.    
  440
 
  The great received articles of the Christian religion have been so clearly proved, from the authority of that divine revelation in which they are delivered, that it is impossible for those who have ears to hear, and eyes to see, not to be convinced of them. But were it possible for anything in the Christian faith to be erroneous, I can find no ill consequences in adhering to it. The great points of the incarnation and sufferings of our Saviour produce naturally such habits of virtue in the mind of man, that, I say, supposing it were possible for us to be mistaken in them, the infidel himself must at least allow that no other system of religion could so effectually contribute to the heightening morality. They give us great ideas of the dignity of human nature, and of the love which the Supreme Being bears to his creatures, and consequently engage us in the highest acts of duty towards our Creator, our neighbour, and ourselves.
Joseph Addison: Spectator, No. 186.    
  441
 
  The prospect of a future state is the secret comfort and refreshment of my soul; it is that which makes nature look gay about me; it doubles all my pleasures, and supports me under all my afflictions. I can look at disappointments and misfortunes, pain and sickness, death itself, and, what is worse than death, the loss of those who are dearest to me, with indifference, so long as I keep in view the pleasures of eternity, and the state of being in which there will be no fears nor apprehensions, pains nor sorrows, sickness nor separation. Why will any man be so impertinently officious as to tell me all this is fancy and delusion? Is there any merit in being the messenger of ill news? If it is a dream, let me enjoy it, since it makes me both the happier and better man.
Joseph Addison: Spectator, No. 186.    
  442
 
  It is said of Diogenes that, meeting a young man who was going to a feast, he took him up in the street and carried him to his own friends, as one who was running into imminent danger had not he prevented him. What would that philosopher have said, had he been present at the gluttony of a modern meal? would not he have thought the master of a family mad, and have begged his servants to tie down his hands, had he seen him devour a fowl, fish, and flesh; swallow oil and vinegar, wine and spices; throw down salads of twenty different herbs, sauces of a hundred ingredients, confections and fruits of numberless sweets and flavours? What unnatural motions and counter-ferments must such a medley of intemperance produce in the body! For my part, when I behold a fashionable table set out in all its magnificence, I fancy that I see gouts and dropsies, fevers and lethargies, with other innumerable distempers, lying in ambuscade among the dishes.  443
  Nature delights in the most plain and simple diet. Every animal, but man, keeps to one dish. Herbs are the food of this species, fish of that, and flesh of a third. Man falls upon everything that comes in his way; not the smallest fruit or excrescence of the earth, scarce a berry or a mushroom, can escape him.
Joseph Addison: Spectator, No. 195.    
  444
 
  There is a story in the Arabian Nights’ Tales of a king who had long languished under an ill habit of body, and had taken abundance of remedies to no purpose. At length, says the fable, a physician cured him by the following method: He took a hollow ball of wood, and filled it with several drugs; after which he closed it up so artificially that nothing appeared. He likewise took a mall, and after having hollowed the handle, and that part which strikes the ball, he enclosed in them several drugs after the same manner as in the ball itself. He then ordered the sultan, who was his patient, to exercise himself early in the morning with these rightly prepared instruments till such time as he should sweat; when, as the story goes, the virtue of the medicaments perspiring through the wood had so good an influence on the sultan’s constitution, that they cured him of an indisposition which all the compositions he had taken inwardly had not been able to remove. This Eastern allegory is finely contrived to show us how beneficial bodily labour is to health, and that exercise is the most effectual physic.
Joseph Addison: Spectator, No. 195.    
  445
 
  And here I cannot but mention an observation which I have often made, upon reading the lives of the philosophers, and comparing them with any series of kings or great men of the same number. If we consider these ancient sages, a great part of whose philosophy consisted in a temperate and abstemious course of life, one would think the life of a philosopher and the life of a man were of two different dates. For we find that the generality of these wise men were nearer a hundred than sixty years of age, at the time of their respective deaths.
Joseph Addison: Spectator, No. 195.    
  446
 
  Accordingly, we find that those parts of the world are most healthy, where they subsist by the chase; and that men lived longest when their lives were employed in hunting, and when they had little food besides what they caught. Blistering, cupping, bleeding, are seldom of use but to the idle and intemperate; as all those inward applications which are so much in practice among us, are for the most part nothing else but expedients to make luxury consistent with health.
Joseph Addison: Spectator, No. 195.    
  447
 
  Death is not sufficient to deter men who make it their glory to despise it; but if every one that fought a duel were to stand in the pillory, it would quickly lessen the number of these imaginary men of honour, and put an end to so absurd a practice.  448
  When honour is a support to virtuous principles, and runs parallel with the laws of God and our country, it cannot be too much cherished and encouraged; but when the dictates of honour are contrary to those of religion and equity, they are the greatest deprivations of human nature, by giving wrong ambitions and false ideas of what is good and laudable; and should therefore be exploded by all governments, and driven out as the bane and plague of human society.
Joseph Addison: Spectator, No. 199.    
  449
 
  It is of the last importance to season the passions of a child with devotion, which seldom dies in a mind that has received an early tincture of it. Though it may seem extinguished for a while by the cares of the world, the heats of youth, or the allurements of vice, it generally breaks out and discovers itself again as soon as discretion, consideration, age, or misfortunes have brought the man to himself. The fire may be covered and overlaid, but cannot be entirely quenched and smothered.
Joseph Addison: Spectator, No. 201.    
  450
 
  It has been observed by some writers, that man is more distinguished from the animal world by devotion than by reason, as several brute creatures discover in their actions something like a faint glimmering of reason, though they betray in no single circumstance of their behaviour anything that bears the least affinity to devotion. It is certain, the propensity of the mind to religious worship, the natural tendency of the soul to fly to some superior being for succour in dangers and distresses, the gratitude to an invisible superintendent which arises in us upon receiving any extraordinary and unexpected good fortune, the acts of love and admiration with which the thoughts of men are so wonderfully transported in meditating upon the divine perfections, and the universal concurrence of all the nations under heaven in the great article of adoration, plainly show that devotion or religious worship must be the effect of tradition from some first founder of mankind, or that it is conformable to the natural light of reason, or that it proceeds from an instinct implanted in the soul itself. For my own part, I look upon all these to be the concurrent causes; but whichever of them shall be assigned as the principle of divine worship, it manifestly points to a Supreme Being as the first author of it.
Joseph Addison: Spectator, No. 201.    
  451
 
  There is not a more melancholy object than a man who has his head turned with religious enthusiasm. A person that is crazed, though with pride or malice, is a sight very mortifying to human nature; but when the distemper arises from any indiscreet fervours of devotion, or too intense an application of the mind to its mistaken duties, it deserves our compassion in a more particular manner. We may, however, learn this lesson from it, that since devotion itself (which one would be apt to think could not be too warm) may disorder the mind, unless its heats are tempered with caution and prudence, we should be particularly careful to keep our reason as cool as possible, and to guard ourselves in all parts of life against the influence of passion, imagination, and constitution.
Joseph Addison: Spectator, No. 201.    
  452
 
  There are no authors I am more pleased with than those who show human nature in a variety of views, and describe the several ages of the world in their different manners. A reader cannot be more rationally entertained than by comparing the virtues and vices of his own times with those which prevailed in the times of his forefathers; and drawing a parallel in his mind between his own private character and that of other persons, whether of his own age or of the ages that went before him. The contemplation of mankind under these changeable colours is apt to shame us out of any particular vice, or animate us to any particular virtue, to make us pleased or displeased with ourselves in the most proper points, to clear our minds of prejudice and prepossession, and to rectify that narrowness of temper which inclines us to think amiss of those who differ from us.
Joseph Addison: Spectator, No. 209.    
  453
 
  If we look into the manners of the most remote ages of the world, we discover human nature in her simplicity; and the more we come downward towards our own times, may observe her hiding herself in artifices and refinements, polished insensibly out of her original plainness, and at length entirely lost under form and ceremony, and (what we call) good breeding. Read the accounts of men and women as they are given us by the most ancient writers, both sacred and profane, and you would think you were reading the history of another species.
Joseph Addison: Spectator, No. 209.    
  454
 
  Among the writers of antiquity, there are none who instruct us more openly in the manners of their respective times in which they lived, than those who have employed themselves in satire, under what dress soever it may appear; as there are no other authors whose province it is to enter so directly into the ways of men, and set their miscarriages in so strong a light. Simonides, a poet famous in his generation, is, I think, author of the oldest satire that is now extant; and, as some say, of the first that was ever written.
Joseph Addison: Spectator, No. 209.    
  455
 
  The satires or iambics of Simonides, with which I shall entertain my readers in the present paper, are a remarkable instance of what I formerly advanced. The subject of this satire is woman. He describes the sex in their several characters, which he derives to them from a fanciful supposition raised upon the doctrine of pre-existence. He tells us that the gods formed the souls of women out of those seeds and principles which compose several kinds of animals and elements: and that their good or bad dispositions arise in them according as such and such seeds and principles predominate in their constitutions.
Joseph Addison: Spectator, No. 209.    
  456
 
  The body of the law is no less encumbered with superfluous members, that are like Virgil’s army, which he tells us was so crowded, many of them had not room to use their weapons. This prodigious society of men may be divided into the litigious and peaceable. Under the first are comprehended all those who are carried down in coach-fulls to Westminster-hall every morning in term time. Martial’s description of this species of lawyers is full of humour:
        Iras et verba locant.
“Men that hire out their words and anger;” that are more or less passionate according as they are paid for it, and allow their client a quantity of wrath proportionate to the fee which they receive from him.
Joseph Addison: Spectator, No. 21.    
  457
 
  A person, therefore, who is possessed with such an habitual good intention, as that which I have been here speaking of, enters upon no single circumstance of life, without considering it as well pleasing to the great Author of his being, conformable to the dictates of reason, suitable to human nature in general, or to that particular station in which Providence has placed him. He lives in a perpetual sense of the Divine Presence, regards himself as acting, in the whole course of his existence, under the observation and inspection of that Being, who is privy to all his motions and all his thoughts, who knows his “down-sitting and his uprising, who is about his path, and about his bed, and spieth out all his ways.” In a word, he remembers that the eye of his Judge is always upon him, and in every action he reflects that he is doing what is commanded or allowed by Him who will hereafter either reward or punish it. This was the character of those holy men of old, who, in that beautiful phrase of Scripture, are said to have “walked with God.”
Joseph Addison: Spectator, No. 213.    
  458
 
  I consider a human soul without education like marble in the quarry, which shows none of its inherent beauties until the skill of the polisher fetches out the colours, makes the surface shine, and discovers every ornamental cloud, spot, and vein that runs through the body of it. Education, after the same manner, when it works upon a noble mind, draws out to view every latent virtue and perfection, which without such helps are never able to make their appearance.  459
  If my reader will give me leave to change the allusion so soon upon him, I shall make use of the same instance to illustrate the force of education, which Aristotle has brought to explain his doctrine of substantial forms, when he tells us that a statue lies hid in a block of marble, and that the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in stone, the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero, the wise, the good, or the great man, very often lie hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.
Joseph Addison: Spectator, No. 215.    
  460
 
  Among the mutilated poets of antiquity there is none whose fragments are so beautiful as those of Sappho. They give us a taste of her way of writing, which is perfectly conformable with that extraordinary character we find of her in the remarks of those great critics who were conversant with her works when they were entire. One may see by what is left of them that she followed nature in all her thoughts, without descending to those little points, conceits, and turns of wit with which many of our modern lyrics are so miserably infected. Her soul seems to have been made up of love and poetry. She felt the passion in all its warmth, and described it in all its symptoms. She is called by ancient authors the tenth muse; and by Plutarch is compared to Cacus, the son of Vulcan, who breathed out nothing but flame. I do not know by the character that is given of her works, whether it is not for the benefit of mankind that they are lost. They are filled with such bewitching tenderness and rapture, that it might have been dangerous to have given them a reading.
Joseph Addison: Spectator, No. 223.    
  461
 
  Among the mutilated poets of antiquity there is none whose fragments are so beautiful as those of Sappho. They give us a taste of her way of writing which is perfectly conformable with that extraordinary character we find of her in the remarks of those great critics who were conversant with her works when they were entire. One may see by what is left of them that she followed nature in all her thoughts, without descending to those little points, conceits, and turns of wit with which many of our modern lyrics are so miserably infected.
Joseph Addison: Spectator, No. 223.    
  462
 
  At the same time that I think discretion the most useful talent that man can be master of, I look upon cunning to be the accomplishment of little, mean, ungenerous minds. Discretion points out the noblest ends to us, and pursues the most proper and laudable methods of attaining them. Cunning has only private selfish aims, and sticks at nothing which may make them succeed. Discretion has large and extended views, and, like a well-formed eye, commands a whole horizon. Cunning is a kind of short-sightedness, that discovers the minutest objects which are near at hand, but is not able to discern things at a distance.
Joseph Addison: Spectator, No. 225.    
  463
 
  Discretion is the perfection of reason, and a guide to us in all the duties of life: cunning is a kind of instinct, that only looks out after our immediate interests and welfare…. In short, cunning is only the mimic of discretion, and may pass upon weak men, in the same manner as vivacity is often mistaken for wit, and gravity for wisdom.
Joseph Addison: Spectator, No. 225.    
  464
 
  The cast of mind which is natural to a discreet man makes him look forward into futurity, and consider what will he his condition millions of ages hence, as well as what it is at present. He knows that the misery or happiness which are reserved for him in another world lose nothing of their reality by being at so great distance from him. The objects do not appear little to him because they are remote. He considers that those pleasures and pains which lie hid in eternity approach nearer to him every moment, and will be present with him in their full weight and measure, as much as those pains and pleasures which he feels at this very instant. For this reason he is careful to secure to himself that which is the proper happiness of his nature and the ultimate design of his being. He carries his thoughts to the end of every action, and considers the most distant as well as the most immediate effects of it. He supersedes every little prospect of gain and advantage which offers itself here, if he does not find it consistent with his views of an hereafter. In a word, his hopes are full of immortality, his schemes are large and glorious, and his conduct suitable to one who knows his true interest, and how to pursue it by proper methods.
Joseph Addison: Spectator, No. 225.    
  465
 
  A just and reasonable modesty does not only recommend eloquence, but sets off every great talent which a man can be possessed of. It heightens all the virtues which it accompanies; like the shades in paintings, it raises and rounds every figure, and makes the colours more beautiful, though not so glaring, as they would be without it.  466
  Modesty is not only an ornament, but also a guard, to virtue. It is a kind of quick and delicate feeling in the soul, which makes her shrink and withdraw herself from everything that has danger in it. It is such an exquisite sensibility, as warns her to shun the first appearance of everything which is hurtful.
Joseph Addison: Spectator, No. 231.    
  467
 
  It is very reasonable to believe that part of the pleasure which happy minds shall enjoy in a future state will arise from an enlarged contemplation of the Divine Wisdom in the government of the world, and a discovering of the secret and amazing steps of Providence, from the beginning to the end of time. Nothing seems to be an entertainment more adapted to the nature of man, if we consider that curiosity is one of the strongest and most lasting appetites implanted in us, and that admiration is one of our most pleasing passions; and what a perpetual succession of enjoyments will be afforded to both these, in a scene so large and various as shall then be laid open to our view in the society of superior spirits, who perhaps will join with us in so delightful a prospect!
Joseph Addison: Spectator, No. 237.    
  468
 
  I have sometimes amused myself with considering the several methods of managing a debate which have obtained in the world.  469
  The first races of mankind used to dispute, as our ordinary people do now-a-days, in a kind of wild logic, uncultivated by rules of art.  470
  Socrates introduced a catechetical method of arguing. He would ask his adversary question upon question, till he had convinced him out of his own mouth that his opinions were wrong. This way of debating drives an enemy up into a corner, seizes all the passes through which he can make an escape, and forces him to surrender at discretion.  471
  Aristotle changed this method of attack, and invented a great variety of little weapons, called syllogisms. As in the Socratic way of dispute you agree to everything your opponent advances, in the Aristotelic you are still denying and contradicting some part or other of what he says. Socrates conquers you by stratagem, Aristotle by force. The one takes the town by sap, the other sword in hand.
Joseph Addison: Spectator, No. 239.    
  472
 
  The universities of Europe, for many years, carried on their debates by syllogism, insomuch that we see the knowledge of several centuries laid out into objections and answers, and all the good sense of the age cut and minced into almost an infinitude of distinctions.  473
  When our universities found there was no end of wrangling this way, they invented a kind of argument, which is not reducible to any mood or figure in Aristotle. It was called the Argumentum Basilinum (others write it Bacilinum or Baculinum), which is pretty well expressed in our English word club-law. When they were not able to refute their antagonist, they knocked him down. It was their method, in these polemical debates, first to discharge their syllogisms, and afterwards betake themselves to their clubs, until such time as they had one way or other confounded their gainsayers.
Joseph Addison: Spectator, No. 239.    
  474
 
  Gold is a wonderful clearer of the understanding: it dissipates every doubt and scruple in an instant; accommodates itself to the meanest capacities; silences the loud and clamorous, and brings over the most obstinate and inflexible. Philip of Macedon was a man of most invincible reason this way. He refuted by it all the wisdom of Athens, confounded their statesmen, struck their orators dumb, and at length argued them out of all their liberties.
Joseph Addison: Spectator, No. 239.    
  475
 
  I have often been puzzled to assign a cause why women should have this talent of a ready utterance in so much greater perfection than men. I have sometimes fancied that they have not a retentive power, or the faculty of suppressing their thoughts, as men have, but that they are necessitated to speak everything they think; and if so, it would perhaps furnish a very strong argument to the Cartesians for the supporting of their doctrine that the soul always thinks. But as several are of opinion that the fair sex are not altogether strangers to the art of dissembling and concealing their thoughts, I have been forced to relinquish that opinion, and have therefore endeavoured to seek after some better reason.
Joseph Addison: Spectator, No. 247.    
  476
 
