Nonfiction > Harvard Classics > Benvenuto Cellini > Autobiography
Benvenuto Cellini (1500–1571).  Autobiography.
The Harvard Classics.  1909–14.
IN addition to these things the Cardinal ordered me to make the model for a salt-cellar; but he said he should like me to leave the beaten track pursued by such as fabricated these things. Messer Luigi, apropos of this salt-cellar, made an eloquent description of his own idea; Messer Gabriello Cesano also spoke exceedingly well to the same purpose. The Cardinal, who was a very kindly listener, showed extreme satisfaction with the designs which these two able men of letters had described in words. Then he turned to me and said: “My Benvenuto, the design of Messer Luigi and that of Messer Gabriello please me both so well that I know not how to choose between them; therefore I leave the choice to you, who will have to execute the work.” I replied as follows: “It is apparent, my lords, of what vast consequence are the sons of kings and emperors, and what a marvellous brightness of divinity appears in them; nevertheless, if you ask some poor humble shepherd which he loves best, those royal children or his sons, he will certainly tell you that he loves his own sons best. Now I too have a great affection for the children which I bring forth from my art; consequently the first which I will show you, most reverend monsignor my good master, shall be of my own making and invention. There are many things beautiful enough in words which do not match together well when executed by an artist.” Then I turned to the two scholars and said: “You have spoken, I will do.” Upon this Messer Luigi Alamanni smiled, and added a great many witty things, with the greatest charm of manner, in my praise; they became him well, for he was handsome of face and figure, and had a gentle voice. Messer Gabriello Cesano was quite the opposite, as ugly and displeasing as the other was agreeable; accordingly he spoke as he looked.  1
  Messer Luigi had suggested that I should fashion a Venus with Cupid, surrounded by a crowd of pretty emblems, all in proper keeping with the subject. Messer Gabriello proposed that I should model an Amphitrite, the wife of Neptune, together with those Tritons of the sea, and many such-like fancies, good enough to describe in words, but not to execute in metal.  2
  I first laid down an oval framework, considerably longer than half a cubit—almost two-thirds, in fact; and upon this ground, wishing to suggest the interminglement of land and ocean, I modelled two figures, considerably taller than a palm in height, which were seated with their legs interlaced, suggesting those lengthier branches of the sea which run up into the continents. The sea was a man, and in his hand I placed a ship, elaborately wrought in all its details, and well adapted to hold a quantity of salt. Beneath him I grouped the four sea-horses, and in his right hand he held his trident. The earth I fashioned like a woman, with all the beauty of form, the grace, and charm of which my art was capable. She had a richly decorated temple firmly based upon the ground at one side; and here her hand rested. This I intended to receive the pepper. In her other hand I put a cornucopia, overflowing with all the natural treasures I could think of. Below this goddess, in the part which represented earth, I collected the fairest animals that haunt our globe. In the quarter presided over by the deity of ocean, I fashioned such choice kinds of fishes and shells as could be properly displayed in that small space. What remained of the oval I filled in with luxuriant ornamentation.  3
  Then I waited for the Cardinal; and when he came, attended by the two accomplished gentlemen, I produced the model I had made in wax. On beholding it, Messer Gabriel Cesano was the first to lift his voice up, and to cry: “This is a piece which it will take the lives of ten men to finish: do not expect, most reverend monsignor, if you order it, to get it in your lifetime. Benvenuto, it seems, has chosen to display his children in a vision, but not to give them to the touch, as we did when we spoke of things that could be carried out, while he has shown a thing beyond the bounds of possibility.” Messer Alamanni took my side; but the Cardinal said he did not care to undertake so important an affair. Then I turned to them and said: “Most reverend monsignor, and you, gentlemen, fulfilled with learning; I tell you that I hope to complete this piece for whosoever shall be destined to possess it; 1 and each one of you shall live to I see it executed a hundred times more richly than the model. Indeed, I hope that time will be left me to produce far greater things than this.” The Cardinal replied in heat: “Unless you make if for the King, to whom I mean to take you, I do not think that you will make it for another man alive.” Then he showed me letters in which the King, under one heading, bade him return as soon as possible, bringing Benvenuto with him. At this I raised my hands to heaven, exclaiming: “Oh, when will that moment come, and quickly?” The Cardinal bade me put myself in readiness, and arrange the affairs I had in Rome. He gave me ten days for these preparations.  4
Note 1. A chi l’ard avere. For whomsoever it in going to belong to. [back]

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