  We may observe that in the first ages of the world, when the great souls and masterpieces of human nature were produced, men shined by a noble simplicity of behaviour, and were strangers to those little embellishments which are so fashionable in our present conversation. And it is very remarkable, that notwithstanding we fall short at present of the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in doggerel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the moderns, but more good sense among the ancients.
Joseph Addison: Spectator, No. 249.    
  477
 
  Laughter, while it lasts, slackens and unbraces the mind, weakens the faculties, and causes a kind of remissness and dissolution in all the powers of the soul; and thus far it may be looked upon as a weakness in the composition of human nature. But if we consider the frequent reliefs we receive from it, and how often it breaks the gloom which is apt to depress the mind and damp our spirits, with transient unexpected gleams of joy, one would take care not to grow too wise for so great a pleasure of life.
Joseph Addison: Spectator, No. 249.    
  478
 
  Man is the merriest species of the creation: all above and below him are serious. He sees things in a different light from other beings, and finds his mirth arising from objects that perhaps cause something like pity or displeasure in higher natures. Laughter is indeed a very good counterpoise to the spleen; and it seems but reasonable that we should be capable of receiving joy from what is no real good to us, since we can receive grief from what is no real evil.
Joseph Addison: Spectator, No. 249.    
  479
 
  The talent of turning men into ridicule, and exposing to laughter those one converses with, is the qualification of little ungenerous tempers. A young man with this cast of mind cuts himself off from all manner of improvement. Every one has his flaws and weaknesses; nay, the greatest blemishes are often found in the most shining characters: but what an absurd thing it is to pass over all the valuable parts of a man, and fix our attention on his infirmities! to observe his imperfections more than his virtues! and to make use of him for the sport of others, rather than for our own improvement!  480
  We therefore very often find that persons the most accomplished in ridicule are those that are very shrewd at hitting a blot, without exerting anything masterly in themselves.
Joseph Addison: Spectator, No. 249.    
  481
 
  I do not mean, by what I have here said, that I think any one to blame for taking due care of their health. On the contrary, as cheerfulness of mind, and capacity for business, are in a great measure the effects of a well-tempered constitution, a man cannot be at too much pains to cultivate and preserve it. But this care, which we are prompted to, not only by common sense, but by duty and instinct, should never engage us in groundless fears, melancholy apprehensions, and imaginary distempers, which are natural to every man who is more anxious to live than how to live. In short, the preservation of life should be only a secondary concern, and the direction of it our principal. If we have this frame of mind, we shall take the best means to preserve life, without being over-solicitous about the event; and shall arrive at that point of felicity which Martial has mentioned as the perfection of happiness, of neither fearing nor wishing for death.
Joseph Addison: Spectator, No. 25.    
  482
 
  And here give me leave to mention what Monsieur Boileau has so very well enlarged upon in the preface to his works, that wit and fine writing do not consist so much in advancing things that are new, as in giving things that are known an agreeable turn. It is impossible for us, who live in the latter ages of the world, to make observations in criticism, morality, or in any art or science, which have not been touched upon by others. We have little else left us but to represent the common sense of mankind in more strong, more beautiful, or more uncommon lights. If a reader examines Horace’s Art of Poetry, he will find but very few precepts in it which he may not meet with in Aristotle, and which were not commonly known by all the poets of the Augustan age.
Joseph Addison: Spectator, No. 253.    
  483
 
  For this reason I think there is nothing in the world so tiresome as the works of those critics who write in a positive dogmatic way, without either language, genius, or imagination. If the reader would see how the best of the Latin critics wrote, he may find their manner very beautifully described in the characters of Horace, Petronius, Quintilian, and Longinus, as they are drawn in the essay of which I am now speaking.
Joseph Addison: Spectator, No. 253.    
  484
 
  I need not tell my reader that I here point at the reign of Augustus; and I believe he will be of my opinion, that neither Virgil nor Horace would have gained so great a reputation in the world, had they not been the friends and admirers of each other. Indeed, all the great writers of that age, for whom singly we have so great an esteem, stand up together as vouchers for one another’s reputation, But at the same time that Virgil was celebrated by Gallus, Propertius, Horace, Varius, Tucca, and Ovid, we know that Bavius and Mævius were his declared foes and calumniators.
Joseph Addison: Spectator, No. 253.    
  485
 
  The soul, considered abstractedly from its passions, is of a remiss and sedentary nature, slow in its resolves, and languishing in its executions. The use therefore of the passions is to stir it up and to put it upon action, to awaken the understanding, to enforce the will, and to make the whole man more vigorous and attentive in the prosecution of his designs. As this is the end of the passions in general, so it is particularly of ambition, which pushes the soul to such actions as are apt to procure honour and reputation to the actor. But if we carry out reflections higher, we may discover farther ends of Providence in implanting this passion in mankind.  486
  It was necessary for the world that arts should be invented and improved, books written and transmitted to posterity, nations conquered and civilized. Now, since the proper and genuine motives to these, and the like great actions, would only influence virtuous minds, there would be but small improvements in the world were there not some common principle of action working equally with all men: and such a principle is ambition, or a desire of fame, by which great endowments are not suffered to lie idle and useless to the public, and many vicious men are over-reached, as it were, and engaged, contrary to their natural inclinations, in a glorious and laudable course of action. For we may farther observe that men of the greatest abilities are most fired with ambition; and that, on the contrary, mean and narrow minds are the least actuated by it: whether it be that a man’s sense of his own incapacities makes him despair of coming at fame, or that he has not enough range of thought to look out for any good which does not more immediately relate to his interest or convenience; or that Providence, in the very frame of his soul, would not subject him to such a passion as would be useless to the world and a torment to himself.  487
  Were not this desire of fame very strong, the difficulty of obtaining it, and the danger of losing it when obtained, would be sufficient to deter a man from so vain a pursuit.
Joseph Addison: Spectator, No. 255.    
  488
 
  Besides, this very desire of fame is looked on as a meanness and imperfection in the greatest character. A solid and substantial greatness of soul looks down with a generous neglect on the censures and applauses of the multitude, and places a man beyond the little noise and strife of tongues. Accordingly, we find in ourselves a secret awe and veneration for the character of one who moves above us in a regular and illustrious course of virtue, without any regard to our good or ill opinions of him, to our reproaches or commendations. As, on the contrary, it is usual for us, when we would take off from the fame and reputation of an action, to ascribe it to vainglory and a desire of fame in the actor. Nor is this common judgment and opinion of mankind ill founded; for certainly it denotes no great bravery of mind to be worked up to any noble action by so selfish a motive, and to do that out of a desire of fame which we could not be prompted to by a disinterested love to mankind, or by a generous passion for the glory of Him who made us.
Joseph Addison: Spectator, No. 255.    
  489
 
  So inconsiderable is the satisfaction that fame brings along with it, and so great the disquietudes to which it makes us liable. The desire of it stirs up very uneasy motions in the mind, and is rather inflamed than satisfied by the presence of the thing desired. The enjoyment of it brings but very little pleasure, though the loss or want of it be very sensible and afflicting; and even this little happiness is so very precarious that it wholly depends upon the will of others. We are not only tortured by the reproaches which are offered us, but are disappointed by the silence of men when it is unexpected, and humbled even by their praises.
Joseph Addison: Spectator, No. 256.    
  490
 
  As the Supreme Being is the only proper judge of our perfections, so he is the only fit rewarder of them. This is a consideration that comes home to our interest, as the other adapts itself to our ambition. And what could the most aspiring or the most selfish man desire more, were he to form the notion of a Being to whom he would recommend himself, than such a knowledge as can discover the least appearance of perfection in him, and such a goodness as will proportion a reward to it?  491
  Let the ambitious man, therefore, turn all his desire of fame this way; and, that he may propose to himself a fame worthy of his ambition, let him consider, that if he employs his abilities to the best advantage, the time will come when the Supreme Governor of the world, the great Judge of mankind, who sees every degree of perfection in others, and possesses all possible perfection in himself, shall proclaim his worth before men and angels, and pronounce to him in the presence of the whole creation that best and most significant of applauses, “Well done, thou good and faithful servant, enter thou into thy Master’s joy.”
Joseph Addison: Spectator, No. 257.    
  492
 
  There are many virtues which in their own nature are incapable of any outward representation; many silent perfections in the soul of a good man, which are great ornaments to human nature, but not able to discover themselves to the knowledge of others; they are transacted in private without noise or show, and are only visible to the great Searcher of hearts. What actions can express the entire purity of thought which refines and sanctifies a virtuous man? That secret rest and contentedness of mind which gives him a perfect enjoyment of his present condition? That inward pleasure and complacency which he feels in doing good? That delight and satisfaction which he takes in the prosperity and happiness of another?
Joseph Addison: Spectator, No. 257.    
  493
 
  Some virtues are only seen in affliction, and some in prosperity.
Joseph Addison: Spectator, No. 257.    
  494
 
  When I look upon the tombs of the great, every motion of envy dies in me; when I read the epitaphs of the beautiful, every inordinate I desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow. When I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind. When I read the several dates of the tombs, of some that died yesterday, and some six hundred years ago, I consider that great day when we shall all of us be contemporaries, and make our appearance together.
Joseph Addison: Spectator, No. 26 (Visit to Westminster Abbey).    
  495
 
  The pleasantest part of a man’s life is generally that which passes in courtship, provided his passion be sincere, and the party beloved kind with discretion.
Joseph Addison: Spectator, No. 261.    
  496
 
  Those marriages generally abound most with love and constancy that are preceded by a long courtship. The passion should strike root, and gather strength before marriage be grafted on it. A long course of hopes and expectations fixes the idea in our minds, and habituates us to a fondness of the person beloved.
Joseph Addison: Spectator, No. 261.    
  497
 
  Of all disparities, that in humour makes the most unhappy marriages, yet scarce enters into our thoughts at the contracting of them. Several that are in this respect unequally yoked, and uneasy for life with a person of a particular character, might have been pleased and happy with a person of a contrary one, notwithstanding they are both perhaps equally virtuous and laudable in their kind.
Joseph Addison: Spectator, No. 261.    
  498
 
  Before marriage we cannot be too inquisitive and discerning in the faults of the person beloved, nor after it too dim-sighted and superficial. However perfect and accomplished the person appears to you at a distance, you will find many blemishes and imperfections in her humour, upon a more intimate acquaintance, which you never discovered or perhaps suspected. Here, therefore, discretion and good nature are to show their strength; the first will hinder your thoughts from dwelling on what is disagreeable, the other will raise in you all the tenderness of compassion and humanity, and by degrees soften those very imperfections into beauties.
Joseph Addison: Spectator, No. 261.    
  499
 
  Marriage enlarges the scene of our happiness and miseries. A marriage of love is pleasant; a marriage of interest, easy; and a marriage where both meet, happy. A happy marriage has in it all the pleasures of friendship, all the enjoyments of sense and reason, and indeed all the sweets of life.
Joseph Addison: Spectator, No. 261.    
  500
 
  [Irus] seriously considered he was poor, and the general horror which most men have of all who are in that condition. Irus judged, very rightly, that while he could keep his poverty a secret he should not feel the weight of it: he improved this thought into an affectation of closeness and covetousness…. Irus has, ever since he came into this neighborhood, given all the intimations he could of being a close hunks worth money.
Joseph Addison: Spectator, No. 264.    
  501
 
  Aristotle himself allows that Homer has nothing to boast of as to the unity of his fable, though at the same time that great critic and philosopher endeavoured to palliate this imperfection in the Greek poet, by imputing it in some measure to the very nature of an epic poem. Some have been of opinion that the Æneid also labours in this particular, and has Episodes which may be looked upon as excrescences rather than as parts of the action.
Joseph Addison: Spectator, No. 267.    
  502
 
  The first thing to be considered in an epic poem is the fable, which is perfect or imperfect according as the action which it relates is more or less so. This action should have three qualifications in it. First, it should be but one action; secondly, it should be an entire action; and, thirdly, it should be a great action.
Joseph Addison: Spectator, No. 267.    
  503
 
  Homer has excelled all the heroic poets that ever wrote in the multitude and variety of his characters. Every god that is admitted into his poem acts a part which would have been suitable to no other deity. His princes are as much distinguished by their manners as by their dominions; and even those among them, whose characters seem wholly made up of courage, differ from one another as to the particular kinds of courage in which they excel. In short, there is scarce a speech or action in the Iliad which the reader may not ascribe to the person who speaks or acts, without seeing his name at the head of it. Homer does not only outshine all other poets in the variety, but also in the novelty of his characters.
Joseph Addison: Spectator, No. 273.    
  504
 
  If we look into the characters of Milton, we shall find that he has introduced all the variety his fable was capable of receiving. The whole species of mankind was in two persons at the time to which the subject of his poem is confined. We have, however, four distinct characters in these two persons. We see man and woman in the highest innocence and perfection, and in the most abject state of guilt and infirmity. The two last characters are, indeed, very common and obvious, but the two first are not only more magnificent, but more new than any characters either in Virgil or Homer, or indeed in the whole circle of nature.
Joseph Addison: Spectator, No. 273.    
  505
 
  Milton’s poem is admirable in this respect, since it is impossible for any of its readers, whatever nation, country, or people he may belong to, not to be related to the persons who are the principal actors in it; but what is still infinitely more to its advantage, the principal actors in this poem are not only our progenitors, but our representatives. We have an actual interest in everything they do, and no less than our utmost happiness is concerned and lies at stake in all their behaviour.
Joseph Addison: Spectator, No. 273.    
  506
 
  Virgil falls infinitely short of Homer in the characters of his poem, both as to their variety and novelty. Æneas is indeed a perfect character; but as for Achates, though he is styled the hero’s friend, he does nothing in the whole poem which may deserve that title. Gyas, Mnestheus, Sergestus, and Cloanthes, are all of them men of the same stamp and character.
Joseph Addison: Spectator, No. 273.    
  507
 
  Milton’s chief talent, and indeed his distinguishing excellence, lies in the sublimity of his thoughts. There are others of the moderns who rival him in every other part of poetry; but in the greatness of his sentiments he triumphs over all the poets both modern and ancient, Homer only excepted. It is impossible for the imagination of man to distend itself with greater ideas than those which he has laid together in his first, second, and sixth books.
Joseph Addison: Spectator, No. 279.    
  508
 
  Nor is it sufficient for an epic poem to be filled with such thoughts as are natural, unless it abound also with such as are sublime. Virgil in this particular falls short of Homer. He has not indeed so many thoughts that are low and vulgar; but at the same time has not so many thoughts that are sublime and noble. The truth of it is, Virgil seldom rises into very astonishing sentiments, when he is not fired by the Iliad. He everywhere charms and pleases us by the force of his own genius; but seldom elevates and transports us where he does not fetch his hints from Homer.
Joseph Addison: Spectator, No. 279.    
  509
 
  But in all despotic governments, though a particular prince may favour arts and letters, there is a natural degeneracy of mankind, as you may observe from Augustus’s reign, how the Romans lost themselves by degrees until they fell to an equality with the most barbarous nations that surrounded them. Look upon Greece under its free states, and you would think its inhabitants lived in different climates and under different heavens from those at present, so different are the geniuses which are formed under Turkish slavery, and Grecian liberty.  510
  Besides poverty and want, there are other reasons that debase the minds of men who live under slavery, though I look on this as the principal. This natural tendency of despotic power to ignorance and barbarity, though not insisted upon by others, is, I think, an unanswerable argument against that form of government, as it shows how repugnant it is to the good of mankind, and the perfection of human nature, which ought to be the great ends of all civil institutions.
Joseph Addison: Spectator, No. 287.    
  511
 
  An honest private man often grows cruel and abandoned when converted into an absolute prince. Give a man power of doing what he pleases with impunity, you extinguish his fear, and consequently overturn in him one of the great pillars of morality. This too we find confirmed by matter of fact. How many hopeful heirs-apparent to grand empires, when in the possession of them have become such monsters of lust and cruelty as are a reproach to human nature!
Joseph Addison: Spectator, No. 287.    
  512
 
  This liberty is best preserved, where the legislative power is lodged in several persons, especially if those persons are of different ranks and interests; for where they are of the same rank, and consequently have an interest to manage peculiar to that rank, it differs but little from a despotical government in a single person. But the greatest security a people can have for their liberty, is when the legislative power is in the hands of persons so happily distinguished, that by providing for the particular interests of their several ranks, they are providing for the whole body of the people; or, in other words, when there is no part of the people that has not a common interest with at least one part of the legislators. If there be but one body of legislators, it is no better than a tyranny; if there are only two, there will want a casting voice, and one of them must at length be swallowed up by disputes and contentions that will necessarily arise between them.
Joseph Addison: Spectator, No. 287.    
  513
 
  The truth of it is, there is nothing in history which is so improving to the reader as those accounts which we meet with of the deaths of eminent persons and of their behaviour in that dreadful season. I may also add that there are no parts in history which affect and please the reader in so sensible a manner. The reason I take to be this: there is no other single circumstance in the story of any person, which can possibly be the case of every one who reads it. A battle or a triumph are conjunctures in which not one man in a million is likely to be engaged: but when we see a person at the point of death, we cannot forbear being attentive to everything he says or does, because we are sure that some time or other we shall ourselves be in the same melancholy circumstances. The general, the statesman, or the philosopher, are perhaps characters which we may never act in, but the dying man is one whom, sooner or later, we shall certainly resemble.
Joseph Addison: Spectator, No. 289.    
  514
 
  In short, I would have every one consider that he is in this life nothing more than a passenger, and that he is not to set up his rest here, but to keep an attentive eye upon that state of being to which he approaches every moment, and which will be forever fixed and permanent. This single consideration would be sufficient to extinguish the bitterness of hatred, the thirst of avarice, and the cruelty of ambition.  515
  I am very much pleased with the passage of Antiphanes, a very ancient poet, who lived near a hundred years before Socrates, which represents the life of man under this view, as I have here translated it word for word. “Be not grieved,” says he, “above measure for thy deceased friends. They are not dead, but have only finished the journey which it is necessary for every one of us to take. We ourselves must go to that great place of reception in which they are all of them assembled, and, in this general rendezvous of mankind, live together in another state of being.” I think I have, in a former paper, taken notice of those beautiful metaphors in Scripture, where life is termed a pilgrimage, and those who pass through it are called strangers and sojourners upon earth.
Joseph Addison: Spectator, No. 289.    
  516
 
  Above all, I would have them well versed in the Greek and Latin poets, without which a man very often fancies that he understands a critic, when in reality he does not comprehend his meaning. It is in criticism as in all other sciences and speculations; one who brings with him any implicit notions and observations, which he has made in his reading of the poets, will find his own reflections methodized and explained, and perhaps several little hints that had passed in his mind, perfected and improved in the works of a good critic; whereas one who has not these previous lights is very often an utter stranger to what he reads, and apt to put a wrong interpretation upon it.  517
  Nor is it sufficient that a man, who sets up for a judge in criticism, should have perused the authors above-mentioned, unless he has also a clear and logical head. Without this talent he is perpetually puzzled and perplexed amidst his own blunders, mistakes the sense of those he would confute, or, if he chances to think right, does not know how to convey his thoughts to another with clearness and perspicuity. Aristotle, who was the best critic, was also one of the best logicians that ever appeared in the world.
Joseph Addison: Spectator, No. 291.    
  518
 
  I might farther observe that there is not a Greek or Latin critic, who has not shown, even in the style of his criticisms, that he was a master of all the elegance and delicacy of his native tongue.  519
  The truth of it is, there is nothing more absurd than for a man to set up for a critic, without a good insight into all the parts of learning; whereas many of those, who have endeavoured to signalize themselves by works of this nature, among our English writers, are not only defective in the above-mentioned particulars, but plainly discover, by the phrases which they make use of, and by their confused way of thinking, that they are not acquainted with the most common and ordinary systems of arts and sciences. A few general rules extracted out of the French authors, with a certain cant of words, has sometimes set up an illiterate heavy writer for a most judicious and formidable critic.
Joseph Addison: Spectator, No. 291.    
  520
 
  One great mark by which you may discover a critic who has neither taste nor learning, is this: that he seldom ventures to praise any passage in an author which has not been before received and applauded by the public, and that his criticism turns wholly upon little faults and errors. This part of a critic is so very easy to succeed in, that we find every ordinary reader, upon the publishing of a new poem, has wit and ill nature enough to turn several passages of it into ridicule, and very often in the right place. This Mr. Dryden has very agreeably remarked in these two celebrated lines:
        “Errors, like straws, upon the surface flow;
He who would search for pearls must dive below.”
  521
  A true critic ought to dwell rather upon excellences than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation. The most exquisite words, and finest strokes of an author, are those which very often appear the most doubtful and exceptionable to a man who wants a relish for polite learning; and they are those which a sour undistinguishing critic generally attacks with the greatest violence.
Joseph Addison: Spectator, No. 291.    
  522
 
  Besides, a man who has the gift of ridicule is apt to find fault with anything that gives him an opportunity of exerting his beloved talent, and very often censures a passage, not because there is any fault in it, but because he can be merry upon it. Such kinds of pleasantry are very unfair and disingenuous in works of criticism, in which the greatest masters, both ancient and modern, have always appeared with a serious and instructive air.
Joseph Addison: Spectator, No. 291.    
  523
 
  A man who cannot write with wit on a proper subject is dull and stupid; but one who shows it in an improper place is as impertinent and absurd.
Joseph Addison: Spectator, No. 291.    
  524
 
  Nay, it very often happens that prudence, which has always in it a great mixture of caution, hinders a man from being so fortunate as he might possibly have been without it. A person who only aims at what is likely to succeed, and follows closely the dictates of human prudence, never meets with those great and unforeseen successes, which are often the effect of a more sanguine temper or a more happy rashness; and this perhaps may be the reason that, according to the common observation, Fortune, like other females, delights rather in favouring the young than the old.
Joseph Addison: Spectator, No. 293.    
  525
 
  Those who believe a future state of rewards and punishments act very absurdly if they form their opinions of a man’s merit from his successes. But certainly, if I thought the whole circle of our being was included between our births and deaths, I should think a man’s good fortune the measure and standard of his real merit, since Providence would have no opportunity of rewarding his virtue and perfections, but in the present life. A virtuous unbeliever, who lies under the pressure of misfortunes, has reason to cry out, as they say Brutus did, a little before his death, “O virtue, I have worshipped thee as a substantial good, but I find thou art an empty name.”
Joseph Addison: Spectator, No. 293.    
  526
 
  The fable of every poem is, according to Aristotle’s division, either simple or implex. It is called simple when there is no change of fortune in it; implex, when the fortune of the chief actor changes from bad to good, or from good to bad. The implex fable is thought the most perfect: I suppose, because it is more proper to stir up the passions of the reader, and to surprise him with a greater variety of accidents.
Joseph Addison: Spectator, No. 297.    
  527
 
  In short, if we look into the conduct of Homer, Virgil, and Milton, as the great fable is the soul of each poem, so, to give their works an agreeable variety, their episodes are so many short fables, and their similes so many short episodes; to which you may add, if you please, that their metaphors are so many short similes.
Joseph Addison: Spectator, No. 303.    
  528
 
  Ask any of the husbands of your great beauties, and they will tell you that they hate their wives nine hours of every day they pass together. There is such a particularity ever affected by them that they are encumbered with their charms in all they say or do. They pray at public devotions as they are beauties. They converse on ordinary occasions as they are beauties…. Good nature will always supply the absence of beauty, but beauty cannot long supply the absence of good nature.
Joseph Addison: Spectator, No. 306.    
  529
 
  I have before observed in general, that the persons whom Milton introduces into his poem always discover such sentiments and behaviour as are in a peculiar manner conformable to their respective characters. Every circumstance in their speeches and actions is with great justice and delicacy adapted to the persons who speak and act.
Joseph Addison: Spectator, No. 309.    
  530
 
  Horace advises a poet to consider thoroughly the nature and force of his genius. Milton seems to have known perfectly well wherein his strength lay, and has therefore chosen a subject entirely conformable to those talents of which he was master. As his genius was wonderfully turned to the sublime, his subject was the noblest that could have entered into the thoughts of man. Everything that is truly great and astonishing has a place in it. The whole system of the intellectual world; the chaos and the creation; heaven, earth, and hell; enter into the constitution of his poem.
Joseph Addison: Spectator, No. 315.    
  531
 
  Augustus, a few minutes before his death, asked his friends who stood about him, if they thought he had acted his part well; and upon receiving such an answer as was due to his extraordinary merit, “Let me then,” says he, “go off the stage with your applause;” using the expression with which the Roman actors made their exit at the conclusion of a dramatic piece. I could wish that men, while they are in health, would consider well the nature of the part they are engaged in, and what figure it will make in the minds they leave behind them, whether it was worth coming into the world for; whether it be suitable to a reasonable being; in short, whether it appears graceful in this life, or will turn to advantage in the next.
Joseph Addison: Spectator, No. 317.    
  532
 
  The Paradise Lost is looked upon, by the best judges, as the greatest production, or at least the noblest work of genius, in our language, and therefore deserves to be set before an English reader in its full beauty.
Joseph Addison: Spectator, No. 321.    
  533
 
  Longinus has observed that there may be a loftiness in sentiments where there is no passion, and brings instances out of ancient authors to support this his opinion. The pathetic, as that great critic observes, may animate and inflame the sublime, but is not essential to it. Accordingly, as he further remarks, we very often find that those who excel most in stirring up the passions very often want the talent of writing in the great and sublime manner, and so on the contrary. Milton has shown himself a master in both these ways of writing.
Joseph Addison: Spectator, No. 339.    
  534
 
  The critic above mentioned [Longinus], among the rules which he lays down for succeeding in the sublime way of writing, proposes to his reader that he should imitate the most celebrated authors who have gone before him and have been engaged in works of the same nature; as in particular that, if he writes on a poetical subject, he should consider how Homer would have spoken on such an occasion. By this means one great genius often catches the flame from another, and writes in his spirit, without copying servilely after him. There are a thousand shining passages in Virgil, which have been lighted up by Homer.  535
  Milton, though his own natural genius was capable of furnishing out a perfect work, has doubtless very much raised and ennobled his conceptions by such an imitation as that which Longinus has recommended.
Joseph Addison: Spectator, No. 339.    
  536
 
  I am very much pleased with a consolatory letter of Phalaris, to one who had lost a son who was a young man of great merit. The thought with which he comforts the afflicted father is, to the best of my memory, as follows: That he should consider death had set a kind of seal upon his son’s character, and placed him out of the reach of vice and infamy; that, while he lived, he was still within the possibility of falling away from virtue, and losing the fame of which he was possessed. Death only closes a man’s reputation, and determines it as good or bad.  537
  This, among other motives, may be one reason why we are naturally averse to the launching out into a man’s praise till his head is laid in the dust. Whilst he is capable of changing, we may be forced to retract our opinions. He may forfeit the esteem we have conceived of him, and some time or other appear to us under a different light from what he does at present. In short, as the life of any man cannot be called happy or unhappy, so neither can it be pronounced vicious or virtuous, before the conclusion of it.  538
  It was upon this consideration that Epaminondas, being asked whether Chabrias, Iphicrates, or he himself, deserved most to be esteemed? “You must first see us die,” saith he, “before that question can be answered.”  539
  As there is not a more melancholy consideration to a good man than his being obnoxious to such a change, so there is nothing more glorious than to keep up a uniformity in his actions and preserve the beauty of his character to the last.
Joseph Addison: Spectator, No. 349.    
  540
 
  If the ingenious author above mentioned [St. Evremond] was so pleased with gaiety of humour in a dying man, he might have found a much nobler instance of it in our countryman Sir Thomas More.  541
  This great and learned man was famous for enlivening his ordinary discourses with wit and pleasantry; and, as Erasmus tells him in an epistle dedicatory, acted in all parts of life like a second Democritus.  542
  He died upon a point of religion, and is respected as a martyr by that side for which he suffered. That innocent mirth, which had been so conspicuous in his life, did not forsake him to the last. He maintained the same cheerfulness of heart upon the scaffold which he used to show at his table; and upon laying his head on the block, gave instances of that good humour with which he had always entertained his friends in the most ordinary occurrences. His death was of a piece with his life. There was nothing in it new, forced, or affected. He did not look upon the severing his head from his body as a circumstance that ought to produce any change in the disposition of his mind; and, as he died under a fixed and settled hope of immortality, he thought any unusual degree of sorrow and concern improper on such an occasion as had nothing in it which could deject or terrify him.
Joseph Addison: Spectator, No. 349.    
  543
 
  Among all kinds of writing, there is none in which authors are more apt to miscarry than in works of humour, as there is none in which they are more ambitious to excel. It is not an imagination that teems with monsters, a head that is filled with extravagant conceptions, which is capable of furnishing the world with diversions of this nature; and yet if we look into the productions of several writers who set up for men of humour, what wild, irregular fancies, what unnatural distortions of thought do we meet with! If they speak nonsense, they believe they are talking humour; and when they have drawn together a scheme of absurd, inconsistent ideas, they are not able to read it over to themselves without laughing. These poor gentlemen endeavour to gain themselves the reputation of wits and humorists, by such monstrous conceits as almost qualify them for Bedlam; not considering that humour should always lie under the check of reason, and that it requires the direction of the nicest judgment, by so much the more as it indulges itself in the most boundless freedoms. There is a kind of nature that is to be observed in this sort of compositions as well as in all other; and a certain regularity of thought which must discover the writer to be a man of sense, at the same time that he appears altogether given up to caprice.
Joseph Addison: Spectator, No. 35.    
  544
 
  I shall set down at length the genealogical table of False Humour, and, at the same time, place under it the genealogy of True Humour, that the reader may at one view behold their different pedigrees and relations:
        
Falsehood.
Nonsense.
Frenzy.—Laughter.
False Humour.
  
Truth.
Good Sense.
Wit.—Mirth.
Humour.
Joseph Addison: Spectator, No. 35.    
  545
 
  Atheism, by which I mean a disbelief of a Supreme Being, and consequently of a future state, under whatsoever titles it shelter itself, may likewise very reasonably deprive a man of this cheerfulness of temper. There is something so particularly gloomy and offensive to human nature in the prospect of non-existence, that I cannot but wonder, with many excellent writers, how it is possible for a man to outlive the expectation of it.
Joseph Addison: Spectator, No. 381.    
  546
 
  If we consider cheerfulness in three lights, with regard to ourselves, to those we converse with, and to the great Author of our being, it will not a little recommend itself on each of these accounts. The man who is possessed of this excellent frame of mind is not only easy in his thoughts, but a perfect master of all the powers and faculties of his soul. His imagination is always clear, and his judgment undisturbed; his temper is even and unruffled, whether in action or in solitude. He comes with relish to all those goods which nature has provided for him, tastes all the pleasures of the creation which are poured about him, and does not feel the full weight of those accidental evils which may befall him.  547
  If we consider him in relation to the persons whom he converses with, it naturally produces love and good will towards him. A cheerful mind is not only disposed to be affable and obliging, but raises the same good humour in those who come within its influence. A man finds himself pleased, he does not know why, with the cheerfulness of his companion. It is like a sudden sunshine that awakens a secret delight in the mind, without her attending to it. The heart rejoices of its own accord, and naturally flows out into friendship and benevolence towards the person who has so kindly an effect upon it.  548
  When I consider this cheerful state of mind in its third relation, I cannot but look upon it as a constant habitual gratitude to the great Author of nature. An inward cheerfulness is an implicit praise and thanksgiving to Providence under all its dispensations. It is a kind of acquiescence in the state wherein we are placed, and a secret approbation of the Divine Will in his conduct towards man.
Joseph Addison: Spectator, No. 381.    
  549
 
  Pain and sickness, shame and reproach, poverty and old age, nay, death itself, considering the shortness of their duration, and the advantage we may reap from them, do not deserve the name of evils. A good mind may bear up under them with fortitude, with indolence, and with cheerfulness of heart. The tossing of a tempest does not discompose him which he is sure will bring him to a joyful harbour.
Joseph Addison: Spectator, No. 381.    
  550
 
  The second source of cheerfulness to a good mind is the consideration of that Being on whom we have our dependence, and in whom, though we behold him as yet but in the first faint discoveries of his perfections, we see everything that we can imagine as great, glorious, or amiable. We find ourselves everywhere upheld by his goodness, and surrounded with an immensity of love and mercy. In short, we depend upon a Being whose power qualifies him to make us happy by an infinity of means, whose goodness and truth engage him to make those happy who desire it of him, and whose unchangeableness will secure us in this happiness to all eternity.  551
  Such considerations, which every one should perpetually cherish in his thoughts, will banish from us all that secret heaviness of heart which unthinking men are subject to when they lie under no real affliction; all that anguish which we may feel from any evil that actually oppresses us, to which I may likewise add those little cracklings of mirth and folly that are apter to betray virtue than to support it; and establish in us such an even and cheerful temper as makes us pleasing to ourselves, to those with whom we converse, and to Him whom we were made to please.
Joseph Addison: Spectator, No. 381.    
  552
 
  I have always preferred cheerfulness to mirth. The latter I consider as an act, the former as a habit of the mind. Mirth is short and transient, cheerfulness fixed and permanent. Those are often raised into the greatest transports of mirth who are subject to the greatest depressions of melancholy. On the contrary, cheerfulness, though it does not give the mind such an exquisite gladness, prevents us from falling into any depths of sorrow. Mirth is like a flash of lightning, that breaks through a gloom of clouds, and glitters for a moment; cheerfulness keeps up a kind of daylight in the mind, and tills it with a steady and perpetual serenity.
Joseph Addison: Spectator, No. 381.    
  553
 
  Cheerfulness is, in the first place, the best promoter of health. Repinings, and secret murmurs of heart, give imperceptible strokes to those delicate fibres of which the vital parts are composed, and wear out the machine insensibly; not to mention those violent ferments which they stir up in the blood, and those irregular disturbed motions which they raise in the animal spirits. I scarce remember, in my own observation, to have met with many old men, or with such who (to use our English phrase) wear well, that had not at least a certain indolence in their humour, if not a more than ordinary gaiety and cheerfulness of heart. The truth of it is, health and cheerfulness mutually beget each other; with this difference, that we seldom meet with a great degree of health which is not attended with a certain cheerfulness, but very often see cheerfulness where there is no great degree of health.  554
  Cheerfulness bears the same friendly regard to the mind as to the body. It banishes all anxious care and discontent, soothes and composes the passions, and keeps the soul in a perpetual calm.
Joseph Addison: Spectator, No. 387.    
  555
 
  I the more inculcate this cheerfulness of temper, as it is a virtue in which our countrymen are observed to be more deficient than any other nation. Melancholy is a kind of demon that haunts our island, and often conveys himself to us in an easterly wind. A celebrated French novelist, in opposition to those who begin their romances with the flowery season of the year, enters on his story thus: “In the gloomy month of November, when the people of England hang and drown themselves, a disconsolate lover walked out into the fields,” etc.  556
  Every one ought to fence against the temper of his climate or constitution, and frequently to indulge in himself those considerations which may give him a serenity of mind, and enable him to bear up cheerfully against those little evils and misfortunes which are common to human nature, and which, by a right improvement of them, will produce a satiety of joy, and an uninterrupted happiness.
Joseph Addison: Spectator, No. 387.    
  557
 
  I shall not here mention the several entertainments of art, with the pleasures of friendship, books, conversation, and other accidental diversions of life, because I would only take notice of such incitements to a cheerful temper as offer themselves to persons of all ranks and conditions, and which may sufficiently show us that Providence did not design this world should be filled with murmurs and repinings, or that the heart of man should be involved in gloom and melancholy.
Joseph Addison: Spectator, No. 387.    
  558
 
  I must in the next place observe that, when our thoughts are great and just, they are often obscured by the sounding phrases, hard metaphors, and forced expressions in which they are clothed. Shakspeare is often very faulty in this particular.
Joseph Addison: Spectator, No. 39.    
  559
 
  As a perfect tragedy is the noblest production of human nature, so it is capable of giving the mind one of the most delightful and most improving entertainments. A virtuous man (says Seneca) struggling with misfortunes, is such a spectacle as gods might look upon with pleasure, and such a pleasure it is which one meets with in the representation of a well-written tragedy.  560
  … The modern tragedy excels that of Greece and Rome in the intricacy and disposition of the fable; but, what a Christian writer would be ashamed to own, falls infinitely short of it in the moral part of the performance.
Joseph Addison: Spectator, No. 39.    
  561
 
  Since I am upon this subject, I must observe that our English poets have succeeded much better in the style than in the sentiments of their tragedies. Their language is very often noble and sonorous, but the sense either very trifling, or very common. On the contrary, in the ancient tragedies, and indeed in those of Corneille and Racine, though the expressions are very great, it is the thought that bears them up and swells them.
Joseph Addison: Spectator, No. 39.    
  562
 
  A friend exaggerates a man’s virtues, an enemy inflames his crimes. A wise man should give a just attention to both of them, so far as they may tend to the improvement of the one and diminution of the other. Plutarch has written an essay on the benefits which a man may receive from his enemies, and, among the good fruits of enmity, mentions this in particular, that by the reproaches which it casts upon us we see the worst side of ourselves, and open our eyes to several blemishes and defects in our lives and conversations, which we should not have observed without the help of such ill-natured monitors.
Joseph Addison: Spectator, No. 399.    
  563
 
  We would establish our souls in such a solid and substantial virtue as will turn to account in that great day when it must stand the test of infinite wisdom and justice.
Joseph Addison: Spectator, No. 399.    
  564
 
  Intemperate zeal, bigotry, and persecution for any party or opinion, how praiseworthy soever they may appear to weak men of our own principles, produce infinite calamities among mankind, and are highly criminal in their own nature; and yet how many persons eminent for piety suffer such monstrous and absurd principles of action to take root in their minds under the colour of virtues! For my own part, I must own I never yet knew any party so just and reasonable, that a man could follow it in its height and violence, and at the same time be innocent.
Joseph Addison: Spectator, No. 399.    
  565
 
  The English writers of tragedy are possessed with a notion that when they represent a virtuous or innocent person in distress they ought not to leave him till they have delivered him out of his troubles, or made him triumph over his enemies. This error they have been led into by a ridiculous doctrine in modern criticism, that they are obliged to an equal distribution of rewards and punishments, and an impartial execution of poetical justice.
Joseph Addison: Spectator, No. 40.    
  566
 
  The first original of the drama was a religious worship, consisting only of a chorus, which was nothing else but a hymn to a deity. As luxury and voluptuousness prevailed over innocence and religion, this form of worship degenerated into tragedies; in which, however, the chorus so far remembered its first office as to brand everything that was vicious, and recommend everything that was laudable, to intercede with Heaven for the innocent, and to implore its vengeance on the criminal.  567
  Homer and Hesiod intimate to us how this art should be applied when they represent the Muses as surrounding Jupiter and warbling their hymns about his throne.
Joseph Addison: Spectator, No. 405.    
  568
 
  If any one would judge of the beauties of poetry that are to be met with in the divine writings, and examine how kindly the Hebrew manners of speech mix and incorporate with the English language, after having perused the Book of Psalms let him read a literal translation of Horace or Pindar. He will find in these two last such an absurdity and confusion of style, with such a comparative poverty of imagination, as will make him very sensible of what I have been here advancing.
Joseph Addison: Spectator, No. 405.    
  569
 
  It happens very luckily that the Hebrew idioms run into the English tongue with a particular grace and beauty. Our language has received innumerable elegancies and improvements from that infusion of Hebraisms which are derived to it out of the poetical passages in holy writ. They give a force and energy to our expressions, warm and animate our language, and convey our thoughts in more ardent and intense phrases, than any that are to be met with in our own tongue.
Joseph Addison: Spectator, No. 405.    
  570
 
  Music, among those who were styled the chosen people, was a religious art. The songs of Sion, which we have reason to believe were in high repute among the courts of the Eastern monarchs, were nothing else but psalms and pieces of poetry that adored or celebrated the Supreme Being. The greatest conqueror in this holy nation, after the manner of the old Grecian lyrics, did not only compose the words of his divine odes, but generally set them to music himself: after which, his works, though they were consecrated to the tabernacle, became the national entertainment as well as the devotion of his people.
Joseph Addison: Spectator, No. 405.    
  571
 
  Most foreign writers, who have given any character of the English nation, whatever vices they ascribe to it, allow, in general, that the people are naturally modest. It proceeds perhaps from this our national virtue, that our orators are observed to make less gesture or action than those of other countries. Our preachers stand stock-still in the pulpit, and will not so much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of the hand, which are so much celebrated in the orators of Greece and Rome. We can talk of life and death in cold blood, and keep our temper in a discourse which turns upon everything that is dear to us. Though our zeal breaks out in the finest tropes and figures, it is not able to stir a limb about us.
Joseph Addison: Spectator, No. 407.    
  572
 
  We are told that the great Latin orator very much impaired his health by the laterum contentio, the vehemence of action, with which he used to deliver himself. The Greek orator was likewise so very famous for this particular in rhetoric, that one of his antagonists, whom he had banished from Athens, reading over the oration which had procured his banishment, and seeing his friends admire it, could not forbear asking them, if they were so much affected by the bare reading of it, how much more they would have been alarmed had they heard him actually throwing out such a storm of eloquence?  573
  How cold and dead a figure, in comparison of these two great men, does an orator often make at the British bar! holding up his head with the most insipid serenity, and stroking the sides of a long wig that reaches down to his middle!
Joseph Addison: Spectator, No. 407.    
  574
 
  Conversation with men of a polite genius is another method for improving our natural taste. It is impossible for a man of the greatest parts to consider anything in its whole extent, and in all of its variety of lights. Every man, besides those general observations which are to be made upon an author, forms several reflections that are peculiar to his own manner of thinking; so that conversation will naturally furnish us with hints which we did not attend to, and make us enjoy other men’s parts and reflections as well as our own.
Joseph Addison: Spectator, No. 409.    
  575
 
  It is likewise necessary for a man who would form to himself a finished taste of good writing to be well versed in the works of the best critics, both ancient and modern. I must confess that I could wish there were authors of this kind, who, besides the mechanical rules, which a man of very little taste may discourse upon, would enter into the very spirit and soul of fine writing, and show us the several sources of that pleasure which rises in the mind upon the perusal of a noble work.
Joseph Addison: Spectator, No. 409.    
  576
 
  A man who has any relish for fine writing either discovers new beauties, or receives stronger impressions, from the masterly strokes of a great author every time he peruses him; besides that he naturally wears himself into the same manner of speaking and thinking.
Joseph Addison: Spectator, No. 409.    
  577
 
  After having thus far explained what is generally meant by a fine taste in writing, and shown the propriety of the metaphor which is used on this occasion, I think I may define it to be “that faculty of the soul which discerns the beauties of an author with pleasure, and the imperfections with dislike.” If a man would know whether he is possessed of this faculty, I would have him read over the celebrated works of antiquity, which have stood the test of so many different ages and countries, or those works among the moderns which have the sanction of the politer part of our contemporaries. If upon the perusal of such writings he does not find himself delighted in an extraordinary manner, or if, upon reading the admired passages in such authors, he finds a coldness and indifference in his thoughts, he ought to conclude, not (as is too usual among tasteless readers) that the author wants those perfections which have been admired in him, but that he himself wants the faculty of discovering them.
Joseph Addison: Spectator, No. 409.    
  578
 
  A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows than another does in the possession. It gives him, indeed, a kind of property in everything he sees, and makes the most rude uncultivated parts of nature administer to his pleasures: so that he looks upon the world as it were in another light, and discovers in it a multitude of charms that conceal themselves from the generality of mankind.
Joseph Addison: Spectator, No. 411.    
  579
 
  There is nothing that makes its way more directly to the soul than beauty, which immediately diffuses a secret satisfaction and complacency through the imagination, and gives a finishing to anything that is great or uncommon. The very first discovery of it strikes the mind with an inward joy, and spreads a cheerfulness and delight through all its faculties.
Joseph Addison: Spectator, No. 412.    
  580
 
  There is a second kind of beauty that we find in the several products of art and nature; which does not work in the imagination with that warmth and violence as the beauty that appears in our proper species, but is apt, however, to raise in us a secret delight, and a kind of fondness for the places or objects in which we discover it. This consists either in the gaiety or variety of colours, in the symmetry and proportion of parts, in the arrangement and disposition of bodies, or in a just mixture and concurrence of all together. Among these several kinds of beauty the eye takes most delight in colours.
Joseph Addison: Spectator, No. 412.    
  581
 
  Groves, fields, and meadows are at any season of the year pleasant to look upon, but never so much as in the opening of the spring, when they are all new and fresh, with their first glow upon them, and not yet too much accustomed and familiar to the eye. For this reason there is nothing that more enlivens a prospect than rivers, jetteaus, or falls of water, where the scene is perpetually shifting, and entertaining the sight every moment with something that is new.
Joseph Addison: Spectator, No. 412.    
  582
 
  Everything that is new or uncommon raises a pleasure in the imagination, because it fills the soul with an agreeable surprise, gratifies its curiosity, and gives it an idea of which it was not before possessed. We are indeed so often conversant with one set of objects, and tired out with so many repeated shows of the same things, that whatever is new or uncommon contributes a little to vary human life, and to divert our minds for a while with the strangeness of its appearance. It serves us for a kind of refreshment, and takes off from that satiety we are apt to complain of, in our usual and ordinary entertainments. It is this that bestows charms on a monster, and makes even the imperfections of nature please us. It is this that recommends variety, where the mind is every instant called off to something new, and the attention not suffered to dwell too long and waste itself on any particular object. It is this, likewise, that improves what is great or beautiful, and makes it afford the mind a double entertainment.
Joseph Addison: Spectator, No. 412.    
  583
 
  There are indeed but very few who know how to be idle and innocent, or have a relish of any pleasures that are not criminal; every diversion they take is at the expense of some one virtue or another, and their very first step out of business is into vice or folly. A man should endeavour, therefore, to make the sphere of his innocent pleasures as wide as possible, that he may retire into them with safety, and find in them such a satisfaction as a wise man would not blush to take. Of this nature are those of the imagination, which do not require such a bent of thought as is necessary to our more serious employments, nor, at the same time, to sink into that negligence and remissness which are apt to accompany our more sensual delights, but, like a gentle exercise to the faculties, awaken them from sloth and idleness, without putting them upon labour or difficulty.
Joseph Addison: Spectator, No. 412.    
  584
 
  One of the final causes of our delight in anything that is great may be this: The Supreme Author of our being has so formed the soul of man, that nothing but Himself can be its last, adequate, and proper happiness. Because, therefore, a great part of our happiness must arise from the contemplation of his being, that he might give our souls a just relish for such a contemplation, he has made them naturally delight in the apprehension of what is great or unlimited.
Joseph Addison: Spectator, No. 413.    
  585
 
  He has annexed a secret pleasure to the idea of anything that is new or uncommon, that he might encourage us in the pursuit after knowledge, and engage us to search into the wonders of his creation: for every new idea brings such a pleasure with it as rewards any pains we have taken in its acquisition, and consequently serves as a motive to put us upon fresh discoveries.
Joseph Addison: Spectator, No. 413.    
  586
 
  One of the final causes of our delight in anything that is great may be this. The Supreme Author of our being has so formed the soul of man, that nothing but himself can be its last, adequate, and proper happiness. Because, therefore, a great part of our happiness must arise from the contemplation of his being, that he might give our souls a just relish for such a contemplation, he has made them naturally delight in the apprehension of what is great or unlimited.
Joseph Addison: Spectator, No. 413.    
  587
 
  Words, when well chosen, have so great a force in them, that a description often gives us more lively ideas than the sight of things themselves. The reader finds a scene drawn in stronger colours, and painted more to the life in his imagination, by the help of words, than by an actual survey of the scene which they describe. In this case the poet seems to get the better of nature: he takes, indeed, the landscape after her, but gives it more vigorous touches, heightens its beauty, and so enlivens the whole piece, that the images which flow from the objects themselves appear weak and faint, in comparison to those that come from the expressions.
Joseph Addison: Spectator, No. 416.    
  588
 
  Homer is in his province when he is describing a battle or a multitude, a hero or a god. Virgil is never better pleased than when he is in his elysium, or copying out an entertaining picture. Homer’s epithets generally mark out what is great; Virgil’s, what is agreeable. Nothing can be more magnificent than the figure Jupiter makes in the first Iliad, nor more charming than that of Venus in the first Æneid.
Joseph Addison: Spectator, No. 417.    
  589
 
  If I were to name a poet that is a perfect master in all these arts of working on the imagination, I think Milton may pass for one; and if his Paradise Lost falls short of the Æneid or Iliad in this respect, it proceeds rather from the fault of the language in which it is written, than from any defect of genius in the author. So divine a poem in English is like a stately palace built of brick, where one may see architecture in as great a perfection as one of marble, though the materials are of a coarser nature.
Joseph Addison: Spectator, No. 417.    
  590
 
  A poet should take as much pains in forming his imagination as a philosopher in cultivating his understanding. He must gain a due relish of the works of nature, and be thoroughly conversant in the various scenery of a country life.  591
  When he is stored with country images, if he would go beyond pastoral, and the lower kinds of poetry, he ought to acquaint himself with the pomp and magnificence of courts. He should be very well versed in everything that is noble and stately in the productions of art, whether it appear in painting or statuary; in the great works of architecture which are in their present glory, or in the ruins of those which flourished in former ages.
Joseph Addison: Spectator, No. 417.    
  592
 
  To have a true relish and form a right judgment of a description, a man should be born with a good imagination, and must have well weighed the force and energy that lie in the several words of a language, so as to be able to distinguish which are most significant and expressive of their proper ideas, and what additional strength and beauty they are capable of receiving from conjunction with others. The fancy must be warm, to retain the print of those images it hath received from outward objects, and the judgment discerning, to know what expressions are most proper to clothe and adorn them to the best advantage.
Joseph Addison: Spectator, No. 417.    
  593
 
  Among the English, Shakspeare has incomparably excelled all others. That noble extravagance of fancy, which he had in so great perfection, thoroughly qualified him to touch this weak superstitious part of his reader’s imagination; and made him capable of succeeding where he had nothing to support him besides the strength of his own genius. There is something so wild, and yet so solemn, in the speeches of his ghosts, fairies, witches, and the like imaginary persons, that we cannot forbear thinking them natural, though we have no rule by which to judge of them, and must confess, if there are such beings in the world, it looks highly probable they should talk and act as he has represented them.
Joseph Addison: Spectator, No. 419.    
  594
 
  Our forefathers looked upon nature with more reverence and horror, before the world was enlightened by learning and philosophy; and loved to astonish themselves with the apprehensions of witchcraft, prodigies, charms, and enchantments. There was not a village in England that had not a ghost in it; the church-yards were all haunted; every large common had a circle of fairies belonging to it; and there was not a shepherd to be met with who had not seen a spirit.
Joseph Addison: Spectator, No. 419.    
  595
 
  It is the most agreeable talent of an historian to be able to draw up his armies and fight his battles in proper expressions, to set before our eyes the divisions, cabals, and jealousies of great men, to lead us step by step into the several actions and events of his history. We love to see the subject unfolding itself by just degrees, and breaking upon us insensibly, so that we may be kept in a pleasing suspense, and have time given us to raise our expectations, and to side with one of the parties concerned in the relation. I confess this shows more the art than the veracity of the historian; but I am only to speak of him as he is qualified to please the imagination; and in this respect Livy has, perhaps, excelled all who ever went before him or have written since his time. He describes everything in so lively a manner that his whole history is an admirable picture, and touches on such proper circumstances in every story that his reader becomes a kind of spectator, and feels in himself all the variety of passions which are correspondent to the several parts of the relation.
Joseph Addison: Spectator, No. 420.    
  596
 
  The great art of a writer shows itself in the choice of pleasing allusions, which are generally to be taken from the great or beautiful works of art or nature; for, though whatever is new or uncommon is apt to delight the imagination, the chief design of an allusion being to illustrate and explain the passages of an author, it should be always borrowed from what is more known and common than the passages which are to be explained.
Joseph Addison: Spectator, No. 421.    
  597
 
  The pleasures of the imagination are not wholly confined to such particular authors as are conversant in material objects, but are often to be met with among the polite masters of morality, criticism, and other speculations abstracted from matter, who, though they do not directly treat of the visible parts of nature, often draw from them similitudes, metaphors, and allegories. By these allusions, a truth in the understanding is, as it were, reflected by the imagination; we are able to see something like colour and shape in a notion, and to discover a scheme of thoughts traced out upon matter. And here the mind receives a great deal of satisfaction, and has two of its faculties gratified at the same time, while the fancy is busy in copying after the understanding, and transcribing ideas out of the intellectual world into the material.
Joseph Addison: Spectator, No. 421.    
  598
 
  It is this talent of affecting the imagination that gives an embellishment to good sense, and makes one man’s compositions more agreeable than another’s. It sets off all writings in general, but is the very life and highest perfection of poetry. Where it shines in an eminent degree, it has preserved several poems for many ages, that have nothing else to recommend them; and where all the other beauties are present, the work appears dry and insipid if this single one be wanting. It has something in it like creation. It bestows a kind of existence, and draws up to the reader’s view several objects which are not to be found in being. It makes additions to nature, and gives a greater variety to God’s works. In a word, it is able to beautify and adorn the most illustrious scenes in the universe, or to fill the mind with more glorious shows and apparitions than can be found in any part of it.
Joseph Addison: Spectator, No. 421.    
  599
 
  Women … are apt to form themselves in everything with regard to that other half of reasonable creatures with whom they are blended and confused; their thoughts are ever turned upon appearing amiable to the other sex; they talk, and move, and smile, with a design upon us; every feature of their faces, every part of their dress, is filled with snares and allurements. There would be no such animals as prudes or coquettes in the world, were there not such an animal as man. In short, it is the male that gives charms to womankind, that produces an air in their faces, a grace in their motions, a softness in their voices, and a delicacy in their complexions.
Joseph Addison: Spectator, No. 433.    
  600
 
  I might in the same manner show how such a trust in the assistance of an Almighty Being naturally produces patience, hope, cheerfulness, and all other dispositions of the mind that alleviate those calamities which we are not able to remove.  601
  The practice of this virtue administers great comfort to the mind of man in times of poverty and affliction, but most of all in the hour of death. When the soul is hovering in the last moments of its separation, when it is just entering on another state of existence, to converse with scenes and objects and companions that are altogether new,—what can support her under such tremblings of thought, such fears, such anxiety, such apprehensions, but the casting of all her cares upon Him who first gave her being, who has conducted her through one stage of it, and will be always with her to guide and comfort her in her progress through eternity?
Joseph Addison: Spectator, No. 441.    
  602
 
  Were our English stage but half so virtuous as that of the Greeks or Romans, we should quickly see the influence of it in the behaviour of all the politer part of mankind. It would not be fashionable to ridicule religion, or its professors; the man of pleasure would not be the complete gentleman; vanity would be out of countenance; and every quality which is ornamental to human nature would meet with that esteem which is due to it. If the English stage were under the same regulations the Athenian was formerly, it would have the same effect that had, in recommending the religion, the government, and public worship of its country.
Joseph Addison: Spectator, No. 446.    
  603
 
  The last use which I shall make of this remarkable property in human nature of being delighted with those actions to which it is accustomed, is to show how absolutely necessary it is for us to gain habits of virtue in this life, if we would enjoy the pleasures of the next. The state of bliss we call heaven will not be capable of affecting those minds which are not thus qualified for it: we must in this world gain a relish of truth and virtue, if we would be able to taste that knowledge and perfection which are to make us happy in the next. The seeds of those spiritual joys and raptures which are to rise up and flourish in the soul to all eternity must be planted in her during this her present state of probation. In short, heaven is not to be looked upon only as the reward, but as the natural effect, of a religious life.
Joseph Addison: Spectator, No. 447.    
  604
 
  I would recommend to every one that admirable precept which Pythagoras is said to have given to his disciples, and which that philosopher must have drawn from the observation I have enlarged upon: Optimum vitæ genus eligito, nam consuetudo faciet jucundissimum: “Pitch upon that course of life which is the most excellent, and custom will render it the most delightful.” Men whose circumstances will permit them to choose their own way of life are inexcusable if they do not pursue that which their judgment tells them is the most laudable. The voice of reason is more to be regarded than the bent of any present inclination, since, by the rule above mentioned, inclination will at length come over to reason, though we can never force reason to comply with inclination.
Joseph Addison: Spectator, No. 447.    
  605
 
  There is not a more pleasing exercise of the mind than gratitude. It is accompanied with such an inward satisfaction that the duty is sufficiently rewarded by the performance. It is not, like the practice of many other virtues, difficult and painful, but attended with so much pleasure, that were there no positive command which enjoined it, nor any recompense laid up for it hereafter, a generous mind would indulge in it for the natural gratification that accompanies it.  606
  If gratitude is due from man to man, how much more from man to his Maker! The Supreme Being does not only confer upon us those bounties which proceed more immediately from his hand, but even those benefits which are conveyed to us by others. Every blessing we enjoy, by what means soever it may be derived upon us, is the gift of him who is the Author of good and Father of mercies.  607
  If gratitude when exerted towards another naturally produces a very pleasing sensation in the mind of a grateful man, it exalts the soul into rapture when it is employed on this great object of gratitude, on this beneficent Being who has given us everything we already possess, and from whom we expect everything we yet hope for.
Joseph Addison: Spectator, No. 453.    
  608
 
  We have in England a particular bashfulness in everything that regards religion. A well-bred man is obliged to conceal any serious sentiment of this nature, and very often to appear a greater libertine than he is, that he may keep himself in countenance among the men of mode.
Joseph Addison: Spectator, No. 458.    
  609
 
  Nothing is more amiable than true modesty, and nothing is more contemptible than the false. The one guards virtue, the other betrays it. True modesty is ashamed to do anything that is repugnant to the rules of right reason: false modesty is ashamed to do anything that is opposite to the humour of the company. True modesty avoids everything that is criminal, false modesty everything that is unfashionable. The latter is only a general undetermined instinct; the former is that instinct limited and circumscribed by the rules of prudence and religion.  610
  We may conclude that modesty to be false and vicious which engages a man to do anything that is ill or indiscreet, or which restrains him from doing anything that is of a contrary nature.
Joseph Addison: Spectator, No. 458.    
  611
 
  In that disputable point of persecuting men for conscience sake, besides the embittering their minds with hatred, indignation, and all the vehemence of resentment, and ensnaring them to profess what they do not believe, we cut them off from the pleasures and advantages of society, afflict their bodies, distress their fortunes, hurt their reputations, ruin their families, make their lives painful, or put an end to them. Sure when I see such dreadful consequences rising from a principle, I would be as fully convinced of the truth of it, as of a mathematical demonstration, before I would venture to act upon it, or make it a part of my religion.
Joseph Addison: Spectator, No. 459.    
  612
 
  The devout man does not only believe, but feels, there is a Deity. He has actual sensations of him; his experience concurs with his reason; he sees him more and more in all his intercourses with him, and even in this life almost loses his faith in conviction.
Joseph Addison: Spectator, No. 465.    
  613
 
  When by reading or discourse we find ourselves thoroughly convinced of the truth of any article, and of the reasonableness of our belief in it, we should never after suffer ourselves to call it in question. We may perhaps forget the arguments which occasioned our conviction, but we ought to remember the strength they had with us, and therefore still to retain the conviction which they once produced. This is no more than what we do in every common art or science; nor is it possible to act otherwise, considering the weakness and limitation of our intellectual faculties.
Joseph Addison: Spectator, No. 465.    
  614
 
  The last method which I shall mention for the giving life to a man’s faith is frequent retirement from the world, accompanied by religious meditation. When a man thinks of anything in the darkness of the night, whatever deep impressions it may make in his mind, they are apt to vanish as soon as the day breaks about him. The light and noise of the day, which are perpetually soliciting his senses, and calling off his attention, wear out of his mind the thoughts that imprinted themselves in it, with so much strength, during the silence and darkness of the night. A man finds the same difference as to himself in a crowd and in a solitude: the mind is stunned and dazzled amidst that variety of objects which press upon her in a great city. She cannot apply herself to the consideration of those things which are of the utmost concern to her. The cares or pleasures of the world strike in with every thought, and a multitude of vicious examples gives a kind of justification to our folly. In our retirements everything disposes us to be serious. In courts and cities we are entertained with the works of men; in the country, with those of God. One is the province of art; the other, of nature.
Joseph Addison: Spectator, No. 465.    
  615
 
  There is nothing which strengthens faith more than morality. Faith and morality naturally produce each other. A man is quickly convinced of the truth of religion who finds it is not against his interest that it should be true. The pleasure he receives at present, and the happiness which he promises himself from it hereafter, will both dispose him very powerfully to give credit to it, according to the ordinary observation, that we are easy to believe what we wish. It is very certain that a man of sound reason cannot forbear closing with religion upon an impartial observation of it; but at the same time it is as certain that faith is kept alive in us and gathers strength from practice more than from speculation.
Joseph Addison: Spectator, No. 466.    
  616
 
  I am afraid I shall appear too abstracted in my speculations, if I show that when a man of wit makes us laugh, it is by betraying some oddness or infirmity in his own character, or in the representation which he makes of others; and that when we laugh at a brute, or even at an inanimate thing, it is at some action or incident that bears a remote analogy to any blunder or absurdity in reasonable creatures.
Joseph Addison: Spectator, No. 47.    
  617
 
  I have often fancied with myself how enraged an old Latin author would be should he see the several absurdities in sense and grammar which are imputed to him by some or other of these various readings. In one he speaks nonsense; in another makes use of a word that was never heard of; and indeed there is scarce a solecism in writing which the best author is not guilty of, if we may be at liberty to read him in the words of some manuscript which the laborious editor has thought fit to examine in the prosecution of his work.
Joseph Addison: Spectator, No. 470.    
  618
 
  As the memory relieves the mind in her vacant moments, and prevents any chasms of thought by ideas of what is passed, we have other faculties that agitate and employ her for what is to come. These are the passions of hope and fear.  619
  By these two passions we reach forward into futurity, and bring up to our present thoughts objects that lie hid in the remotest depths of time. We suffer misery and enjoy happiness before they are in being; we can set the sun and stars forward, or lose sight of them by wandering into those retired parts of eternity, when the heavens and earth shall be no more.
Joseph Addison: Spectator, No. 471.    
  620
 
  Our actual enjoyments are so few and transient that man would be a very miserable being were he not endowed with this passion, which gives him a taste of those good things that may possibly come into his possession. “We should hope for everything that is good,” says the old poet Linus, because there is nothing which may not be hoped for, and nothing but what the gods are able to give us.” Hope quickens all the still parts of life, and keeps the mind awake in her most remiss and indolent hours. It gives habitual serenity and good humour. It is a kind of vital heat in the soul, that cheers and gladdens her, when she does not attend to it. It makes pain easy, and labour pleasant.
Joseph Addison: Spectator, No. 471.    
  621
 
  My next observation is this, that a religious life is that which most abounds in a well-grounded hope, and such an one as is fixed on objects that are capable of making us entirely happy. This hope in a religious man is much more sure and certain than the hope of any temporal blessing, as it is strengthened not only by reason, but by faith. It has at the same time its eye perpetually fixed on that state, which implies in the very notion of it the most full and the most complete happiness…. Religious hope has likewise this advantage above any other kind of hope, that it is able to revive the dying man, and to fill his mind not only with secret comfort and refreshment, but sometimes with rapture and transport. He triumphs in his agonies, whilst the soul springs forward with delight to the great object which she has always had in view, and leaves the body with an expectation of being reunited to her in a glorious and joyful resurrection.
Joseph Addison: Spectator, No. 471.    
  622
 
  The truth of it is, a woman seldom asks advice before she has bought her wedding clothes. When she has made her own choice, for form’s sake she sends a congé d’élire to her friends.  623
  If we look into the secret springs and motives that set people at work on these occasions, and put them upon asking advice which they never intend to take, I look upon it to be none of the least, that they are incapable of keeping a secret which is so very pleasing to them. A girl longs to tell her confidante that she hopes to be married in a little time; and, in order to talk of the pretty fellow that dwells so much in her thoughts, asks her very gravely what she would advise her to do in a case of so much difficulty.
Joseph Addison: Spectator, No. 475.    
  624
 
  Method is of advantage to a work both in respect to the writer and the reader. In regard to the first, it is a great help to his invention. When a man has planned his discourse, he finds a great many thoughts rising out of every head, that do not offer themselves upon the general survey of a subject. His thoughts are at the same time more intelligible, and better discover their drift and meaning, when they are placed in their proper lights, and follow one another in a regular series, than when they are thrown together without order and connection. There is always an obscurity in confusion; and the same sentence that would have enlightened the reader in one part of a discourse perplexes him in another. For the same reason, likewise, every thought in a methodical discourse shows itself in its greatest beauty, as the several figures in a piece of painting receive new grace from their disposition in the picture. The advantages of a reader from a methodical discourse are correspondent with those of the writer. He comprehends everything easily, takes it in with pleasure, and retains it long.
Joseph Addison: Spectator, No. 476.    
  625
 
  When I read an author of genius who writes without method, I fancy myself in a wood that abounds with a great many noble objects, rising among one another in the greatest confusion and disorder. When I read a methodical discourse, I am in a regular plantation, and can place myself in its several centres, so as to take a view of all the lines and walks that are struck from them. You may ramble in the one a whole day together, and every moment discover something or other that is new to you; but when you have done, you will have but a confused, imperfect notion of the place: in the other your eye commands the whole prospect, and gives you such an idea of it as is not easily worn out of the memory.
Joseph Addison: Spectator, No. 476.    
  626
 
  Method is not less requisite in ordinary conversation than in writing, provided a man would talk to make himself understood. I who hear a thousand coffee-house debates every day, am very sensible of this want of method in the thoughts of my honest countrymen. There is not one dispute in ten which is managed in those schools of politics, where, after the three first sentences, the question is not entirely lost. Our disputants put me in mind of the scuttle-fish, that, when he is unable to extricate himself, blackens all the water about him until he becomes invisible. The man who does not know how to methodize his thoughts, has always, to borrow a phrase from the Dispensary, “a barren superfluity of words:” the fruit is lost amidst the exuberance of leaves.
Joseph Addison: Spectator, No. 476.    
  627
 
  I am one, you must know, who am looked upon as a humorist in gardening. I have several acres about my house, which I call my garden, and which a skilful gardener would not know what to call. It is a confusion of kitchen and parterre, orchard and flower garden, which lie so mixt and interwoven with one another, that if a foreigner who had seen nothing of our country should be conveyed into my garden at his first landing, he would look upon it as a natural wilderness, and one of the uncultivated parts of our country.
Joseph Addison: Spectator, No. 477.    
  628
 
  It is a strong argument for a state of retribution hereafter, that in this world virtuous persons are very often unfortunate, and vicious persons prosperous; which is wholly repugnant to the nature of a Being who appears infinitely wise and good in all his works, unless we may suppose that such a promiscuous and undistinguishing distribution of good and evil, which was necessary for carrying on the designs of Providence in this life, will be rectified, and made amends for, in another.
Joseph Addison: Spectator, No. 483.    
  629
 
  We cannot be guilty of a greater act of uncharitableness than to interpret the afflictions which befall our neighbours as punishments and judgments. It aggravates the evil to him who suffers, when he looks upon himself as the mark of divine vengeance, and abates the compassion of those towards him who regard him in so dreadful a light. This humour of turning every misfortune into a judgment, proceeds from wrong notions of religion, which in its own nature produces good will towards men, and puts the mildest construction upon every accident that befalls them. In this case, therefore, it is not religion that sours a man’s temper, but it is his temper that sours his religion.
Joseph Addison: Spectator, No. 483.    
  630
 
  Dreams are an instance of that agility and perfection which is natural to the faculties of the mind when they are disengaged from the body. The soul is clogged and retarded in her operations when she acts in conjunction with a companion that is so heavy and unwieldy in its motions. But in dreams it is wonderful to observe with what a sprightliness and alacrity she exerts herself. The slow of speech make unpremeditated harangues, or converse readily in languages that they are but little acquainted with. The grave abound in pleasantries, the dull in repartees and points of wit. There is not a more painful action of the mind than invention; yet in dreams it works with that ease and activity that we are not sensible of when the faculty is employed. For instance, I believe every one, some time or other, dreams that he is reading papers, books, or letters; in which case the invention prompts so readily that the mind is imposed upon, and mistakes its own suggestions for the compositions of another.
Joseph Addison: Spectator, No. 487.    
  631
 
  By the way, how much more comfortable, as well as rational, is this system of the Psalmist [Psalm cvii.] than the pagan scheme in Virgil and other poets, where one deity is represented as raising a storm, and another as laying it! Were we only to consider the sublime in this piece of poetry, what can be nobler than the idea it gives us of the Supreme Being thus raising a tumult among the elements and recovering them out of their confusion?
Joseph Addison: Spectator, No. 489.    
  632
 
  Of all objects which I have ever seen, there is none which affects my imagination so much as the sea, or ocean. I cannot see the heavings of this prodigious bulk of waters, even in a calm, without a very pleasing astonishment; but when it is worked up in a tempest, so that the horizon on every side is nothing but foaming billows and floating mountains, it is impossible to describe the agreeable horror that rises from such a prospect.
Joseph Addison: Spectator, No. 489.    
  633
 
  I have, in former papers, shown how great a tendency there is to cheerfulness in religion, and how such a frame of mind is not only the most lovely, but the most commendable, in a virtuous person. In short, those who represent religion in so unamiable a light are like the spies sent by Moses to make a discovery of the land of promise, when by their reports they discouraged the people from entering upon it. Those who show us the joy, the cheerfulness, the good humour, that naturally springs up in this happy state, are like the spies bringing along with them the clusters of grapes and delicious fruits that might invite their companions into the pleasant country which produced them.
Joseph Addison: Spectator, No. 494.    
  634
 
  Sombrinus is one of these sons of sorrow. He thinks himself obliged in duty to be sad and disconsolate. He looks on a sudden fit of laughter as a breach of his baptismal vow. An innocent jest startles him like blasphemy. Tell him of one who is advanced to a title of honour, he lifts up his hands and eyes; describe a public ceremony, he shakes his head; show him a gay equipage, he blesses himself. All the little ornaments of life are pomps and vanities. Mirth is wanton, and wit profane. He is scandalized at youth for being lively, and at childhood for being playful. He sits at a christening, or a marriage-feast, as at a funeral; sighs at the conclusion of a merry story, and grows devout when the rest of the company grow pleasant. After all, Sombrinus is a religious man, and would have behaved himself very properly had he lived when Christianity was under a general persecution.
Joseph Addison: Spectator, No. 494.    
  635
 
  It is not the business of virtue to extirpate the affections of the mind, but to regulate them. It may moderate and restrain, but was not designed to banish gladness from the heart of man. Religion contracts the circle of our pleasures, but leaves it wide enough for her votaries to expatiate in. The contemplation of the Divine Being, and the exercise of Virtue, are, in their own nature, so far from excluding all gladness of heart, that they are perpetual sources of it. In a word, the true spirit of religion cheers, as well as composes, the soul; it banishes indeed all levity of behaviour, all vicious and dissolute mirth; but in exchange fills the mind with a perpetual serenity, uninterrupted cheerfulness, and an habitual inclination to please others as well as to be pleased in itself.
Joseph Addison: Spectator, No. 494.    
  636
 
  This fear of any future difficulties or misfortune is so natural to the mind, that were a man’s sorrows and disquietudes summed up at the end of his life, it would generally be found that he had suffered more from the apprehension of such evils as never happened to him, than from those evils which had really befallen him. To this we may add, that among those evils which befall us, there are many which have been more painful to us in the prospect than by their actual pressure.
Joseph Addison: Spectator, No. 505.    
  637
 
  One of the fathers has carried this point so high as to declare he would not tell a lie though he were sure to gain heaven by it. However extravagant such a protestation may appear, every one will own that a man may say, very reasonably, he would not tell a lie if he were sure to gain hell by it; or, if you have a mind to soften the expression, that he would not tell a lie to gain any temporal reward by it, when he should run the hazard of losing much more than it was possible for him to gain.
Joseph Addison: Spectator, No. 507.    
  638
 
  I have frequently wondered to see men of probity, who would scorn to utter a falsehood for their own particular advantage, give so readily into a lie when it is become the voice of their faction, notwithstanding they are thoroughly sensible of it as such. How is it possible for those who are men of honour in their persons, thus to become notorious liars in their party?
Joseph Addison: Spectator, No. 507.    
  639
 
  There is something very sublime, though very fanciful, in Plato’s description of the Supreme Being: that “truth is his body, and light his shadow.” According to this definition, there is nothing so contradictory to his nature as error and falsehood. The Platonists had so just a notion of the Almighty’s aversion to everything which is false and erroneous, that they looked upon truth as no less necessary than virtue to qualify a human soul for the enjoyment of a separate state.
Joseph Addison: Spectator, No. 507.    
  640
 
  There is nothing which we receive with so much reluctance as advice. We look upon the man who gives it us as offering an affront to our understanding, and treating us like children or idiots. We consider the instruction as an implicit censure, and the zeal which any one shows for our good on such an occasion as a piece of presumption or impertinence. The truth of it is, the person who pretends to advise does, in that particular, exercise a superiority over us, and can have no other reason for it but that, in comparing us with himself, he thinks us defective either in our conduct or our understanding. For these reasons, there is nothing so difficult as the art of making advice agreeable; and indeed all the writers, both ancient and modern, have distinguished themselves among one another according to the perfection at which they have arrived in this art. How many devices have been made use of to render this bitter potion palatable! Some convey their instructions to us in the best chosen words, others in the most harmonious numbers; some in points of wit, and others in short proverbs.
Joseph Addison: Spectator, No. 512.    
  641
 
  Among all the different ways of giving counsel, I think the finest, and that which pleases the most universally, is fable, in whatsoever shape it appears. If we consider this way of instructing or giving advice, it excels all others, because it is the least shocking, and the least subject to those exceptions which I have before mentioned.  642
  This will appear to us if we reflect, in the first place, that upon the reading of a fable we are made to believe we advise ourselves. We peruse the author for the sake of the story, and consider the precepts rather as our own conclusions than his instructions. The moral insinuates itself imperceptibly; we are taught by surprise, and become wiser and better unawares. In short, by this method a man is so far over-reached as to think he is directing himself, while he is following the dictates of another, and consequently is not sensible of that which is the most unpleasing circumstance in advice.
Joseph Addison: Spectator, No. 512.    
  643
 
  As a thinking man cannot but be very much affected with the idea of his appearing in the presence of that Being “whom none can see and live,” he must be much more affected when he considers that this Being whom he appears before will examine all the actions of his past life, and reward and punish him accordingly. I must confess that I think there is no scheme of religion besides that of Christianity which can possibly support the most virtuous person under this thought. Let a man’s innocence be what it will, let his virtues rise to the highest pitch of perfection attainable in this life, there will be still in him so many secret sins, so many human frailties, so many offences of ignorance, passions, and prejudice, so many unguarded words and thoughts, and, in short, so many defects in his best actions, that, without the advantages of such an expiation and atonement as Christianity has revealed to us, it is impossible that he should be cleared before his Sovereign Judge, or that he should be able to “stand in his sight.” Our holy religion suggests to us the only means whereby our guilt may be taken away, and our imperfect obedience accepted.
Joseph Addison: Spectator, No. 513.    
  644
 
  Every one knows the veneration which was paid by the Jews to a name so great, wonderful, and holy. They would not let it enter even into their religious discourses. What can we then think of those who make use of so tremendous a name in the ordinary expressions of their anger, mirth, and most impertinent passions? of those who admit it into the most familiar questions and assertions, ludicrous phrases, and works of humour? not to mention those who violate it by solemn perjuries! It would be an affront to reason to endeavour to set forth the horror and profaneness of such a practice. The very mention of it exposes it sufficiently to those in whom the light of nature, not to say religion, is not utterly extinguished.
Joseph Addison: Spectator, No. 531.    
  645
 
  I shall here only take notice of that habitual worship and veneration which we ought to pay to this Almighty Being. We should often refresh our minds with the thought of him, and annihilate ourselves before him, in the contemplation of our own worthlessness, and of his transcendent excellency and perfection. This would imprint in our minds such a constant and uninterrupted awe and veneration as that which I am here recommending, and which is in reality a kind of incessant prayer, and reasonable humiliation of the soul before him who made it.  646
  This would effectually kill in us all the little seeds of pride, vanity, and self-conceit, which are apt to shoot up in the minds of such whose thoughts turn more on those comparative advantages which they enjoy over some of their fellow-creatures than on that infinite distance which is placed between them and the supreme model of all perfection. It would likewise quicken our desires and endeavours of uniting ourselves to him by all the acts of religion and virtue.
Joseph Addison: Spectator, No. 531.    
  647
 
  It is a precept several times inculcated by Horace, that we should not entertain a hope of anything in life which lies at a great distance from us. The shortness and uncertainty of our time here makes such a kind of hope unreasonable and absurd. The grave lies unseen between us and the object which we reach after. Where one man lives to enjoy the good he has in view, ten thousand are cut off in the pursuit of it.
Joseph Addison: Spectator, No. 535.    
  648
 
  A knowledge of the success which stories will have when they are attended with a turn of surprise, as it has happily made the characters of some, so has it also been the ruin of the characters of others. There is a set of men who outrage truth, instead of affecting us with a manner of telling it; who overleap the line of probability that they may be seen to move out of the common road; and endeavour only to make their hearers stare by imposing upon them with a kind of nonsense against the philosophy of nature, or such a heap of wonders told upon their own knowledge as it is not likely one man should have ever met with.
Joseph Addison: Spectator, No. 536.    
  649
 
  These duplicates in those parts of the body, without which a man might have very well subsisted, though not so well as with them, are a plain demonstration of an all-wise Contriver, as those more numerous copyings which are found among the vessels of the same body are evident demonstrations that they could not be the work of chance. This argument receives additional strength if we apply it to every animal and insect within our knowledge, as well as to those numberless living creatures that are objects too minute for a human eye: and if we consider how the several species in this whole world of life resemble one another in very many particulars, so far as is convenient for their respective states of existence, it is much more probable that a hundred millions of dice should be casually thrown a hundred millions of times in the same number than that the body of any single animal should be produced by the fortuitous concourse of matter. And that the like chance should arise in innumerable instances requires a degree of credulity that is not under the direction of common sense. We may carry this consideration yet farther if we reflect on the two sexes in every living species, with their resemblances to each other, and those particular distinctions that were necessary for the keeping up of this great world of life.
Joseph Addison: Spectator, No. 543.    
  650
 
  When a government flourishes in conquests, and is secure from foreign attacks, it naturally falls into all the pleasures of luxury; and as these pleasures are very expensive, they put those who are addicted to them upon raising fresh supplies of money, by all the methods of rapaciousness and corruption; so that avarice and luxury very often become one complicated principle of action, in those whose hearts are wholly set upon ease, magnificence, and pleasure. The most elegant and correct of all the Latin historians observes that in his time, when the most formidable states in the world were subdued by the Romans, the republic sunk into those two vices of a quite different nature, luxury and avarice; and accordingly describes Catiline as one who coveted the wealth of other men, at the same time that he squandered away his own. This observation on the commonwealth, when it was in the height of power and riches, holds good of all governments that are settled in a state of ease and prosperity. At such times men naturally endeavour to outshine one another in pomp and splendour, and, having no fears to alarm them from abroad, indulge themselves in the enjoyment of all the pleasures they can get into their possession; which naturally produce avarice, and an immoderate pursuit after wealth and riches.
Joseph Addison: Spectator, No. 55.    
  651
 
  If a man has any talent in writing, it shows a good mind to forbear answering calumnies and reproaches in the same spirit of bitterness in which they are offered. But when a man has been at some pains in making suitable returns to an enemy, and has the instruments of revenge in his hands, to let drop his wrath, and stifle his resentments, seems to have something in it great and heroical. There is a particular merit in such a way of forgiving an enemy; and the more violent and unprovoked the offence has been, the greater still is the merit of him who thus forgives it.
Joseph Addison: Spectator, No. 555.    
  652
 
  It is a celebrated thought of Socrates, that if all the misfortunes of mankind were cast into a public stock, in order to be equally distributed among the whole species, those who now think themselves the most unhappy would prefer the share they are already possessed of, before that which would fall to them by such a division. Horace [1 Sat. i. 1.] has carried this thought a great deal farther in the motto of my paper, which implies that the hardships or misfortunes we lie under are more easy to us than those of any other person would be, in case we could change conditions with him.
Joseph Addison: Spectator, No. 558.    
  653
 
  I shall close this paper with a remark upon such as are egotists in conversation: these are generally the vain or shallow part of mankind, people being naturally full of themselves when they have nothing else in them. There is one kind of egotists which is very common in the world, though I do not remember that any writer has taken notice of them: I mean those empty conceited fellows who repeat, as sayings of their own or some of their particular friends, several jests which were made before they were born, and which every one who has conversed in the world has heard a hundred times over.
Joseph Addison: Spectator, No. 562.    
  654
 
  In this consideration of God Almighty’s omnipresence and omniscience every uncomfortable thought vanishes. He cannot but regard everything that has being, especially such of his creatures who fear they are not regarded by him. He is privy to all their thoughts, and to that anxiety of heart in particular which is apt to trouble them on this occasion; for as it is impossible he should overlook any of his creatures, so we may be confident that he regards with an eye of mercy those who endeavour to recommend themselves to his notice, and in an unfeigned humility of heart think themselves unworthy that he should be mindful of them.
Joseph Addison: Spectator, No. 565.    
  655
 
  Wine heightens indifference into love, love into jealousy, and jealousy into madness. It often turns the good-natured man into an idiot, and the choleric into an assassin. It gives bitterness to resentment, it makes vanity insupportable, and displays every little spot of the soul in its utmost deformity.  656
  Nor does this vice only betray the hidden faults of a man, and show them in the most odious colours, but often occasions faults to which he is not naturally subject. There is more of turn than of truth in a saying of Seneca, that drunkenness does not produce but discover faults. Common experience teaches us the contrary. Wine throws a man out of himself, and infuses qualities into the mind which she is a stranger to in her sober moments.
Joseph Addison: Spectator, No. 569.    
  657
 
  There is one consideration which I would earnestly recommend to all my female readers, and which, I hope, will have some weight with them. In short, it is this, that there is nothing so bad for the face as party zeal. It gives an ill-natured cast to the eye, and a disagreeable sourness to the look: besides that it makes the lines too strong, and flushes them worse than brandy. I have seen a woman’s face break out in heats, as she had been talking against a great lord, whom she had never seen in her life; and indeed I never knew a party-woman that kept her beauty for a twelvemonth. I would therefore advise all my female readers, as they value their complexions, to let alone all disputes of this nature; though, at the same time, I would give full liberty to all superannuated motherly partisans to be as violent as they please, since there will be no danger either of their spoiling their faces, or of their gaining converts.
Joseph Addison: Spectator, No. 57.    
  658
 
  For my own part, I think a man makes an odious and despicable figure, that is violent in a party; but a woman is too sincere to mitigate the fury of her principles with temper and discretion, and to act with that caution and reservedness which are requisite in our sex. When this unnatural zeal gets into them, it throws them into ten thousand heats and extravagances; their generous souls set no bounds to their love or their hatred; and whether a whig or a tory, a lap-dog or a gallant, an opera or a puppet-show, be the object of it, the passion, while it reigns, engrosses the whole woman.
Joseph Addison: Spectator, No. 57.    
  659
 
  This virtue [content] does indeed produce, in some measure, all those effects which the alchymist usually ascribes to what he calls the philosopher’s stone; and if it does not bring riches, it does the same thing, by banishing the desire of them. If it cannot remove the disquietudes arising out of a man’s mind, body, or fortune, it makes him easy under them. It has indeed a kindly influence on the soul of man in respect of every being to whom he stands related. It extinguishes all murmur, repining, and ingratitude towards that Being who has allotted to him his part to act in this world. It destroys all inordinate ambition, and every tendency to corruption, with regard to the community wherein he is placed. It gives sweetness to his conversation, and a perpetual serenity to all his thoughts. Among the many methods which might be made use of for the acquiring of this virtue, I shall mention the two following: First of all, a man should always consider how much he has more than he wants; and secondly, how much more unhappy he might be than he really is.
Joseph Addison: Spectator, No. 574.    
  660
 
  Religion … prescribes to every miserable man the means of bettering his condition; nay, it shows him that the bearing of his afflictions as he ought to do will naturally end in the removal of them: it makes him easy here because it can make him happy hereafter.  661
  Upon the whole, a contented mind is the greatest blessing a man can enjoy in this world; and if in the present life his happiness arises from the subduing his desires, it will arise in the next from the gratification of them.
Joseph Addison: Spectator, No. 574.    
  662
 
  The following question is started by one of the schoolmen:—Supposing the whole body of the earth were a great ball or mass of the finest sand, and that a single grain or particle of this sand should be annihilated every thousand years: Supposing then that you had it in your choice to be happy all the while this prodigious mass of sand was consuming by this slow method until there was not a grain of it left, on condition you were to be miserable forever after? Or, supposing that you might be happy forever after, on condition that you would be miserable until the whole mass of sand were thus annihilated at the rate of one sand in a thousand years: which of these two cases would you make your choice?… Reason therefore tells us, without any manner of hesitation, which would be the better part in this choice…. But when the choice we actually have before us is this, whether we will choose to be happy for the space of only threescore and ten, nay, perhaps of only twenty or ten years, I might say of only a day or an hour, and miserable to all eternity, or, on the contrary, miserable for this short term of years, and happy for a whole eternity: what words are sufficient to express that folly and want of consideration which in such a case makes a wrong choice?  663
  I here put the case even at the worst, by supposing, what seldom happens, that a course of virtue makes us miserable in this life; but if we suppose, as it generally happens, that virtue would make us more happy even in this life than a contrary course of vice, how can we sufficiently admire the stupidity or madness of those persons who are capable of making so absurd a choice?
Joseph Addison: Spectator, No. 575.    
  664
 
  Man is a creature designed for two different states of being, or rather for two different lives. His first life is short and transient, his second permanent and lasting. The question we are all concerned in is this, in which of these two lives it is our chief interest to make ourselves happy? Or, in other words, whether we should endeavour to secure to ourselves the pleasures and gratifications of a life which is uncertain and precarious, and at its utmost length of a very inconsiderable duration: or to secure to ourselves the pleasures of a life which is fixed and settled, and will never end? Every man upon the first hearing of this question knows very well which side of it he ought to close with. But, however right we are in theory, it is plain that in practice we adhere to the wrong side of the question. We make provisions for this life as though it were never to have an end, and for the other life as though it were never to have a beginning.
Joseph Addison: Spectator, No. 575.    
  665
 
  Every man of sense will agree with me, that singularity is laudable when, in contradiction to a multitude, it adheres to the dictates of conscience, morality, and honour. In these cases we ought to consider that it is not custom, but duty, which is the rule of action; and that we should be only so far sociable, as we are reasonable, creatures.
Joseph Addison: Spectator, No. 576.    
  666
 
  Many of the old philosophers passed away the greatest parts of their lives among their gardens. Epicurus himself could not think sensual pleasure attainable in any other scene. Every reader who is acquainted with Homer, Virgil, and Horace, the greatest geniuses of all antiquity, knows very well with how much rapture they have spoken on this subject; and that Virgil in particular has written a whole book on the art of planting.  667
  This art seems to have been more especially adapted to the nature of man in his primæval state, when he had life enough to see his productions flourish in their utmost beauty, and gradually decay with him. One who lived before the flood might have seen a wood of the tallest oaks in the acorn.
Joseph Addison: Spectator, No. 583.    
  668
 
  There is nothing more certain than that every man would be a wit if he could; and notwithstanding pedants of a pretended depth and solidity are apt to decry the writings of a polite author as flash and froth, they all of them show, upon occasion, that they would spare no pains to arrive at the character of those whom they seem to despise. For this reason we often find them endeavouring at works of fancy; which cost them infinite pains in the production. The truth of it is, a man had better be a galley-slave than a wit, were one to gain that title by those elaborate trifles which have been the inventions of such authors as were often masters of great learning, but no genius.
Joseph Addison: Spectator, No. 59.    
  669
 
  What man can think of himself as called out and separated from nothing, of his being made a conscious, a reasonable, and a happy creature, in short, of being taken in as a sharer of existence, and a kind of partner in eternity, without being swallowed up in wonder, in praise, in adoration! It is indeed a thought too big for the mind of man, and rather to be entertained in the secrecy of devotion, and in the silence of the soul, than to be expressed by words. The Supreme Being has not given us powers or faculties sufficient to extol and magnify such unutterable goodness.  670
  It is, however, some comfort to us that we shall be always doing what we shall never be able to do; and that a work which cannot be finished will, however, be the work of eternity.
Joseph Addison: Spectator, No. 590.    
  671
 
  I have a great esteem for a true critic, such as Aristotle and Longinus among the Greeks; Horace and Quintilian among the Romans; Boileau and Dacier among the French. But it is our misfortune that some who set up for professed critics among us are so stupid that they do not know how to put ten words together with elegance or common propriety; and withal so illiterate that they have no taste of the learned languages, and therefore criticise upon old authors only at second-hand. They judge of them by what others have written, and not by any notions they have of the authors themselves. The words unity, action, sentiment, and diction, pronounced with an air of authority, give them a figure among unlearned readers, who are apt to believe they are very deep because they are unintelligible.
Joseph Addison: Spectator, No. 592.    
  672
 
  We cannot question but the happiness of a soul will be adequate to its nature; and that it is not endowed with any faculties which are to lie useless and unemployed. The happiness is to be the happiness of the whole man; and we may easily conceive to ourselves the happiness of the soul whilst any one of its faculties is in the fruition of its chief good. The happiness may be of a more exalted nature in proportion as the faculty employed is so: but as the whole soul acts in the exertion of any of its particular powers, the whole soul is happy in the pleasure which arises from any of its particular acts.
Joseph Addison: Spectator, No. 600.    
  673
 
  To account for this, we must consider that the first race of authors, who were the great heroes in writing, were destitute of all rules and arts of criticism; and for that reason, though they excel later writers in greatness of genius, they fall short of them in accuracy and correctness. The moderns cannot reach their beauties, but can avoid their imperfections. When the world was furnished with these authors of the first eminence, there grew up another set of writers, who gained themselves a reputation by the remarks which they made on the works of those who preceded them.
Joseph Addison: Spectator, No. 61.    
  674
 
  There is no kind of false wit which has been so recommended by the practice of all ages, as that which consists in a jingle of words, and is comprehended under the general name of punning. It is indeed impossible to kill a weed which the soil has a natural disposition to produce. The seeds of punning are in the minds of all men; and though they may be subdued by reason, reflection, and good sense, they will be very apt to shoot up in the greatest genius that is not broken and cultivated by the rules of art. Imitation is natural to us, and when it does not raise the mind to poetry, painting, music, or other more noble arts, it often breaks out in puns and quibbles.  675
  Aristotle, in the eleventh chapter of his book of rhetoric, describes two or three kinds of puns, which he calls paragrams, among the beauties of good writing, and produces instances of them out of some of the greatest authors in the Greek tongue. Cicero has sprinkled several of his works with puns, and in his book where he lays down the rules of oratory, quotes abundance of sayings as pieces of wit, which also upon examination prove arrant puns.  676
  But the age in which the pun chiefly flourished was in the reign of King James the First. That learned monarch was himself a tolerable punster, and made very few bishops or privy-counsellors that had not some time or other signalized themselves by a clinch or a conundrum. It was therefore in this age that the pun appeared with pomp and dignity. It had been before admitted into merry speeches and ludicrous compositions, but was now delivered with great gravity from the pulpit, or pronounced in the most solemn manner at the council table. The greatest authors, in their most serious works, made frequent use of puns. The sermons of Bishop Andrews, and the tragedies of Shakspeare, are full of them. The sinner was punned into repentance by the former, as in the latter nothing is more usual than to see a hero weeping and quibbling for a dozen lines together.
Joseph Addison: Spectator, No. 61.    
  677
 
  Every resemblance of ideas is not that which we call wit, unless it be such a one that gives delight and surprise to the reader. These two properties seem essential to wit, more particularly the last of them. In order therefore that the resemblance in the ideas be wit, it is necessary that the ideas should not lie too near one another in the nature of things; for where the likeness is obvious, it gives no surprise.
Joseph Addison: Spectator, No. 62.    
  678
 
  As true wit consists in the resemblance of ideas, and false wit in the resemblance of words, according to the foregoing instances; there is another kind of wit which consists partly in the resemblance of ideas, and partly in the resemblance of words, which for distinction-sake I shall call mixed wit. This kind of wit is that which abounds in Cowley more than in any other author that ever wrote. Mr. Waller has likewise a great deal of it. Mr. Dryden is very sparing in it. Milton had a genius much above it. Spenser is in the same class with Milton. The Italians, even in their epic poetry, are full of it. Monsieur Boileau, who formed himself upon the ancient poets, has everywhere rejected it with scorn. If we look after mixed wit among the Greek writers, we shall find it nowhere but in the epigrammatists. There are indeed some strokes of it in the little poem ascribed to Musæus, which by that, as well as many other marks, betrays itself to be a modern composition. If we look into the Latin writers, we find none of this mixed wit in Virgil, Lucretius, or Catullus; very little in Horace, but a great deal of it in Ovid, and scarce anything else in Martial.
Joseph Addison: Spectator, No. 62.    
  679
 
  Tully was the first who observed that friendship improves happiness and abates misery, by the doubling of our joy and dividing of our grief; a thought in which he hath been followed by all the essayers upon friendship that have written since his time. Sir Francis Bacon has finely described other advantages, or, as he calls them, fruits of friendship; and indeed there is no subject of morality which has been better handled and more exhausted than this.
Joseph Addison: Spectator, No. 68.    
  680
 
  It is very unlucky for a man to be entangled in a friendship with one who, by these changes and vicissitudes of humour, is sometimes amiable, and sometimes odious; and as most men are at some times in admirable frame and disposition of mind, it should be one of the greatest tasks of wisdom to keep ourselves well when we are so, and never to go out of that which is the agreeable part of our character.
Joseph Addison: Spectator, No. 68.    
  681
 
  I am wonderfully delighted to see such a body of men thriving in their own private fortunes, and at the same time promoting the public stock; or, in other words, raising estates for their own families by bringing into their country whatever is wanting, and carrying out of it whatever is superfluous. Nature seems to have taken a particular care to disseminate her blessings among the different regions of the world with an eye to this mutual intercourse and traffic among mankind, that the natives of the several parts of the globe might have a kind of dependence upon one another, and be united together by their common interest.
Joseph Addison: Spectator, No. 69.    
  682
 
  As if the natural calamities of life were not sufficient for it, we turn the most indifferent circumstances into misfortunes, and suffer as much from trifling accidents as from real evils. I have known the shooting of a star spoil a night’s rest; and have seen a man in love grow pale, and lose his appetite, upon the plucking of a merry-thought. A screech-owl at midnight has alarmed a family more than a band of robbers; nay, the voice of a cricket hath struck more terror than the roaring of a lion. There is nothing so inconsiderable, which may not appear dreadful to an imagination that is filled with omens and prognostics. A rusty nail, or a crooked pin, shoot up into prodigies.
Joseph Addison: Spectator, No. 7.    
  683
 
  For, as it is the chief concern of wise men to retrench the evils of life by the reasonings of philosophy, it is the employment of fools to multiply them by the sentiments of superstition.  684
  For my own part, I should be very much troubled were I endowed with this divining quality, though it should inform me truly of everything that can befall me. I would not anticipate the relish of any happiness, nor feel the weight of any misery, before it actually arrives.  685
  I know but one way of fortifying my soul against these gloomy presages and terrors of mind, and that is, by securing to myself the friendship and protection of that Being who disposes of events and governs futurity. He sees at one view the whole thread of my existence, not only that part of it which I have already passed through, but that which runs forward into all the depths of eternity. When I lay me down to sleep, I recommend myself to his care; when I awake, I give myself up to his direction. Amidst all the evils that threaten me, I will look up to him for help, and question not but he will either avert them, or turn them to my advantage. Though I know neither the time nor the manner of the death I am to die, I am not at all solicitous about it; because I am sure that he knows them both, and that he will not fail to comfort and support me under them.
Joseph Addison: Spectator, No. 7.    
  686
 
  When I travelled, I took a particular delight in hearing the songs and fables that are come from father to son and are most in vogue among the common people of the countries through which I passed; for it is impossible that anything should be universally tested and approved by a multitude, though they are only the rabble of the nation, which hath not in it some peculiar aptness to please and gratify the mind of man. Human nature is the same in all reasonable creatures; and whatever falls in with it will meet with admirers among readers of all qualities and conditions.
Joseph Addison: Spectator, No. 70.    
  687
 
  I know nothing which more shows the essential and inherent perfection of simplicity of thought, above that which I call the Gothic manner of writing, than this, that the first pleases all kinds of palates, and the latter only such as have formed to themselves a wrong artificial taste upon little fanciful authors and writers of epigram. Homer, Virgil, or Milton, so far as the language of their poems is understood, will please a reader of plain common sense, who would neither relish nor comprehend an epigram of Martial or a poem of Cowley; so, on the contrary, an ordinary song or ballad that is the delight of the common people cannot fail to please all such readers as are not unqualified for the entertainment by their affectation or ignorance; and the reason is plain, because the same paintings of nature which recommend it to the most ordinary reader will appear beautiful to the most refined.
Joseph Addison: Spectator, No. 70.    
  688
 
  The greatest modern critics have laid it down as a rule, That an heroic poem should be founded upon some important precept of morality, adapted to the constitution of the country in which the poet writes. Homer and Virgil have formed their plans in this view.
Joseph Addison: Spectator, No. 70.    
  689
 
  The passion for praise, which is so very vehement in the fair sex, produces excellent effects in women of sense, who desire to be admired for that which only deserves admiration; and I think we may observe, without a compliment to them, that many of them do not only live in a more uniform course of virtue, but with an infinitely greater regard to their honour, than what we find in the generality of our sex.
Joseph Addison: Spectator, No. 73.    
  690
 
  When I was in the theatre the time above mentioned, I had the curiosity to count the patches on both sides, and found the tory patches to be about twenty stronger than the whig; but, to make amends for this small inequality, I the next morning found the whole puppet-show filled with faces spotted after the whiggish manner. Whether or no the ladies had retreated hither in order to rally their forces I cannot tell; but the next night they came in so great a body to the opera that they outnumbered the enemy.
Joseph Addison: Spectator, No. 81.    
  691
 
  Every one is in some degree a master of that art which is generally distinguished by the name of Physiognomy; and naturally forms to himself the character or fortune of a stranger, from the features and lineaments of his face. We are no sooner presented to any one we never saw before, but we are immediately struck with the idea of a proud, a reserved, an affable, or a good-natured man; and upon our first going into a company of strangers, our benevolence or aversion, awe or contempt, rises naturally towards several particular persons, before we have heard them speak a single word, or so much as know who they are.  692
  Every passion gives a particular cast to the countenance, and is apt to discover itself in some feature or other. I have seen an eye curse for half an hour together, and an eyebrow call a man a scoundrel. Nothing is more common than for lovers to complain, resent, languish, despair, and die, in dumb show. For my own part, I am so apt to frame a notion of every man’s humour or circumstances by his looks, that I have sometimes employed myself from Charing-Cross to the Royal Exchange in drawing the characters of those who have passed by me. When I see a man with a sour rivelled face, I cannot forbear pitying his wife: and when I meet with an open ingenuous countenance, think on the happiness of his friends, his family, and relations.
Joseph Addison: Spectator, No. 86.    
  693
 
  First of all, I would have them seriously think on the shortness of their time. Life is not long enough for a coquette to play all her tricks in. A timorous woman drops into her grave before she is done deliberating. Were the age of man the same that it was before the flood, a lady might sacrifice half a century to a scruple, and be two or three ages in demurring. Had she nine hundred years good, she might hold out to the conversion of the Jews before she thought fit to be prevailed upon. But, alas! she ought to play her part in haste, when she considers that she is suddenly to quit the stage, and make room for others.  694
  In the second place, I would desire my female readers to consider that as the term of life is short, that of beauty is much shorter. The finest skin wrinkles in a few years, and loses the strength of its colouring so soon, that we have scarce time to admire it. I might embellish this subject with roses and rainbows, and several other ingenious conceits, which I may possibly reserve for another opportunity.  695
  There is a third consideration which I would likewise recommend to a Demurrer, and that is the great danger of her falling in love when she is about threescore, if she cannot satisfy her doubts and scruples before that time.
Joseph Addison: Spectator, No. 89.    
  696
 
  The next method, therefore, that I would propose to fill up our time, should be useful and innocent diversions. I must confess, I think it is below reasonable creatures to be altogether conversant in such diversions as are merely innocent, and have nothing else to recommend them but that there is no hurt in them. Whether any kind of gaming has even thus much to say for itself I shall not determine; but I think it is very wonderful to see persons of the best sense passing away a dozen hours together in shuffling and dividing a pack of cards, with no other conversation but what is made up of a few game phrases, and no other ideas but those of black or red spots ranged together in different figures. Would not a man laugh to hear any one of this species complaining that life is short?
Joseph Addison: Spectator, No. 93.    
  697
 
  There is another kind of virtue that may find employment for those retired hours in which we are altogether left to ourselves and destitute of company and conversation; I mean that intercourse and communication which every reasonable creature ought to maintain with the great Author of his being. The man who lives under an habitual sense of the divine presence keeps up a perpetual cheerfulness of temper, and enjoys every moment the satisfaction of thinking himself in company with his dearest and best of friends. The time never lies heavy upon him: it is impossible for him to be alone. His thoughts and passions are the most busied at such hours when those of other men are the most inactive. He no sooner steps out of the world but his heart burns with devotion, swells with hope, and triumphs in the consciousness of that presence which everywhere surrounds him; or, on the contrary, pours out its fears, its sorrows, its apprehensions, to the great Supporter of its existence.
Joseph Addison: Spectator, No. 93.    
  698
 
  The mind never unbends itself so agreeably as in the conversation of a well-chosen friend. There is indeed no blessing of life that is any way comparable to the enjoyment of a discreet and virtuous friend. It eases and unloads the mind, clears and improves the understanding, engenders thought and knowledge, animates virtue and good resolutions, soothes and allays the passions, and finds employment for most of the vacant hours of life.  699
  Next to such an intimacy with a particular person, one would endeavour after a more general conversation with such as are able to entertain and improve those with whom they converse, which are qualifications which seldom go asunder.
Joseph Addison: Spectator, No. 93.    
  700
 
  The first is the exercise of virtue, in the most general acceptation of the word. The particular scheme which comprehends the social virtues may give employment to the most industrious temper, and find a man in business more than the most active station of life. To advise the ignorant, relieve the needy, comfort the afflicted, are duties that fall in our way almost every day of our lives. A man has frequent opportunities of mitigating the fierceness of a party; of doing justice to the character of a deserving man; of softening the envious, quieting the angry, and rectifying the prejudiced; which are all of them employments suited to a reasonable nature, and bring great satisfaction to the person who can busy himself in them with discretion.
Joseph Addison: Spectator, No. 93.    
  701
 
  Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors. But this I shall only touch upon, because it in some measure interferes with the third method, which I shall propose in another paper, for the employment of our dead inactive hours, and which I shall only mention in general to be the pursuit of knowledge.
Joseph Addison: Spectator, No. 93.    
  702
 
  We all of us complain of the shortness of time, saith Seneca, and yet have much more than we know what to do with. Our lives, says he, are spent either in doing nothing at all, or in doing nothing to the purpose, or in doing nothing that we ought to do. We are always complaining our days are few, and acting as though there would be no end of them. That noble philosopher has described our inconsistency with ourselves in this particular, by all those various turns of expression and thought which are peculiar to his writings.  703
  I often consider mankind as wholly inconsistent with itself in a point that bears some affinity to the former. Though we seem grieved at the shortness of life in general, we are wishing every period of it at an end. The minor longs to be at age, then to be a man of business, then to retire. Thus, although the whole life is allowed by every one to be short, the several divisions of it appear long and tedious. We are lengthening our span in general, but would fain contract the parts of which it is composed.
Joseph Addison: Spectator, No. 93.    
  704
 
  How different is the view of past life in the man who is grown old in knowledge and wisdom, from that of him who is grown old in ignorance and folly! The latter is like the owner of a barren country, that fills his eye with the prospect of naked hills and plains, which produce nothing either profitable or ornamental; the other beholds a beautiful and spacious landscape, divided into delightful gardens, green meadows, fruitful fields, and can scarce cast his eye on a single spot of his possessions that is not covered with some beautiful plant or flower.
Joseph Addison: Spectator, No. 94.    
  705
 
  The hours of a wise man are lengthened by his ideas, as those of a fool are by his passions. The time of the one is long, because he does not know what to do with it; so is that of the other, because he distinguishes every moment of it with useful or amusing thoughts; or, in other words, because the one is always wishing it away, and the other always enjoying it.
Joseph Addison: Spectator, No. 94.    
  706
 
  I would desire the fair sex to consider how impossible it is for them to add anything that can be ornamental to what is already the masterpiece of nature. The head has the most beautiful appearance, as well as the highest station, in the human figure. Nature has laid out all her art in beautifying the face; she has touched it with vermilion, planted in it a double row of ivory, made it the seat of smiles and blushes, lighted it up and enlivened it with the brightness of the eyes, hung it on each side with curious organs of sense, given it airs and graces that cannot be described, and surrounded it with such a flowing shade of hair as sets all its beauties in the most agreeable light. In short, she seems to have designed the head as the cupola to the most glorious of her works; and when we load it with such a pile of supernumerary ornaments, we destroy the symmetry of the human figure, and foolishly contrive to call off the eye from great and real beauties, to childish gew-gaws, ribands, and bone-lace.
Joseph Addison: Spectator, No. 98.    
  707
 
  A person terrified with the imagination of spectres is more reasonable than one who thinks the appearance of spirits fabulous and groundless.
Joseph Addison: Spectator.    
  708
 
  It is folly to seek the approbation of any being besides the Supreme; because no other being can make a right judgment of us, and because we can procure no considerable advantage from the approbation of any other being.
Joseph Addison: Spectator.    
  709
 
  Others proclaim the infirmities of a great man with satisfaction and complacency, if they discover none of the like in themselves.
Joseph Addison: Spectator.    
  710
 
  We cannot have a single image that did not enter through the sight; but we have the power of altering and compounding those images into all the varieties of picture.
Joseph Addison: Spectator.    
  711
 
  That alertness and unconcern for matters of common life a campaign or two would infallibly have given him.
Joseph Addison: Spectator.    
  712
 
  As for my part, I do not speak wholly for my own sake in this point; for palmistry and astrology will bring me in greater gains than these my papers; so that I am only in the condition of a lawyer who leaves the bar for chamber practice. However, I may be allowed to speak in the cause of learning itself, and lament that a liberal education is the only one which a polite nation makes unprofitable. All mechanical artisans are allowed to reap the fruit of their invention and ingenuity without invasion; but he that has separated himself from the rest of mankind, and studied the wonders of the creation, the government of his passions, and the revolutions of the world, and has an ambition to communicate the effect of half his life spent in such noble inquiries, has no property in what he is willing to produce, but is exposed to robbery and want, with this melancholy and just reflection, that he is the only man who is not protected by his country, at the same time that he best deserves it.
Joseph Addison: Tatler, No. 101.    
  713
 
  I must confess that there is nothing that more pleases me, in all that I read in books, or see among mankind, than such passages as represent human nature in its proper dignity. As man is a creature made up of different extremes, he has something in him very great and very mean. A skilful artist may draw an excellent picture of him in either of these views. The finest authors of antiquity have taken him on the more advantageous side. They cultivate the natural grandeur of the soul, raise in her a generous ambition, feed her with hopes of immortality and perfection, and do all they can to widen the partition between the virtuous and the vicious, by making the difference betwixt them as great as between gods and brutes. In short, it is impossible to read a page in Plato, Tully, and a thousand other ancient moralists, without being a greater and a better man for it. On the contrary, I could never read any of our modish French authors, or those of our own country who are the imitators and admirers of that trifling nation, without being for some time out of humour with myself and at everything about me. Their business is, to depreciate human nature, and consider it under its worst appearances. They give mean interpretations and base motives to the worthiest actions; they resolve virtue and vice into constitution. In short, they endeavour to make no distinction between man and man, or between the species of men and that of brutes. As an instance of this kind of authors, among many others, let any one examine the celebrated Rochefoucault, who is the great philosopher for administering of consolation to the idle, the envious and worthless part of mankind.
Joseph Addison: Tatler, No. 108.    
  714
 
  I think it is one of Pythagoras’s golden sayings, “That a man should take care above all things to have a due respect for himself.” And it is certain, that this licentious sort of authors, who are for depreciating mankind, endeavour to disappoint and undo what the most refined spirits have been labouring to advance since the beginning of the world. The very design of dress, good breeding, outward ornaments, and ceremony, were to lift up human nature, and set it off to an advantage. Architecture, painting, and statuary were invented with the same design; as indeed every art and science contributes to the embellishment of life, and to the wearing off and throwing into shades the mean and low parts of our nature. Poetry carries on this great end more than all the rest, as may be seen in the following passage taken out of Sir Francis Bacon’s “Advancement of Learning,” which gives a truer and better account of this art than all the volumes that were ever written upon it.
Joseph Addison: Tatler, No. 108.    
  715
 
  But there is nothing which favours and falls in with this natural greatness and dignity of human nature so much as religion, which does not only promise the entire refinement of the mind, but the glorifying of the body, and the immortality of both.
Joseph Addison: Tatler, No. 108.    
  716
 
  Indeed, were we able to view a man in the whole circle of his existence, we should have the satisfaction of seeing it close with happiness or misery, according to his proper merit; but though our view of him is interrupted by death before the finishing of his adventures, if I may so speak, we may be sure that the conclusion and catastrophe is altogether suitable to his behaviour.
Joseph Addison: Tatler, No. 117.    
  717
 
  When I look into the frame and constitution of my own mind, there is no part of it which I observe with greater satisfaction than that tenderness and concern which it bears for the good and happiness of mankind. My own circumstances are indeed so narrow and scanty that I should taste but very little pleasure could I receive it only from those enjoyments which are in my own possession; but by this great tincture of humanity, which I find in all my thoughts and reflections, I am happier than any single person can be, with all the wealth, strength, beauty, and success, that can be conferred upon a mortal, if he only relishes such a proportion of these blessings as is vested in himself and in his own private property. By this means, every man that does himself any real service does me a kindness. I come in for my share in all the good that happens to a man of merit and virtue, and partake of many gifts of fortune and power that I was never born to. There is nothing in particular in which I so much rejoice as the deliverance of good and generous spirits out of dangers, difficulties, and distresses.
Joseph Addison: Tatler, No. 117.    
  718
 
  But Silence never shows itself to so great an advantage as when it is made the reply to calumny and defamation, provided that we give no just occasion for them. We might produce an example of it in the behaviour of One, in whom it appeared in all its majesty, and One whose Silence, as well as his person, was altogether divine. When one considers this subject only in its sublimity, this great instance could not but occur to me; and since I only make use of it to show the highest example of it, I hope I do not offend in it. To forbear replying to an unjust reproach, and overlook it with a generous, or, if possible, with an entire neglect of it, is one of the most heroic acts of a great mind; and I must confess, when I reflect upon the behaviour of some of the greatest men of antiquity, I do not so much admire them that they deserved the praise of the whole age they lived in, as because they contemned the envy and detraction of it.
Joseph Addison: Tatler, No. 133.    
  719
 
  There are two instances of Silence in the two greatest poets that ever wrote, which have something in them as sublime as any of the speeches in their whole works. The first is that of Ajax, in the eleventh book of the Odyssey. Ulysses, who had been the rival of this great man in his life, as well as the occasion of his death, upon meeting his shade in the region of departed heroes, makes his submission to him with a humility next to adoration, which the other passes over with dumb, sullen majesty, and such a Silence as, to use the words of Longinus, had more greatness in it than anything he could have spoken.  720
  The next instance I shall mention is in Virgil, where the poet doubtless imitates this Silence of Ajax, in that of Dido; though I do not know that any of his commentators have taken notice of it.
Joseph Addison: Tatler, No. 133.    
  721
 
  I have often thought our writers of tragedy have been very defective in this particular, and that they might have given great beauty to their works, by certain stops and pauses in the representation of such passions as it is not in the power of language to express.
Joseph Addison: Tatler, No. 133.    
  722
 
  The poet, after having mentioned the souls of those unhappy men who destroyed themselves, breaks out into a fine exclamation. “Oh, how gladly,” says he, “would they now endure life with all its miseries! but the Destinies forbid their return to earth, and the waters of Styx surround them with nine streams that are unpassable.” It is very remarkable that Virgil, notwithstanding self-murder was so frequent among the heathens, and had been practised by some of the greatest men in the very age before him, hath here represented it as so heinous a crime. But in this particular he was guided by the doctrines of his great master Plato; who says on this subject, “that a man is placed in his station of life like a soldier in his proper post, which he is not to quit, whatever may happen, until he is called off by his commander who planted him in it.”
Joseph Addison: Tatler, No. 154.    
  723
 
  I must confess, I take a particular delight in these prospects of futurity, whether grounded upon the probable suggestions of a fine imagination, or the more severe conclusions of philosophy; as a man loves to hear all the discoveries or conjectures relating to a foreign country which he is at some time to inhabit. Prospects of this nature lighten the burden of any present evil, and refresh us under the worst and lowest circumstances of mortality. They extinguish in us both the fear and envy of human grandeur. Insolence shrinks its head, power disappears; pain, poverty, and death fly before them. In short, the mind that is habituated to the lively sense of an Hereafter can hope for what is the most terrifying to the generality of mankind, and rejoice in what is the most afflicting.
Joseph Addison: Tatler, No. 156.    
  724
 
  He is a universal scholar, so far as the title-page of all authors; knows the manuscripts in which they were discovered, the editions through which they have passed, with the praises or censures which they have received from the several members of the learned world. He has a greater esteem for Aldus and Elzevir than for Virgil and Horace. If you talk of Herodotus, he breaks out into a panegyric upon Harry Stephens. He thinks he gives you an account of an author when he tells you the subject he treats of, the name of the editor, and the year in which it was printed. Or, if you draw him into further particulars, he cries up the goodness of the paper, extols the diligence of the corrector, and is transported with the beauty of the letter. This he looks upon to be sound learning and substantial criticism. As for those who talk of the fineness of style, and the justness of thought, or describe the brightness of any particular passages, nay, though they themselves write in the genius and spirit of the author they admire, Tom looks upon them as men of superficial learning and flashy parts.
Joseph Addison: Tatler, No. 158.    
  725
 
  There is another kind of pedant, who, with all Tom Folio’s impertinences, hath greater superstructures and embellishments of Greek and Latin, and is still more insupportable than the other, in the same degree as he is more learned. Of this kind very often are editors, commentators, interpreters, scholiasts, and critics; and, in short, all men of deep learning without common sense.  726
  These persons set a greater value on themselves for having found out the meaning of a passage in Greek, than upon the author for having written it; nay, will allow the passage itself not to have any beauty in it at the same time that they would be considered as the greatest men of the age for having interpreted it. They will look with contempt on the most beautiful poems that have been composed by any of their contemporaries; but will lock themselves up in their studies for a twelvemonth together, to correct, publish, and expound such trifles of antiquity, as a modern author would be condemned for.
Joseph Addison: Tatler, No. 158.    
  727
 
  Men of the strictest morals, severest lives, and the gravest professions, will write volumes upon an idle sonnet, that is originally in Greek or Latin; give editions of the most immoral authors; and spin out whole pages upon the various readings of a lewd expression. All that can be said in excuse for them is, that their works sufficiently show they have no taste of their authors, and that what they do in this kind, is out of their great learning, and not out of any levity or lasciviousness of temper.
Joseph Addison: Tatler, No. 158.    
  728
 
  Of this shallow species there is not a more unfortunate, empty, and conceited animal than that which is generally known by the name of a Critic. This, in the common acceptation of the word, is one that, without entering into the sense and soul of an author, has a few general rules, which, like mechanical instruments, he applies to the works of every writer; and as they quadrate with them, pronounces the author perfect or defective. He is master of a certain set of words, as Unity, Style, Fire, Phlegm, Easy, Natural, Turn, Sentiment, and the like; which he varies, compounds, divides, and throws together, in every part of his discourse, without any thought or meaning. The marks you may know him by are, an elevated eye, and dogmatical brow, a positive voice, and a contempt for everything that comes out, whether he has read it or not.
Joseph Addison: Tatler, No. 165.    
  729
 
  This is the more necessary, because there seems to be a general combination among the pedants to extol one another’s labours and cry up one another’s parts; while men of sense, either through that modesty which is natural to them, or the scorn they have for such trifling commendations, enjoy their stock of knowledge, like a hidden treasure, with satisfaction and silence. Pedantry indeed in learning is like hypocrisy in religion, a form of knowledge without the power of it; that attracts the eyes of the common people; breaks out in noise and show; and finds its reward not from any inward pleasure that attends it, but from the praises and approbation which it receives from men.
Joseph Addison: Tatler, No. 165.    
  730
 
  The most delightful and most lasting engagements are generally those which pass between man and woman; and yet upon what trifles are they weakened, or entirely broken! Sometimes the parties fly asunder in the midst of courtship, and sometimes grow cool in the very honey-month. Some separate before the first child, and some after the fifth; others continue good until thirty, others until forty; while some few, whose souls are of a happier make, and better fitted one to another, travel on together to the end of their journey in a continual intercourse of kind offices and mutual endearments.  731
  When we therefore choose our companions for life, if we hope to keep both them and ourselves in good humour to the last stage of it, we must be extremely careful in the choice we make, as well as in the conduct on our own part. When the persons to whom we join ourselves can stand an examination and bear the scrutiny; when they mend upon our acquaintance with them, and discover new beauties the more we search into their characters; our love will naturally rise in proportion to their perfections.
Joseph Addison: Tatler, No. 192.    
  732
 
  But, to consider this subject in its most ridiculous lights, advertisements are of great use to the vulgar. First of all, as they are instruments of ambition. A man that is by no means big enough for the Gazette may easily creep into the advertisements; by which means we often see an apothecary in the same paper of news with a plenipotentiary, or a running footman with an ambassador. An advertisement from Piccadilly goes down to posterity with an article from Madrid, and John Bartlett of Goodman’s-fields is celebrated in the same paper with the Emperor of Germany. Thus the fable tells us that the wren mounted as high as the eagle, by getting upon his back.
Joseph Addison: Tatler, No. 224.    
  733
 
  I have hinted in some former Papers, that the greatest and wisest of men in all ages and countries, particularly in Rome and Greece, were renowned for their piety and virtue. It is now my intention to show how those in our own nation that have been unquestionably the most eminent for learning and knowledge were likewise the most eminent for their adherence to the religion of their country.  734
  I might produce very shining examples from among the clergy; but because priestcraft is the common cry of every cavilling, empty scribbler, I shall show that all the laymen who have exerted a more ordinary genius in their writings and were the glory of their times were men whose hopes were filled with immortality and the prospect of future rewards, and men who lived in a dutiful submission to all the doctrines of revealed religion.
Joseph Addison: Tatler, No. 267.    
  735
 
  It is certain there is no other passion which does produce such contrary effects in so great a degree. But this may be said for love, that if you strike it out of the soul, life would he insipid, and our being but half animated. Human nature would sink into deadness and lethargy, if not quickened with some active principle; and as for all others, whether ambition, envy, or avarice, which are apt to possess the mind in the absence of this passion, it must be allowed that they have greater pains, without the compensation of such exquisite pleasures as those we find in love. The great skill is to heighten the satisfactions and deaden the sorrows of it; which, has been the end of many of my labours, and shall continue to be so, for the service of the world in general, and in particular of the fair sex, who are always the best or the worst part of it. It is a pity that a passion which has in it a capacity of making life happy should not be cultivated to the utmost advantage. Reason, prudence, and good nature, rightly applied, can thoroughly accomplish this great end, provided they have always a real and constant love to work on.
Joseph Addison: Tatler, No. 9.    
  736
 
  I have been always wonderfully delighted with fables, allegories, and the like inventions, which the politest and the best instructors of mankind have always made use of. They take off from the severity of instruction, and enforce it at the same time that they conceal it.
Joseph Addison: Tatler, No. 90.    
  737
 
  A gentleman who is apt to expatiate upon any hint, took this occasion to deliver his opinion upon our ordinary method of sending young men to travel for their education. “It is certain,” said he, “if gentlemen travel at an age proper for them, during the course of their voyages their accounts to their friends, and after their return their discourses and conversations, will have in them something above what we can meet with from those who have not had those advantages.” At the same time it is to be observed that every temper and genius is not qualified for this way of improvement. Men may change their climate, but they cannot change their nature. A man that goes out a fool cannot ride or sail himself into common sense. Therefore, let me but walk over London bridge with a young man, and I will tell you infallibly whether going over the Rialto at Venice will make him wiser.
Joseph Addison: Tatler, No. 93.    
  738
 
  But, before I invite you into my society and friendship, I will he open and sincere with you, and must lay this down as an established truth, That there is nothing truly valuable which can be purchased without pains and labour. The gods have set a price upon every real and noble pleasure. If you would gain the favour of the Deity, you must be at the pains of worshipping him; if the friendship of good men, you must study to oblige them; if you would be honoured by your country, you must take care to serve it. In short, if you would be eminent in war or peace, you must become master of all the qualifications that can make you so.
Joseph Addison: Tatler, No. 97.    
  739
 
  No man writes a book without meaning something, though he may not have the faculty of writing consequentially, and expressing his meaning.
Joseph Addison: Whig Examiner.    
  740
 
 
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